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README.md
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**Overtone singing** is one of the world’s most striking and acoustically fascinating vocal arts.
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Practitioners manipulate the shape of the vocal tract to filter and emphasize individual harmonics, creating the illusion of multiple pitches from a single voice.
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While it is best known from **Tuvan** and **Mongolian** traditions (such as *Khoomei*, *Sygyt*, and *Kargyraa*), variations of overtone singing appear across many cultures — including Tibetan chant, Sardinian *cantu a tenore*, and modern Western
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This dataset presents a **neutral, non-traditional representation** of overtone singing.
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It is designed not to imitate any specific cultural style but to serve as a **technical and expressive study** of harmonic isolation and control — useful for both acoustic analysis and generative modeling of the human voice.
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**Overtone singing** is one of the world’s most striking and acoustically fascinating vocal arts.
|
| 54 |
Practitioners manipulate the shape of the vocal tract to filter and emphasize individual harmonics, creating the illusion of multiple pitches from a single voice.
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| 55 |
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| 56 |
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While it is best known from **Tuvan** and **Mongolian** traditions (such as *Khoomei*, *Sygyt*, and *Kargyraa*), variations of overtone singing appear across many cultures — including Tibetan chant, Sardinian *cantu a tenore*, and modern Western choirs.
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| 57 |
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| 58 |
This dataset presents a **neutral, non-traditional representation** of overtone singing.
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| 59 |
It is designed not to imitate any specific cultural style but to serve as a **technical and expressive study** of harmonic isolation and control — useful for both acoustic analysis and generative modeling of the human voice.
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