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[
"CHANCE \n\t\tNo. Thomas Franklin told me that I\n\t\thad to leave the Old Man's house,\n\t\the's dead now, you know...",
"The TV plays offstage as Chance washes up in the bathroom. He\n\tfinishes, comes into the bedroom, takes a pair of house\n\tslippers from his closet, turns off the television and leaves\n\tthe room.",
"Chance stops short on the front steps; the townhouse is\n\tsituated in a decaying ghetto.\n\tThe snow is a dirty grey, houses adjoining have their windows",
"Franklin, the attorney that evicted Chance, comes out of the\n\tbathroom brushing his teeth. His wife, JOHANNA, is in bed",
"Chance leaves the bedroom. Allenby watches him go, then sits\n\tback in a chair, his head spinning.\n\n\tEXT. RAND MANSION - DAY",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"away. Chance comes out of the front door, walking with a\n\tlimp. His first view of the Rand grounds in the daylight, he",
"INT. CHANCE'S ROOM - AFTERNOON\n\n\tThe TV is on as Chance packs his belongings.\n\n\tEXT. GARDEN - AFTERNOON",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"CHANCE\n\t\t\t(gets out of chair)\n\t\tOh, really?\n\n\tAllenby, a bit puzzled, watches as Chance goes into the\n\thouse.",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"Chance enters, puts his laundry bag on a covered table near\n\tthe doorway. He sits at the dining room table, turns on the",
"and leaves the room. Chance sits back down, watches TV as\n\tPerkins attends to his clothes with a whisk broom.",
"The woman looks up to Chance, becomes very frightened. She\n\tturns and half-runs into a sleazy bar for safety. Chance\n\twatches after her for a moment, then continues along.",
"INT. MAIN HOUSE - UPSTAIRS HALLWAY - MORNING\n\n\tChance comes out of a doorway adjoining the main staircase.\n\tHe moves off down the hall.",
"The interior of the main house has the mustiness of age, the\n\twarmth of oak. White dropcloths and sheets cover all of the\n\tfurniture. Chance enters, walks through the hallway.",
"Chance, very nicely dressed, comes out of the rear building\n\tcarrying his suitcase. He stops on occasion to inspect his\n\tgarden as he walks toward the townhouse.",
"Louise takes one more look at the covered body, then opens\n\tthe front door, leaves.\n\n\tINT. CHANCE'S ROOM - DAY",
"Hull leads Chance out of the makeup room. Colson closes the\n\tdoor, then carefully picks up Chance's water glass, wraps it\n\tin Kleenex, puts it in his overcoat pocket."
],
[
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"The RAND 1 limousine pulls up to Sophie's house. Jeffrey\n\topens the door for Eve and Chance. He wears Ben's tuxedo, Eve",
"Rand is in bed. Eve sits in a chair next to the bed, squeezes\n\tRand's hand in excitement as they both watch Chance on\n\ttelevision. Teresa, the nurse, watches in the background.",
"Rand is in bed. Eve sits on the edge, looks warmly to Chance\n\twho stands nearby.\n\tAllenby prepares an injection for Rand, and occasionally",
"CHANCE \n\t\tI want to tell Eve.\n\n\t\t\t\tDENNIS \n\t\tTell Eve? You mean Mrs. Rand?",
"EVE (CONT'D)\n\t\tOh, by the way - I'm Eve Rand.\n\n\t\t\t\tCHANCE\n\t\tHello, Eve.",
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"Rand is in an easy chair, dressed for his meeting with the\n\tPresident. The two nurses are working at the disinfecting\n\ttable. Rand smiles as Chance is shown into the room by\n\tSmythe.",
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"CHANCE \n\t\tYes, Ben. That's a good idea.\n\n\tRand walks slowly, clings to the limping Chance tightly as\n\tthey leave the room.",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"Rand hangs up the phone, turns to Chance with a twinkle in\n\this eyes.",
"Chance puts the unlit cigar in the ashtray, smiles at\n\tAllenby, then answers Rand.\n\n\t\t\t\tCHANCE \n\t\tNo, Ben.",
"CHANCE \n\t\tThank you, Ben. \n\t\t\t(looks at Rand closely)\n\t\t... The nurse did a very good job,\n\t\tBen.",
"Eve and Sophie are talking to a small group. Chance moves\n\taway to get an hors d'oeuvre and is approached by RONALD\n\tSTIEGLER, a publisher.",
"CHANCE \n\t\tI'm glad he came, Ben. It was nice\n\t\ttalking to the President.\n\n\tEXT. RAND MANSION - MORNING",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"CHANCE \n\t\tThank you, Robert.\n\n\tRand lights his own cigar, then hands an ornate lighter to\n\tChance.",
"RAND \n\t\tOf course! By kid-lawyers!\n\n\tEve turns to Chance."
],
[
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"Chance takes a sip of the cognac, is not accustomed to\n\talcohol, coughs. There is another moment of silence.\n\n\t\t\t\tEVE\n\t\tMay I ask your name?",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"EVE (CONT'D)\n\t\tOh, by the way - I'm Eve Rand.\n\n\t\t\t\tCHANCE\n\t\tHello, Eve.",
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"CHANCE \n\t\tI want to tell Eve.\n\n\t\t\t\tDENNIS \n\t\tTell Eve? You mean Mrs. Rand?",
"EVE \n\t\t\t(approaches Chance, calls)\n\t\tChauncey!\n\n\t\t\t\tCHANCE \n\t\t\t(stops, turns)\n\t\tHello, Eve.",
"EVE\n\t\tHello, Sophie.\n\n\tSophie steps back, looks at Chance.\n\n\t\t\t\tSOPHIE\n\t\tAnd look who you brought with!",
"The reception is breaking up. Eve, wearing her coat, searches\n\tfor Chance in the crowd. She sees him, taps him on the\n\tshoulder from behind.",
"CHANCE\n\t\tGood night, Eve.\n\n\tEve closes the door. Wilson wheels Chance down the hallway\n\ttoward the guest room.",
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"CHANCE\n\t\t\t(a bite of toast)\n\t\tNo, Eve. I like you to be here.\n\n\tEve smiles, moves a little closer to Chance.",
"Chance smiles at Eve and there is a moment of silence before\n\tEve steps back into her bedroom.\n\n\t\t\t\tEVE\n\t\t... Good night, Chauncey.",
"EVE\n\t\t\t(a bit surprised)\n\t\tOh? Certainly...\n\n\tShe hands Chance the cognac, turns on the TV.",
"EVE (CONT'D)\n\t\t... Chauncey... Last night you\n\t\tmentioned an old man, that died.\n\n\t\t\t\tCHANCE \n\t\tYes."
],
[
"CHANCE \n\t\tI do not read any newspapers. I\n\t\twatch TV.\n\n\tThere is a moment of silence as the reporters digest this.\n\tThe TV Reporter smiles, questions Chance.",
"CHANCE \n\t\tThank you, Robert.\n\n\tRand lights his own cigar, then hands an ornate lighter to\n\tChance.",
"Chance is in bed, a bed tray on his lap, eating breakfast. A\n\tpile of the morning's newspapers lies at the foot of the bed,",
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"The BAND plays as Chance comes onto the stage. An audience of\n\tabout three hundred applauds Chance as he appears. Two TV",
"She takes Chance in her arms, kisses him wildly. They fall to\n\ther bed in an embrace. As she holds him, kisses him, runs her",
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"Chance is asleep, lying on his back. His eyes slowly open,\n\tand, with no change of expression, he sits up and turns on",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"Rand hangs up the phone, turns to Chance with a twinkle in\n\this eyes.",
"As she talks, Chance watches a love scene on TV. The hero\n\tgives his lady a passionate kiss and embrace. The scene seems",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"The audience applauds Chance's apparent metaphor. Dupont\n\twaits for it all to subside, then asks another question.\n\n\tINT. RAND'S HOSPITAL ROOM - NIGHT",
"CHANCE \n\t\tNo.\n\n\tAllenby waits for Chance to say more, he does not. Finally,\n\tAllenby picks up his bag, heads for the door.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"stable and rational. And that is\n\t\twhy we must not fear to be at its\n\t\tmercy! \n\t\t\t(he smiles at Chance, who",
"... You're always gonna be a little\n\t\tboy, ain't you? \n\t\t\t(he smiles, keeps working)\n\t\t... Goodbye, Chance...",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"turns, looks behind him and sees a large statue of Benito\n\tJuarez pointing. Chance smiles and goes off in the direction\n\tthat Benito points.",
"Chance bends, raises his trouser leg. A red-bluish swollen\n\tbruise, three inches in diameter, is forming on his calf."
],
[
"As Rand sinks into the chair, Chance approaches the President\n\twith both hands outstretched.\n\n\t\t\t\tCHANCE \n\t\tGood morning, Mr. President.",
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"Rand is in an easy chair, dressed for his meeting with the\n\tPresident. The two nurses are working at the disinfecting\n\ttable. Rand smiles as Chance is shown into the room by\n\tSmythe.",
"An aide, KAUFMAN, waits by the front door of the Rand\n\tmansion. As the President comes out, he speaks quietly to\n\tKaufman.",
"The President clasps Rand's hand.\n\n\t\t\t\tRAND \n\t\tYou're right, Mr. President I don't\n\t\tlike feeling sorry for myself.",
"RAND (CONT'D)\n\t\t\t(stands, very weak)\n\t\tNot now, Teresa. I'm seeing the\n\t\tPresident on my own two feet.",
"PRESIDENT \n\t\t\t(interrupts)\n\t\tHe's an advisor and close personal\n\t\tfriend of Rand's! For Christ sakes,\n\t\tthey have volumes of data on\n\t\tBenjamin!",
"PRESIDENT \n\t\tBen!\n\n\t\t\t\tRAND \n\t\t\t(very weak)\n\t\t... Mr. President, how good to see\n\t\tyou.",
"PRESIDENT \n\t\tIt's that serious, huh?\n\n\t\t\t\tRAND \n\t\tI'm afraid so.",
"INT. RAND LIBRARY - MORNING\n\n\tRand and Chance come into the Library and the President goes\n\tto Rand with both hands outstretched.",
"INT. LIBRARY - MORNING\n\n\tThe President is worried about what Rand is telling him. He\n\tpaces, smokes a cigarette. Chance smiles through it all.",
"The President leaves the Oval Office.\n\n\tINT. RAND MANSION - THIRD FLOOR HALLWAY - NIGHT\n\n\tEve and Chance walk down the hallway.",
"PRESIDENT (CONT'D)\n\t\tI initially came in contact with\n\t\tthe Rand name in 1943. 1 was a",
"PRESIDENT \n\t\tWell, I'm delighted to be here, my\n\t\tfriend. I've missed you. \n\t\t\t(guides Rand to chair)\n\t\tHere, sit down, get off your feet.",
"PRESIDENT \n\t\t\t(again interrupts)\n\t\tI do not want Benjamin Rand\n\t\tdisturbed! You have other ways of",
"KAUFMAN \n\t\tYes, Mr. President, we attempted to\n\t\tcontact Mr. Rand, but he was too\n\t\till to...",
"RAND \n\t\tMr. President, I'd like you to meet\n\t\tmy dear friend, Mr. Chauncey\n\t\tGardiner.",
"RAND \n\t\t\t(smiling)\n\t\tYou will find that my house guest\n\t\tdoes not bandy words, Mr.\n\t\tPresident.",
"Rand is in bed. Sitting nearby are two attorneys, MONROE and\n\tTOWNSEND. Mrs. Aubrey stands to one side and Constance and\n\tTeresa prepare an IV for Rand.",
"RAND \n\t\t\t(barely able to stand)\n\t\tI'm not convinced of that, Mr.\n\t\tPresident, but your visit has\n\t\traised my spirits..."
],
[
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"Rand starts coughing, breathing heavily. Allenby and the\n\tnurses rush to his bedside. Allenby shoots a quick look to\n\tEve and Chance.",
"Rand is in bed. Eve sits on the edge, looks warmly to Chance\n\twho stands nearby.\n\tAllenby prepares an injection for Rand, and occasionally",
"RAND\n\t\t(with weakness) \n\t\t... Eve...\n\n\tEve kisses him, holds his hand.",
"Rand, very weak, strains to speak to Allenby.\n\n\t\t\t\tRAND \n\t\tNo more, Robert... No more\n\t\tneedles...",
"Rand is in bed. Eve sits in a chair next to the bed, squeezes\n\tRand's hand in excitement as they both watch Chance on\n\ttelevision. Teresa, the nurse, watches in the background.",
"Allenby, with nothing more he can do to prolong Rand's life,\n\tsits on the bed close to him, grips his hand tightly. Teresa",
"Rand is in bed. Eve, Chance and Allenby are seated around\n\thim, the two nurses standing to one side. They all watch the",
"RAND \n\t\tNo one likes a dying man, my boy -\n\t\tbecause few know what death is. All",
"CHANCE \n\t\tI want to tell Eve.\n\n\t\t\t\tDENNIS \n\t\tTell Eve? You mean Mrs. Rand?",
"There is silence from Eve. Rand squeezes her hand, turns to\n\tConstance.",
"Rand speaks slowly, with obvious weakness.",
"Rand perks up a bit at this mention. Allenby manages a smile,\n\tonce again looks at Rand, checking his condition. Eve looks\n\tproudly at Chance, who continues to enjoy the oxygen.",
"Rand pulls Eve's hand close, kisses it.\n\n\tINT. EAST WING GUEST SUITE - NIGHT",
"Chance reaches out, uncovers Rand's face, gently touches the\n\tman's forehead, feels the coldness. Allenby eyes him as\n\tChance stays with Rand for a moment, then replaces the sheet.",
"RAND \n\t\t\t(smiles)\n\t\tHah!... Tell me the truth, Eve - if\n\t\tI wait until I feel better, will I\n\t\tever meet the man?",
"Constance hurries to Teresa's side. Rand turns to Eve.",
"Allenby reaches out, holds Eve's hand.\n\n\tINT. RAND MANSION - FIRST FLOOR HALLWAY - NIGHT",
"Rand is in bed. Sitting nearby are two attorneys, MONROE and\n\tTOWNSEND. Mrs. Aubrey stands to one side and Constance and\n\tTeresa prepare an IV for Rand.",
"EXT. RAND'S FUNERAL - DAY\n\n\tJeffrey stands holding the door for Eve and Allenby, all the\n\tother cars have gone. Eve is worried, gets into the car."
],
[
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"EVE (CONT'D)\n\t\t\t(getting aroused)\n\t\tOh, Chauncey...",
"Eve slowly gets up from the bed, nervously paces the bedroom\n\tas Chance watches TV. She makes a decision, moves to Chance,\n\tkisses him.",
"his breakfast, keep an eye on the TV, and to comfort Eve. She\n\tgives in to her desires, begins to caress Chance, running her",
"own touch, finds a heretofore undiscovered pleasure with her\n\town body. Chance changes the channel as she reaches orgasm.",
"EVE (CONT'D)\n\t\t\t(stopping by door)\n\t\t... I do love you, Chauncey.",
"She smiles, gets in bed and pulls the covers over herself.\n\tChance divides his attention between Eve and the TV, watching\n\tboth with an equal detachment. Eve begins to respond to her",
"EVE (CONT'D)\n\t\t... You don't want me, Chauncey...\n\t\tYou don't feel anything for me...\n\t\tNothing at all...",
"hands over his body, Chance watches television, neither\n\tresists nor responds to Eve's caresses. Suddenly she stops,\n\tlets her head fall on Chance's chest.",
"hand over his body. She kisses him, his eyes, his neck, his\n\tlips, his ears. Chance does not return the lovemaking, and",
"Eve runs, half falls as she goes down the hill.\n\n\t\t\t\tEVE \n\t\tOh, Chauncey...!\n\n\tShe gets to him, holds him tightly.",
"EVE\n\t\tChauncey, where have you been? I\n\t\twas afraid you got bored and left,\n\t\tor that you were with some\n\t\tmysterious woman.",
"EVE \n\t\t\t(opens her door)\n\t\t... Come in, Chauncey - please come\n\t\tin...\n\n\t\t\t\tCHANCE \n\t\tThank you.",
"Chance smiles at Eve and there is a moment of silence before\n\tEve steps back into her bedroom.\n\n\t\t\t\tEVE\n\t\t... Good night, Chauncey.",
"Rand is in bed. Eve sits in a chair next to the bed, squeezes\n\tRand's hand in excitement as they both watch Chance on\n\ttelevision. Teresa, the nurse, watches in the background.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"EVE (CONT'D)\n\t\tOh, Chauncey, darling... Where have\n\t\tyou been? We thought we'd lost you -\n\t\twe've been looking all over!",
"She takes Chance in her arms, kisses him wildly. They fall to\n\ther bed in an embrace. As she holds him, kisses him, runs her",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"Chance enters, Eve closes the door behind them.\n\n\tINT. EVE'S ROOM - NIGHT"
],
[
"Chance picks up his slippers and leads the attorneys outside.\n\n\tEXT. GARDEN - AFTERNOON\n\n\tChance describes his garden with pride as they walk toward\n\tthe rear building.",
"RAND \n\t\tA gardener! Well put, Chauncey\n\t\texcellent! Isn't that what a",
"How poetic! Chauncey, a name of\n\t\tuncertain meaning! And Gardiner, a\n\t\tbit of the French, a suggestion of",
"HAYES \n\t\t... Then you really are a gardener?\n\n\t\t\t\tCHANCE \n\t\tYes.",
"CHANCE\n\t\t\t(over TV)\n\t\tYes. We need a very good gardener.\n\n\tINT. TV STUDIO - NIGHT\n\n\tDupont continues his questions.",
"JOHANNA \n\t\tYes, Chauncey Gardiner.\n\n\t\t\t\tFRANKLIN \n\t\tNo! He's a real gardener!",
"Chauncey, what a brilliant metaphor\n\t\t-- yes, indeed, a productive\n\t\tbusinessman is a laborer in his own\n\t\tvineyard.",
"CHANCE \n\t\tI would like to stay and work in my\n\t\tgarden.\n\n\tChance turns to watch TV. Franklin takes Hayes to a side of\n\tthe room.",
"Chance, very nicely dressed, comes out of the rear building\n\tcarrying his suitcase. He stops on occasion to inspect his\n\tgarden as he walks toward the townhouse.",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"RAND \n\t\tDo we have a garden? Hah! Tomorrow,\n\t\tChauncey, you will see our gardens.",
"Chauncey - I hope that you'll stay\n\t\twith Eve... Take care of her, watch\n\t\tover her, she's a delicate flower,",
"Chance looks around the room. \n\n\t\t\t\tCHANCE \n\t\tDoes this house have a garden?\n\n\tAllenby gives Chance a look.",
"EVE\n\t\tChauncey, where have you been? I\n\t\twas afraid you got bored and left,\n\t\tor that you were with some\n\t\tmysterious woman.",
"... Thank you, Chauncey... Thank\n\t\tyou very much. \n\t\t\t(takes back hand)\n\t\t... All right, Robert, I'm all",
"Chance is still turned to the monitor.\n\n\t\t\t\tCHANCE\n\t\tOh, yes. It is possible for one\n\t\tside of the garden to be flooded,\n\t\tand the other side to be dry...",
"CHANCE\n\t\t\t(gazing at TV)\n\t\tI'm going to work in the garden.\n\n\tLouise gives Chance a long look, then turns to leave.",
"CHANCE \n\t\tThank you, Ben. The garden that I\n\t\tleft was such a place. Everything\n\t\twhich grew there was with the labor",
"PRESIDENT \n\t\tNow, Ben, I won't have any of that.\n\t\tWhy don't you listen to your good\n\t\tfriend Chauncey this is a time to\n\t\tthink of life!",
"Chance returns to his room, changes channels on the\n\ttelevision, takes off his robe and hangs it back up in the\n\tcloset, then goes into the bathroom.\n\n\tEXT. GARDEN - MORNING"
],
[
"... Thank you, Chauncey... Thank\n\t\tyou very much. \n\t\t\t(takes back hand)\n\t\t... All right, Robert, I'm all",
"Chauncey...",
"we know is the terror of it. But\n\t\tyou're an exception, Chauncey -\n\t\tthat's what I admire in you, your",
"... You're always gonna be a little\n\t\tboy, ain't you? \n\t\t\t(he smiles, keeps working)\n\t\t... Goodbye, Chance...",
"stable and rational. And that is\n\t\twhy we must not fear to be at its\n\t\tmercy! \n\t\t\t(he smiles at Chance, who",
"JOHANNA \n\t\tYes, Chauncey Gardiner.\n\n\t\t\t\tFRANKLIN \n\t\tNo! He's a real gardener!",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"CHANCE \n\t\t\t(a smile, totally at ease)\n\t\tYes, Thomas - I understand.\n\n\tAnother period of silence. Franklin and Hayes seem perplexed.",
"PRESIDENT \n\t\tNow, Ben, I won't have any of that.\n\t\tWhy don't you listen to your good\n\t\tfriend Chauncey this is a time to\n\t\tthink of life!",
"Rand slumps down, dead. Allenby checks his pulse, turns to\n\tChance.\n\n\t\t\t\tALLENBY \n\t\t... He's gone, Chauncey.",
"The audience applauds Chance's apparent metaphor. Dupont\n\twaits for it all to subside, then asks another question.\n\n\tINT. RAND'S HOSPITAL ROOM - NIGHT",
"ALLENBY (CONT'D)\n\t\t\t(checks leg)\n\t\tI swear, Chauncey, between you and",
"RAND \n\t\t\t(stops outside his door)\n\t\tAnd, please, Chauncey - don't rush",
"... But you're so strong - I can\n\t\ttrust myself with you. I'm glad,\n\t\tChauncey - I'm glad that you showed",
"EVE \n\t\tThere he is! Chauncey!\n\n\tDavid stops the limousine at the point where Chance crossed.\n\tEve hurries out of the car.",
"RAND \n\t\tHe was quite impressed with your\n\t\tcomments, Chauncey - he hears my\n\t\tsort of analysis from everyone, but\n\t\tyours, unfortunately - seldom if\n\t\tever at all.",
"RAND \n\t\t... Maybe one day you shall find\n\t\tyourself in a similar position,\n\t\tChauncey... Maybe one day...",
"Chance leaves the bedroom. Allenby watches him go, then sits\n\tback in a chair, his head spinning.\n\n\tEXT. RAND MANSION - DAY",
"Perkins nods, takes Chance's overcoat, allows everyone to\n\tenter the house ahead of him. Alone on the steps, Perkins\n\tquickly searches through the pockets of the coat, finds\n\tnothing.",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles."
],
[
"away. Chance comes out of the front door, walking with a\n\tlimp. His first view of the Rand grounds in the daylight, he",
"Chance leaves the bedroom. Allenby watches him go, then sits\n\tback in a chair, his head spinning.\n\n\tEXT. RAND MANSION - DAY",
"Chance is reluctant to open the front door. After some\n\thesitation, he gathers up his courage, opens it and steps\n\toutside, closing the door behind him.",
"the sidewalk to allow potential customers to see themselves\n\tlive on an Advent TV. Chance is intrigued by his own image.\n\tHe poses, lifts one arm, then the other to make sure that it",
"Chance picks up his slippers and leads the attorneys outside.\n\n\tEXT. GARDEN - AFTERNOON\n\n\tChance describes his garden with pride as they walk toward\n\tthe rear building.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"of curiosity. Chance stands by the side of the bed for a\n\tmoment, then he reaches down and gently pulls the sheet back\n\tfrom the Old Man's face. He touches the man's forehead,",
"CHANCE \n\t\tI do not read any newspapers. I\n\t\twatch TV.\n\n\tThere is a moment of silence as the reporters digest this.\n\tThe TV Reporter smiles, questions Chance.",
"Chance is asleep, lying on his back. His eyes slowly open,\n\tand, with no change of expression, he sits up and turns on",
"Chance returns to his room, changes channels on the\n\ttelevision, takes off his robe and hangs it back up in the\n\tcloset, then goes into the bathroom.\n\n\tEXT. GARDEN - MORNING",
"Chance walks deeper into the woods, absorbed in the greenery.\n\tHe stops by a tree, brushes some snow from a branch, moves\n\ton.\n\n\tEXT. RAND'S FUNERAL - DAY",
"enters the room. As Chance moves slowly to the Old Man's bed,\n\twe sense a feeling of respect from Chance, as well as a bit",
"Louise takes one more look at the covered body, then opens\n\tthe front door, leaves.\n\n\tINT. CHANCE'S ROOM - DAY",
"Chance limps aimlessly through a hallway. He stops, admires a\n\tlarge tapestry on the wall. A servant, SMYTHE, notices Chance\n\tappears confused, approaches him.",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"Chance stops short on the front steps; the townhouse is\n\tsituated in a decaying ghetto.\n\tThe snow is a dirty grey, houses adjoining have their windows",
"Chance is in bed, a bed tray on his lap, eating breakfast. A\n\tpile of the morning's newspapers lies at the foot of the bed,",
"EXT. WOODS - DAY\n\n\tChance, his umbrella under his arm, walks through the woods.\n\n\tEXT. RAND'S FUNERAL - DAY",
"Chance, very nicely dressed, comes out of the rear building\n\tcarrying his suitcase. He stops on occasion to inspect his\n\tgarden as he walks toward the townhouse.",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles."
],
[
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"As she talks, Chance watches a love scene on TV. The hero\n\tgives his lady a passionate kiss and embrace. The scene seems",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"EVE\n\t\t\t(a bit surprised)\n\t\tOh? Certainly...\n\n\tShe hands Chance the cognac, turns on the TV.",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"The woman looks up to Chance, becomes very frightened. She\n\tturns and half-runs into a sleazy bar for safety. Chance\n\twatches after her for a moment, then continues along.",
"CHANCE \n\t\tI like to watch. This is fine.\n\n\tChance watches the news. Eve sips on her cognac as David\n\teases the limo out of the city of Washington.",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"As Eve pours cognac into a monogrammed crystal glass, Chance\n\tnotices the limo's TV set.\n\n\t\t\t\tCHANCE (CONT'D)\n\t\tI would like to watch television.",
"CHANCE \n\t\tThank you, Robert.\n\n\tRand lights his own cigar, then hands an ornate lighter to\n\tChance.",
"Chance is asleep, lying on his back. His eyes slowly open,\n\tand, with no change of expression, he sits up and turns on",
"Chance takes a sip of the cognac, is not accustomed to\n\talcohol, coughs. There is another moment of silence.\n\n\t\t\t\tEVE\n\t\tMay I ask your name?",
"EVE\n\t\tWould you care for a drink?\n\n\t\t\t\tCHANCE\n\t\tYes. Thank you.",
"away. Chance comes out of the front door, walking with a\n\tlimp. His first view of the Rand grounds in the daylight, he",
"untouched. The TV is playing, Chance watches as he eats.\n\tThere is a knock at the door.",
"The audience applauds Chance's apparent metaphor. Dupont\n\twaits for it all to subside, then asks another question.\n\n\tINT. RAND'S HOSPITAL ROOM - NIGHT",
"CHANCE \n\t\tI do not read any newspapers. I\n\t\twatch TV.\n\n\tThere is a moment of silence as the reporters digest this.\n\tThe TV Reporter smiles, questions Chance.",
"She takes Chance in her arms, kisses him wildly. They fall to\n\ther bed in an embrace. As she holds him, kisses him, runs her",
"COLSON, the makeup man, comes through the corridor carrying a\n\tglass of water. He turns into the makeup room, goes to Chance",
"Hull leads Chance out of the makeup room. Colson closes the\n\tdoor, then carefully picks up Chance's water glass, wraps it\n\tin Kleenex, puts it in his overcoat pocket."
],
[
"Eve slowly gets up from the bed, nervously paces the bedroom\n\tas Chance watches TV. She makes a decision, moves to Chance,\n\tkisses him.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"CHANCE \n\t\t\t(without turning from TV)\n\t\tCome in!\n\n\tEve enters, wearing a robe over her nightgown.",
"Chance enters, Eve closes the door behind them.\n\n\tINT. EVE'S ROOM - NIGHT",
"his breakfast, keep an eye on the TV, and to comfort Eve. She\n\tgives in to her desires, begins to caress Chance, running her",
"CHANCE\n\t\t\t(a bite of toast)\n\t\tNo, Eve. I like you to be here.\n\n\tEve smiles, moves a little closer to Chance.",
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"EVE \n\t\t\t(opens her door)\n\t\t... Come in, Chauncey - please come\n\t\tin...\n\n\t\t\t\tCHANCE \n\t\tThank you.",
"CHANCE \n\t\tThank you, Eve.\n\n\tThe front door is opened for them by an attendant.\n\n\tINT. SOPHIE'S - EVENING",
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"EVE\n\t\t\t(a bit surprised)\n\t\tOh? Certainly...\n\n\tShe hands Chance the cognac, turns on the TV.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"EVE\n\t\tHello, Sophie.\n\n\tSophie steps back, looks at Chance.\n\n\t\t\t\tSOPHIE\n\t\tAnd look who you brought with!",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"CHANCE \n\t\tYou're welcome.\n\n\tEve and Chance walk toward the front door, leaving the\n\tnewsmen to talk among themselves.",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"EVE \n\t\tThank you, Wilson. That will be\n\t\tfine.\n\n\tPerkins and Jeffrey carry Chance in the chair up the steps\n\tand into the house. Eve and Wilson follow.",
"Chance puts his arm around her shoulder, nearly tipping his\n\tbreakfast tray. Eve responds to his touch, draws closer,\n\tholds Chance tightly. Chance does his best to avoid spilling",
"Eve and Chance sit in silence on the patio. Eve's eyes are\n\tswollen, red, she has been crying. She turns to Chance,\n\treaches out, touches his hand."
],
[
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"CHANCE \n\t\tYes, Eve. Ben is very wise.",
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"The RAND 1 limousine pulls up to Sophie's house. Jeffrey\n\topens the door for Eve and Chance. He wears Ben's tuxedo, Eve",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"INT. LIMOUSINE - NIGHT\n\n\tChance is glued to the TV, switches channels, again watches\n\tthe news. Eve takes his fascination with television as a sign\n\tof intelligence.",
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"CHANCE \n\t\tI want to tell Eve.\n\n\t\t\t\tDENNIS \n\t\tTell Eve? You mean Mrs. Rand?",
"CHANCE\n\t\tGood night, Eve.\n\n\tEve closes the door. Wilson wheels Chance down the hallway\n\ttoward the guest room.",
"The reception is breaking up. Eve, wearing her coat, searches\n\tfor Chance in the crowd. She sees him, taps him on the\n\tshoulder from behind.",
"EVE\n\t\tHello, Sophie.\n\n\tSophie steps back, looks at Chance.\n\n\t\t\t\tSOPHIE\n\t\tAnd look who you brought with!",
"CHANCE \n\t\tYou're welcome.\n\n\tEve and Chance walk toward the front door, leaving the\n\tnewsmen to talk among themselves.",
"CHANCE \n\t\tThank you, Eve.\n\n\tThe front door is opened for them by an attendant.\n\n\tINT. SOPHIE'S - EVENING",
"CHANCE \n\t\tI like to watch. This is fine.\n\n\tChance watches the news. Eve sips on her cognac as David\n\teases the limo out of the city of Washington.",
"CHANCE \n\t\tBen is very ill, Eve - I've seen\n\t\tthat before.\n\n\t\t\t\tEVE \n\t\tYes... I know, Chauncey.",
"EVE \n\t\t\t(approaches Chance, calls)\n\t\tChauncey!\n\n\t\t\t\tCHANCE \n\t\t\t(stops, turns)\n\t\tHello, Eve.",
"Chance puts the unlit cigar in the ashtray, smiles at\n\tAllenby, then answers Rand.\n\n\t\t\t\tCHANCE \n\t\tNo, Ben."
],
[
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"As Rand sinks into the chair, Chance approaches the President\n\twith both hands outstretched.\n\n\t\t\t\tCHANCE \n\t\tGood morning, Mr. President.",
"PRESIDENT \n\t\t\t(as he turns to go, a\n\t\t\t\tsmile to Chance)\n\t\tMr. Gardiner...\n\n\tThe President leaves the library and Chance sits back down.",
"CHANCE \n\t\tYes?\n\n\tThere is a beat as the President looks at Chance quizzically,\n\tthen he continues.",
"The President gives Chance a look, then laughs.",
"Rand is in an easy chair, dressed for his meeting with the\n\tPresident. The two nurses are working at the disinfecting\n\ttable. Rand smiles as Chance is shown into the room by\n\tSmythe.",
"Chance rises and shakes the President's hand.\n\n\t\t\t\tCHANCE \n\t\tYes. It has.",
"INT. LIBRARY - MORNING\n\n\tThe President is worried about what Rand is telling him. He\n\tpaces, smokes a cigarette. Chance smiles through it all.",
"CHANCE \n\t\tYes. Ben called me. He wants me to\n\t\tmeet the President.",
"CHANCE \n\t\tI'm glad he came, Ben. It was nice\n\t\ttalking to the President.\n\n\tEXT. RAND MANSION - MORNING",
"PRESIDENT \n\t\tMr. Gardiner, my pleasure.\n\n\t\t\t\tCHANCE \n\t\tYou look much taller on television,\n\t\tMr. President.",
"INT. RAND LIBRARY - MORNING\n\n\tRand and Chance come into the Library and the President goes\n\tto Rand with both hands outstretched.",
"PRESIDENT \n\t\t\t(also sits)\n\t\tNow, Ben, did you happen to get a\n\t\tchance to...\n\n\tChance perks up at the mention of his name, interrupts.",
"CHANCE \n\t\tYes, Robert. I know about the\n\t\tPresident.",
"Chance smiles at well-wishers as they continue on through the\n\tcorridor.\n\n\tINT. PRESIDENT'S BEDROOM - NIGHT",
"PRESIDENT\n\t\t... That bastard...\n\n\tThe First Lady moves closer to him.\n\n\tINT. CHANCE'S ROOM - NIGHT",
"Tourists are gathered around gaping through the fence at the\n\tWhite House.\n\tChance is turned the other way, inspecting the branches of a\n\tdying tree. Chance moves to a POLICEMAN standing nearby.",
"PRESIDENT \n\t\t... You will honor me and my family\n\t\twith a visit, won't you?\n\n\t\t\t\tCHANCE \n\t\tYes. I will.",
"CHANCE \n\t\tI do not read any newspapers. I\n\t\twatch TV.\n\n\tThere is a moment of silence as the reporters digest this.\n\tThe TV Reporter smiles, questions Chance.",
"he again switches channels. Chance watches TV News coverage\n\tof the PRESIDENT of the United States greeting foreign\n\tdignitaries at the White House."
],
[
"CHANCE \n\t\tI do not read any newspapers. I\n\t\twatch TV.\n\n\tThere is a moment of silence as the reporters digest this.\n\tThe TV Reporter smiles, questions Chance.",
"The BAND plays as Chance comes onto the stage. An audience of\n\tabout three hundred applauds Chance as he appears. Two TV",
"CHANCE \n\t\tThank you, Robert.\n\n\tRand lights his own cigar, then hands an ornate lighter to\n\tChance.",
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"As she talks, Chance watches a love scene on TV. The hero\n\tgives his lady a passionate kiss and embrace. The scene seems",
"Chance is in bed, a bed tray on his lap, eating breakfast. A\n\tpile of the morning's newspapers lies at the foot of the bed,",
"She takes Chance in her arms, kisses him wildly. They fall to\n\ther bed in an embrace. As she holds him, kisses him, runs her",
"Chance is asleep, lying on his back. His eyes slowly open,\n\tand, with no change of expression, he sits up and turns on",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"Rand hangs up the phone, turns to Chance with a twinkle in\n\this eyes.",
"CHANCE \n\t\tI see.\n\n\tChance turns on the TV.",
"The audience applauds Chance's apparent metaphor. Dupont\n\twaits for it all to subside, then asks another question.\n\n\tINT. RAND'S HOSPITAL ROOM - NIGHT",
"the sidewalk to allow potential customers to see themselves\n\tlive on an Advent TV. Chance is intrigued by his own image.\n\tHe poses, lifts one arm, then the other to make sure that it",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"CHANCE \n\t\tI like to watch. This is fine.\n\n\tChance watches the news. Eve sips on her cognac as David\n\teases the limo out of the city of Washington.",
"CHANCE \n\t\t\t(changes channels)\n\t\tYes. I remember when he came. He\n\t\twas very fat and had short hair and\n\t\tshowed me some pictures from a\n\t\tfunny little book.",
"CHANCE \n\t\t\t(over TV)\n\t\tThank you.\n\n\tINT. TV STUDIO - NIGHT\n\n\tDupont asks another question.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"turns, looks behind him and sees a large statue of Benito\n\tJuarez pointing. Chance smiles and goes off in the direction\n\tthat Benito points."
],
[
"Chance puts his arm around her shoulder, nearly tipping his\n\tbreakfast tray. Eve responds to his touch, draws closer,\n\tholds Chance tightly. Chance does his best to avoid spilling",
"Eve slowly gets up from the bed, nervously paces the bedroom\n\tas Chance watches TV. She makes a decision, moves to Chance,\n\tkisses him.",
"his breakfast, keep an eye on the TV, and to comfort Eve. She\n\tgives in to her desires, begins to caress Chance, running her",
"CHANCE\n\t\t\t(a bite of toast)\n\t\tNo, Eve. I like you to be here.\n\n\tEve smiles, moves a little closer to Chance.",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"CHANCE\n\t\tGood night, Eve.\n\n\tEve closes the door. Wilson wheels Chance down the hallway\n\ttoward the guest room.",
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"CHANCE \n\t\tYes, Ben. That's a good idea.\n\n\tRand walks slowly, clings to the limping Chance tightly as\n\tthey leave the room.",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"CHANCE \n\t\tI want to tell Eve.\n\n\t\t\t\tDENNIS \n\t\tTell Eve? You mean Mrs. Rand?",
"Eve moves closer to Chance, looks at the bruise.",
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"CHANCE \n\t\tYes, Eve. Ben is very wise.",
"The RAND 1 limousine pulls up to Sophie's house. Jeffrey\n\topens the door for Eve and Chance. He wears Ben's tuxedo, Eve",
"The reception is breaking up. Eve, wearing her coat, searches\n\tfor Chance in the crowd. She sees him, taps him on the\n\tshoulder from behind.",
"Eve and Chance sit in silence on the patio. Eve's eyes are\n\tswollen, red, she has been crying. She turns to Chance,\n\treaches out, touches his hand.",
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"tell me to get his ass here\n\t\thimself! \n\t\t\t(edges closer to Chance)\n\t\tYou got that, boy?",
"Rand is in bed. Eve sits on the edge, looks warmly to Chance\n\twho stands nearby.\n\tAllenby prepares an injection for Rand, and occasionally"
],
[
"Eve slowly gets up from the bed, nervously paces the bedroom\n\tas Chance watches TV. She makes a decision, moves to Chance,\n\tkisses him.",
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"his breakfast, keep an eye on the TV, and to comfort Eve. She\n\tgives in to her desires, begins to caress Chance, running her",
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"hands over his body, Chance watches television, neither\n\tresists nor responds to Eve's caresses. Suddenly she stops,\n\tlets her head fall on Chance's chest.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"Rand is in bed. Eve sits in a chair next to the bed, squeezes\n\tRand's hand in excitement as they both watch Chance on\n\ttelevision. Teresa, the nurse, watches in the background.",
"As she talks, Chance watches a love scene on TV. The hero\n\tgives his lady a passionate kiss and embrace. The scene seems",
"hand over his body. She kisses him, his eyes, his neck, his\n\tlips, his ears. Chance does not return the lovemaking, and",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"She smiles, gets in bed and pulls the covers over herself.\n\tChance divides his attention between Eve and the TV, watching\n\tboth with an equal detachment. Eve begins to respond to her",
"Eve and Chance sit in silence on the patio. Eve's eyes are\n\tswollen, red, she has been crying. She turns to Chance,\n\treaches out, touches his hand.",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"EVE\n\t\t\t(a bit surprised)\n\t\tOh? Certainly...\n\n\tShe hands Chance the cognac, turns on the TV.",
"Chance enters, Eve closes the door behind them.\n\n\tINT. EVE'S ROOM - NIGHT",
"Chance puts his arm around her shoulder, nearly tipping his\n\tbreakfast tray. Eve responds to his touch, draws closer,\n\tholds Chance tightly. Chance does his best to avoid spilling",
"own touch, finds a heretofore undiscovered pleasure with her\n\town body. Chance changes the channel as she reaches orgasm.",
"She takes Chance in her arms, kisses him wildly. They fall to\n\ther bed in an embrace. As she holds him, kisses him, runs her",
"EVE (CONT'D)\n\t\t\t(getting aroused)\n\t\tOh, Chauncey..."
],
[
"ALLENBY (CONT'D)\n\t\t\t(checks leg)\n\t\tI swear, Chauncey, between you and",
"Allenby watches Chance on television. The camera that covered\n\tDupont in close-up has now pulled back, includes Dupont and\n\tChance, both looking into camera. Allenby is concerned, he is\n\tunsure of Chance.",
"ALLENBY \n\t\tThat is so true. You're different,\n\t\tChauncey... Quite different than\n\t\tmost men.",
"ALLENBY \n\t\t\t(frowns as he sees Chance\n\t\t\t\twalking)\n\t\tChauncey, there you are. What are\n\t\tyou doing on that leg?",
"ALLENBY\n\t\t... He walked off...\n\n\t\t\t\tEVE\n\t\tChauncey is so sensitive... He was\n\t\tovercome with grief...",
"Chance leaves the bedroom. Allenby watches him go, then sits\n\tback in a chair, his head spinning.\n\n\tEXT. RAND MANSION - DAY",
"ALLENBY \n\t\tShame on you, Chauncey - you should\n\t\tlet me be the judge of that.\n\t\t\t(motions to Wilson)\n\t\tPlease, sit in the chair.",
"Allenby gives him a look, then leaves. Chance watches an old\n\tmovie of a man lighting a cigar. The man enjoys the cigar,",
"CHANCE \n\t\tNo.\n\n\tAllenby waits for Chance to say more, he does not. Finally,\n\tAllenby picks up his bag, heads for the door.",
"ALLENBY \n\t\tWhy, that's terrific, Chauncey.\n\n\t\t\t\tCHANCE \n\t\tHow do I know when it's ten\n\t\to'clock?",
"Allenby is searching through Chancels clothes looking for\n\tsome sort of identification. There is a knock at the door,\n\tAllenby pulls back from the closet as Riff opens the door,\n\tlooks inside.",
"Rand slumps down, dead. Allenby checks his pulse, turns to\n\tChance.\n\n\t\t\t\tALLENBY \n\t\t... He's gone, Chauncey.",
"ALLENBY\n\t\t\t(gives Chance a look)\n\t\tOh, I see...\n\t\t\t(warms up)",
"ALLENBY \n\t\tAn attorney?\n\n\t\t\t\tCHANCE \n\t\t\t(turns back to TV)\n\t\tYes.",
"ALLENBY \n\t\tAt times, yes. But that's not an\n\t\tuncommon reaction to such an\n\t\taccident. Actually, I found him to\n\t\thave quite a sense of humor.",
"CHANCE\n\t\t\t(turns to Allenby)\n\t\tWill you be leaving now, Robert?\n\n\t\t\t\tALLENBY \n\t\tIn a day or two, yes.",
"ALLENBY \n\t\tI see. \n\t\t\t(leans close to Franklin)\n\t\tMr. Franklin, I must ask you and",
"Chance reaches out, uncovers Rand's face, gently touches the\n\tman's forehead, feels the coldness. Allenby eyes him as\n\tChance stays with Rand for a moment, then replaces the sheet.",
"ALLENBY \n\t\tNow, you'll barely feel this. It\n\t\twon't hurt at all.\n\n\tAllenby administers the injection, Chance reacts from the\n\tpain.",
"CHANCE\n\t\t\t(gets out of chair)\n\t\tOh, really?\n\n\tAllenby, a bit puzzled, watches as Chance goes into the\n\thouse."
],
[
"CHANCE \n\t\tNo.\n\n\tAllenby waits for Chance to say more, he does not. Finally,\n\tAllenby picks up his bag, heads for the door.",
"Allenby watches Chance on television. The camera that covered\n\tDupont in close-up has now pulled back, includes Dupont and\n\tChance, both looking into camera. Allenby is concerned, he is\n\tunsure of Chance.",
"Allenby gives him a look, then leaves. Chance watches an old\n\tmovie of a man lighting a cigar. The man enjoys the cigar,",
"Chance reaches out, uncovers Rand's face, gently touches the\n\tman's forehead, feels the coldness. Allenby eyes him as\n\tChance stays with Rand for a moment, then replaces the sheet.",
"ALLENBY \n\t\t\t(frowns as he sees Chance\n\t\t\t\twalking)\n\t\tChauncey, there you are. What are\n\t\tyou doing on that leg?",
"ALLENBY \n\t\tNow, you'll barely feel this. It\n\t\twon't hurt at all.\n\n\tAllenby administers the injection, Chance reacts from the\n\tpain.",
"Chance leaves the bedroom. Allenby watches him go, then sits\n\tback in a chair, his head spinning.\n\n\tEXT. RAND MANSION - DAY",
"Rand slumps down, dead. Allenby checks his pulse, turns to\n\tChance.\n\n\t\t\t\tALLENBY \n\t\t... He's gone, Chauncey.",
"ALLENBY\n\t\t\t(gives Chance a look)\n\t\tOh, I see...\n\t\t\t(warms up)",
"CHANCE\n\t\t\t(gets out of chair)\n\t\tOh, really?\n\n\tAllenby, a bit puzzled, watches as Chance goes into the\n\thouse.",
"ALLENBY\n\t\t\t(as Chance pulls up pants)\n\t\tJust to take the proper",
"CHANCE \n\t\tYou were wrong, it did hurt.\n\n\t\t\t\tALLENBY \n\t\t\t(a chuckle)\n\t\tBut not for long...",
"CHANCE \n\t\tI agree.\n\n\tAllenby laughs as he takes Rand's cigar from him, snuffs it\n\tin the ashtray.",
"Allenby is searching through Chancels clothes looking for\n\tsome sort of identification. There is a knock at the door,\n\tAllenby pulls back from the closet as Riff opens the door,\n\tlooks inside.",
"CHANCE\n\t\t\t(turns to Allenby)\n\t\tWill you be leaving now, Robert?\n\n\t\t\t\tALLENBY \n\t\tIn a day or two, yes.",
"ALLENBY \n\t\tSome pain is to be expected... \n\t\t\t(bends to Chance, looks at\n\t\t\t\tleg)",
"Chance puts the unlit cigar in the ashtray, smiles at\n\tAllenby, then answers Rand.\n\n\t\t\t\tCHANCE \n\t\tNo, Ben.",
"ALLENBY \n\t\tAn attorney?\n\n\t\t\t\tCHANCE \n\t\t\t(turns back to TV)\n\t\tYes.",
"Another period of silence. The servants bustle around the\n\troom as Allenby studies Chance.\n\n\tINT. RAND'S POOL ROOM - NIGHT",
"ALLENBY \n\t\tAt times, yes. But that's not an\n\t\tuncommon reaction to such an\n\t\taccident. Actually, I found him to\n\t\thave quite a sense of humor."
],
[
"The woman looks up to Chance, becomes very frightened. She\n\tturns and half-runs into a sleazy bar for safety. Chance\n\twatches after her for a moment, then continues along.",
"Chance leaves the bedroom. Allenby watches him go, then sits\n\tback in a chair, his head spinning.\n\n\tEXT. RAND MANSION - DAY",
"CHANCE \n\t\tNo. Thomas Franklin told me that I\n\t\thad to leave the Old Man's house,\n\t\the's dead now, you know...",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"INT. CHANCE'S ROOM - AFTERNOON\n\n\tThe TV is on as Chance packs his belongings.\n\n\tEXT. GARDEN - AFTERNOON",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"The TV plays offstage as Chance washes up in the bathroom. He\n\tfinishes, comes into the bedroom, takes a pair of house\n\tslippers from his closet, turns off the television and leaves\n\tthe room.",
"EXT. WOODS - DAY\n\n\tChance walks through the woods, his pace faster than before.\n\n\tEXT. RAND'S FUNERAL - DAY",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"Chance, disappointed that the changer did not work, returns\n\tit to his pocket.\n\n\t\t\t\tCHANCE \n\t\tYes. Of course.\n\t\t\t(as he leaves)\n\t\tGood day.",
"Chance stops short on the front steps; the townhouse is\n\tsituated in a decaying ghetto.\n\tThe snow is a dirty grey, houses adjoining have their windows",
"away. Chance comes out of the front door, walking with a\n\tlimp. His first view of the Rand grounds in the daylight, he",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"JEFFREY \n\t\tLook!\n\n\tAbout 100 yards ahead of them, Chance crosses the road,\n\tcontinues on down a hill.",
"Louise takes one more look at the covered body, then opens\n\tthe front door, leaves.\n\n\tINT. CHANCE'S ROOM - DAY",
"Hull leads Chance out of the makeup room. Colson closes the\n\tdoor, then carefully picks up Chance's water glass, wraps it\n\tin Kleenex, puts it in his overcoat pocket.",
"Allenby gives him a look, then leaves. Chance watches an old\n\tmovie of a man lighting a cigar. The man enjoys the cigar,",
"Chance comes into the garage, takes the cover off of the\n\ttouring car, folds it and puts it on a shelf. He leaves the\n\tgarage.\n\n\tINT. CHANCE'S ROOM - DAWN",
"Chance walks deeper into the woods, absorbed in the greenery.\n\tHe stops by a tree, brushes some snow from a branch, moves\n\ton.\n\n\tEXT. RAND'S FUNERAL - DAY",
"CHANCE \n\t\tI like to watch. This is fine.\n\n\tChance watches the news. Eve sips on her cognac as David\n\teases the limo out of the city of Washington."
],
[
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"CHANCE \n\t\tThank you, Robert.\n\n\tRand lights his own cigar, then hands an ornate lighter to\n\tChance.",
"CHANCE \n\t\tI do not read any newspapers. I\n\t\twatch TV.\n\n\tThere is a moment of silence as the reporters digest this.\n\tThe TV Reporter smiles, questions Chance.",
"CHANCE\n\t\t\t(as they shake hands)\n\t\tHello, Morton.\n\n\tHull takes Chance into the station.",
"... You're always gonna be a little\n\t\tboy, ain't you? \n\t\t\t(he smiles, keeps working)\n\t\t... Goodbye, Chance...",
"CHANCE \n\t\tNo.\n\n\tAllenby waits for Chance to say more, he does not. Finally,\n\tAllenby picks up his bag, heads for the door.",
"Tourists are gathered around gaping through the fence at the\n\tWhite House.\n\tChance is turned the other way, inspecting the branches of a\n\tdying tree. Chance moves to a POLICEMAN standing nearby.",
"Rand is in an easy chair, dressed for his meeting with the\n\tPresident. The two nurses are working at the disinfecting\n\ttable. Rand smiles as Chance is shown into the room by\n\tSmythe.",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"enters the room. As Chance moves slowly to the Old Man's bed,\n\twe sense a feeling of respect from Chance, as well as a bit",
"Chance leaves the bedroom. Allenby watches him go, then sits\n\tback in a chair, his head spinning.\n\n\tEXT. RAND MANSION - DAY",
"Rand hangs up the phone, turns to Chance with a twinkle in\n\this eyes.",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"Chance, disappointed that the changer did not work, returns\n\tit to his pocket.\n\n\t\t\t\tCHANCE \n\t\tYes. Of course.\n\t\t\t(as he leaves)\n\t\tGood day.",
"slowly,-precisely, obviously engrossed in his surroundings.\n\tThis man is called CHANCE.",
"As Rand sinks into the chair, Chance approaches the President\n\twith both hands outstretched.\n\n\t\t\t\tCHANCE \n\t\tGood morning, Mr. President.",
"CHANCE \n\t\tI like to watch. This is fine.\n\n\tChance watches the news. Eve sips on her cognac as David\n\teases the limo out of the city of Washington.",
"Just fine, thank you, sir. \n\t\t\t(turns to Chance)\n\t\tAnd you must be Mr. Gardiner.",
"CHANCE \n\t\tThank you, Robert.\n\n\tWilson begins to push Chance."
],
[
"She hugs him one more time, then she leads him back up the\n\thill to the waiting limousine. Allenby gets out of the car,",
"limousine, backs up. The car bumps Chance, pins him against\n\tthe car to his right. Chance cries out in pain, drops his",
"Abbaz, Lolo and the gang watch him go, then begin to buzz\n\twith excitement: \"Who the fuck died?\" \"Why'd he pull that",
"The drive runs alongside a stream, then turns and crosses a\n\tlarge meadow. The limousine passes, still no sign of the\n\thouse. It is a very, very long driveway.",
"JEFFREY \n\t\tLook!\n\n\tAbout 100 yards ahead of them, Chance crosses the road,\n\tcontinues on down a hill.",
"There is a moment of silence. Eve, still a bit on edge from\n\tthe accident and feeling a bit uncomfortable with a stranger",
"he walks through the garage and leans the pitchfork against a\n\twall. Chance takes a neatly folded cover from a shelf,\n\tcarefully puts it over the car. When he finishes covering the",
"Franklin hangs up the phone, scurries around getting dressed.\n\tHis wife, Johanna, sits grimly in bed.",
"David pulls the car forward, freeing Chance. A few bystanders\n\tbegin to gather as Jeffrey helps Chance to the sidewalk.",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"The woman looks up to Chance, becomes very frightened. She\n\tturns and half-runs into a sleazy bar for safety. Chance\n\twatches after her for a moment, then continues along.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT",
"Chance and Eve settle in the back seat. As they talk, David\n\tstarts up the limo, Jeffrey joins him in front and the limo\n\tpulls out into traffic.",
"Two black limousines followed by a station wagon with small\n\tholes in the side pull up in front of the mansion. As men",
"EXT. RAND'S FUNERAL - DAY\n\n\tJeffrey stands holding the door for Eve and Allenby, all the\n\tother cars have gone. Eve is worried, gets into the car.",
"comes out of the main house. She is dressed warmly, a scarf\n\tover her head, a heavy coat. Chance sees her, tips his hat to\n\tLouise exactly like the man he saw on television.",
"During this, the rear door of the limo opens and EVE RAND\n\tsteps out. Eve is in her late thirties, has the look of a\n\ttraditional New England lady. She watches as Jeffrey tends to\n\tChance.",
"EXT. WOODS - DAY\n\n\tChance, his umbrella under his arm, walks through the woods.\n\n\tEXT. RAND'S FUNERAL - DAY",
"Eve comes out of the house, Jeffrey holds the door for her as\n\tshe gets into \"RAND l.\" Jeffrey gets in and the limo pulls",
"Chance stops short on the front steps; the townhouse is\n\tsituated in a decaying ghetto.\n\tThe snow is a dirty grey, houses adjoining have their windows"
],
[
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"INT. LIMOUSINE - NIGHT\n\n\tChance is glued to the TV, switches channels, again watches\n\tthe news. Eve takes his fascination with television as a sign\n\tof intelligence.",
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"EVE\n\t\t\t(a bit surprised)\n\t\tOh? Certainly...\n\n\tShe hands Chance the cognac, turns on the TV.",
"CHANCE \n\t\tI like to watch. This is fine.\n\n\tChance watches the news. Eve sips on her cognac as David\n\teases the limo out of the city of Washington.",
"CHANCE \n\t\tFine. He's very nice.\n\n\t\t\t\tEVE \n\t\tYes, he is. I'm sorry I didn't get\n\t\tto see him.",
"his breakfast, keep an eye on the TV, and to comfort Eve. She\n\tgives in to her desires, begins to caress Chance, running her",
"CHANCE\n\t\t\t(a bite of toast)\n\t\tNo, Eve. I like you to be here.\n\n\tEve smiles, moves a little closer to Chance.",
"EVE \n\t\t\t(approaches Chance, calls)\n\t\tChauncey!\n\n\t\t\t\tCHANCE \n\t\t\t(stops, turns)\n\t\tHello, Eve.",
"The reception is breaking up. Eve, wearing her coat, searches\n\tfor Chance in the crowd. She sees him, taps him on the\n\tshoulder from behind.",
"CHANCE \n\t\tI want to tell Eve.\n\n\t\t\t\tDENNIS \n\t\tTell Eve? You mean Mrs. Rand?",
"Eve slowly gets up from the bed, nervously paces the bedroom\n\tas Chance watches TV. She makes a decision, moves to Chance,\n\tkisses him.",
"EVE\n\t\tHello, Sophie.\n\n\tSophie steps back, looks at Chance.\n\n\t\t\t\tSOPHIE\n\t\tAnd look who you brought with!",
"CHANCE \n\t\tThank you, Eve.\n\n\tThe front door is opened for them by an attendant.\n\n\tINT. SOPHIE'S - EVENING",
"EVE (CONT'D)\n\t\tOh, by the way - I'm Eve Rand.\n\n\t\t\t\tCHANCE\n\t\tHello, Eve.",
"Chance nods, changes the channel, watches a Mighty Mouse\n\tcartoon. Eve looks at him perplexed, then takes it for a joke\n\tand smiles.\n\n\tEXT. RAND MANSION - NIGHT"
],
[
"During this, the rear door of the limo opens and EVE RAND\n\tsteps out. Eve is in her late thirties, has the look of a\n\ttraditional New England lady. She watches as Jeffrey tends to\n\tChance.",
"SOPHIE, an older woman bedecked with jewelry, approaches,\n\tembraces Eve.\n\n\t\t\t\tSOPHIE\n\t\tEve, child! How nice of you to\n\t\tcome.",
"(Eve smiles)\n\t\t... And so are you, aren't you,\n\t\tEve.",
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"A knock at the door startles Eve. She turns, opens it to\n\tMAGGIE, the seam tress. Maggie carries one of Rand's tuxedos.",
"Eve suddenly begins to cry, sobbing quietly at first, then\n\tlosing control, the tears flowing freely. To comfort her,",
"EVE (CONT'D)\n\t\tOh, by the way - I'm Eve Rand.\n\n\t\t\t\tCHANCE\n\t\tHello, Eve.",
"EVE \n\t\t\t(approaches Chance, calls)\n\t\tChauncey!\n\n\t\t\t\tCHANCE \n\t\t\t(stops, turns)\n\t\tHello, Eve.",
"EVE\n\t\t\t(hesitates)\n\t\t... I'm...\n\t\t\t(pause)",
"PERKINS \n\t\tExcuse me, sir.\n\n\tPerkins answers the door, it is Eve.",
"EVE\n\t\tHello, Sophie.\n\n\tSophie steps back, looks at Chance.\n\n\t\t\t\tSOPHIE\n\t\tAnd look who you brought with!",
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"EVE (CONT'D)\n\t\t\t(getting aroused)\n\t\tOh, Chauncey...",
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"EVE (CONT'D)\n\t\t... Chauncey... Last night you\n\t\tmentioned an old man, that died.\n\n\t\t\t\tCHANCE \n\t\tYes.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"Eve comes out of the house, Jeffrey holds the door for her as\n\tshe gets into \"RAND l.\" Jeffrey gets in and the limo pulls",
"EVE (CONT'D)\n\t\tOh, come in, Maggie.\n\n\t\t\t\tMAGGIE \n\t\t\t(entering)\n\t\tYes, ma'am.",
"EVE (CONT'D)\n\t\t... You don't want me, Chauncey...\n\t\tYou don't feel anything for me...\n\t\tNothing at all...",
"EVE\n\t\tChauncey, this is Mrs. Sophia\n\t\tRowley.\n\n\t\t\t\tCHANCE\n\t\t\t(being hugged)\n\t\tHello, Sophia."
],
[
"Eve eventually catches hold of herself, stops. She lies\n\tquietly beside Chance for a time, regains her demeanor, then\n\tspeaks.",
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"Eve impulsively steps forward, kisses Chance on the cheek.\n\tChance smiles at her, and Eve, slightly embarrassed, turns",
"(Eve smiles)\n\t\t... And so are you, aren't you,\n\t\tEve.",
"Eve suddenly begins to cry, sobbing quietly at first, then\n\tlosing control, the tears flowing freely. To comfort her,",
"Eve gives Chance a long look, then kisses him on the lips.\n\tShe steps back, smiles.\n\n\t\t\t\tEVE (CONT'D)\n\t\t... Good night, Chauncey.",
"EVE (CONT'D)\n\t\t\t(getting aroused)\n\t\tOh, Chauncey...",
"A knock at the door startles Eve. She turns, opens it to\n\tMAGGIE, the seam tress. Maggie carries one of Rand's tuxedos.",
"Eve and Sophie are talking to a small group. Chance moves\n\taway to get an hors d'oeuvre and is approached by RONALD\n\tSTIEGLER, a publisher.",
"SOPHIE, an older woman bedecked with jewelry, approaches,\n\tembraces Eve.\n\n\t\t\t\tSOPHIE\n\t\tEve, child! How nice of you to\n\t\tcome.",
"EVE (CONT'D)\n\t\t... You don't want me, Chauncey...\n\t\tYou don't feel anything for me...\n\t\tNothing at all...",
"During this, the rear door of the limo opens and EVE RAND\n\tsteps out. Eve is in her late thirties, has the look of a\n\ttraditional New England lady. She watches as Jeffrey tends to\n\tChance.",
"EVE \n\t\t\t(approaches Chance, calls)\n\t\tChauncey!\n\n\t\t\t\tCHANCE \n\t\t\t(stops, turns)\n\t\tHello, Eve.",
"Eve comes out of the house, Jeffrey holds the door for her as\n\tshe gets into \"RAND l.\" Jeffrey gets in and the limo pulls",
"his breakfast, keep an eye on the TV, and to comfort Eve. She\n\tgives in to her desires, begins to caress Chance, running her",
"She smiles, gets in bed and pulls the covers over herself.\n\tChance divides his attention between Eve and the TV, watching\n\tboth with an equal detachment. Eve begins to respond to her",
"There is a moment of silence. Eve, still a bit on edge from\n\tthe accident and feeling a bit uncomfortable with a stranger",
"EVE (CONT'D)\n\t\t\t(presses close to him)\n\t\tDearest, you uncoil my wants;",
"EVE (CONT'D)\n\t\t\t(stopping by door)\n\t\t... I do love you, Chauncey.",
"Eve runs, half falls as she goes down the hill.\n\n\t\t\t\tEVE \n\t\tOh, Chauncey...!\n\n\tShe gets to him, holds him tightly."
],
[
"CHANCE\n\t\t\t(with a slight cough)\n\t\tMy name is Chance.\n\n\t\t\t\tEVE\n\t\tPardon me, was that Mr. Chance?",
"Chance and the President exchange a two-handed handshake.\n\tRand, still weak from standing, catches his breath and\n\tintroduces Chance.",
"CHANCE\n\t\t\t(as they shake hands)\n\t\tHello, Morton.\n\n\tHull takes Chance into the station.",
"Rand hangs up the phone, turns to Chance with a twinkle in\n\this eyes.",
"CHANCE \n\t\tThank you, Robert.\n\n\tRand lights his own cigar, then hands an ornate lighter to\n\tChance.",
"Just fine, thank you, sir. \n\t\t\t(turns to Chance)\n\t\tAnd you must be Mr. Gardiner.",
"... You're always gonna be a little\n\t\tboy, ain't you? \n\t\t\t(he smiles, keeps working)\n\t\t... Goodbye, Chance...",
"Chance reacts to the change in tone of Dennis' voice, turns\n\tto look at him on the floor. Hearing the groans and heavy\n\tbreathing, Chance thinks Dennis is ill.",
"CHANCE \n\t\t\t(agreeable to being called\n\t\t\t\tChauncey)\n\t\tYes. Chauncey is fine.",
"stable and rational. And that is\n\t\twhy we must not fear to be at its\n\t\tmercy! \n\t\t\t(he smiles at Chance, who",
"CHANCE \n\t\tYes.\n\n\tChance still does not move. Eve mistakes Chance's not moving\n\tfor concern for herself. She puts a hand on his shoulder.",
"CHANCE \n\t\tNo.\n\n\tAllenby waits for Chance to say more, he does not. Finally,\n\tAllenby picks up his bag, heads for the door.",
"CHANCE \n\t\tThank you, Robert.\n\n\tWilson begins to push Chance.",
"CHANCE \n\t\tGood night, Eve.\n\n\tEve goes into her bedroom, closes the door. Chance heads for\n\this room as though nothing had happened.",
"slowly,-precisely, obviously engrossed in his surroundings.\n\tThis man is called CHANCE.",
"Rand smiles at Chance as the phone rings.",
"After a few beats, Chance hears Louise's footsteps hurrying\n\tdown the stairs. She comes into the dining room, visibly\n\tdistraught. Chance looks up, smiles.",
"CHANCE \n\t\tI do not read any newspapers. I\n\t\twatch TV.\n\n\tThere is a moment of silence as the reporters digest this.\n\tThe TV Reporter smiles, questions Chance.",
"She takes Chance in her arms, kisses him wildly. They fall to\n\ther bed in an embrace. As she holds him, kisses him, runs her",
"JEFFREY \n\t\tLook!\n\n\tAbout 100 yards ahead of them, Chance crosses the road,\n\tcontinues on down a hill."
],
[
"Rand speaks slowly, with obvious weakness.",
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"RAND \n\t\tNo one likes a dying man, my boy -\n\t\tbecause few know what death is. All",
"Rand, very weak, strains to speak to Allenby.\n\n\t\t\t\tRAND \n\t\tNo more, Robert... No more\n\t\tneedles...",
"Rand starts coughing, breathing heavily. Allenby and the\n\tnurses rush to his bedside. Allenby shoots a quick look to\n\tEve and Chance.",
"Rand is in bed. Sitting nearby are two attorneys, MONROE and\n\tTOWNSEND. Mrs. Aubrey stands to one side and Constance and\n\tTeresa prepare an IV for Rand.",
"Allenby, with nothing more he can do to prolong Rand's life,\n\tsits on the bed close to him, grips his hand tightly. Teresa",
"RAND \n\t\t\t(a laugh)\n\t\tI am very sick, and, as you can see",
"Chance reaches out, uncovers Rand's face, gently touches the\n\tman's forehead, feels the coldness. Allenby eyes him as\n\tChance stays with Rand for a moment, then replaces the sheet.",
"Rand is in bed. Eve sits on the edge, looks warmly to Chance\n\twho stands nearby.\n\tAllenby prepares an injection for Rand, and occasionally",
"Rand is in bed. Eve, Chance and Allenby are seated around\n\thim, the two nurses standing to one side. They all watch the",
"Rand is in bed. Eve sits in a chair next to the bed, squeezes\n\tRand's hand in excitement as they both watch Chance on\n\ttelevision. Teresa, the nurse, watches in the background.",
"Benjamin Rand; but, unfortunately,\n\t\tonly relatively few will feel the\n\t\tpain and sadness at such a loss. To\n\t\tmost, Benjamin Rand was a legend;",
"INT. RAND'S HOSPITAL ROOM - DUSK\n\n\tTeresa and Constance work in a corner of the room. Rand is in\n\tbed, very still, deep in thought.",
"Rand slumps down, dead. Allenby checks his pulse, turns to\n\tChance.\n\n\t\t\t\tALLENBY \n\t\t... He's gone, Chauncey.",
"WILSON\n\t\tIt's one of Mr. Rand's. Since he's\n\t\tbeen ill...\n\n\tChance looks around the elevator.",
"RAND\n\t\t(with weakness) \n\t\t... Eve...\n\n\tEve kisses him, holds his hand.",
"funeral services for Rand on a pair of loudspeakers. PAN\n\tAROUND, reveal the services being held on a hill overlooking\n\tthe mansion. Fifty mourners are gathered around the Rand",
"INT. RAND'S HOSPITAL ROOM - MORNING\n\n\tAllenby, Constance and Teresa are readying a transfusion for\n\tRand. There is a feeling of urgency as they work.",
"Rand perks up a bit at this mention. Allenby manages a smile,\n\tonce again looks at Rand, checking his condition. Eve looks\n\tproudly at Chance, who continues to enjoy the oxygen."
],
[
"Rand is in bed. Sitting nearby are two attorneys, MONROE and\n\tTOWNSEND. Mrs. Aubrey stands to one side and Constance and\n\tTeresa prepare an IV for Rand.",
"Rand is in bed. Eve sits on the edge, looks warmly to Chance\n\twho stands nearby.\n\tAllenby prepares an injection for Rand, and occasionally",
"Rand is in bed. Eve, Chance and Allenby are seated around\n\thim, the two nurses standing to one side. They all watch the",
"Rand is in bed. Eve sits in a chair next to the bed, squeezes\n\tRand's hand in excitement as they both watch Chance on\n\ttelevision. Teresa, the nurse, watches in the background.",
"Rand starts coughing, breathing heavily. Allenby and the\n\tnurses rush to his bedside. Allenby shoots a quick look to\n\tEve and Chance.",
"Rand, very weak, strains to speak to Allenby.\n\n\t\t\t\tRAND \n\t\tNo more, Robert... No more\n\t\tneedles...",
"INT. RAND'S HOSPITAL ROOM - MORNING",
"Chance reaches out, uncovers Rand's face, gently touches the\n\tman's forehead, feels the coldness. Allenby eyes him as\n\tChance stays with Rand for a moment, then replaces the sheet.",
"RAND \n\t\t\t(a laugh)\n\t\tI am very sick, and, as you can see",
"Ben Rand perks up as he sees Eve crossing to him. He is in\n\this sixties, maintains an inner strength and dignity despite\n\tthe sapping effects of his illness.",
"Rand speaks slowly, with obvious weakness.",
"INT. RAND'S HOSPITAL ROOM - NIGHT",
"INT. RAND'S HOSPITAL ROOM - NIGHT",
"CHANCE \n\t\tThank you, Ben. \n\t\t\t(looks at Rand closely)\n\t\t... The nurse did a very good job,\n\t\tBen.",
"Rand is in an easy chair, dressed for his meeting with the\n\tPresident. The two nurses are working at the disinfecting\n\ttable. Rand smiles as Chance is shown into the room by\n\tSmythe.",
"RAND\n\t\tWelcome to Rand Memorial Hospital,\n\t\tMr. Gardiner.\n\n\t\t\t\tCHANCE\n\t\t\t(looks around room)\n\t\t... I see.",
"INT. RAND'S HOSPITAL ROOM - MORNING\n\n\tAllenby, Constance and Teresa are readying a transfusion for\n\tRand. There is a feeling of urgency as they work.",
"An aide, KAUFMAN, waits by the front door of the Rand\n\tmansion. As the President comes out, he speaks quietly to\n\tKaufman.",
"INT. RAND'S HOSPITAL ROOM - MORNING\n\n\tChance watches television as Rand speaks.",
"INT. RAND'S HOSPITAL ROOM - DUSK\n\n\tTeresa and Constance work in a corner of the room. Rand is in\n\tbed, very still, deep in thought."
],
[
"ALLENBY \n\t\tThomas? Who's Thomas?\n\n\t\t\t\tCHANCE \n\t\tThomas Franklin, an attorney.",
"An 'in' meeting place for the upper-middle Washington, D.C.\n\tcrowd. Thomas Franklin and Sally Hayes sit at a table, drinks\n\tin front of them.",
"She hugs him one more time, then she leads him back up the\n\thill to the waiting limousine. Allenby gets out of the car,",
"During this, the rear door of the limo opens and EVE RAND\n\tsteps out. Eve is in her late thirties, has the look of a\n\ttraditional New England lady. She watches as Jeffrey tends to\n\tChance.",
"... His shoes were hand-made in\n\t\t1928. The cobbler has long since\n\t\tbeen dead. Underwear, all of the",
"KAUFMAN (CONT'D)\n\t\t\t(reading)\n\t\tSuits hand-made by a tailor in",
"A key is heard in the lock. The door opens and THOMAS\n\tFRANKLIN and SALLY HAYES enter. Franklin, an attorney, is in",
"CHANCE \n\t\t\t(a smile, totally at ease)\n\t\tYes, Thomas - I understand.\n\n\tAnother period of silence. Franklin and Hayes seem perplexed.",
"CHANCE \n\t\tNo, Thomas. I have never been in an\n\t\tautomobile.\n\n\t\t\t\tHAYES\n\t\t\t(amazed)\n\t\tYou never been in a car?",
"his late thirties, carries a large briefcase. Hayes is\n\tyounger, attractive, also an attorney. She totes a briefcase,",
"The drive runs alongside a stream, then turns and crosses a\n\tlarge meadow. The limousine passes, still no sign of the\n\thouse. It is a very, very long driveway.",
"Allenby gives him a look, then leaves. Chance watches an old\n\tmovie of a man lighting a cigar. The man enjoys the cigar,",
"ALLENBY\n\t\t\t(into phone)\n\t\tMr. Thomas Franklin, please.\n\t\t\t(a wait)",
"Franklin hands the release to Chance but Chance does not take\n\tit.\n\n\t\t\t\tCHANCE \n\t\tNo, Thomas. I don't know how to\n\t\tsign.",
"CHANCE \n\t\tYes, Thomas. I have always been\n\t\there. I have always worked in the\n\t\tgarden.",
"FRANKLIN \n\t\tYeah... He and my father used to\n\t\tride together back in the\n\t\tthirties... Fox hunting... Before I\n\t\twas born...",
"sits in an easy chair next to the Old man's bed and watches a\n\tmovie from the early forties. Chance puts an arm out, rests",
"Is Thomas Franklin in?\n\t\t\t(a beat)\n\t\tYes, this is Dr. Robert Allenby,\n\t\twould you please tell Mr. Franklin",
"The RAND 1 limousine parks in front of the station. As\n\tJeffrey opens the door for Chance, MORTON HULL steps to the\n\tlimo.",
"The Black Tie reception is in progress. The house is crowded,\n\tpossibly a hundred guests, mostly foreign ambassadors and"
]
] |
[
"What caused Chance to have to move out of the first home he lived in?",
"How did Chance meet Eve and Ben Rand?",
"What did Chance say his name was when Eve misheard him?",
"What causes Chance to become famous?",
"Who is Rand to the President of the United States?",
"What does Rand want Eve to do when he finds out he is dying?",
"What happens when Eve starts masturbating in front of Chauncey?",
"What does everyone think Chauncey's \"garden talk\" is about?",
"Who finally figures out that Chauncey is not as smart as everyone thinks?",
"How did Chance discover the outside world for the first time?",
"When did Chance drink alcohol for the first time?",
"Why did Eve invite Chance to her family's home?",
"Why do Eve and Ben think that Chance is rich?",
"How did Chance meet the president?",
"How did Chance become a celebrity?",
"Why does Ben tell Eve to get close to Chance?",
"Why does Eve masturbate in front of Chance?",
"What did Allenby realize after speaking to Chauncey?",
"How did Allenby react when he realized the truth about Chance?",
"What happens to make Chance relocate?",
"What was Chance job title?",
"Who is struck by a car?",
"Why does Eve thinks Chance is a high class man?",
"Who is Eve?",
"Who was Eve attracted to?",
"What did they call Chance?",
"What was Rand dying from?",
"Who was Rand's doctor?",
"What year was The Thomas Crown Affair?"
] |
[
[
"The owner died.",
"owner's death"
],
[
"The Rand's chaffeur hit Chance with the car when he stepped off the sidewalk.",
"they hit him with their car"
],
[
"Chance, the gardener.",
"Chance, the gardener."
],
[
"His appearance on a TV show.",
"An appearance on a television talk show."
],
[
"His adviser.",
"Rand is a confidant and adviser. "
],
[
"Become close to Chauncey.",
"Get together with Chance."
],
[
"He ignores her and watches television.",
"He continues to watch television. "
],
[
"Politics and economics.",
"allegorical statements about business and the economy"
],
[
"Dr. Allenby",
"Allenby"
],
[
"His benefactor died and he was ordered to move out of the estate.",
"by being forced to leave after his benefactor dies"
],
[
"When he was in the car with Eve.",
"During the Limo ride"
],
[
"Her husband's chauffeur struck Chance with their car.",
"to recover after her car hit him"
],
[
"Eve misheard his name and he is dressed with fancy clothes.",
"He has a fancy name and speaks profoundly."
],
[
"Ben Rand works fr the president and introduced him to Chance.",
"He appeared on a television talk show. "
],
[
"He appeared on a television talk show.",
"His simple words are taken to be profound statements, and he is introduced to Washington society and the President."
],
[
"Because Ben is dying from anemia.",
"Because she is attracted to him. "
],
[
"He told her he likes to watch and she misinterpreted it.",
"Chance told her he \"likes to watch.\""
],
[
"He realized that Chance was a simple gardener.",
"He was actually not very intelligent"
],
[
"He didn't seem to be bothered by it.",
"He doesn't seem bothered by it and doesn't tell anyone."
],
[
"the owner dies",
"His benefactor dies and he has to move out."
],
[
"The gardener",
"Gardner"
],
[
"Chance",
"Chance the gardener"
],
[
"by his clothing and appeaance",
"Chance"
],
[
"Wife to Ben Rand",
"Eve is Rand's wife. "
],
[
"Cnance",
"Chauncey"
],
[
"Chauncey Gardiner",
"Chauncey"
],
[
"Aplastic anemia ",
"a rare blood disease"
],
[
"Dr. Allenby",
"Allenby"
],
[
"1968",
"1968."
]
] |
032bcfd170a98fb5ed752c1d25b678b8589de7d7
|
train
|
[
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***"
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
],
[
"This is the full-length movie, \"Night of the Living Dead.\"\nThere is no U.S. copyright on this title, even though it is\na relatively recent film. It is being released as Project\nGutenberg's first full-length film.",
"GUTENBERG EBOOK NIGHT OF THE LIVING DEAD***",
"Please note that this eBook does not follow the typical\nfile naming convention. This is because we are considering\nthe file names to be part of the source from which it\nwas harvested, the Internet Archive."
]
] |
[
"Who locks Ben out of the house?",
"Why did Karen fall gravely ill?",
"What happens to Barbra during the first night in the house?",
"Who helps Ben barricade the house?",
"What did the emergency news report on the television say?",
"Who survives the night?",
"What did the news report say would kill the monsters?",
"What did Helen see when she returned to the cellar?",
"How do Tom and Judy die?",
"Why do Barbra and Johnny go to the graveyard?",
"What can stop the undead, aside from injury to the head?",
"Who gets killed when the truck explodes?",
"Who is the last character to die at the end of the story?",
"Who locks Ben out of the house after the truck explodes?",
"Where were Harry, Helen, and Karen hiding when Ben and Barbra first take refuge in the farmhouse?",
"What does Karen use to stab Helen?",
"What does Harry throw out of the window at the undead while Ben and Tom refuel the truck?",
"What does the scientist suspect caused the outbreak?",
"At the end of the story, who does the posse mistake for an undead and shoot in the head?",
"Why are Barbra and Johnny heading to Pennsylvania?",
"What does Barbra find at the farmhouse?",
"What is hiding in the cellar at the farmhouse?",
"Why is Karen sick?",
"What do the people in the farmhouse see when they turn the television on?",
"What does one scientist believe caused the outbreak?",
"How does the television report say that the undead can be killed?",
"What happens immediately following the power going out at the farmhouse?",
"What does Helen see when she walks back into the cellar?",
"How does Ben die?"
] |
[
[
"Harry",
"Harry."
],
[
"Karen got bit by a monster.",
"She was bitten."
],
[
"Barbra goes into shock.",
"She goes into shock ans insanity."
],
[
"Tom",
"Tom."
],
[
"The recently deceased were coming back to life.",
"That that the dead are coming back to life and eating the living."
],
[
"Ben",
"Ben and Barbra"
],
[
"Setting them on fire",
"A gunshot to the head."
],
[
"Helen saw Karen eating Harry",
"She sees Karen eating Harry's corpse."
],
[
"Their truck explodes",
"The truck explodes."
],
[
"Visit their father's grave",
"To visit their father's grave."
],
[
"Fire",
"Setting them on fire."
],
[
"Tom and Judy",
"Tom and Judy."
],
[
"Ben",
"Ben."
],
[
"Harry",
"Harry"
],
[
"the cellar",
"In the cellar."
],
[
"masonry trowel",
"trowel"
],
[
"molotov cocktails",
"Molotov cocktails."
],
[
"radiation from a space probe",
"Radioactive contamination from a space probe."
],
[
"Ben",
"Ben"
],
[
"to go to their father's grave",
"For annual visit of their father's grave."
],
[
"a woman's torn up body",
"A woman's corpse."
],
[
"Harry, Helen, and Karen Cooper",
"A couple and their daughter."
],
[
"she was bitten by the undead",
"She was bitten by a monster."
],
[
"that the recently dead are coming back to life and eating the flesh of the living",
"A report about recently deceased reanimating into beings that eat living people."
],
[
"a radiation outbreak that came from a space probe from Venus that exploded when it hit Earth's atmosphere",
"Radioactive contamination."
],
[
"a gunshot to the head, blunt force trauma to the head, or setting them on fire",
"A shot to the head."
],
[
"the undead break into the house",
"Undead broke through barricades"
],
[
"Karen is undead and feasting on her father's dead body",
"Karen is eating Harry."
],
[
"he is mistaken for one of the undead and shot in the forehead",
"He was shot in the forehead mistakenly."
]
] |
09355a61a4d84807f9533f31d3263809cc486b6b
|
train
|
[
[
"EUGENE ONEGUINE [Onegin]:\n\nA Romance of Russian Life in Verse\n\nby\n\nALEXANDER PUSHKIN",
"Eugene Oneguine, the chief poetical work of Russia's greatest poet,\nhaving been translated into all the principal languages of Europe",
"_Eugene Oneguine_ (st. v.), when enumerating the various influences\nwhich had contributed to the formation of his Muse:",
"Eugene Oneguine",
"Alexander Sergevitch Pushkin was born in 1799 at Pskoff, and was\na scion of an ancient Russian family. In one of his letters it is",
"Where is Oneguine? Half asleep,\nStraight from the ball to bed he goes,\nWhilst Petersburg from slumber deep",
"GUTENBERG EBOOK EUGENE ONEGUINE [ONEGIN]***\n\n\nE-text prepared by Stephen Leary <www.stephenleary.com>",
"The hero is of my narration!\nOneguine, O my gentle readers,\nWas born beside the Neva, where\nIt may be ye were born, or there",
"3. Polish verse. Eugeniusz Oniegin. Roman Aleksandra Puszkina.\nA. Sikorski. Vilnius, 1847.",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"attachment to his aged nurse, a sentiment which we find reflected\nin the pages of _Eugene Oneguine_ and elsewhere.",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"Some are afar and some are dead.\nWithout them Eugene is complete;\nAnd thou, from whom Tattiana sweet;\nWas drawn, ideal of my lay--",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Oneguine Olga bore away.\nGliding in negligent career,\nHe bending whispered in her ear\nSome madrigal not worth a rush,",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"Mon Portrait\n A Short Biographical Notice of Alexander Pushkin\n Eugene Oneguine\n Canto I: \"The Spleen\"",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon"
],
[
"Alone amid possessions great,\nEugene at first began to dream,\nIf but to lighten Time's dull rate,\nOf many an economic scheme;",
"But upon all that Eugene knew\nI have no leisure here to dwell,\nBut say he was a genius who\nIn one thing really did excel.",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"Eugene Oneguine, the chief poetical work of Russia's greatest poet,\nhaving been translated into all the principal languages of Europe",
"EUGENE ONEGUINE [Onegin]:\n\nA Romance of Russian Life in Verse\n\nby\n\nALEXANDER PUSHKIN",
"_Eugene Oneguine_ (st. v.), when enumerating the various influences\nwhich had contributed to the formation of his Muse:",
"Lo! my Oneguine rural lord!\nOf mines and meadows, woods and lakes,\nHe now a full possession takes,\nHe who economy abhorred,",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"Oneguine Olga bore away.\nGliding in negligent career,\nHe bending whispered in her ear\nSome madrigal not worth a rush,",
"Eugene Oneguine",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Handsome and rich, the neighbourhood\nLenski as a good match received,--\nSuch is the country custom good;\nAll mothers their sweet girls believed",
"GUTENBERG EBOOK EUGENE ONEGUINE [ONEGIN]***\n\n\nE-text prepared by Stephen Leary <www.stephenleary.com>",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--",
"Since Eugene in that solitude\nGifts such as these alone could prize,\nA scant attendance Lenski showed\nAt neighbouring hospitalities.",
"attachment to his aged nurse, a sentiment which we find reflected\nin the pages of _Eugene Oneguine_ and elsewhere.",
"The hero is of my narration!\nOneguine, O my gentle readers,\nWas born beside the Neva, where\nIt may be ye were born, or there"
],
[
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie.",
"But of this love, e'en casually,\nAs yet none had discovered aught;\nEugene of course related nought,\nTattiana suffered secretly;",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"There was no doubt! Eugene, alas!\nTattiana loved as when a lad,\nBoth day and night he now must pass",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"He with an innocence extreme\nHis inner consciousness laid bare,\nAnd Eugene soon discovered there\nThe story of his young love's dream,\nWhere plentifully feelings flow",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"Oh, how her lips compressed restrain\nThe indignation of her heart!\nA sidelong look doth Eugene dart:\nWhere, where, remorse, compassion, pain?",
"He went not--sooner was prepared\nTo write his forefathers to warn\nOf his approach; but nothing cared\nTattiana--thus the sex is born.--",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Tortured by pangs of wild regret,\nEugene fell prostrate at her feet--\nShe starts, nor doth a word express,\nBut gazes on Oneguine's face",
"From habit or maliciously,\nBut kindness from his eye had beamed\nAnd to revive Tattiana seemed.",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Ah! how Tattiana was transformed,\nHow thoroughly her part she took!\nHow soon to habits she conformed\nWhich crushing dignity must brook!"
],
[
"And pressed her hand--the crimson blush\nUpon her cheek by adulation\nGrew brighter still. But Lenski hath\nSeen all, beside himself with wrath,",
"Her shoulder--Olga swiftly came--\nAnd Lenski followed--a light broke--\nHis fist Oneguine fiercely shook\nAnd gazed around with eyes of flame;",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"And sulked in silent indignation;\nSwearing how Lenski he would rile,\nAvenge himself in proper style.\nTriumphant by anticipation,",
"It was a cheery, generous\nCartel, or challenge to a fight,\nWhereto in language courteous\nLenski his comrade did invite.",
"The strife grew furious and Eugene\nGrasped a long knife and instantly\nStruck Lenski dead--across the scene\nDark shadows thicken--a dread cry",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all.",
"Oneguine, by first impulse moved,\nTurned and replied as it behoved,\nCurtly announcing for the fray\nThat he was \"ready any day.\"",
"\"Why did you leave last night so soon?\"\nWas the first question Olga made,\nLenski, into confusion thrown,\nAll silently hung down his head.",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"Though he advanced unceasingly.\nAnd lo! five paces more they pass,\nAnd Lenski, closing his left eye,\nTook aim--but as immediately",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste.",
"Oneguine his excuses says;\n\"But,\" cried Zaretski in amaze,\n\"Your second you have left behind!\"\nA duellist of classic mind,",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Oneguine lightning glances shot;\nFurious he from the table rose;\nAll arise. To the door he goes.",
"Resolved the flirt to cast away,\nThe foaming Lenski would refuse,\nTo see his Olga ere the fray--"
],
[
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"In cruel solitude each day\nWith flame more ardent passion burns,\nAnd to Oneguine far away\nHer heart importunately turns.",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"And gallops to her house away.\nTrembling he seeks the young princess--\nTattiana finds in loneliness.\nTogether moments one or two",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"The speech of man and tramp of horse.\nBut wide Tattiana oped her eyes\nWhen in that company she saw\nHim who inspired both love and awe,",
"Lo! my Oneguine rural lord!\nOf mines and meadows, woods and lakes,\nHe now a full possession takes,\nHe who economy abhorred,",
"Oneguine whither gallops? Ye\nHave guessed already. Yes, quite so!\nUnto his own Tattiana he,",
"Oneguine's cheek grew ashy pale,\nEither she saw not or ignored;\nOneguine wasted; on my word,\nAlready he grew phthisical.",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Her shoulder--Olga swiftly came--\nAnd Lenski followed--a light broke--\nHis fist Oneguine fiercely shook\nAnd gazed around with eyes of flame;",
"His visit she had not awaited,\nHis momentary loving glance\nHer inmost soul had penetrated,\nAnd his strange conduct at the dance"
],
[
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"And gallops to her house away.\nTrembling he seeks the young princess--\nTattiana finds in loneliness.\nTogether moments one or two",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"In cruel solitude each day\nWith flame more ardent passion burns,\nAnd to Oneguine far away\nHer heart importunately turns.",
"Oh! who her speechless agonies\nCould not in that brief moment guess!\nWho now could fail to recognize\nTattiana in the young princess!",
"Oneguine whither gallops? Ye\nHave guessed already. Yes, quite so!\nUnto his own Tattiana he,",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"Her shoulder--Olga swiftly came--\nAnd Lenski followed--a light broke--\nHis fist Oneguine fiercely shook\nAnd gazed around with eyes of flame;",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"Where is Oneguine? Half asleep,\nStraight from the ball to bed he goes,\nWhilst Petersburg from slumber deep",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste."
],
[
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"Oh! who her speechless agonies\nCould not in that brief moment guess!\nWho now could fail to recognize\nTattiana in the young princess!",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Oneguine whither gallops? Ye\nHave guessed already. Yes, quite so!\nUnto his own Tattiana he,",
"But of this love, e'en casually,\nAs yet none had discovered aught;\nEugene of course related nought,\nTattiana suffered secretly;",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"He went not--sooner was prepared\nTo write his forefathers to warn\nOf his approach; but nothing cared\nTattiana--thus the sex is born.--",
"The hostess doth interrogate:\n\"He hath neglected us of late.\"--\nTattiana blushed, her heart beat quick--\n\"He promised here this day to ride,\"",
"Lenski unto the dame replied,\n\"The post hath kept him, it is like.\"\nShamefaced, Tattiana downward looked\nAs if he cruelly had joked!",
"Her heart: it seemed a darksome pit\nBeneath her roaring opened wide:\n\"I shall expire,\" Tattiana cried,\n\"But death from him will be delight.",
"In cruel solitude each day\nWith flame more ardent passion burns,\nAnd to Oneguine far away\nHer heart importunately turns.",
"Tattiana's Letter to Oneguine",
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Of course Tattiana was annoyed\nBy such allusions scandalous,\nYet was her inmost soul o'erjoyed\nWith satisfaction marvellous,",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all."
],
[
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"Raged round him and of balked desire!\nAnd hark! the clank of spurs is heard\nAnd Tania's husband soon appeared.--\nBut now our hero we must leave",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"\"Alack! Tattiana,\" she replied,\n\"We never loved in days of old,\nMy mother-in-law who lately died(34)",
"With bitter tears my mother prayed,\nAnd for Tattiana, mournful maid,\nIndifferent was her future fate.\nI married--now, I supplicate--",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"He went not--sooner was prepared\nTo write his forefathers to warn\nOf his approach; but nothing cared\nTattiana--thus the sex is born.--",
"Oh! who her speechless agonies\nCould not in that brief moment guess!\nWho now could fail to recognize\nTattiana in the young princess!",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Oneguine whither gallops? Ye\nHave guessed already. Yes, quite so!\nUnto his own Tattiana he,",
"Her heart: it seemed a darksome pit\nBeneath her roaring opened wide:\n\"I shall expire,\" Tattiana cried,\n\"But death from him will be delight.",
"But that Princess Pauline of old,\nHer Moscow cousin, often told\nThe tale of these romantic men;\nHer husband was a bridegroom then,\nAnd she despite herself would waste",
"Lenski unto the dame replied,\n\"The post hath kept him, it is like.\"\nShamefaced, Tattiana downward looked\nAs if he cruelly had joked!",
"\"To--?\"--\"Larina.\"--\"Tattiana?\"--\"So.\nAnd dost thou know her?\"--\"We live near.\"\n\"Then come with me.\" The prince proceeds,",
"Handsome and rich, the neighbourhood\nLenski as a good match received,--\nSuch is the country custom good;\nAll mothers their sweet girls believed"
],
[
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"And solitude and calm delight.\nSuch was Oneguine's sainted life,\nAnd such unconsciously he led,\nNor marked how summer's prime had fled",
"Where is Oneguine? Half asleep,\nStraight from the ball to bed he goes,\nWhilst Petersburg from slumber deep",
"Minutely I will now portray.\nA hermit's life Oneguine led,\nAt seven in summer rose from bed,\nAnd clad in airy costume took",
"Having remarked Vladimir's flight,\nOneguine, bored to death again,\nBy Olga stood, dejected quite",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"The hours once more Oneguine counts,\nImpatient waits the close of day,\nBut ten strikes and his sledge he mounts",
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"But to Oneguine! _A propos_!\nFriends, I must your indulgence pray.\nHis daily occupations, lo!",
"Absorbed in melancholy mood\nAnd o'er the granite coping bent,\nOneguine meditative stood,",
"Oneguine was--so many deemed\n[Unerring critics self-esteemed],\nPedantic although scholar like,\nIn truth he had the happy trick\nWithout constraint in conversation",
"Oneguine Olga bore away.\nGliding in negligent career,\nHe bending whispered in her ear\nSome madrigal not worth a rush,",
"Shouts of applause! Oneguine passes\nBetween the stalls, along the toes;\nSeated, a curious look with glasses\nOn unknown female forms he throws.",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all.",
"Lo! my Oneguine free as air,\nCropped in the latest style his hair,\nDressed like a London dandy he\nThe giddy world at last shall see.",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived"
],
[
"Just at that time his father died,\nAnd soon Oneguine's door beside\nOf creditors a hungry rout\nTheir claims and explanations shout.",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"Lo! my Oneguine rural lord!\nOf mines and meadows, woods and lakes,\nHe now a full possession takes,\nHe who economy abhorred,",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all.",
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Oneguine was--so many deemed\n[Unerring critics self-esteemed],\nPedantic although scholar like,\nIn truth he had the happy trick\nWithout constraint in conversation",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste.",
"Oneguine Olga bore away.\nGliding in negligent career,\nHe bending whispered in her ear\nSome madrigal not worth a rush,",
"Lo! my Oneguine free as air,\nCropped in the latest style his hair,\nDressed like a London dandy he\nThe giddy world at last shall see.",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Having this mournful document\nPerused, Eugene in postchaise went\nAnd hastened to his uncle's side,\nBut in his heart dissatisfied,",
"And solitude and calm delight.\nSuch was Oneguine's sainted life,\nAnd such unconsciously he led,\nNor marked how summer's prime had fled",
"And in reality one day\nThe steward sent a note to tell\nHow sick to death his uncle lay\nAnd wished to say to him farewell.",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"attachment to his aged nurse, a sentiment which we find reflected\nin the pages of _Eugene Oneguine_ and elsewhere.",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"Having remarked Vladimir's flight,\nOneguine, bored to death again,\nBy Olga stood, dejected quite"
],
[
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"They shout and no one lists at all.\nThe doors swing open: Lenski makes\nHis entrance with Oneguine. \"Ah!\nAt last the author!\" cries Mamma.",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Her shoulder--Olga swiftly came--\nAnd Lenski followed--a light broke--\nHis fist Oneguine fiercely shook\nAnd gazed around with eyes of flame;",
"Vladimir Lenski was his name,\nFrom Gottingen inspired he came,\nA worshipper of Kant, a bard,\nA young and handsome galliard.",
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste.",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"Shouts of applause! Oneguine passes\nBetween the stalls, along the toes;\nSeated, a curious look with glasses\nOn unknown female forms he throws.",
"Where is Oneguine? Half asleep,\nStraight from the ball to bed he goes,\nWhilst Petersburg from slumber deep",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Oneguine lightning glances shot;\nFurious he from the table rose;\nAll arise. To the door he goes.",
"Oneguine, by first impulse moved,\nTurned and replied as it behoved,\nCurtly announcing for the fray\nThat he was \"ready any day.\"",
"\"How now, Oneguine, yawning still?\"--\n\"'Tis habit, Lenski.\"--\"Is your ill\nMore troublesome than usual?\"--\"No!",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"\"Shall we commence?\"--\"Let it be so,\"\nLenski replied, and soon they be\nBehind the mill. Meantime ye see\nZaretski and Monsieur Guillot"
],
[
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"In cruel solitude each day\nWith flame more ardent passion burns,\nAnd to Oneguine far away\nHer heart importunately turns.",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all.",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Oneguine's cheek grew ashy pale,\nEither she saw not or ignored;\nOneguine wasted; on my word,\nAlready he grew phthisical.",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"The hostess doth interrogate:\n\"He hath neglected us of late.\"--\nTattiana blushed, her heart beat quick--\n\"He promised here this day to ride,\"",
"Oneguine Olga bore away.\nGliding in negligent career,\nHe bending whispered in her ear\nSome madrigal not worth a rush,",
"Oneguine, by first impulse moved,\nTurned and replied as it behoved,\nCurtly announcing for the fray\nThat he was \"ready any day.\"",
"Oneguine his excuses says;\n\"But,\" cried Zaretski in amaze,\n\"Your second you have left behind!\"\nA duellist of classic mind,",
"Oneguine's letter!\"--\"Ah! the thing!\nNow don't be cross with me, my soul,\nYou know that I am now a fool--",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Lenski unto the dame replied,\n\"The post hath kept him, it is like.\"\nShamefaced, Tattiana downward looked\nAs if he cruelly had joked!",
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced."
],
[
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Oneguine Olga bore away.\nGliding in negligent career,\nHe bending whispered in her ear\nSome madrigal not worth a rush,",
"And gallops to her house away.\nTrembling he seeks the young princess--\nTattiana finds in loneliness.\nTogether moments one or two",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"All breathless and without replies.\nHis arm he offers. Mute and sad\n(_Mechanically_, let us add),\nTattiana doth accept his aid;",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"In cruel solitude each day\nWith flame more ardent passion burns,\nAnd to Oneguine far away\nHer heart importunately turns.",
"He went not--sooner was prepared\nTo write his forefathers to warn\nOf his approach; but nothing cared\nTattiana--thus the sex is born.--",
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"Oneguine whither gallops? Ye\nHave guessed already. Yes, quite so!\nUnto his own Tattiana he,",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all."
],
[
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"They shout and no one lists at all.\nThe doors swing open: Lenski makes\nHis entrance with Oneguine. \"Ah!\nAt last the author!\" cries Mamma.",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"But to Oneguine! _A propos_!\nFriends, I must your indulgence pray.\nHis daily occupations, lo!",
"\"Me?\"--\"Yes! It is Tattiana's fete\nNext Saturday. The Larina\nTold me to ask you. Ere that date",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste.",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"It was a cheery, generous\nCartel, or challenge to a fight,\nWhereto in language courteous\nLenski his comrade did invite.",
"And a grand festival proceeds.\nThe Larinas were since sunrise\nO'erwhelmed with guests; by families\nThe neighbours come, in sledge approach,",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"One morn whilst yet in bed he lay,\nHis valet brings him letters three.\nWhat, invitations? The same day\nAs many entertainments be!",
"\"To--?\"--\"Larina.\"--\"Tattiana?\"--\"So.\nAnd dost thou know her?\"--\"We live near.\"\n\"Then come with me.\" The prince proceeds,",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"Shouts of applause! Oneguine passes\nBetween the stalls, along the toes;\nSeated, a curious look with glasses\nOn unknown female forms he throws.",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Also one Viazemski, remarking\nTattiana by a poor aunt's side,\nSuccessfully to please her tried,\nAnd an old gent the poet marking"
],
[
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"Our misanthrope was full of ire,\nAt a great feast against desire,\nAnd marking Tania's agitation,\nCast down his eyes in trepidation",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"They shout and no one lists at all.\nThe doors swing open: Lenski makes\nHis entrance with Oneguine. \"Ah!\nAt last the author!\" cries Mamma.",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste.",
"Having remarked Vladimir's flight,\nOneguine, bored to death again,\nBy Olga stood, dejected quite",
"Of course Tattiana was annoyed\nBy such allusions scandalous,\nYet was her inmost soul o'erjoyed\nWith satisfaction marvellous,",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Also one Viazemski, remarking\nTattiana by a poor aunt's side,\nSuccessfully to please her tried,\nAnd an old gent the poet marking",
"Shouts of applause! Oneguine passes\nBetween the stalls, along the toes;\nSeated, a curious look with glasses\nOn unknown female forms he throws.",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Oneguine lightning glances shot;\nFurious he from the table rose;\nAll arise. To the door he goes.",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all.",
"Oh! who her speechless agonies\nCould not in that brief moment guess!\nWho now could fail to recognize\nTattiana in the young princess!",
"\"Me?\"--\"Yes! It is Tattiana's fete\nNext Saturday. The Larina\nTold me to ask you. Ere that date",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make."
],
[
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"And pressed her hand--the crimson blush\nUpon her cheek by adulation\nGrew brighter still. But Lenski hath\nSeen all, beside himself with wrath,",
"Her shoulder--Olga swiftly came--\nAnd Lenski followed--a light broke--\nHis fist Oneguine fiercely shook\nAnd gazed around with eyes of flame;",
"And sulked in silent indignation;\nSwearing how Lenski he would rile,\nAvenge himself in proper style.\nTriumphant by anticipation,",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"The strife grew furious and Eugene\nGrasped a long knife and instantly\nStruck Lenski dead--across the scene\nDark shadows thicken--a dread cry",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"It was a cheery, generous\nCartel, or challenge to a fight,\nWhereto in language courteous\nLenski his comrade did invite.",
"Oneguine, by first impulse moved,\nTurned and replied as it behoved,\nCurtly announcing for the fray\nThat he was \"ready any day.\"",
"Oneguine his excuses says;\n\"But,\" cried Zaretski in amaze,\n\"Your second you have left behind!\"\nA duellist of classic mind,",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all.",
"\"Why did you leave last night so soon?\"\nWas the first question Olga made,\nLenski, into confusion thrown,\nAll silently hung down his head.",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste.",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--",
"Though he advanced unceasingly.\nAnd lo! five paces more they pass,\nAnd Lenski, closing his left eye,\nTook aim--but as immediately",
"Oneguine lightning glances shot;\nFurious he from the table rose;\nAll arise. To the door he goes.",
"Resolved the flirt to cast away,\nThe foaming Lenski would refuse,\nTo see his Olga ere the fray--"
],
[
"\"To--?\"--\"Larina.\"--\"Tattiana?\"--\"So.\nAnd dost thou know her?\"--\"We live near.\"\n\"Then come with me.\" The prince proceeds,",
"To Olga Petoushkova darts:\nTo Tania Lenski; Kharlikova,\nA marriageable maid matured,\nThe poet from Tamboff secured,",
"To guess how you the eve pull through.\"--\n\"At Larina's.\"--\"Hem, that is queer!\nPray is it not a tough affair",
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"Since Fame and Freedom he adored,\nIncited by his stormy Muse\nOdes Lenski also had outpoured,\nBut Olga would not such peruse.",
"The Larinas unwisely went,\nFrom apprehension of the cost,\nBy their own horses, not the post--\nSo Tania to her heart's content",
"And a grand festival proceeds.\nThe Larinas were since sunrise\nO'erwhelmed with guests; by families\nThe neighbours come, in sledge approach,",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Homeward returning, he at home\nIs occupied with Olga fair,\nAn album, fly-leaf of the tome,\nHe leisurely adorns for her.",
"When but a boy he Olga loved\nUnknown as yet the aching heart,\nHe witnessed tenderly and moved\nHer girlish gaiety and sport.",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"Having remarked Vladimir's flight,\nOneguine, bored to death again,\nBy Olga stood, dejected quite",
"Bouyanoff, wrathful cousin mine,\nUnto the hero of this lay\nOlga and Tania led. Malign,",
"She muses: \"What was Olga's fate?\nLongtime was her heart desolate\nOr did her tears soon cease to flow?\nAnd where may be her sister now?",
"Is ever thus. With frowning brow\nTo the pianoforte he moves\nAnd various chords upon it proves,\nThen, eyeing Olga, whispers low:",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"But one thought only filled his mind,\nHis mournful heart no peace could find,\nOlga he sees before his eyes\nMiraculously fair arise,",
"Terrible tales she loved to hear.\nAnd when for Olga nurse arrayed\nIn the broad meadow a gay rout,\nAll the young people round about,",
"Resolved the flirt to cast away,\nThe foaming Lenski would refuse,\nTo see his Olga ere the fray--",
"[Note 70: \"Matushka,\" or \"little mother,\" a term of endearment\nin constant use amongst Russian females.]\n\nXXV"
],
[
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"In cruel solitude each day\nWith flame more ardent passion burns,\nAnd to Oneguine far away\nHer heart importunately turns.",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"And gallops to her house away.\nTrembling he seeks the young princess--\nTattiana finds in loneliness.\nTogether moments one or two",
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie.",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"By sympathy I have been driven.\nForgive me! Such the love I bear\nMy heroine, Tattiana dear.",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"Her heart: it seemed a darksome pit\nBeneath her roaring opened wide:\n\"I shall expire,\" Tattiana cried,\n\"But death from him will be delight.",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"The hostess doth interrogate:\n\"He hath neglected us of late.\"--\nTattiana blushed, her heart beat quick--\n\"He promised here this day to ride,\"",
"All breathless and without replies.\nHis arm he offers. Mute and sad\n(_Mechanically_, let us add),\nTattiana doth accept his aid;",
"Two minutes they in silence spent,\nOneguine then approached and said:\n\"You have a letter to me sent.\nDo not excuse yourself. I read",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"Oneguine whither gallops? Ye\nHave guessed already. Yes, quite so!\nUnto his own Tattiana he,",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"\"Why did you leave last night so soon?\"\nWas the first question Olga made,\nLenski, into confusion thrown,\nAll silently hung down his head.",
"But of this love, e'en casually,\nAs yet none had discovered aught;\nEugene of course related nought,\nTattiana suffered secretly;"
],
[
"Meantime Oneguine's apparition\nAt Larina's abode produced\nQuite a sensation; the position\nTo all good neighbours' sport conduced.",
"Where is Oneguine? Half asleep,\nStraight from the ball to bed he goes,\nWhilst Petersburg from slumber deep",
"EUGENE ONEGUINE [Onegin]:\n\nA Romance of Russian Life in Verse\n\nby\n\nALEXANDER PUSHKIN",
"The village wherein yawned Eugene\nWas a delightful little spot,\nThere friends of pure delight had been\nGrateful to Heaven for their lot.",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"Since Eugene in that solitude\nGifts such as these alone could prize,\nA scant attendance Lenski showed\nAt neighbouring hospitalities.",
"Eugene Oneguine",
"The hero is of my narration!\nOneguine, O my gentle readers,\nWas born beside the Neva, where\nIt may be ye were born, or there",
"Lo! my Oneguine rural lord!\nOf mines and meadows, woods and lakes,\nHe now a full possession takes,\nHe who economy abhorred,",
"Eugene Oneguine, the chief poetical work of Russia's greatest poet,\nhaving been translated into all the principal languages of Europe",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"_Eugene Oneguine_ (st. v.), when enumerating the various influences\nwhich had contributed to the formation of his Muse:",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"Anicia soon appears, the door\nOpens unto her visitor.\nInto the lonely house she went,\nWherein a space Oneguine spent.",
"And solitude and calm delight.\nSuch was Oneguine's sainted life,\nAnd such unconsciously he led,\nNor marked how summer's prime had fled",
"in the neighbourhood of St. Petersburg, where he remained for the\nremainder of his life, only occasionally visiting Moscow and\nMikhailovskoe. During this period his chief occupation consisted",
"Alone amid possessions great,\nEugene at first began to dream,\nIf but to lighten Time's dull rate,\nOf many an economic scheme;",
"Shouts of applause! Oneguine passes\nBetween the stalls, along the toes;\nSeated, a curious look with glasses\nOn unknown female forms he throws.",
"Along Saint Petersburg's paved streets,\nFrom you too Eugene took to flight,\nAbandoning insane delight,\nAnd isolated from all men,",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--"
],
[
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"Alone amid possessions great,\nEugene at first began to dream,\nIf but to lighten Time's dull rate,\nOf many an economic scheme;",
"But Eugene, hating litigation\nAnd with his lot in life content,\nTo a surrender gave consent,\nSeeing in this no deprivation,",
"He with an innocence extreme\nHis inner consciousness laid bare,\nAnd Eugene soon discovered there\nThe story of his young love's dream,\nWhere plentifully feelings flow",
"But upon all that Eugene knew\nI have no leisure here to dwell,\nBut say he was a genius who\nIn one thing really did excel.",
"Such were the musings of Eugene.\nHe in the early years of life\nHad a deluded victim been\nOf error and the passions' strife.",
"She sank.--\n \"He's here! Eugene is here!\nMerciful God, what will he deem?\"",
"Having this mournful document\nPerused, Eugene in postchaise went\nAnd hastened to his uncle's side,\nBut in his heart dissatisfied,",
"Since Eugene in that solitude\nGifts such as these alone could prize,\nA scant attendance Lenski showed\nAt neighbouring hospitalities.",
"All this was novel to Eugene.\nThe cold reply with gloomy mien\nHe oft upon his lips would curb,\nThinking: 'tis foolish to disturb",
"And linen on him doth bestow.\nDressing as quickly as he can,\nEugene directs the trusty man\nTo accompany him and to escort",
"Although we know that Eugene had\nLong ceased to be a reading man,\nStill certain authors, I may add,\nHe had excepted from the ban:",
"The village wherein yawned Eugene\nWas a delightful little spot,\nThere friends of pure delight had been\nGrateful to Heaven for their lot.",
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie.",
"\"Mine!\" cried Eugene with savage tone.\nThe troop of apparitions fled,\nAnd in the frosty night alone\nRemained with him the youthful maid.",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--",
"He was no fool, and Eugene mine,\nTo friendship making no pretence,\nAdmired his judgment, which was fine,\nPervaded with much common sense.",
"When youth's rebellious hour drew near\nAnd my Eugene the path must trace--\nThe path of hope and tender fear--\nMonsieur clean out of doors they chase.",
"Oh, how her lips compressed restrain\nThe indignation of her heart!\nA sidelong look doth Eugene dart:\nWhere, where, remorse, compassion, pain?",
"The moment for revenge, meanwhile,\nEspying, Eugene with a smile\nApproaches Olga and the pair\nAmid the company career."
],
[
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"Such were the musings of Eugene.\nHe in the early years of life\nHad a deluded victim been\nOf error and the passions' strife.",
"Alone amid possessions great,\nEugene at first began to dream,\nIf but to lighten Time's dull rate,\nOf many an economic scheme;",
"He with an innocence extreme\nHis inner consciousness laid bare,\nAnd Eugene soon discovered there\nThe story of his young love's dream,\nWhere plentifully feelings flow",
"But upon all that Eugene knew\nI have no leisure here to dwell,\nBut say he was a genius who\nIn one thing really did excel.",
"But Eugene, hating litigation\nAnd with his lot in life content,\nTo a surrender gave consent,\nSeeing in this no deprivation,",
"All this was novel to Eugene.\nThe cold reply with gloomy mien\nHe oft upon his lips would curb,\nThinking: 'tis foolish to disturb",
"She sank.--\n \"He's here! Eugene is here!\nMerciful God, what will he deem?\"",
"Since Eugene in that solitude\nGifts such as these alone could prize,\nA scant attendance Lenski showed\nAt neighbouring hospitalities.",
"Having this mournful document\nPerused, Eugene in postchaise went\nAnd hastened to his uncle's side,\nBut in his heart dissatisfied,",
"Although we know that Eugene had\nLong ceased to be a reading man,\nStill certain authors, I may add,\nHe had excepted from the ban:",
"The husband comes and interferes\nWith this unpleasant _tete-a-tete_,\nWith Eugene pranks of former years",
"He was no fool, and Eugene mine,\nTo friendship making no pretence,\nAdmired his judgment, which was fine,\nPervaded with much common sense.",
"And linen on him doth bestow.\nDressing as quickly as he can,\nEugene directs the trusty man\nTo accompany him and to escort",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--",
"When youth's rebellious hour drew near\nAnd my Eugene the path must trace--\nThe path of hope and tender fear--\nMonsieur clean out of doors they chase.",
"An exile from their troublous reign,\nEugene would speak regarding these.\nThrice happy who their agonies\nHath suffered but indifferent grown,",
"The village wherein yawned Eugene\nWas a delightful little spot,\nThere friends of pure delight had been\nGrateful to Heaven for their lot.",
"\"Mine!\" cried Eugene with savage tone.\nThe troop of apparitions fled,\nAnd in the frosty night alone\nRemained with him the youthful maid.",
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie."
],
[
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Since Fame and Freedom he adored,\nIncited by his stormy Muse\nOdes Lenski also had outpoured,\nBut Olga would not such peruse.",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"Her shoulder--Olga swiftly came--\nAnd Lenski followed--a light broke--\nHis fist Oneguine fiercely shook\nAnd gazed around with eyes of flame;",
"Resolved the flirt to cast away,\nThe foaming Lenski would refuse,\nTo see his Olga ere the fray--",
"And pressed her hand--the crimson blush\nUpon her cheek by adulation\nGrew brighter still. But Lenski hath\nSeen all, beside himself with wrath,",
"Handsome and rich, the neighbourhood\nLenski as a good match received,--\nSuch is the country custom good;\nAll mothers their sweet girls believed",
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"To Olga Petoushkova darts:\nTo Tania Lenski; Kharlikova,\nA marriageable maid matured,\nThe poet from Tamboff secured,",
"\"Why did you leave last night so soon?\"\nWas the first question Olga made,\nLenski, into confusion thrown,\nAll silently hung down his head.",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"But one thought only filled his mind,\nHis mournful heart no peace could find,\nOlga he sees before his eyes\nMiraculously fair arise,",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"Is ever thus. With frowning brow\nTo the pianoforte he moves\nAnd various chords upon it proves,\nThen, eyeing Olga, whispers low:",
"To tragedy, the fainting fit,\nAnd female tears hysterical,\nOneguine could not now submit,\nFor long he had endured them all.",
"But once more pensive and distressed\nBeside his Olga doth he grieve,\nNor enough strength of mind possessed\nTo mention the foregoing eve,",
"They shout and no one lists at all.\nThe doors swing open: Lenski makes\nHis entrance with Oneguine. \"Ah!\nAt last the author!\" cries Mamma.",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--"
],
[
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"He with an innocence extreme\nHis inner consciousness laid bare,\nAnd Eugene soon discovered there\nThe story of his young love's dream,\nWhere plentifully feelings flow",
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie.",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"Upon her elbow she reclines,\nAnd Eugene ever in her soul\nIndites an inconsiderate scroll\nWherein love innocently pines.",
"But of this love, e'en casually,\nAs yet none had discovered aught;\nEugene of course related nought,\nTattiana suffered secretly;",
"She sank.--\n \"He's here! Eugene is here!\nMerciful God, what will he deem?\"",
"There was no doubt! Eugene, alas!\nTattiana loved as when a lad,\nBoth day and night he now must pass",
"Oh, how her lips compressed restrain\nThe indignation of her heart!\nA sidelong look doth Eugene dart:\nWhere, where, remorse, compassion, pain?",
"Tortured by pangs of wild regret,\nEugene fell prostrate at her feet--\nShe starts, nor doth a word express,\nBut gazes on Oneguine's face",
"Such were the musings of Eugene.\nHe in the early years of life\nHad a deluded victim been\nOf error and the passions' strife.",
"The moment for revenge, meanwhile,\nEspying, Eugene with a smile\nApproaches Olga and the pair\nAmid the company career.",
"She rose--departed. But Eugene\nStood as if struck by lightning fire.\nWhat a storm of emotions keen",
"But Eugene, hating litigation\nAnd with his lot in life content,\nTo a surrender gave consent,\nSeeing in this no deprivation,",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"She fears she cannot.--Cannot? Why?--\nShe promised Eugene, or she would\nWith great delight.--O God on high!",
"Since I beheld Eugene and young\nTattiana in a misty dream,\nAnd my romance's open theme\nGlittered in a perspective long,",
"\"And is it,\" meditates Eugene.\n\"And is it she? It must be--no--\nHow! from the waste of steppes unseen,\"--",
"But upon all that Eugene knew\nI have no leisure here to dwell,\nBut say he was a genius who\nIn one thing really did excel.",
"They sat, but conversation's flow\nDeserted Eugene. He, distraught,\nSits by her gloomily, desponds,"
],
[
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"Such were the musings of Eugene.\nHe in the early years of life\nHad a deluded victim been\nOf error and the passions' strife.",
"All this was novel to Eugene.\nThe cold reply with gloomy mien\nHe oft upon his lips would curb,\nThinking: 'tis foolish to disturb",
"He with an innocence extreme\nHis inner consciousness laid bare,\nAnd Eugene soon discovered there\nThe story of his young love's dream,\nWhere plentifully feelings flow",
"She sank.--\n \"He's here! Eugene is here!\nMerciful God, what will he deem?\"",
"Alone amid possessions great,\nEugene at first began to dream,\nIf but to lighten Time's dull rate,\nOf many an economic scheme;",
"And linen on him doth bestow.\nDressing as quickly as he can,\nEugene directs the trusty man\nTo accompany him and to escort",
"The moment for revenge, meanwhile,\nEspying, Eugene with a smile\nApproaches Olga and the pair\nAmid the company career.",
"But upon all that Eugene knew\nI have no leisure here to dwell,\nBut say he was a genius who\nIn one thing really did excel.",
"When youth's rebellious hour drew near\nAnd my Eugene the path must trace--\nThe path of hope and tender fear--\nMonsieur clean out of doors they chase.",
"But Eugene, hating litigation\nAnd with his lot in life content,\nTo a surrender gave consent,\nSeeing in this no deprivation,",
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie.",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"His song, when still he slumbered deep,\nThe sun had mounted high his steep,\nA passing snowstorm wreathed away\nWith pallid light, but Eugene lay",
"\"And is it,\" meditates Eugene.\n\"And is it she? It must be--no--\nHow! from the waste of steppes unseen,\"--",
"She rose--departed. But Eugene\nStood as if struck by lightning fire.\nWhat a storm of emotions keen",
"Feeling is silly, dangerous.\nEugene, more tolerant than this\n(Though certainly mankind he knew\nAnd usually despised it too),",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"\"Mine!\" cried Eugene with savage tone.\nThe troop of apparitions fled,\nAnd in the frosty night alone\nRemained with him the youthful maid.",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--"
],
[
"The moment for revenge, meanwhile,\nEspying, Eugene with a smile\nApproaches Olga and the pair\nAmid the company career.",
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"He with an innocence extreme\nHis inner consciousness laid bare,\nAnd Eugene soon discovered there\nThe story of his young love's dream,\nWhere plentifully feelings flow",
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie.",
"Upon her elbow she reclines,\nAnd Eugene ever in her soul\nIndites an inconsiderate scroll\nWherein love innocently pines.",
"She sank.--\n \"He's here! Eugene is here!\nMerciful God, what will he deem?\"",
"Such were the musings of Eugene.\nHe in the early years of life\nHad a deluded victim been\nOf error and the passions' strife.",
"All this was novel to Eugene.\nThe cold reply with gloomy mien\nHe oft upon his lips would curb,\nThinking: 'tis foolish to disturb",
"Oh, how her lips compressed restrain\nThe indignation of her heart!\nA sidelong look doth Eugene dart:\nWhere, where, remorse, compassion, pain?",
"The husband comes and interferes\nWith this unpleasant _tete-a-tete_,\nWith Eugene pranks of former years",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"When youth's rebellious hour drew near\nAnd my Eugene the path must trace--\nThe path of hope and tender fear--\nMonsieur clean out of doors they chase.",
"She rose--departed. But Eugene\nStood as if struck by lightning fire.\nWhat a storm of emotions keen",
"They sat, but conversation's flow\nDeserted Eugene. He, distraught,\nSits by her gloomily, desponds,",
"And linen on him doth bestow.\nDressing as quickly as he can,\nEugene directs the trusty man\nTo accompany him and to escort",
"Since I beheld Eugene and young\nTattiana in a misty dream,\nAnd my romance's open theme\nGlittered in a perspective long,",
"\"And is it,\" meditates Eugene.\n\"And is it she? It must be--no--\nHow! from the waste of steppes unseen,\"--",
"She cannot--Eugene oped the door\nAnd the young girl appeared before\nThose hellish phantoms. Peals arise\nOf frantic laughter, and all eyes",
"The village wherein yawned Eugene\nWas a delightful little spot,\nThere friends of pure delight had been\nGrateful to Heaven for their lot."
],
[
"fired, and slightly wounded his opponent, shouting \"Bravo!\" when\nhe heard him exclaim that he was hit. D'Anthes was, however, but",
"In duel having killed his friend\nAnd reached, with nought his mind to engage,\nThe twenty-sixth year of his age,\nWearied of leisure in the end,",
"destruction. D'Anthes, it was subsequently admitted, was not the\nauthor of the anonymous letters; but as usual when a duel is\nproposed, an appeal to reason was thought to smack of cowardice.",
"The strife grew furious and Eugene\nGrasped a long knife and instantly\nStruck Lenski dead--across the scene\nDark shadows thicken--a dread cry",
"That youthful heart--\"But, now at least,\nThe opportunity is flown.\nBesides, a duellist well-known\nHath mixed himself in the affair,",
"Zaretski shouted: \"Why, he's killed!\"--\nKilled! at this dreadful exclamation\nOneguine went with trepidation\nAnd the attendants called in haste.",
"slightly contused whilst Pushkin was shot through the abdomen. He\nwas transported to his residence and expired after several days\npassed in extreme agony. Thus perished in the thirty-eighth year of",
"Note: It may interest some to know that Georges d'Anthes was tried\nby court-martial for his participation in the duel in which Pushkin",
"Though he advanced unceasingly.\nAnd lo! five paces more they pass,\nAnd Lenski, closing his left eye,\nTook aim--but as immediately",
"Tranquil he lay, and strange to view\nThe peace which on his forehead beamed,\nHis breast was riddled through and through,",
"his age this distinguished poet, in a manner and amid surroundings\nwhich make the duel scene in the sixth canto of this poem seem\nalmost prophetic. His reflections on the premature death of Lenski",
"Athwart the snow four paces came--\nFour deadly paces do they span;\nOneguine slowly then began\nTo raise his pistol to his eye,",
"Oneguine fired--Alas! alas!\nThe poet's hour hath sounded--See!\nHe drops his pistol silently.",
"She never more his face may view,\nFor was it not her duty to\nDetest him for a brother slain?\nThe poet fell; already men",
"He on his bosom gently placed\nHis hand, and fell. His clouded eye\nNot agony, but death expressed.\nSo from the mountain lazily",
"determined, nay ferocious character. Pushkin was shot before he\nhad time to fire, and, in his fall, the barrel of his pistol",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--",
"That the two friends with morning's light\nAbove the yawning grave would fight,--\nAh! it may be, affection true\nHad reconciled the pair anew!",
"Now, like hereditary foes,\nMalignant fury they disclose,\nAs in some frenzied dream of fear\nThese friends cold-bloodedly draw near",
"And pressed her hand--the crimson blush\nUpon her cheek by adulation\nGrew brighter still. But Lenski hath\nSeen all, beside himself with wrath,"
],
[
"Such were the musings of Eugene.\nHe in the early years of life\nHad a deluded victim been\nOf error and the passions' strife.",
"But Eugene was by fate preserved,\nFor first \"madame\" his wants observed,\nAnd then \"monsieur\" supplied her place;(3)\nThe boy was wild but full of grace.",
"The moment for revenge, meanwhile,\nEspying, Eugene with a smile\nApproaches Olga and the pair\nAmid the company career.",
"He with an innocence extreme\nHis inner consciousness laid bare,\nAnd Eugene soon discovered there\nThe story of his young love's dream,\nWhere plentifully feelings flow",
"She sank.--\n \"He's here! Eugene is here!\nMerciful God, what will he deem?\"",
"Oh, how her lips compressed restrain\nThe indignation of her heart!\nA sidelong look doth Eugene dart:\nWhere, where, remorse, compassion, pain?",
"The husband comes and interferes\nWith this unpleasant _tete-a-tete_,\nWith Eugene pranks of former years",
"However, Tania's letter reading,\nEugene was touched with sympathy;\nThe language of her girlish pleading\nAroused in him sweet reverie.",
"An exile from their troublous reign,\nEugene would speak regarding these.\nThrice happy who their agonies\nHath suffered but indifferent grown,",
"Eugene, his pistol yet in hand\nAnd with remorseful anguish filled,\nGazing on Lenski's corse did stand--",
"Eugene designed with me to start\nAnd visit many a foreign clime,\nBut Fortune cast our lots apart\nFor a protracted space of time.",
"Alone amid possessions great,\nEugene at first began to dream,\nIf but to lighten Time's dull rate,\nOf many an economic scheme;",
"Eugene in hackney carriage placed.\nPast darkened windows and long streets\nOf slumbering citizens he fleets,\nTill carriage lamps, a double row,",
"Although we know that Eugene had\nLong ceased to be a reading man,\nStill certain authors, I may add,\nHe had excepted from the ban:",
"She rose--departed. But Eugene\nStood as if struck by lightning fire.\nWhat a storm of emotions keen",
"When youth's rebellious hour drew near\nAnd my Eugene the path must trace--\nThe path of hope and tender fear--\nMonsieur clean out of doors they chase.",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"But Eugene, hating litigation\nAnd with his lot in life content,\nTo a surrender gave consent,\nSeeing in this no deprivation,",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"His song, when still he slumbered deep,\nThe sun had mounted high his steep,\nA passing snowstorm wreathed away\nWith pallid light, but Eugene lay"
],
[
"Thus did our friend Oneguine preach:\nTattiana, dim with tears her eyes,\nAttentive listened to his speech,",
"With tranquil air Oneguine leads\nTattiana to a corner, bids\nHer on a shaky bench sit down;\nHis head sinks slowly, rests upon",
"But my Oneguine the whole eve\nWithin his mind Tattiana bore,\nNot the young timid maid, believe,",
"Congratulations, toasts resound,\nTattiana thanks to all returned,\nBut, when Oneguine's turn came round,",
"Confess, O ye who this peruse,\nOneguine acted very well\nBy poor Tattiana in the blues;\n'Twas not the first time, I can tell",
"Though he surveyed her at his ease,\nNot the least trace Oneguine sees\nOf the Tattiana of times fled.\nHe conversation would have led--",
"Tattiana saw with trepidation\nBy what idea or observation\nOneguine was the most impressed,\nIn what he merely acquiesced.\nUpon those margins she perceived",
"And what resulted? Drunk with love,\nBut with confused and bashful air,\nLenski at intervals would dare,\nIf Olga smilingly approve,",
"But Lenski, having no desire\nVows matrimonial to break,\nWith our Oneguine doth aspire\nAcquaintance instantly to make.",
"And satisfied with vengeance ta'en.\nOlga began to long likewise\nFor Lenski, sought him with her eyes,\nAnd endless the cotillon seemed",
"Oneguine whither gallops? Ye\nHave guessed already. Yes, quite so!\nUnto his own Tattiana he,",
"And gallops to her house away.\nTrembling he seeks the young princess--\nTattiana finds in loneliness.\nTogether moments one or two",
"Nearer they come--Eugene appears!\nAh! than a spectre from the dead\nMore swift the room Tattiana fled,\nFrom hall to yard and garden flies,",
"Her heart: it seemed a darksome pit\nBeneath her roaring opened wide:\n\"I shall expire,\" Tattiana cried,\n\"But death from him will be delight.",
"But of this love, e'en casually,\nAs yet none had discovered aught;\nEugene of course related nought,\nTattiana suffered secretly;",
"Oh! who her speechless agonies\nCould not in that brief moment guess!\nWho now could fail to recognize\nTattiana in the young princess!",
"All breathless and without replies.\nHis arm he offers. Mute and sad\n(_Mechanically_, let us add),\nTattiana doth accept his aid;",
"When Eugene like a ghost did rise\nBefore her straight with roguish eyes.\nTattiana faltered, and became\nScarlet as burnt by inward flame.",
"In cruel solitude each day\nWith flame more ardent passion burns,\nAnd to Oneguine far away\nHer heart importunately turns.",
"The hostess doth interrogate:\n\"He hath neglected us of late.\"--\nTattiana blushed, her heart beat quick--\n\"He promised here this day to ride,\""
]
] |
[
"Where did Eugene Onegin come from?",
"How did Eugene Onegin get his wealth?",
"How did Eugene treat Tatyana well when she express her love to him?",
"Why did Lensky challenge Onegin to fight a duel? ",
"What did Tatyana find about Onegin by visiting his country mansion?",
"Where did Onegin meet Tatyana again?",
"What had Onegin found out about Tatyana?",
"Whom was Tatyana married to?",
"How did Onegin spend most of his time?",
"What did Onegin inherit from his uncle?",
"How does Onegin meet Vladimir Lensky?",
"When Onegin and Tatyana meet in person, what explanation does Onegin give to Tatyana for his rejection of her? ",
"When Onegin and Tatyana meet in person, what advice does he give her?",
"When Lensky invites Onegin to Tatyana's name celebration, who does he say are invited?",
"At Tatyana's name celebration, with whom is Onegin annoyed?",
"Why does Lensky challenge Onegin to a duel?",
"Who is Olga Larina?",
"When Onegin asks Tatyana to run away with him, why does she think that he suddenly loves her?",
"Where does Eugene Onegin live?",
"What does Eugene inherit?",
"Who does Eugene inherit this from?",
"Who is Lensky's fiance?",
"Who falls in love with Eugene?",
"What does Eugene think of the ball that is thrown?",
"Who does Eugene begin to flirt with?",
"Who is killed in the duel?",
"Who does Eugene see years later?",
"Who does Tatyana choose to be with?"
] |
[
[
"Saint Petersburg",
"St. Petersburg. "
],
[
"Inherited from his uncle",
"inheritance"
],
[
"He was rude and arrogant. ",
"He does not write her back"
],
[
"Onegin flirted with Lensky's fianccee.",
"because he was dancing and flirting with Olga"
],
[
"She found he lived a life of many literary heroes.",
"She thinks he is not who he says he is"
],
[
"At a high party of Saint Petersburg.",
"St petersburg"
],
[
"She was then wealthy and beautiful.",
"She is now a beautiful women, but now married."
],
[
"An aged prince, a general.",
"An aged prince."
],
[
"Onegin spent most of his time at balls, concerts, and parties.",
"He spent most of his time at balls, parties and concerts."
],
[
"Onegin inherited a land estate from his uncle.",
"He inherited an estate."
],
[
"Vladimir Lensky is Onegin's neighbor, and Onegin meets Lensky when he moves to the country.",
"he moves to the country"
],
[
"Onegin tells Tatyana that he become bored of marriage and that he only wants to be her friend.",
"He tells her he would get bored of marriage."
],
[
"Onegin tells Tatyana to show more emotionally control in the future, so that another man does not take advantage of her innocence.",
"to better control her emotions so that another man does not take advantage of her"
],
[
"Lensky tells Onegin that Tatyana, Olga, and her parents are the only people that have been invited to Tatyana's name celebration.",
"Olga, Tatyana and her parents"
],
[
"Onegin is annoyed with the guests who gossip about him and Tatyana and Lensky for inviting him under false pretenses.",
"With the gossiping guests, and also with Lensky"
],
[
"Lensky challenges Onegin to a duel, because Onegin flirts with Olga, who is actually attracted to Onegin.",
"He is jealous of their flirting with eachother."
],
[
"Olga Larina is Vladimir Lensky's fiance.",
"Lensky's fiance"
],
[
"Tatyana thinks that Onegin suddenly loves her because of her wealth and position.",
"Tatyana thinks he only wants her wealth and position. "
],
[
"Saint Petersburg.",
"Russian Country side"
],
[
"An estate.",
"A country estate. "
],
[
"His uncle.",
"He inherits his estate from his uncle."
],
[
"Olga.",
"Olga"
],
[
"Tatyana.",
"Tatyana"
],
[
"He is irritated.",
"distasteful, loud, irritating"
],
[
"Olga.",
"Olga"
],
[
"Lensky.",
"Lensky"
],
[
"Tatyana.",
"Tatyana"
],
[
"Her husband.",
"Her husband"
]
] |
0e453816e78ebb5abeaf4ea5dc283e1455fd57f9
|
train
|
[["Nimmie Amee\n\n\n\nCHAPTER 22","Woodman and help him woo Nimmie Amee.\"","\"No, indeed; Nimmie Am(...TRUNCATED)
| ["Who is Nimmie Amee?","How did the Tin Woodsman turn into tin?","What was the Tin Woodsman truned i(...TRUNCATED)
| [["the ward of the Wicked Witch of the East who the Tinman loved","The Wicked Witch of the East's wa(...TRUNCATED)
|
1343fe0f3a4293a8d5a214cd30e857f9abe77ebb
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train
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[["THE CHOLO THING reaches for Kaufman, vengeance in its eyes.","Kaufman has almost reached his gun.(...TRUNCATED)
| ["Why did Cholo DeMora initially want to retaliate against Kaufman?","Why did Riley and Charlie kill(...TRUNCATED)
| [["He was denied an apartment in Fiddler's Green even though he served Kaufman. ","He was denied an (...TRUNCATED)
|
18bcdf16fb896faf7fb36db6b752f16f0343ad24
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train
|
[["HONEY\n\t\tHi, I'm Honey.\n\n\t\t\t\tEMIL\n\t\tWhere's Czech girl?","Oleg ZOOMS in for a CLOSE UP(...TRUNCATED)
| ["Who was Honey?","What does Oleg do throughout the story?","Who is Rose Hearn?","What happens the n(...TRUNCATED)
| [["The call girl who Emil murdered when she came instead of a \"Czech girl\"","A call girl Emil murd(...TRUNCATED)
|
1cd10ef62761249191e07136775470b7f72cfcec
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train
|
[["* * * * *\n\nDuQuesne pondered long before he replied; considering whethe(...TRUNCATED)
| ["What is Marc DuQuesne's nickname?","What opaque, spherical shield does Richard Seaton try to maste(...TRUNCATED)
| [["Blackie","Blackie"],["Zone of Force","zone of force"],["Urvan","the natives of Fernachrone"],["Na(...TRUNCATED)
|
240ce3ba97e6969e93aa7e23bd384be181c49387
|
train
|
[["Speedman is exhausted, slumped in his cage. He is covered\n in a few leeches. Byong appe(...TRUNCATED)
| ["Who is Tugg captured by?","Who is Tugg's agent?","What song does Tom Cruise dance to in the credit(...TRUNCATED)
| [["The Flaming Dragon","Flamingo Dragon gang"],["Rick Peck","rick peck"],["Get Back by Ludacris","Ge(...TRUNCATED)
|
2b5d19eb7767f089cf6b5cee04106b964962eb00
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train
|
[["Z\n Wait...\n\n Z stands there, shivering with fear.\n\n (...TRUNCATED)
| ["What is Z's full name?","Who does Z change places with?","What is Bala's title?","What is Z search(...TRUNCATED)
| [["Z-4195","Z-4195"],["Weaver","Weaver"],["Princess","Princess Bala"],["Insectopia","Insectopia"],["(...TRUNCATED)
|
307f5583cf63457100b2d3f616d669e03a501196
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train
|
[["DANNY\n What?\n\n Rusty shrugs it off.\n\n RUSTY\n(...TRUNCATED)
| ["What does Danny's gang want to steal to pay back Terry?","What couldn't Danny's gang steal the sto(...TRUNCATED)
| [["The first stock certificate ever","The egg."],["\"The Night Fox\" had already stolen it","documen(...TRUNCATED)
|
3675e52aa687967667e5769337f0378715da9e3b
|
train
|
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