text
sequencelengths 26
39
| questions
sequencelengths 26
39
| answers
sequencelengths 26
39
| document_id
stringlengths 40
40
| split
stringclasses 3
values |
|---|---|---|---|---|
[
[
"Emily, in discovering the Marchioness de Villeroi to have been the\nsister of Mons. St. Aubert, was variously affected; but, amidst the",
"addressing Emily, 'though your name is St. Aubert, are you not the\ndaughter of the Marchioness?'",
"'This is very extraordinary!' said St. Aubert without attending to the\nquestion. 'Why is it so, my dear sir?' said Emily, in a voice of timid",
"Madame St. Aubert, a few days preceding that, on which the latter was\nseized with a fatal illness. Now, when Emily again entered the woods,",
"her named, or mention her himself after her death, except to Madame St.\nAubert. From Emily, whose sensibility he feared to awaken, he had so",
"relation, and the nearest surviving relative of the late Marchioness\nde Villeroi. As Emily St. Aubert was not only the nearest, but the sole\nrelative, this legacy descended to her, and thus explained to her the",
"parting from those whom she so dearly loved. During these her last\nhours, she conversed much with St. Aubert and Emily, on the prospect of",
"It was over some of the last pathetic letters of the Marchioness, that\nSt. Aubert was weeping, when he was observed by Emily, on the eve of",
"Emily, on hearing this, shrunk with a superstitious dread entirely new\nto her, and could scarcely conceal her agitation from St. Aubert.",
"Madame St. Aubert excused herself from sharing their usual evening walk,\ncomplaining that she was not quite well, and St. Aubert and Emily went\nout together.",
"Emily's surprise, for a moment, overcame her grief, and she ventured to\nask, why this must be? St. Aubert replied, that, if it had been right",
"'Ah!' said St. Aubert, as if struck with some sudden remembrance, 'the\nconvent of St. Clair!' Emily observed the clouds of grief, mingled with",
"affair, or ever with that of the Chevalier Valancourt; and her\nformer faithfulness to M. St. Aubert induced Emily to confide in her",
"St. Aubert was silent; Emily perceived a warm tear fall upon the hand he\nheld; she knew the object of his thoughts; hers too had, for some time,",
"between them, the grief of St. Aubert, upon hearing her named, his\nrequest to be buried near her, and her picture, which had been found\namong his papers, certainly proved. Sometimes it occurred to Emily, that",
"At length St. Aubert returned the picture to its case; and Emily,\nrecollecting that she was intruding upon his private sorrows, softly\nwithdrew from the chamber.\n\n\n\nCHAPTER III",
"St. Aubert; and, as this permission was nearly expired, he was the more\nanxious to declare himself to Emily's family, from whom he reasonably",
"Emily St. Aubert, for whom he felt the solicitude of a parent. Of this\nhe soon informed her, in a short conversation, when Valancourt had left",
"he looked timidly at Emily, who tried to smile away the seriousness of\nher spirits. They passed a few minutes in interesting conversation,\nand St. Aubert then led the way to the carriage, Emily and Valancourt",
"continued on the full gallop, till St. Aubert, almost fainting, called\nto him to stop. Emily looked anxiously from the window, and saw a"
],
[
"Madame St. Aubert, a few days preceding that, on which the latter was\nseized with a fatal illness. Now, when Emily again entered the woods,",
"'Ah!' said St. Aubert, as if struck with some sudden remembrance, 'the\nconvent of St. Clair!' Emily observed the clouds of grief, mingled with",
"Emily, in discovering the Marchioness de Villeroi to have been the\nsister of Mons. St. Aubert, was variously affected; but, amidst the",
"her named, or mention her himself after her death, except to Madame St.\nAubert. From Emily, whose sensibility he feared to awaken, he had so",
"After some general conversation, St. Aubert requested to speak with him\nalone; and Emily, being left with Madame Quesnel, soon learned that a",
"continued on the full gallop, till St. Aubert, almost fainting, called\nto him to stop. Emily looked anxiously from the window, and saw a",
"It was late when St. Aubert and Emily retired to their rooms, and\nValancourt to his station at the door, which, at this mild season, he",
"Madame St. Aubert excused herself from sharing their usual evening walk,\ncomplaining that she was not quite well, and St. Aubert and Emily went\nout together.",
"parting from those whom she so dearly loved. During these her last\nhours, she conversed much with St. Aubert and Emily, on the prospect of",
"St. Aubert was silent; Emily perceived a warm tear fall upon the hand he\nheld; she knew the object of his thoughts; hers too had, for some time,",
"The sound of carriage wheels brought a troop of servants to the great\ngate, where St. Aubert alighted, and from which he led Emily into the",
"on either side, and which wound for near half a mile among the woods,\nbefore it reached the chateau. This was the very avenue that St.\nAubert and Emily had formerly entered, on their first arrival in the",
"that the priest might not leave the cottage. When St. Aubert awoke from\nthis doze, his senses were confused, and it was some moments before he\nrecovered them sufficiently to know, that it was Emily who sat beside",
"do so, which she thought indicated a greater degree of indisposition\nthan he would acknowledge. St. Aubert now retired to rest, and Emily to\nher little chamber, but not to immediate repose. Her thoughts returned",
"It was over some of the last pathetic letters of the Marchioness, that\nSt. Aubert was weeping, when he was observed by Emily, on the eve of",
"Emily checked her tears, and followed her father to the parlour, where,\nthe servants being assembled, St. Aubert read, in a low and solemn",
"On the next morning, Emily ordered a fire to be lighted in the stove\nof the chamber, where St. Aubert used to sleep; and, as soon as she had",
"By order of his surgeon, Valancourt did not go out of the house that\nday; but St. Aubert and Emily surveyed with delight the environs of",
"he looked timidly at Emily, who tried to smile away the seriousness of\nher spirits. They passed a few minutes in interesting conversation,\nand St. Aubert then led the way to the carriage, Emily and Valancourt",
"Madame was scarcely arrived in her own apartment, when an order was\ngiven by her husband, that she should remain in the turret; but Emily,"
],
[
"M. Barreaux's admiration of her father endeared him extremely to Emily,\nwhose heart found almost its first relief in conversing of her parents,",
"Emily, who pressed her father's hand affectionately, had never before\nlistened with so much pleasure to the praises he bestowed; no, not even\nwhen he had bestowed them on herself.",
"Emily the idea of her father, whose image appeared in every landscape,\nwhich Valancourt particularized, whose remarks dwelt upon her memory,\nand whose enthusiasm still glowed in her heart. Her silence, at length,",
"The intelligent eyes of Emily seemed to read what passed in the mind of\nher father, and she fixed them on his face, with an expression of such",
"'O my dear father,' said Emily, while a sudden tear started to her eye,\n'how exactly you describe what I have felt so often, and which I thought",
"Emily. 'Of his family my father was not ignorant, and I believe it is\nunexceptionable.' She then proceeded to mention what she knew concerning\nit.",
"'His family was known to my father,' said Emily modestly, and without\nappearing to be sensible of the last sentence.",
"Emily smiled through her tears upon her father: 'Dear sir,' said she,\nand her voice trembled; she would have added, 'I will shew myself worthy",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"he had just visited, esteem and kindness were strongly apparent in his\nmanner, when he addressed Emily, who experienced that sweet emotion,\nwhich arises from the consciousness of possessing the approbation of",
"In a few moments he returned with his daughter, a young woman of\npleasing countenance, and Emily learned from her, what she had not\nbefore suspected, that, for their accommodation, it was necessary",
"his eyes, which Emily observed, and the sympathy of her own heart told\nher their cause. The scene before them bore some resemblance, though it",
"Emily became grave and thoughtful; for this conversation brought to her\nrecollection the dying moments of her beloved father, and she wished\nonce more to weep over the spot, where his remains were buried.",
"Emily was affected by this mention of her father, which Theresa\nobserving, changed the subject. 'I heard, mademoiselle,' said she,",
"Emily was too much shocked by these reflections on her father's memory,\nto despise this speech as it deserved.",
"In person, Emily resembled her mother; having the same elegant symmetry\nof form, the same delicacy of features, and the same blue eyes, full",
"whose appearance was almost as antique as the objects around her, and\nwho seemed no less interested by Emily, on whom she frequently gazed\nwith so much deep attention, as scarcely to hear what was said to her.",
"family; he seemed to love her as his daughter, and shed tears; Emily\nshed many. She avoided going into the cottage, since she knew it would\nrevive emotions, such as she could not now endure.",
"Emily, remembering the emotion of her late father, upon the unexpected\nmention of this lady, and his request to be laid near to the tomb of",
"which were interesting to her only because they related to persons, whom\nshe had regarded with affection. While they thus conversed the abbess\nentered the room, and expressed much satisfaction at seeing Emily, but"
],
[
"to Emily and to his love. He blamed himself, that he had not urged these\nmore forcibly to her, while it might have been in his power to detain",
"conversing with Emily, to whom he directed, at first, the sallies of his\nwit, but now and then assumed an air of tenderness, which she observed,",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"Emily said something, she scarcely knew what, expressive of her\nunalterable affection, and endeavoured to calm the agitation of",
"conviction of her love to Valancourt. He could only exclaim, 'Emily!\nEmily!' and weep over the hand he pressed to his lips; but she, after",
"'Perhaps your love was not well bestowed, then,' replied Emily, trying\nto conceal her tears; 'but, however that might be, we shall meet no\nmore.'",
"Afterward, he said, 'Emily, I have loved you--I do love you, better than\nmy life; but I am ruined by my own conduct. Yet I would seek to entangle",
"little indeed! It is for you, Emily, for you, my child, that I am most\nafflicted.' His last words faltered; Emily smiled tenderly upon him",
"dear?' said he. Emily, though scarcely able to speak, assured him that\nshe did.",
"another fervent sigh for your happiness,' said he, 'and to applaud\nmyself for an affection, which I cannot conquer.' As he said this, Emily",
"Emily made another effort to overcome the confusion of her thoughts,\nand to speak. She feared to trust the preference her heart acknowledged",
"Emily laughed. 'Well, my dear sir,' said she, 'since you allow of this\nalliance, I may venture to own I have anticipated you; and almost dare\nventure to repeat some verses I made one evening in these very woods.'",
"He paused again; and, looking at Emily, perceived her countenance\nchange, and that she was falling from the seat; he caught her, but she",
"could never hope to marry Emily; and life, unless passed with her,\nnow scarcely appeared supportable; for her goodness, refinement, and\nsimplicity of heart, rendered her beauty more enchanting, if possible,",
"He covered his face with his hand, as if to conceal his emotion, and\ntook Emily's, which she did not withdraw. Her tears could no longer",
"Emily endeavoured to sooth him with assurances of her unalterable\naffection, and by representing, that, in little more than a year, she",
"with her own consent, that a very painful surmise arose, concerning her\ncharacter. But the thought was so shocking to Emily, whose affection the",
"'Emily, O! my Emily!' cried he in a tone faltering with impatience,\nwhile she turned, and, as he advanced, was alarmed at the expression of",
"Emily, whose mind had been deeply affected by the disastrous fate of the\nlate Marchioness and with the mysterious connection, which she fancied",
"could return with safety to his peace. Emily herself, though she could\nnot encourage his affection, esteemed him both for the many virtues he\npossessed, and for the services she had received from him; and it was"
],
[
"appearing to consult it, and thus endeavoured gradually to withdraw her\nfrom the subject of her grief, and to awake other interests in her mind.\nEmily, to whom he appeared as the enlightened friend and protector of",
"Emily was affected by this mention of her father, which Theresa\nobserving, changed the subject. 'I heard, mademoiselle,' said she,",
"Emily became grave and thoughtful; for this conversation brought to her\nrecollection the dying moments of her beloved father, and she wished\nonce more to weep over the spot, where his remains were buried.",
"Emily. 'Of his family my father was not ignorant, and I believe it is\nunexceptionable.' She then proceeded to mention what she knew concerning\nit.",
"father; till, perceiving that her spirits were exhausted, he gradually\nchanged the subject, and spoke of himself. Emily thus learned that,\nafter they had parted, he had wandered, for some time, along the shores",
"dear?' said he. Emily, though scarcely able to speak, assured him that\nshe did.",
"dear father!' cried Emily in great agony, who began to fear that he was\ndying, 'speak, if it is only one word to let me hear the sound of your",
"Emily could no longer stifle the anguish of her heart; her tears fell\nfast upon her father's hand, which she yet held. He made an effort to",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"had retired from guard; and then it was, that Emily, at the time of her\nfirst enquiry, had found the turret so silent and deserted.",
"Emily the idea of her father, whose image appeared in every landscape,\nwhich Valancourt particularized, whose remarks dwelt upon her memory,\nand whose enthusiasm still glowed in her heart. Her silence, at length,",
"declined in health; though Emily, who had been so constantly with him,\nwas almost the last person who observed it. His constitution had never\nrecovered from the late attack of the fever, and the succeeding shock",
"insensible; and Emily with a strength of mind, that refused to yield to\ngrief, while any duty required her activity, applied every means that\nseemed likely to restore her. But the last struggle was over--she was",
"immediately began to talk on other topics. Emily, though she forbore\nto press the one most interesting to her, was greatly affected by her\nfather's manner, and passed a night of sleepless solicitude.",
"there. Monsieur, your good father, appeared to have known the late\nMarchioness.' 'Pray inform me what did happen?' said Emily, with much\nemotion.",
"Emily, comforted by this prospect of release, employed the present\nmoments in endeavouring, with conciliating care, to prevent any fatal\nmischief between the persons who so lately had persecuted and insulted\nher.",
"had enquired for her, and Emily was once again left to her own sad\nreflections. Her heart was not yet hardened against the stern manners",
"Emily checked her tears, and followed her father to the parlour, where,\nthe servants being assembled, St. Aubert read, in a low and solemn",
"many years, and his people, who have the care of it, live in a cottage\nclose by.' Emily now understood this to be the chateau, which La Voisin",
"Emily, remembering the emotion of her late father, upon the unexpected\nmention of this lady, and his request to be laid near to the tomb of"
],
[
"While preparations were making for these nuptials, Montoni became the\nacknowledged lover of Madame Cheron; and, though Madame Clairval was",
"to make Madame Cheron happy. He proceeded to speak of him in general\nterms of dislike, and then gave some particular hints, concerning his",
"of Madame Cheron--appeared most wonderful. Her thoughts, however, did\nnot dwell long on the subject; nearer interests pressed upon them;",
"The conduct of Madame Cheron in this affair had been entirely governed\nby selfish vanity. Valancourt, in his first interview, had with great",
"'We have been talking over this affair,' said Madame Cheron, 'the\nchevalier has been telling me, that the late Monsieur Clairval was the",
"now seemed to converse with Madame Cheron with the familiarity of old\nacquaintance, and she to attend to them with particular pleasure.",
"knew nothing of the transaction, till Madame Cheron informed her, that\nshe must make preparation for the nuptials, which would be celebrated\nwithout further delay; then, astonished and wholly unable to account for",
"St. Aubert, some time after, spoke of Madame Cheron, his sister. 'Let\nme inform you of a circumstance, that nearly affects your welfare,' he",
"he should have the pleasure of seeing Madame Cheron here; and she,\nreceiving the apology with the air of a pettish girl, addressed herself",
"means reconciled her to the thought of resigning him; and, Madame Cheron\nhaving already shewn how highly she disapproved of the attachment, she",
"'Alas!' exclaimed Cavigni, surveying Madame Cheron with affected\necstasy, 'how vain is that assertion, while that face--that shape--that",
"'Well, signor!' said Madame Cheron, 'I protest you are a Frenchman; I\nnever heard a foreigner say any thing half so gallant as that!'",
"them, but was jealously watchful of any appearance of neglect on his\npart.--That Madame Cheron at her years should elect a second husband was",
"'It is so very humiliating, that I know not how to mention it,'\ncontinued Madame Cheron, 'but you shall judge. Do you observe that",
"honoured by it--I have yet so much to fear, that I scarcely dare to\nhope.' 'Pray, sir, explain yourself,' said Madame Cheron; an unexpected",
"of their present days, might possibly occasion the sufferings of years.\nMeanwhile, Madame Cheron's intercourse with Madame Clairval became\nmore frequent than before, and her vanity was already gratified by",
"Valancourt's merit. 'You will, perhaps, doubt it,' said Madame Cheron,\n'when I assure you, that it was only this morning that I rejected his",
"'that Madame Cheron married a foreign gentleman, after all, and took you\nabroad; how does she do?'",
"'It is useless to deny it,' said Madame Cheron, 'I see in your\ncountenance, that you are no stranger to this letter; and, I dare say,",
"'O! is that all?' interrupted Madame Cheron. 'Well, I will take upon me\nto answer for her. But at the same time, sir, give me leave to observe"
],
[
"'Signor Montoni,' replied Emily. 'I would speak with him;' and Annette,\nnow remembering the order he had given, on the preceding night,\nrespecting her young lady, rose, and said she would seek him herself.",
"by telling her, he must be gone. Emily, however, recalled her spirits\nsufficiently to enable her to repeat her request. And, when Montoni\nabsolutely refused it, her slumbering mind was roused.",
"Montoni, in a long conversation with M. Quesnel, arranged the plan to\nbe pursued respecting Emily, and M. Quesnel proposed to be at Venice, as\nsoon as he should be informed, that the nuptials were concluded.",
"Montoni, and some former instances of his duplicity, the hope, which\nhe had admitted, vanished, and he determined not to neglect the present\npossibility of obtaining Emily by other means. To his confidential",
"Annette. Montoni seemed to doubt this assertion, for he regarded her\nwith a scrutinizing look; and the doubt evidently arose from no trifling\ninterest. Emily then further explained herself, and concluded with",
"and Montoni less. Emily, as she now looked on him, shuddered. The horror\nof the chamber rushed on her mind. Several times the colour faded from\nher cheeks, and she feared, that illness would betray her emotions,",
"Emily again rose, and exerted herself to the utmost to leave the\nroom, while Montoni followed her; but, instead of calling aloud to his",
"'You speak like a heroine,' said Montoni, contemptuously; 'we shall see\nwhether you can suffer like one.'\n\nEmily was silent, and he left the room.",
"Emily raised her eyes calmly to heaven. 'Here is, indeed, then, nothing\nto hope!' said she.\n\n'Peace!' cried Montoni, 'or you shall find there is something to fear.'",
"Emily remembered all that Valancourt had told her, on the eve of her\ndeparture from Languedoc, respecting Montoni, and all that he had said",
"Montoni, and thus rescued Emily from the designs of the Count.",
"had imposed upon himself, of escorting them home. There they heard that\nMontoni was not yet returned; and his wife, retiring in displeasure\nto her apartment, at length released Emily from the fatigue of further",
"The late resolution of Emily to resign her estates to Montoni, now gave\nway to new considerations; the possibility, that Valancourt was near",
"He would have passed on, but Emily, in a voice of agony, that could not\nbe wholly resisted, conjured him to tell her, where Madame Montoni was;",
"Emily's horror at this conversation was heightened by a suspicion, that\nthe latter part of it was pointed against herself, and that these men\nhad been commissioned by Montoni to execute a similar kind of JUSTICE,\nin his cause.",
"Emily, terrified for the consequence of the indignation, that flashed\nin his eyes, tremblingly assured him, that Montoni was not at home,",
"'O you are lost!' cried she, 'these are Montoni's people.' Du Pont\nmade no reply, but supported Emily, while, with a steady, though eager,",
"Emily, after asking Madame Montoni a thousand questions concerning\nherself, left her, and sought Montoni; for the more solemn interest",
"long, before her spirits were sufficiently composed to permit the\nreflection, which, when it came, was dark and even terrible. She saw,\nthat Montoni sought to aggrandise himself in his disposal of her, and",
"On the following day, Montoni sent a second excuse to Emily, who was\nsurprised at the circumstance. 'This is very strange!' said she to"
],
[
"Emily followed, trembling still more, than before she had understood,\nthat her escape from the castle, depended upon the present moment; while\nDu Pont supported her, and endeavoured, as they passed along, to cheer\nher spirits.",
"to assist Bertrand in guarding her back to the castle. Thus compelled to\nreturn, Emily bade the kind Maddelina farewell, with regret, and,",
"On the next morning, Emily had a long conversation with Ludovico, in\nwhich she heard circumstances concerning the castle, and received hints",
"Carlo having reminded her, that she had no time to lose, for that the\nenemy were within sight of the castle, Emily entreated him to inform",
"he would assist her to escape from the castle. Ludovico assured her of\nhis readiness to attempt this, but strongly represented the difficulty\nof the enterprise, and the certain destruction which must ensue,",
"no longer within the reach of his vows. By what accident he discovered\nEmily, and assisted to release her from a terrible imprisonment, has\nalready appeared, and also the unavailing hope, with which he then",
"Emily again rose, and exerted herself to the utmost to leave the\nroom, while Montoni followed her; but, instead of calling aloud to his",
"Montoni, and thus rescued Emily from the designs of the Count.",
"Carlo obeyed, and Montoni, soon after, went out to examine further into\nthe state of the castle; while Emily remained with her aunt, patiently",
"Emily, comforted by this prospect of release, employed the present\nmoments in endeavouring, with conciliating care, to prevent any fatal\nmischief between the persons who so lately had persecuted and insulted\nher.",
"A servant now appeared with Annette, and conducted Emily to her chamber,\nwhich was in a remote part of the castle, and at the very end of the",
"Emily now confided to him the name of Valancourt, and begged he would\nenquire for such a person among the prisoners in the castle; for the",
"light flashed upon the court of the castle. Again he vociferated for the\ntorch, and the men hurried Emily through the gate. At a short distance,\nunder the shelter of the castle walls, she perceived the fellow, who had",
"Madame Montoni, after some time, again looked round, in search of a\npossibility of escape from the castle, and conversed with Emily on the",
"who were seated at the door of a cottage, and, having explained her\nsituation, entreated their assistance. Several of them rose with\nalacrity, and, offering any service in their power, followed Emily, who",
"Emily said she would light her, and they immediately quitted the\nchamber. When they had reached the top of the great stair-case, Emily",
"by telling her, he must be gone. Emily, however, recalled her spirits\nsufficiently to enable her to repeat her request. And, when Montoni\nabsolutely refused it, her slumbering mind was roused.",
"Emily almost expected to see; and she again entreated her companions to\nproceed, who were, however, too intent in their examination, to regard\nher, and she turned her eyes from this desolated scene to the castle",
"Emily, then, with a wish of making her aunt more reconciled to her\nsituation, praised the grandeur of the castle and the surrounding",
"Emily, meanwhile, stunned by the last words of Montoni, forgot, for the\nmoment, his declaration, that she should continue in the castle, while"
],
[
"Emily followed, trembling still more, than before she had understood,\nthat her escape from the castle, depended upon the present moment; while\nDu Pont supported her, and endeavoured, as they passed along, to cheer\nher spirits.",
"Carlo obeyed, and Montoni, soon after, went out to examine further into\nthe state of the castle; while Emily remained with her aunt, patiently",
"Emily, meanwhile, stunned by the last words of Montoni, forgot, for the\nmoment, his declaration, that she should continue in the castle, while",
"A servant now appeared with Annette, and conducted Emily to her chamber,\nwhich was in a remote part of the castle, and at the very end of the",
"As she said this, she rose and quitted the room, leaving Emily and\nValancourt in a state of mutual embarrassment; and, when Valancourt's",
"Emily, without replying, immediately left the room, with a mingled\nemotion of pity and contempt, and hastened to her own, where she yielded",
"Whoever it was, he instantly struck among the thickets on the left, and\ndisappeared, while Emily, her eyes fixed on the place, whence he",
"Emily almost expected to see; and she again entreated her companions to\nproceed, who were, however, too intent in their examination, to regard\nher, and she turned her eyes from this desolated scene to the castle",
"'Leave the room,' said he, in a voice of thunder. Emily obeyed, and,\nwalking down to the rampart, which the strangers had now left, continued",
"Emily said she would light her, and they immediately quitted the\nchamber. When they had reached the top of the great stair-case, Emily",
"Emily again rose, and exerted herself to the utmost to leave the\nroom, while Montoni followed her; but, instead of calling aloud to his",
"Emily, having turned away to hide her tears, quitted the room to indulge\nthem, and the day was passed in an intensity of anguish, such as she",
"to assist Bertrand in guarding her back to the castle. Thus compelled to\nreturn, Emily bade the kind Maddelina farewell, with regret, and,",
"who, therefore, took leave of Emily, and retired to his solitary inn for\nthe night: meanwhile, she soon withdrew to her own apartment, where",
"Madame Montoni, after some time, again looked round, in search of a\npossibility of escape from the castle, and conversed with Emily on the",
"When Madame Montoni retired to her dressing-room, Emily endeavoured to\namuse herself by a view of the castle. Through a folding door she passed",
"Emily promised to visit her, and, having taken leave, returned with the\nLady Blanche towards the chateau, on the way to which the deep gloom of",
"The Count and Lady Blanche, shortly afterwards, took leave of Emily, and\nreturned to the chateau, where he informed Henri of his intention, who,",
"After gracing the festivities of Chateau-le-Blanc, for some days,\nValancourt and Emily took leave of their kind friends, and returned to",
"In a few days, Emily also left the chateau, but not before the Count and\nCountess had received her promise to repeat her visit very soon; and"
],
[
"that he was come to enquire after herself, whom he had let out of her\nroom to go to Emily, and that he was now returned to lock her in again.",
"Madame was scarcely arrived in her own apartment, when an order was\ngiven by her husband, that she should remain in the turret; but Emily,",
"servants to search it, I returned to my prison, which was very distant\nfrom this part of the passage.' 'I remember perfectly to have heard of\nthe conversation you mention,' said Emily; 'it spread a general alarm",
"Emily, in her own apartment, considered with intense anxiety all the\nunjust and tyrannical conduct of Montoni, the dauntless perseverance",
"and he feared to awaken curiosity, by asking to see their prisoner. In\nthis interval, he communicated to Emily terrific reports of what",
"In the solitude of his prison, Valancourt had leisure for reflection,\nand cause for repentance; here, too, the image of Emily, which, amidst",
"Ludovico's fate, told Emily, that she should certainly be starved to\ndeath, if she was not let out immediately. Emily replied, that she",
"Emily, comforted by this prospect of release, employed the present\nmoments in endeavouring, with conciliating care, to prevent any fatal\nmischief between the persons who so lately had persecuted and insulted\nher.",
"'Well, well,' said Emily, impatiently, and anxious to enquire on another\nsubject,--'so he locked you up?'",
"which I have vainly supplicated from his pity.' But Emily knew, that she\nwas beyond the hearing of those, who might protect her.",
"Several days passed with Emily in total seclusion, and in a state of\nmind partaking both of terror for herself, and grief for the departed.",
"Emily's heart sunk, and she seemed, as if she was going into her prison;\nthe gloomy court, into which she passed, served to confirm the idea,",
"Emily clasped the hand she held, more eagerly, and groaned. They were\nboth silent for some moments. Then Emily endeavoured to soothe her, and\nenquired what had reduced her to this present deplorable state.",
"had imposed upon himself, of escorting them home. There they heard that\nMontoni was not yet returned; and his wife, retiring in displeasure\nto her apartment, at length released Emily from the fatigue of further",
"Wholly confined to the solitude of her apartment, she was now reduced\nto solicit the society she had lately rejected; for Emily was the only\nperson, except Annette, with whom she was permitted to converse.",
"Emily remained in the chair, where he had left her, oppressed with\na pain at her heart, which scarcely permitted her to breathe, and",
"Lost in this melancholy reverie, and shedding frequent tears, Emily was\nat length roused by Montoni, and she followed him to the cabin, where",
"I will do it immediately. Withdraw to your chamber, before I retract my\npromise; you have nothing to fear there.' Emily left the room, and moved",
"by telling her, he must be gone. Emily, however, recalled her spirits\nsufficiently to enable her to repeat her request. And, when Montoni\nabsolutely refused it, her slumbering mind was roused.",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked"
],
[
"that he was come to enquire after herself, whom he had let out of her\nroom to go to Emily, and that he was now returned to lock her in again.",
"'Well, well,' said Emily, impatiently, and anxious to enquire on another\nsubject,--'so he locked you up?'",
"Madame was scarcely arrived in her own apartment, when an order was\ngiven by her husband, that she should remain in the turret; but Emily,",
"Emily, in her own apartment, considered with intense anxiety all the\nunjust and tyrannical conduct of Montoni, the dauntless perseverance",
"and he feared to awaken curiosity, by asking to see their prisoner. In\nthis interval, he communicated to Emily terrific reports of what",
"Emily, comforted by this prospect of release, employed the present\nmoments in endeavouring, with conciliating care, to prevent any fatal\nmischief between the persons who so lately had persecuted and insulted\nher.",
"which I have vainly supplicated from his pity.' But Emily knew, that she\nwas beyond the hearing of those, who might protect her.",
"by telling her, he must be gone. Emily, however, recalled her spirits\nsufficiently to enable her to repeat her request. And, when Montoni\nabsolutely refused it, her slumbering mind was roused.",
"'Locked you up!' said Emily, with displeasure, 'Why do you permit\nLudovico to lock you up?'",
"Emily clasped the hand she held, more eagerly, and groaned. They were\nboth silent for some moments. Then Emily endeavoured to soothe her, and\nenquired what had reduced her to this present deplorable state.",
"Wholly confined to the solitude of her apartment, she was now reduced\nto solicit the society she had lately rejected; for Emily was the only\nperson, except Annette, with whom she was permitted to converse.",
"'Your regard for him cannot be doubted,' said Emily, 'since you wish to\nsee him a prisoner.'",
"distress of his wife, and to the pleading looks of Emily, whom he made\nno attempt to raise, but was vehemently menacing both, when he was",
"latter, concerning Emily, were insearchable, yet that he knew them to\nbe terrible. At the time he uttered this, she almost believed it to be\ndesigned for the purpose of prevailing with her to throw herself into",
"Ludovico's fate, told Emily, that she should certainly be starved to\ndeath, if she was not let out immediately. Emily replied, that she",
"no longer within the reach of his vows. By what accident he discovered\nEmily, and assisted to release her from a terrible imprisonment, has\nalready appeared, and also the unavailing hope, with which he then",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"In the solitude of his prison, Valancourt had leisure for reflection,\nand cause for repentance; here, too, the image of Emily, which, amidst",
"Emily disdained to reply, and still endeavoured to liberate herself.\n\n'Promise, that you will come,' he continued, 'and I will release you\nimmediately; but first give me a reward for so doing.'",
"Emily, much agitated, did not leave Valancourt, but she led him from the\npavilion, and, as they walked upon the terrace, he proceeded as follows:"
],
[
"M. Barreaux's admiration of her father endeared him extremely to Emily,\nwhose heart found almost its first relief in conversing of her parents,",
"Emily, who pressed her father's hand affectionately, had never before\nlistened with so much pleasure to the praises he bestowed; no, not even\nwhen he had bestowed them on herself.",
"Emily the idea of her father, whose image appeared in every landscape,\nwhich Valancourt particularized, whose remarks dwelt upon her memory,\nand whose enthusiasm still glowed in her heart. Her silence, at length,",
"'O my dear father,' said Emily, while a sudden tear started to her eye,\n'how exactly you describe what I have felt so often, and which I thought",
"The intelligent eyes of Emily seemed to read what passed in the mind of\nher father, and she fixed them on his face, with an expression of such",
"Emily. 'Of his family my father was not ignorant, and I believe it is\nunexceptionable.' She then proceeded to mention what she knew concerning\nit.",
"Emily smiled through her tears upon her father: 'Dear sir,' said she,\nand her voice trembled; she would have added, 'I will shew myself worthy",
"family; he seemed to love her as his daughter, and shed tears; Emily\nshed many. She avoided going into the cottage, since she knew it would\nrevive emotions, such as she could not now endure.",
"Emily, remembering the emotion of her late father, upon the unexpected\nmention of this lady, and his request to be laid near to the tomb of",
"Emily could no longer stifle the anguish of her heart; her tears fell\nfast upon her father's hand, which she yet held. He made an effort to",
"little indeed! It is for you, Emily, for you, my child, that I am most\nafflicted.' His last words faltered; Emily smiled tenderly upon him",
"Emily became grave and thoughtful; for this conversation brought to her\nrecollection the dying moments of her beloved father, and she wished\nonce more to weep over the spot, where his remains were buried.",
"Emily was affected by this mention of her father, which Theresa\nobserving, changed the subject. 'I heard, mademoiselle,' said she,",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"In a few moments he returned with his daughter, a young woman of\npleasing countenance, and Emily learned from her, what she had not\nbefore suspected, that, for their accommodation, it was necessary",
"of Emily's feelings, of Emily shut out from the only home she had\nknown from her infancy, and thrown upon a scene, and among persons,\ndisagreeable for more qualities than their novelty. Her father's",
"Emily was too much shocked by these reflections on her father's memory,\nto despise this speech as it deserved.",
"'His family was known to my father,' said Emily modestly, and without\nappearing to be sensible of the last sentence.",
"Emily briefly related the accident of their meeting in the presence of\nher father, and then so earnestly entreated the Count not to hesitate in",
"a manner so delicate and benevolent, that Emily, while she observed him,\nalmost fancied she beheld her late father."
],
[
"insensible; and Emily with a strength of mind, that refused to yield to\ngrief, while any duty required her activity, applied every means that\nseemed likely to restore her. But the last struggle was over--she was",
"Emily, at this recital, shed tears. She had no doubt but that the\nviolent change in the air, which the tempest produced, had effected this\nfatal one, on the exhausted frame of Madame Montoni.",
"Emily, whose mind had been deeply affected by the disastrous fate of the\nlate Marchioness and with the mysterious connection, which she fancied",
"'The death of the Marchioness appears extraordinary,' said Emily, who\nwas anxious to know more than she dared to ask.",
"Several days passed with Emily in total seclusion, and in a state of\nmind partaking both of terror for herself, and grief for the departed.",
"They brought a retrospect of all the strange and mournful events, which\nhad occurred since she lived in peace with her parents. And to Emily,",
"fainted. Emily, hastening to her assistance, saw her eyes rolling, and\nher features convulsed.",
"speak, but her words were unintelligible, and Emily again apprehended\nshe was dying. Afterwards, however, she recovered her speech, and, being",
"sorrow. He gave orders that his family should attend him. Emily only was\nabsent; who, overcome with the scene she had just witnessed, had retired",
"cottage in the wood below, and that every body said he must die. Emily's\ncountenance discovered her emotion.",
"had fallen into a doze soon after Emily's departure, in which she had\ncontinued, until a few minutes before her death.",
"declined in health; though Emily, who had been so constantly with him,\nwas almost the last person who observed it. His constitution had never\nrecovered from the late attack of the fever, and the succeeding shock",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"Emily, as to the occasion of her emotion, but, at length, she exclaimed,\n'I have seen his ghost, madam, I have seen his ghost!'",
"Emily became grave and thoughtful; for this conversation brought to her\nrecollection the dying moments of her beloved father, and she wished\nonce more to weep over the spot, where his remains were buried.",
"The sight of this poor old woman would have been too much for Emily, and\nshe begged Theresa would go and tell her, that she was too ill to see",
"dear father!' cried Emily in great agony, who began to fear that he was\ndying, 'speak, if it is only one word to let me hear the sound of your",
"In person, Emily resembled her mother; having the same elegant symmetry\nof form, the same delicacy of features, and the same blue eyes, full",
"'Did he?' said Emily, in a tender voice, while she felt her poor heart\nwarmed for a moment by a ray of sympathy.\n\nAt length, her spirits were entirely overcome, and she retired to her\nroom.",
"'Why was it so terrible?' said Emily with emotion.\n\n'Ah, dear young lady! is not death always terrible?' replied Dorothee."
],
[
"Emily's heart acknowledged the truth of this assertion, but the joy\nshe felt on thus meeting Valancourt, at the very moment when she was",
"Emily smiled faintly, and, anxious to say something, asked if he had\nbeen long in Gascony. 'A few days only,' replied Valancourt, while a",
"Emily raised her eyes at these words, for she had not observed this last\ncircumstance, and she now did not doubt, that Valancourt had received",
"Emily replied, therefore, to Valancourt, that she would see him, and\nthen exerted herself in endeavours to attain fortitude and composure,",
"The hour of interview, at length, arrived. Emily went to it, at least,\nwith composure of manner, but Valancourt was so much agitated, that",
"Valancourt, mean while, was returned to Estuviere, his heart occupied\nwith the image of Emily; sometimes indulging in reveries of future",
"Valancourt, perceiving it necessary to vindicate Emily from such a\ndesign, explained, that the purpose of his own visit had been to request",
"Emily was now so much agitated by the near prospect of meeting\nValancourt, that it was some time, before she could give any answer to",
"Emily enquired how long Valancourt had been in the neighbourhood.\n'Several days,' he replied. 'It was my design to avail myself of the",
"From this period Valancourt made frequent visits to Madame Cheron, and\nEmily passed in his society the happiest hours she had known since the",
"when he had discovered, that Valancourt was not unworthy of the esteem\nof Emily, he determined seriously to endeavour at the conquest of\nhis own hopeless affection, and had immediately withdrawn from",
"Emily, much agitated, did not leave Valancourt, but she led him from the\npavilion, and, as they walked upon the terrace, he proceeded as follows:",
"Soon after their return to La Vallee, the brother of Valancourt came to\ncongratulate him on his marriage, and to pay his respects to Emily, with",
"After gracing the festivities of Chateau-le-Blanc, for some days,\nValancourt and Emily took leave of their kind friends, and returned to",
"Valancourt, meanwhile, suffered the tortures of remorse and despair.\nThe sight of Emily had renewed all the ardour, with which he first loved",
"several hours impatiently counted, he arrived. Emily, having then\nuttered the name of Valancourt, could articulate no more, but hesitated",
"Emily, having replied to the letter of her friend, and said that she\nshould be at La Vallee in a few days, made hasty preparations for the",
"Emily and Valancourt talked of the scenes they had passed among\nthe Pyrenean Alps; as he spoke of which there was often a tremulous",
"With Valancourt, whose imagination was now awake to the suggestion of\nevery passion; whose apprehensions for Emily had acquired strength by\nthe mere mention of them, and became every instant more powerful, as",
"In the evening, when Emily was at length informed, that Count De\nVillefort requested to see her, she guessed that Valancourt was below,"
],
[
"her aunt weeping, and in much agitation. The tenderness of Emily was\nnaturally so soothing, that it seldom failed to give comfort to the",
"of Emily's feelings, of Emily shut out from the only home she had\nknown from her infancy, and thrown upon a scene, and among persons,\ndisagreeable for more qualities than their novelty. Her father's",
"expression of his resentment. Emily anxiously avoided his presence, and\nwatched, during two days and two nights, with little intermission, by\nthe corpse of her late aunt. Her mind deeply impressed with the unhappy",
"her named, or mention her himself after her death, except to Madame St.\nAubert. From Emily, whose sensibility he feared to awaken, he had so",
"Emily, at length, attributed the privacy to the wish of Montoni, rather\nthan of her aunt. His wife, however, intended, that the contrary should",
"stay. Emily was eager to escape from this scene of contention, and\nanxious, also, to serve her aunt; but she despaired of conciliating",
"Emily rose to withdraw. 'Good night, madam,' said she to her aunt, with\nan assumed composure, that could not disguise her emotion.",
"Emily, as she passed to her own apartment, saw Montoni go down to the\nhall, and she turned into her aunt's dressing-room, whom she found",
"difficulty. He transferred, therefore, part of his attention from Emily\nto her aunt, who felt too much flattered by the distinction even to\ndisguise her emotion; and before the party broke up, he had entirely",
"sight of God,' said Emily, 'my dear father now exists, as truly as he\nyesterday existed to me; it is to me only that he is dead; to God and to\nhimself he yet lives!'",
"Emily, who, when her aunt retired to her apartment for the night, went\nto take leave of every other room in this her dear native home, which",
"Emily, extremely surprised and shocked, had scarcely power to beg an\nexplanation of these words, and, when she did, her aunt absolutely",
"On the following morning, as Emily sat at breakfast with her aunt, a\nletter was brought to her, of which she knew the handwriting upon the",
"concerning her conduct in company, and Emily wished, that she might have\ncourage enough to practise it. Her aunt then proceeded to examine the",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"Emily, some time after her return to La Vallee, received letters from\nher aunt, Madame Cheron, in which, after some common-place condolement",
"Emily checked her tears, and followed her father to the parlour, where,\nthe servants being assembled, St. Aubert read, in a low and solemn",
"little indeed! It is for you, Emily, for you, my child, that I am most\nafflicted.' His last words faltered; Emily smiled tenderly upon him",
"This day passed with Emily in continued grief and anxiety for her aunt;\nbut she was unmolested by any notice from Montoni; and, now that Annette\nwas liberated, she obtained food, without exposing herself to danger, or\nimpertinence.",
"insensible; and Emily with a strength of mind, that refused to yield to\ngrief, while any duty required her activity, applied every means that\nseemed likely to restore her. But the last struggle was over--she was"
],
[
"by Count Morano. He sought Emily with a look of impatient delight, who,\nremembering all the attention he had shewn her on the preceding evening,",
"At this moment, Emily's dislike of Count Morano rose to abhorrence. That\nhe should, with undaunted assurance, thus pursue her, notwithstanding",
"But Count Morano did not long confine himself to silent assiduities;\nhe declared his passion to Emily, and made proposals to Montoni, who",
"Emily enquired, if she had heard of Count Morano, and whether he was\nlikely to recover: but Annette only knew, that he was lodged in a",
"'Well, then,' said Emily, with assumed composure, 'it is--Count Morano,\nI suppose.'",
"'Good God support me!' cried Emily, almost fainting, 'Count Morano is\nbelow, then!'",
"On the following day, Madame Montoni, being alone with Emily, introduced\nthe mention of Count Morano, by expressing her surprise, that she had",
"'Stay, Count Morano,' said Emily, terrified by his words, and by the\nfury expressed in his eyes, 'I will save you from this error.--Of all",
"of his distressed circumstances. He did not hesitate then to infer,\nthat Morano designed to defraud him of Emily's estate; and in this\nsupposition he was confirmed, and with apparent reason, by the",
"been made known to the senate by Count Morano, after the unsuccessful\nattempt of the latter to carry off Emily. It was, indeed, partly for",
"On the following day Count Morano dined again at Montoni's. He was in\nan uncommon flow of spirits, and Emily thought there was somewhat of",
"Emily repeated her assurances. He took her hand, which she scarcely\nattempted to withdraw, and put it to his lips. 'Farewell, Count Morano!'",
"'What could it be, but the noble offer of Count Morano,' said Montoni.\n\n'Then, sir, we entirely misunderstood each other,' replied Emily.",
"circumstance of the scene, united to charm Emily, no longer teased by\nthe officious attentions of Count Morano. But, as she looked upon the",
"'I hope I hate nobody,' replied Emily, trying to smile; 'but certainly\nI do not love Count Morano. I should be shocked to hear of any person\ndying by violent means.'",
"aunt had been surprised, her ambition was not to be overcome, and\nher present object was to be the aunt of a Countess. Emily's efforts,",
"The family at length embarked, but neither Count Morano, nor Cavigni,\nwas of the party. Somewhat revived by observing this, Emily, when the",
"you will observe, Mademoiselle Emily, that I am no lover, though Count\nMorano is, and that I will not be made the amusement of your capricious",
"loudly, and, jumping to the floor, flew at the stranger, who struck the\nanimal smartly with a sheathed sword, and, springing towards the bed,\nEmily discovered--Count Morano!",
"had formerly sold her to Morano, was very probable; that he had now\nwithdrawn his consent to the marriage, was evident from the Count's\npresent conduct; and it was nearly certain, that a scheme of stronger"
],
[
"said Emily; and she turned to go, when a second message arrived from\nMontoni, and she again conjured Morano, as he valued his life, to quit",
"At this moment, Emily's dislike of Count Morano rose to abhorrence. That\nhe should, with undaunted assurance, thus pursue her, notwithstanding",
"of his distressed circumstances. He did not hesitate then to infer,\nthat Morano designed to defraud him of Emily's estate; and in this\nsupposition he was confirmed, and with apparent reason, by the",
"by telling her, he must be gone. Emily, however, recalled her spirits\nsufficiently to enable her to repeat her request. And, when Montoni\nabsolutely refused it, her slumbering mind was roused.",
"'I hope I hate nobody,' replied Emily, trying to smile; 'but certainly\nI do not love Count Morano. I should be shocked to hear of any person\ndying by violent means.'",
"The family at length embarked, but neither Count Morano, nor Cavigni,\nwas of the party. Somewhat revived by observing this, Emily, when the",
"considered, that it would be impossible for him to compel her alliance\nwith Morano, if she persisted in refusing to repeat any part of the\nmarriage ceremony; and she persevered in her resolution to await",
"Emily, neither approving these 'roundabout passage,' nor the other part\nof the request, now positively refused to go. 'Tell him,' said she,",
"Morano in the morning.' Emily, having, ever since his late threats,\nexpected, that her trials would at length arrive to this crisis, was\nless shocked by the declaration, that she otherwise would have been,",
"'This discourse, Count Morano, sufficiently proves, that my affections\nought not to be yours,' said Emily, mildly, 'and this conduct, that",
"as Morano, and in suing to him for compassion, that she impatiently\nrejected this design and wondered, that she could have paused upon\nit for a moment. The rejection of his suit she repeated in the most",
"'Stay, Count Morano,' said Emily, terrified by his words, and by the\nfury expressed in his eyes, 'I will save you from this error.--Of all",
"'Hear me, Emily,' resumed Morano, 'hear me! I love, and am in\ndespair--yes--in despair. How can I gaze upon you, and know, that it",
"At length, however, Morano submitted to reason, and consented, that\nCesario should first prepare some cottage to receive him. Emily,",
"Morano returned in Montoni's barge, and Emily, as she watched her\ngradual approach to that magic city, saw at her side the only person,",
"'Nor do I hesitate,' said Emily.\n\n'Let us go, then,' said Morano, eagerly kissing her hand, and rising,\n'my carriage waits, below the castle walls.'",
"his arm, and said something in a low voice, on which Morano kissed\nthe hand he held, notwithstanding Emily's effort to disengage it,",
"During her stay at this pleasant villa, Emily was thus rendered\nmiserable by the assiduities of Morano, together with the cruelly",
"'Count Morano,' said Emily, at length recovering her voice, 'calm, I\nentreat you, these transports, and listen to reason, if you will not to",
"'You have my forgiveness, then,' said Emily, 'and my sincere wishes for\nyour recovery.'\n\n'And only for my recovery?' said Morano, with a sigh. 'For your general\nwelfare,' added Emily."
],
[
"Carlo obeyed, and Montoni, soon after, went out to examine further into\nthe state of the castle; while Emily remained with her aunt, patiently",
"A servant now appeared with Annette, and conducted Emily to her chamber,\nwhich was in a remote part of the castle, and at the very end of the",
"to assist Bertrand in guarding her back to the castle. Thus compelled to\nreturn, Emily bade the kind Maddelina farewell, with regret, and,",
"Emily, then, with a wish of making her aunt more reconciled to her\nsituation, praised the grandeur of the castle and the surrounding",
"many years, and his people, who have the care of it, live in a cottage\nclose by.' Emily now understood this to be the chateau, which La Voisin",
"protection,' said he; 'if you really value this, you will secure it.'\nHis open declaration, that he would only conditionally protect her,\nwhile she remained a prisoner in the castle, shewed Emily the necessity",
"Emily followed, trembling still more, than before she had understood,\nthat her escape from the castle, depended upon the present moment; while\nDu Pont supported her, and endeavoured, as they passed along, to cheer\nher spirits.",
"On the next morning, Emily had a long conversation with Ludovico, in\nwhich she heard circumstances concerning the castle, and received hints",
"Emily's thoughts returning to the figure she had seen, 'It cannot be a\nperson, who has designs upon the castle,' said she; 'such an one would",
"Emily, meanwhile, stunned by the last words of Montoni, forgot, for the\nmoment, his declaration, that she should continue in the castle, while",
"could return with safety to his peace. Emily herself, though she could\nnot encourage his affection, esteemed him both for the many virtues he\npossessed, and for the services she had received from him; and it was",
"more of his present conduct towards herself, and of the danger, from\nwhich she had just escaped. From the view of her present situation she\nshrunk, as from a new picture of terror. She saw herself in a castle,",
"Carlo having reminded her, that she had no time to lose, for that the\nenemy were within sight of the castle, Emily entreated him to inform",
"had spread, that, believing she could be safe only where her lady was,\nshe was going for refuge to her apartment. Emily's endeavours to",
"Emily, comforted by this prospect of release, employed the present\nmoments in endeavouring, with conciliating care, to prevent any fatal\nmischief between the persons who so lately had persecuted and insulted\nher.",
"Montoni, and thus rescued Emily from the designs of the Count.",
"appearing to consult it, and thus endeavoured gradually to withdraw her\nfrom the subject of her grief, and to awake other interests in her mind.\nEmily, to whom he appeared as the enlightened friend and protector of",
"had been since her removal from the turret. Emily never left her, for a\nmoment, till long after midnight, and even then would not have quitted",
"When Annette returned, a few hours after, she told Emily, that the\nporter of the castle wished very much to speak with her, for that he had",
"spread, and her aunt was alone, for Montoni had been walking over the\nenvirons of the castle, examining the condition of its fortifications,\nand talking for some time with Carlo. Emily observed that her aunt had"
],
[
"remains would repose beside those of St. Aubert. In the meanwhile, she\nsent letters to Madame Cheron and to the old housekeeper, informing them",
"At this melancholy period St. Aubert was likewise visited by Madame\nCheron, his only surviving sister, who had been some years a widow, and",
"of Madame Cheron--appeared most wonderful. Her thoughts, however, did\nnot dwell long on the subject; nearer interests pressed upon them;",
"Madame Cheron's avarice at length yielded to her vanity. Some very\nsplendid entertainments, which Madame Clairval had given, and the",
"Madame Cheron's house stood at a little distance from the city of\nTholouse, and was surrounded by extensive gardens, in which Emily, who",
"Madame Cheron's, whose inclinations led her into a life of dissipation,\nwhich her ample fortune encouraged; and, having given her answer, she\nfelt somewhat more at ease.",
"The conduct of Madame Cheron in this affair had been entirely governed\nby selfish vanity. Valancourt, in his first interview, had with great",
"'Well!' resumed Madame Cheron, 'you have not give me the promise,\nthough, that I demand.' Emily readily gave it, and, being then suffered",
"Madame Cheron; who now passing from one painful topic only to revive\nanother almost equally so, spoke of the situation of her niece's",
"a willingness to oblige her. The effort did not entirely fail; she\nlistened with apparent cheerfulness, while Madame Cheron expatiated\non the splendour of her house, told of the numerous parties she",
"St. Aubert, some time after, spoke of Madame Cheron, his sister. 'Let\nme inform you of a circumstance, that nearly affects your welfare,' he",
"sister, Madame Cheron, who had scrupulously observed his request.",
"did not suspect that he would so openly have discovered his contempt of\nit. But Montoni, who had been allured by the seeming wealth of Madame\nCheron, was now severely disappointed by her comparative poverty, and",
"While preparations were making for these nuptials, Montoni became the\nacknowledged lover of Madame Cheron; and, though Madame Clairval was",
"The day passed in the exercise of petty tyranny on the part of Madame\nCheron, and in mournful regret and melancholy anticipation on that of",
"Emily, some time after her return to La Vallee, received letters from\nher aunt, Madame Cheron, in which, after some common-place condolement",
"pain both at his own departure, and at leaving her to the society of\nMadame Cheron.",
"Bonnac, when it was found, that one third of her personal property was\nbequeathed to the nearest surviving relative of the late Marchioness de\nVilleroi, and that Emily was the person.",
"increased by the consciousness of Madame Cheron's severe observation.\nHer mourning dress, the mild dejection of her beautiful countenance, and\nthe retiring diffidence of her manner, rendered her a very interesting",
"'We have been talking over this affair,' said Madame Cheron, 'the\nchevalier has been telling me, that the late Monsieur Clairval was the"
],
[
"year. He then brandished a clasp-knife of enormous length, and was\ngoing to recount the wonderful execution it had done, when St. Foix,",
"preceding year, that St. Aubert and herself had arrived in the\nneighbourhood of Chateau-le-Blanc. She paused a moment, overcome by",
"It was in the year 1584, the beginning of that, in which St. Aubert\ndied, that Francis Beauveau, Count De Villefort, came into possession",
"the latter end of the year, but that I cannot say for certain, because\nthey did not tell me for certain themselves. However, it was at the\nlatter end of the year, this grand lady walked out of the castle into",
"After a long pause, 'It is now about eighteen years since I first heard\nthat music,' said La Voisin; 'I remember it was on a fine summer's",
"the last year, with but short intervals of peace, if peace that could be\ncalled, which was only the delay of evils. And now, when she had escaped",
"Annette still kept her eyes on the lamp, and proceeded in a lower voice.\n'It was one evening, they say, at the latter end of the year, it",
"As the hour of appointment drew near, her impatience increased. At\nlength, the sun set; she heard the passing steps of the sentinels going",
"'It was a little before he came to live at the cottage, Signora,'\nreplied Maddelina, 'and that is about eighteen years ago.'",
"'Thereabout, madam,' said Dorothee, 'and well remembered, but all the\ntime between then and now seems as nothing. That tapestry used to be",
"who was in his twentieth year, was in the French service; and Blanche,\nwho was not yet eighteen, had been hitherto confined to the convent,\nwhere she had been placed immediately on her father's second",
"Ludovico, having finished this story, laid aside the book, for he felt\ndrowsy, and, after putting more wood on the fire and taking another",
"they sung and danced in this once gay apartment, forgot, that years are\nmade up of moments, and that every step they took carried them nearer\nto their graves. But such reflections are useless, I had almost",
"'About a week ago, lady,' said Sebastian, taking up the story.\n\n'And where?'\n\n'On the rampart, lady, higher up.'",
"St. Aubert, on hearing this odd question, and observing the peculiar\ntone in which it was delivered, looked out from the carriage. 'We are",
"Emily now drew her chair near to Dorothee, who went on. 'It is about\ntwenty years since my lady Marchioness came a bride to the chateau. O!",
"It was now twelve o'clock. As she closed her casement, she heard\nfootsteps on the terrace below, and saw imperfectly, through the gloom,",
"years. We have heard lately that he is dead, and that it is fallen into\nother hands.' St. Aubert, who had sat in deep musing, was roused by the",
"to open, which, in its original style, was of great length, but which\nmay be thus shortly related. The reader will perceive, that it is\nstrongly tinctured with the superstition of the times.",
"story. She forbore to point it out to St. Aubert, but it threw a gloom\nover her spirits, and made her anxious to hasten forward, that"
],
[
"towards Narbonne, on the coast not many leagues from which city he\nunderstood the convent was seated, to which Emily wished to retire.\nHe, therefore, immediately engaged with the captain to take them to",
"Emily also rose at an early hour, and took her customary walk along the\nbrow of the promontory, that overhung the Mediterranean. Her mind was",
"direct their course, it was determined they should descend into Tuscany,\nand endeavour to reach the Mediterranean, where they could readily\nembark for France. Thither Du Pont meant to attend Emily, if he should",
"Mediterranean. Here they dined, and rested till towards the cool of\nday, when they pursued their way along the shores--those enchanting",
"father; till, perceiving that her spirits were exhausted, he gradually\nchanged the subject, and spoke of himself. Emily thus learned that,\nafter they had parted, he had wandered, for some time, along the shores",
"to the scene. On a high promontory, washed by the waters of the\nMediterranean, stood her father's mansion, almost secluded from the",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"Marseilles, and Emily was delighted to hear, that her passage to France\nwas secured. Her mind was now relieved from the terror of pursuit, and\nthe pleasing hope of soon seeing her native country--that country which",
"had induced him to leave Colioure, for his feeble frame had required\nimmediate rest. After travelling a few miles, he fell asleep; and Emily,",
"Languedoc and Rousillon. On the way, Emily renewed the subject of the\npreceding night, and appeared so deeply affected by St. Aubert's silence",
"On the following day, therefore, they recommenced their journey through\nLanguedoc, winding the shores of the Mediterranean; the Pyrenees still",
"Meanwhile, the travellers pursued their journey; Emily making frequent\nefforts to appear cheerful, and too often relapsing into silence and",
"Monsieur Du Pont and Emily thus continued to converse of Montoni, and\nthen of France, and of the plan of their voyage; when Emily told him,",
"As Emily approached the shores of Italy she began to discriminate the\nrich features and varied colouring of the landscape--the purple hills,",
"In the morning they pursued their journey along the coast towards\nLeucate, another town on the Mediterranean, situated on the borders of",
"He and Emily continued sunk in musing silence for some leagues, from\nwhich melancholy reverie Emily first awoke, and her young fancy, struck",
"Emily and Valancourt talked of the scenes they had passed among\nthe Pyrenean Alps; as he spoke of which there was often a tremulous",
"pleasure, and I am also very anxious to reach La Vallee.' Emily, though\nshe also desired to return, was grieved at her father's sudden wish to",
"Emily was affected by this mention of her father, which Theresa\nobserving, changed the subject. 'I heard, mademoiselle,' said she,",
"The family at length embarked, but neither Count Morano, nor Cavigni,\nwas of the party. Somewhat revived by observing this, Emily, when the"
],
[
"dear father!' cried Emily in great agony, who began to fear that he was\ndying, 'speak, if it is only one word to let me hear the sound of your",
"Emily checked her tears, and followed her father to the parlour, where,\nthe servants being assembled, St. Aubert read, in a low and solemn",
"father; till, perceiving that her spirits were exhausted, he gradually\nchanged the subject, and spoke of himself. Emily thus learned that,\nafter they had parted, he had wandered, for some time, along the shores",
"sight of God,' said Emily, 'my dear father now exists, as truly as he\nyesterday existed to me; it is to me only that he is dead; to God and to\nhimself he yet lives!'",
"appearing to consult it, and thus endeavoured gradually to withdraw her\nfrom the subject of her grief, and to awake other interests in her mind.\nEmily, to whom he appeared as the enlightened friend and protector of",
"little indeed! It is for you, Emily, for you, my child, that I am most\nafflicted.' His last words faltered; Emily smiled tenderly upon him",
"Emily could no longer stifle the anguish of her heart; her tears fell\nfast upon her father's hand, which she yet held. He made an effort to",
"there. Monsieur, your good father, appeared to have known the late\nMarchioness.' 'Pray inform me what did happen?' said Emily, with much\nemotion.",
"Emily was affected by this mention of her father, which Theresa\nobserving, changed the subject. 'I heard, mademoiselle,' said she,",
"Emily became grave and thoughtful; for this conversation brought to her\nrecollection the dying moments of her beloved father, and she wished\nonce more to weep over the spot, where his remains were buried.",
"insensible; and Emily with a strength of mind, that refused to yield to\ngrief, while any duty required her activity, applied every means that\nseemed likely to restore her. But the last struggle was over--she was",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"dear?' said he. Emily, though scarcely able to speak, assured him that\nshe did.",
"Emily. 'Of his family my father was not ignorant, and I believe it is\nunexceptionable.' She then proceeded to mention what she knew concerning\nit.",
"of death on his countenance. In a few minutes he recovered his voice,\nand Emily then asked, if he wished to see the confessor; he replied,",
"promise made to your dying father!'--St. Aubert was interrupted; Emily,\nstruck by his last words, as if for the first time, with a conviction of",
"Nothing like a bed could be found, and he had ceased to enquire for\none, when Emily joined him, who observed the languor of her father's",
"sorrow. He gave orders that his family should attend him. Emily only was\nabsent; who, overcome with the scene she had just witnessed, had retired",
"had existed between Emily's father and the Marchioness; and there is no\ndoubt, that he suspected the manner of her death. Many letters passed\nbetween the Marquis and him, soon after the decease of his beloved",
"Emily smiled through her tears upon her father: 'Dear sir,' said she,\nand her voice trembled; she would have added, 'I will shew myself worthy"
],
[
"Emily gazed with melancholy awe upon the castle, which she understood to\nbe Montoni's; for, though it was now lighted up by the setting sun, the",
"many years, and his people, who have the care of it, live in a cottage\nclose by.' Emily now understood this to be the chateau, which La Voisin",
"Emily, meanwhile, stunned by the last words of Montoni, forgot, for the\nmoment, his declaration, that she should continue in the castle, while",
"Emily now confided to him the name of Valancourt, and begged he would\nenquire for such a person among the prisoners in the castle; for the",
"On the next morning, Emily had a long conversation with Ludovico, in\nwhich she heard circumstances concerning the castle, and received hints",
"Emily, in her own apartment, considered with intense anxiety all the\nunjust and tyrannical conduct of Montoni, the dauntless perseverance",
"A servant now appeared with Annette, and conducted Emily to her chamber,\nwhich was in a remote part of the castle, and at the very end of the",
"Emily, then, with a wish of making her aunt more reconciled to her\nsituation, praised the grandeur of the castle and the surrounding",
"Of a crime, however, to which Emily had suspected, from her phrensied\nconfession of murder, that she had been instrumental in the castle of",
"protection,' said he; 'if you really value this, you will secure it.'\nHis open declaration, that he would only conditionally protect her,\nwhile she remained a prisoner in the castle, shewed Emily the necessity",
"'It was in the castle of Udolpho,' continued Emily, looking stedfastly\nat her.",
"Carlo obeyed, and Montoni, soon after, went out to examine further into\nthe state of the castle; while Emily remained with her aunt, patiently",
"more of his present conduct towards herself, and of the danger, from\nwhich she had just escaped. From the view of her present situation she\nshrunk, as from a new picture of terror. She saw herself in a castle,",
"At this moment, the terrible spectacle, which Emily had witnessed in a\nchamber of that castle, occurred to her, and she shuddered, while she",
"'I have some questions to ask you on another subject,' interrupted\nEmily, quite wearied by this story. 'Do you know whether there are any\nprisoners in the castle, and whether they are confined at this end of\nthe edifice?'",
"Emily's thoughts returning to the figure she had seen, 'It cannot be a\nperson, who has designs upon the castle,' said she; 'such an one would",
"Madame was scarcely arrived in her own apartment, when an order was\ngiven by her husband, that she should remain in the turret; but Emily,",
"Emily almost expected to see; and she again entreated her companions to\nproceed, who were, however, too intent in their examination, to regard\nher, and she turned her eyes from this desolated scene to the castle",
"that he was come to enquire after herself, whom he had let out of her\nroom to go to Emily, and that he was now returned to lock her in again.",
"When Madame Montoni retired to her dressing-room, Emily endeavoured to\namuse herself by a view of the castle. Through a folding door she passed"
],
[
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"conversing with Emily, to whom he directed, at first, the sallies of his\nwit, but now and then assumed an air of tenderness, which she observed,",
"Emily, whose mind had been deeply affected by the disastrous fate of the\nlate Marchioness and with the mysterious connection, which she fancied",
"Emily, in discovering the Marchioness de Villeroi to have been the\nsister of Mons. St. Aubert, was variously affected; but, amidst the",
"conviction of her love to Valancourt. He could only exclaim, 'Emily!\nEmily!' and weep over the hand he pressed to his lips; but she, after",
"appearing to consult it, and thus endeavoured gradually to withdraw her\nfrom the subject of her grief, and to awake other interests in her mind.\nEmily, to whom he appeared as the enlightened friend and protector of",
"M. Du Pont had first seen Emily in Gascony, during the lifetime of his\nparent, who, on discovering his son's partiality for Mademoiselle St.",
"Emily, much agitated, did not leave Valancourt, but she led him from the\npavilion, and, as they walked upon the terrace, he proceeded as follows:",
"Emily, comforted by this prospect of release, employed the present\nmoments in endeavouring, with conciliating care, to prevent any fatal\nmischief between the persons who so lately had persecuted and insulted\nher.",
"herself bound to overlook her conduct. Emily, at this time, wished\nonly to remain at La Vallee, in the scenes of her early happiness, now",
"He covered his face with his hand, as if to conceal his emotion, and\ntook Emily's, which she did not withdraw. Her tears could no longer",
"after a long pause. Emily could make no reply to any thing he now said,\nbut knelt at the bed-side, with her face upon the quilt, weeping over\nthe hand she held there.",
"Emily, fearful of being overheard, if they conversed any longer through\nthe door, consented that it should be opened, and a young man appeared,",
"Afterward, he said, 'Emily, I have loved you--I do love you, better than\nmy life; but I am ruined by my own conduct. Yet I would seek to entangle",
"'Did he?' said Emily, in a tender voice, while she felt her poor heart\nwarmed for a moment by a ray of sympathy.\n\nAt length, her spirits were entirely overcome, and she retired to her\nroom.",
"no longer within the reach of his vows. By what accident he discovered\nEmily, and assisted to release her from a terrible imprisonment, has\nalready appeared, and also the unavailing hope, with which he then",
"latter, concerning Emily, were insearchable, yet that he knew them to\nbe terrible. At the time he uttered this, she almost believed it to be\ndesigned for the purpose of prevailing with her to throw herself into",
"Emily, whose heart trembled at every word, that was now uttered,\nendeavoured to turn the conversation from Valancourt, by enquiring",
"Several weeks passed away in quiet retirement, and Emily's affliction\nbegan to soften into melancholy. She could bear to read the books she",
"with her own consent, that a very painful surmise arose, concerning her\ncharacter. But the thought was so shocking to Emily, whose affection the"
],
[
"'I will not wait another moment,' said Madame Montoni. Annette was\nsilent.\n\n'The Signor shall be informed of this directly,' rejoined her mistress:\n'he will make you discover all.'",
"'I, as the husband of the late Signora Montoni,' he added, 'am the heir\nof all she possessed; the estates, therefore, which she refused to me",
"added, that she was so sensible of the folly of her former consent,\nthat, to prevent the possibility of a repetition, she had committed the\naffair entirely to the conduct of Signor Montoni.",
"'Well, well, niece, I will not dispute with you. But, as I said, Montoni\nthreatens me with violence, if I any longer refuse to sign away my",
"continued in a voice, trembling between joy and fear, 'or I will alarm\nthe family, and you may receive that from Signor Montoni's vengeance,",
"Signor Montoni right in enforcing, by any means, your consent. If young\npersons will be blind to their interest, and obstinately oppose it, why,",
"'Signor Montoni,' replied Emily. 'I would speak with him;' and Annette,\nnow remembering the order he had given, on the preceding night,\nrespecting her young lady, rose, and said she would seek him herself.",
"I have news to tell you. From this hour you must consider the Signor\nMontoni as your uncle--we were married this morning.'",
"escape. While she thus sat, Montoni entered the room, and, without\nnoticing his wife's indisposition, said, that he came to remind her of",
"'Sign the writings,' said Montoni, 'and you shall know more.'\n\n'What enemy can be coming?' continued his wife. 'Have you entered into\nthe service of the state? Am I to be blocked up here to die?'",
"She was hastily retiring, when Montoni's voice arrested her, and, in a\nfaultering accent, she said,--'I would speak with you, Signor Montoni,",
"what you have just told me to any other person. Signor Montoni, as\nyou say, may be angry if he hears of it. But what inquiries were made\nconcerning the lady?'",
"her account. 'O! here comes Signor Montoni himself,' said her aunt, 'I\nprotest I will tell him all the fine things you have been saying to me.'",
"A few weeks only had elapsed, since the marriage, when Madame Montoni\ninformed Emily, that the Signor intended to return to Italy, as soon as",
"'Sign the papers,' said Montoni, more impatiently than before.\n\n'Never, sir,' replied Emily; 'that request would have proved to me the\ninjustice of your claim, had I even been ignorant of my right.'",
"when Signor Montoni was quite a young man. The lady--they called her\nSignora Laurentini, was very handsome, but she used to be in great",
"Emily seized a pause of Madame Montoni's voice, to speak. 'Dear madam,'\nsaid she, 'but will not this serve to irritate the Signor unnecessarily?\nwill it not provoke the harsh treatment you dread?'",
"long, before her spirits were sufficiently composed to permit the\nreflection, which, when it came, was dark and even terrible. She saw,\nthat Montoni sought to aggrandise himself in his disposal of her, and",
"your acquiescence. You will soon see him, for it is my intention to take\nyou, with Madame Montoni, in a few days to Miarenti, and you can then\ntalk over the affair.'",
"When Montoni was informed of the death of his wife, and considered\nthat she had died without giving him the signature so necessary to\nthe accomplishment of his wishes, no sense of decency restrained the"
],
[
"Madame Cheron's, whose inclinations led her into a life of dissipation,\nwhich her ample fortune encouraged; and, having given her answer, she\nfelt somewhat more at ease.",
"'It is so very humiliating, that I know not how to mention it,'\ncontinued Madame Cheron, 'but you shall judge. Do you observe that",
"The conduct of Madame Cheron in this affair had been entirely governed\nby selfish vanity. Valancourt, in his first interview, had with great",
"St. Aubert, some time after, spoke of Madame Cheron, his sister. 'Let\nme inform you of a circumstance, that nearly affects your welfare,' he",
"Madame Cheron's avarice at length yielded to her vanity. Some very\nsplendid entertainments, which Madame Clairval had given, and the",
"Madame Cheron; who now passing from one painful topic only to revive\nanother almost equally so, spoke of the situation of her niece's",
"of Madame Cheron--appeared most wonderful. Her thoughts, however, did\nnot dwell long on the subject; nearer interests pressed upon them;",
"'It is a delicate subject,' replied Madame Cheron, 'a very mortifying\none to me.' 'I am concerned to hear it,' said Madame Clairval, 'I hope",
"At this melancholy period St. Aubert was likewise visited by Madame\nCheron, his only surviving sister, who had been some years a widow, and",
"did not suspect that he would so openly have discovered his contempt of\nit. But Montoni, who had been allured by the seeming wealth of Madame\nCheron, was now severely disappointed by her comparative poverty, and",
"from La Vallee, now mentioned the motive of it, at which Madame Cheron\nsmiled contemptuously, refusing either to accept this explanation, or",
"had imposed silence, and endeavoured to vindicate herself from the\naspersion, but Madame Cheron was not to be convinced.",
"to make Madame Cheron happy. He proceeded to speak of him in general\nterms of dislike, and then gave some particular hints, concerning his",
"increased by the consciousness of Madame Cheron's severe observation.\nHer mourning dress, the mild dejection of her beautiful countenance, and\nthe retiring diffidence of her manner, rendered her a very interesting",
"distress,' replied Madame Cheron; 'this person, whom nobody knows--(I\nbeg pardon, madam, I did not consider what I said)--this impertinent",
"seized her, that almost reached despair. Madame Cheron, more offended\nby the reproof which Emily's words conveyed, than touched by the",
"Madame Cheron, to whom these remarks were sometimes addressed, because\nthey supported topics for trivial conversation, seemed indefatigable",
"emotion made her anxious to overcome it, and she succeeded so far as\nto re-compose her countenance. Madame Cheron was still conversing with",
"of their present days, might possibly occasion the sufferings of years.\nMeanwhile, Madame Cheron's intercourse with Madame Clairval became\nmore frequent than before, and her vanity was already gratified by",
"'All this is very distressing!' said Madame Cheron, with a profound\nsigh."
],
[
"Emily followed, trembling still more, than before she had understood,\nthat her escape from the castle, depended upon the present moment; while\nDu Pont supported her, and endeavoured, as they passed along, to cheer\nher spirits.",
"Emily again rose, and exerted herself to the utmost to leave the\nroom, while Montoni followed her; but, instead of calling aloud to his",
"to assist Bertrand in guarding her back to the castle. Thus compelled to\nreturn, Emily bade the kind Maddelina farewell, with regret, and,",
"no longer within the reach of his vows. By what accident he discovered\nEmily, and assisted to release her from a terrible imprisonment, has\nalready appeared, and also the unavailing hope, with which he then",
"Carlo obeyed, and Montoni, soon after, went out to examine further into\nthe state of the castle; while Emily remained with her aunt, patiently",
"he would assist her to escape from the castle. Ludovico assured her of\nhis readiness to attempt this, but strongly represented the difficulty\nof the enterprise, and the certain destruction which must ensue,",
"A servant now appeared with Annette, and conducted Emily to her chamber,\nwhich was in a remote part of the castle, and at the very end of the",
"On the next morning, Emily had a long conversation with Ludovico, in\nwhich she heard circumstances concerning the castle, and received hints",
"Emily, comforted by this prospect of release, employed the present\nmoments in endeavouring, with conciliating care, to prevent any fatal\nmischief between the persons who so lately had persecuted and insulted\nher.",
"Madame Montoni, after some time, again looked round, in search of a\npossibility of escape from the castle, and conversed with Emily on the",
"by telling her, he must be gone. Emily, however, recalled her spirits\nsufficiently to enable her to repeat her request. And, when Montoni\nabsolutely refused it, her slumbering mind was roused.",
"Carlo having reminded her, that she had no time to lose, for that the\nenemy were within sight of the castle, Emily entreated him to inform",
"Montoni, and thus rescued Emily from the designs of the Count.",
"Emily now confided to him the name of Valancourt, and begged he would\nenquire for such a person among the prisoners in the castle; for the",
"who were seated at the door of a cottage, and, having explained her\nsituation, entreated their assistance. Several of them rose with\nalacrity, and, offering any service in their power, followed Emily, who",
"Emily said she would light her, and they immediately quitted the\nchamber. When they had reached the top of the great stair-case, Emily",
"light flashed upon the court of the castle. Again he vociferated for the\ntorch, and the men hurried Emily through the gate. At a short distance,\nunder the shelter of the castle walls, she perceived the fellow, who had",
"happy. And, if she was happy, I am sure he is so too; for the prayers of\nthe poor, they say, reach heaven.' During this speech, Emily had walked",
"Emily, then, with a wish of making her aunt more reconciled to her\nsituation, praised the grandeur of the castle and the surrounding",
"Emily, meanwhile, stunned by the last words of Montoni, forgot, for the\nmoment, his declaration, that she should continue in the castle, while"
],
[
"Valancourt, meanwhile, lost in emotions of remorse and grief, which he\nhad neither the power, or the will to express, sat insensible almost",
"Valancourt, who had been led astray sadly. Nay, for that matter, M.\nValancourt had been put into prison at Paris, and my Lord, says Gabriel,",
"Valancourt was the nephew of Madame Clairval.",
"Valancourt, returning to the chair beside her, at length, said, in a\ncalm voice, ''Tis true, I am fallen--fallen from my own esteem! but",
"them. And then, if any poor family was in distress, M. Valancourt was\nthe first, too, to relieve them, though some folks, not a great way off,",
"The conversation of Mons. Bonnac discovered, that Valancourt, some\ntime after his arrival at Paris, had been drawn into the snares, which",
"Valancourt understood her feelings, and was silent; had she raised her\neyes from the ground she would have seen tears in his. He rose, and",
"Valancourt struggled to assume a composed air. 'Farewell, my love!' said\nhe, in a voice of solemn tenderness--'trust me we shall meet again--meet",
"Valancourt sighed deeply, and was unable to reply; but, as he pressed\nher hand to his lips, the tears, that fell over it, spoke a language,\nwhich could not be mistaken, and to which words were inadequate.",
"Valancourt had sat. The tears, which had been, for some time, repressed\nby the kind of astonishment, that followed his departure, now came to",
"into Languedoc; and Valancourt, since he was now nearly recovered, and\nhad no longer a pretence for continuing with his new friends, resolved",
"Valancourt, and to praise him aloud with as much servility, as she had\nbefore censured him with frivolous malignity.",
"that Valancourt might be now no more, or, if living, might have\nforgotten her, was so very terrible to her heart, that she would\nscarcely suffer herself to pause upon the possibility. She determined to",
"[Valancourt] learned, that she was really to set out in a very few days,\nand that it was designed he should see her no more, forgetting every",
"towards Valancourt, and to give him any encouragement for hope, on so\nshort an acquaintance. For though in this narrow period she had observed",
"Madame Montoni's estates, and of the little reason there was to expect\ntheir restoration. At length, Valancourt remained lost in thought, and",
"the accident, and explained the cause of his late alarm. But Valancourt\nseemed anxious only to remove from the minds of his companions every\nunpleasant feeling relative to himself; and, for that purpose, still",
"Valancourt, far, far distant! came to her heart, and softened it into\nsorrow. A heavy sigh escaped her: but, trying to conceal her tears, she",
"Valancourt, who might be stationed with his regiment in a distant part\nof France, and that, when they did meet, it would be only to lament",
"Valancourt all her reasons for rejecting his proposals. Those, which\ninfluenced her concerning his future welfare, he instantly refuted, or\nrather contradicted; but they awakened tender considerations for her,"
]
] |
[
"Who is Emily St. Aubert?",
"Where was Emily St, Aubert imprisoned?",
"What did Emily and her father shared appreciation for?",
"Who is Emily in love with?",
"Who became Emily guardian after her father dealth?",
"Who is marry to Madame Cheron?",
"Who did Montoni tries to force Emily to marry?",
"Who help Emily escape from the castle?",
"Where did Emily escape to when she left the castle?",
"Where was Emily imprisoned?",
"Who is Emily imprisoned by?",
"Why did Emily and her father share a close bond?",
"What caused Emily's mother to die?",
"When did Emily meet Valacourt?",
"Why does Emily live with her aunt after her father's death?",
"Who wants Emily to marry Count Morano?",
"Why does Emily refuse to join Morano?",
"Who helps Emily stay safe in the castle?",
"Who keeps the property after Madam Cheron's death?",
"In what year is this story set?",
"What Mediterranean coast do Emily and her father visit on their journey?",
"When Emilys' father dies, who becomes her guardian?",
"Who owns the castle in which Emily is imprisoned?",
"Who does Emily become romantically involved with?",
"With what does Signor Montoni threaten his wife with to get her to sign over her properties?",
"What causes Madam Cherons' illness?",
"Who helps Emily escape the castle?",
"Where did Valancourt lose his wealth?"
] |
[
[
"Emily St Aubert is a young french woman who became orphaned after her father died.",
"A french orphan."
],
[
"Emily St. Aubert was imprisoned at castle Udolpho",
"Castle Udolpho"
],
[
"Nature",
"Nature"
],
[
"Valancourt",
"valancourt"
],
[
"Her aunt Madame Cheron",
"Madame Cheron"
],
[
"Signor Montoni",
"signor montoni"
],
[
"Count Morano",
"Count Morano"
],
[
"Du Point ,Annette and Ludovico",
"She had help of her secret admirer Du Pont"
],
[
"Her aunt estate.",
"returns to estate of her aunt"
],
[
"In a castle at Udolpho.",
"She was imprisoned in the castle."
],
[
"Her aunts husband, Signor Montoni.",
"aunt's husband"
],
[
"They both appreciated nature.",
"The both loved nature."
],
[
"She died from a serious illness.",
"A serious illness."
],
[
"During the journey with her father through the Pyrenees.",
"On her journey to Roussillon"
],
[
"Those were her father's wishes.",
"It was her father's wish."
],
[
"Montoni, her aunt's husband.",
"Montoni."
],
[
"She still loves Valancourt.",
"Her heart still belongs to Valencourt."
],
[
"Her secret admirer, Du Pont and the servants Annette and Ludovico.",
"A prisoner and servants."
],
[
"Emily.",
"Montoni"
],
[
"1584",
"1584"
],
[
"Roussillon",
"Roussillon"
],
[
"Her Aunt",
"Madame Cheron"
],
[
"Signor Montoni",
"Montoni."
],
[
"Valancourt",
"Valancourt"
],
[
"Violence",
"Violence"
],
[
"Her husbands harshness",
"She died of a sever illness caused by her husband's harshness."
],
[
"Du Pont",
"She had help of her secret admirer Du Pont."
],
[
"Paris",
"He went to Paris and lost his wealth."
]
] |
01f5ab49ace7ff6c2bca8c2e537076ae1f1b5c90
|
train
|
[
[
"ELLATRACHE\n (in French)\n There's a journalist in London.\n Simon Ross. He seems to know a",
"WILLS\n We tracked the phone. Registered\n to a London reporter named Simon\n Ross. He works at the Guardian\n newspaper.\n\n 10",
"Ross (CONT'D)\n Simon Ross.\n\n\n35H INT. DAY. CRI HUB -- NEW YORK CITY 35H",
"VOSEN\n Our target is a British national,\n Simon Ross, a reporter. I want\n all his phones, his blackberry,",
"R34 INT. DAY. GUARDIAN EDITOR OFFICE -- LONDON R34\n\n ROSS reports to his EDITOR.",
"ROSS crosses the busy newsroom...\n\n REPORTER\n He's on my line...\n\n ROSS picks up the phone.",
"Ross crosses a busy London street -- heads to Guardian\n office building. A CRI TEAM watches from a parked car.\n\n\n35H INT. DAY -- CRI HUB 35H",
"ROSS leaves to pick up the call.\n\n\n35Y INT. CONTINUOUS. GUARDIAN -- NEWSROOM 35Y",
"EDITOR\n Scared of what?\n\n ROSS\n Blackbriar.\n\n A REPORTER sticks her head in.",
"LANDY\n Ross's call to his editor, where\n he said he just met the source on\n Blackbriar, took place just after\n his flight landed. His met his\n source in Turin.",
"BOURNE reads The Guardian. He sees an article written by\n Simon Ross. Title: \"RENEGADE ASSASSIN LOSE IN EUROPE\".\n It mentions BOURNE. There is a photo of Marie--",
"LANDY (CONT'D)\n I want everything you've got on\n Ross on screen one.\n\n LANDY watches as the screen lights up with ROSS\n information...",
"ROSS\n Are we clear?\n\n BOURNE\n Clear. News kiosk. Straight\n ahead.",
"64H INT. NEW YORK HUB -- SIMULTANEOUS -- DAY 64H\n\n An image of Ross as he enters the store complex appears on\n the screen.",
"TECH#1\n Sir, we just hacked Ross's email\n account at the Guardian and found",
"Screens come alive with a POV of ROSS. VOSEN studies the\n monitors. ROSS arrives at Waterloo, pays TAXI.",
"29 EXT. DAY GUARDIAN NEWSPAPER -- LONDON 29",
"Vosen and Wills stare at the screen. At the image of Ross,\n dead on the concourse. The room -- normally full of\n chatter has gone dead silent...",
"BOURNE (CONT'D)\n Straight ahead. News kiosk.\n\n ROSS turning. Weaving through the commuters.",
"The LONDON BUS approaching.\n\n ROSS begins to move.\n\n\n64H INT. DAY. CRI HUB -- NEW YORK 64H"
],
[
"BOURNE\n The article. You talked to\n someone from Treadstone. Someone\n there at the beginning. What's\n his name?",
"From the safe, BOURNE scoops out the \"TREADSTONE:\n Blackbriar\" folder Bourne saw Vosen putting into his safe.\"",
"BOURNE\n I think he started Treadstone. I\n remember meeting him. I\n remember the first day...\n (beat)\n Daniels brought me to him.",
"ANCHOR 2 (V.O.)\n Assassination program code-named\n \"Blackbriar\" was exposed by a\n former assassin named David Webb--\n -",
"Landy finds a denotation in Bourne's file that he was\n \"recruited to Treadstone by Neal Daniels.\" Further down",
"Landy sits at her desk reviewing files on Treadstone. Open\n on her desk we see the file she will be looking at in the\n Supremacy phone call.",
"(beat)\n What connects the dots? Is it\n Treadstone?",
"ago. It's an early Treadstone\n identity registered to Jason\n Bourne but he never used it and\n it never went to the grid.",
"Bourne uses his monocular to zoom in on a file Vosen is\n looking at -- he sees the word \"Blackbriar.\" Vosen puts\n the file back in the safe.",
"HIRSCH (CONT'D)\n You're no longer David Webb.\n From now on you'll be known as\n Jason Bourne. Welcome to the\n program.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"BOURNE\n (in French)\n Who started Treadstone?\n\n The bodyguard comes back, gun out--",
"He goes through his briefcase and finds a nearly destroyed\n piece of paper with \"Noah Vosen - Director of Operations -\n CRI\" written on it. Bourne slips the morgue attendant a\n bribe.",
"Bourne\" jumped from the\n fourteenth floor of the CIA\n facility where he was trained in\n New York into the East River",
"Something's not right. Treadstone instinct.\n\n BOURNE\n Service doorway -- Now!\n\n 27",
"our house down if you didn't tell\n him who started Treadstone.\n That's a big problem, wouldn't\n you agree?",
"Bourne walks with a now dark-haired Nicky. They exchange\n looks for a long beat. She turns towards the bus.\n\n BOURNE\n It gets easier.",
"the page it says \"Bourne was inducted into Treadstone at\n the Special Research Department facility at 415 E 71st,",
"Vosen holds up the file we saw him pull out of his safe.\n It is labeled \"Blackbriar: Lethal Action Protocol.\"",
"LANDY\n The guy you're after is a CIA\n operative with clearance above\n Top Secret. He was committing"
],
[
"LANDY\n Ross's call to his editor, where\n he said he just met the source on\n Blackbriar, took place just after\n his flight landed. His met his\n source in Turin.",
"EDITOR\n Scared of what?\n\n ROSS\n Blackbriar.\n\n A REPORTER sticks her head in.",
"ROSS (VOICEOVER)\n Have you heard of an Operation\n Blackbriar? I'm going to try and\n get my head around this, see you\n first thing.",
"ROSS\n Are they Blackbriar?\n\n BOURNE\n Blackbriar, what's Blackbriar?",
"They're calling it `Blackbriar'.",
"VOSEN slams a document on the desk. INSERT SHOT:\n\"Blackbriar: Lethal Action Protocol.\"",
"Bourne uses his monocular to zoom in on a file Vosen is\n looking at -- he sees the word \"Blackbriar.\" Vosen puts\n the file back in the safe.",
"DANIELS watches news of ROSS murder on TV. DANIELS panics,\n opens his safe, packs up papers, takes Blackbriar FILE.\n Sets alarm. Leaves.",
"Vosen holds up the file we saw him pull out of his safe.\n It is labeled \"Blackbriar: Lethal Action Protocol.\"",
"BLACKBRIAR\n\n A TECHNICIAN sends the data to NSA back in the\n States...Where another COMPUTER gathers up the rest of the\n phone call...As we listen...",
"VOSEN\n Our target is a British national,\n Simon Ross, a reporter. I want\n all his phones, his blackberry,",
"VOSEN\n Since he cleaned out a Blackbriar\n safe and fled to Morocco!\n\n LANDY\n So grab him--",
"VOSEN\n Well, who talked to him? How did\n he find out about Blackbriar?",
"Vosen and Wills stare at the screen. At the image of Ross,\n dead on the concourse. The room -- normally full of\n chatter has gone dead silent...",
"ROSS spinning round. Dipping left. BLACK TOP passing in\n the background missing him.\n\n BOURNE crossing close behind - marshalling the pieces at\n breakneck speed.",
"Pulls the feed. Takes the earbud. Then back up and falls\n into step behind ROSS.\n\n Listening in to the chaos he has caused -- an ocean away.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"LANDY (CONT'D)\n I want everything you've got on\n Ross on screen one.\n\n LANDY watches as the screen lights up with ROSS\n information...",
"DID THIS ALL START?\" -- and Blackbriar. He Googles\n \"Sewell and Marbury\"-- finds Paris, Berlin, Madrid. BOURNE",
"R34 INT. DAY. GUARDIAN EDITOR OFFICE -- LONDON R34\n\n ROSS reports to his EDITOR."
],
[
"The girl he was on he run with --\n Marie Kreutz -- she turned up\n dead halfway around the world,\n from a sniper's bullet...",
"ABBOTT (V.O.)\n You killed Marie the minute you\n climbed into her car. The\n minute you entered her life she\n was dead!",
"BOURNE reads The Guardian. He sees an article written by\n Simon Ross. Title: \"RENEGADE ASSASSIN LOSE IN EUROPE\".\n It mentions BOURNE. There is a photo of Marie--",
"Marie smiles at him. Marie shot. Marie fades into the\n depths, dead. Bourne burns Marie's stuff\n\n\n26D INT. DAY. EUROSTAR 26D",
"LANDY\n His girlfriend, Marie. She was\n killed in India three weeks ago.\n\nKramer looks down at another image. Abbott dead after his\nsuicide.",
"And finally. BANG -- Marie hit in the head. The car off\n the bridge. She sinks away dead...\n\n\n6A INT. NIGHT PHARMACY -- MOSCOW 6A",
"BOURNE\n I didn't believe that.\n\n MARTIN\n Why did she die?\n\n BOURNE\n She was shot. A man came for me.",
"BOURNE\n She's dead. She was killed.\n\n MARTIN\n I knew it was going to end this\n way. It was always going to end\n this way...",
"69\n\n\n BOURNE\n I was starting to remember who\n they were...in India...with\n Marie.\n\n A beat.",
"KRAMER\n Who's \"she?\"\n\nCRONIN puts a picture of MARIE in front of KRAMER.",
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door.",
"Kramer glances at a photo of Marie in the file.",
"101\n\n\n Bourne looks down, a gun in his hand. He gets to his feet\n swiftly and fires the pistol several times into a hooded\n figure. The man slumps over.",
"127B INT. SEWELL AND MARBURY -- NIGHT 127B\n\n The flashback overwhelms Bourne.",
"confronted by Jason Bourne. You\n couldn't make this stuff up.\n (holds up the photo of\n Abbot dead)\n You watched this happen?",
"MARTIN\n And then you killed him.\n\nBourne nods.\n\n MARTIN\n Now what?",
"Bourne just manages to punch his car into the right rear of\n the CRI Sedan and race down the Avenue with Paz and the\n slightly damaged sedan in pursuit.",
"127B INT. SEWELL AND MARBURY -- NIGHT 127B\n\n Bourne is driven to his knees.",
"disappeared...Turned up in Naples\n -- Berlin -- Moscow --\n disappeared again...\n (Daniels says nothing)",
"(in French, to Bourne)\n They're still looking for you.\n You are taking a big risk coming\n here."
],
[
"The girl he was on he run with --\n Marie Kreutz -- she turned up\n dead halfway around the world,\n from a sniper's bullet...",
"LANDY\n His girlfriend, Marie. She was\n killed in India three weeks ago.\n\nKramer looks down at another image. Abbott dead after his\nsuicide.",
"ABBOTT (V.O.)\n You killed Marie the minute you\n climbed into her car. The\n minute you entered her life she\n was dead!",
"confronted by Jason Bourne. You\n couldn't make this stuff up.\n (holds up the photo of\n Abbot dead)\n You watched this happen?",
"Marie smiles at him. Marie shot. Marie fades into the\n depths, dead. Bourne burns Marie's stuff\n\n\n26D INT. DAY. EUROSTAR 26D",
"BOURNE\n I didn't believe that.\n\n MARTIN\n Why did she die?\n\n BOURNE\n She was shot. A man came for me.",
"BOURNE reads The Guardian. He sees an article written by\n Simon Ross. Title: \"RENEGADE ASSASSIN LOSE IN EUROPE\".\n It mentions BOURNE. There is a photo of Marie--",
"Vosen stares at Landy. A beat, then she walks out.\n\n VOSEN\n Issue a standing kill order on\n Jason Bourne, effective\n immediately.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"MARTIN\n And then you killed him.\n\nBourne nods.\n\n MARTIN\n Now what?",
"BOURNE\n She's dead. She was killed.\n\n MARTIN\n I knew it was going to end this\n way. It was always going to end\n this way...",
"KRAMER\n Who's \"she?\"\n\nCRONIN puts a picture of MARIE in front of KRAMER.",
"69\n\n\n BOURNE\n I was starting to remember who\n they were...in India...with\n Marie.\n\n A beat.",
"Vosen and Wills stare at the screen. At the image of Ross,\n dead on the concourse. The room -- normally full of\n chatter has gone dead silent...",
"CRONIN\n The hub just got word Bourne and\n Nicky are dead.\n\n Landy looks at him.\n\n LANDY\n Confirmed?",
"And finally. BANG -- Marie hit in the head. The car off\n the bridge. She sinks away dead...\n\n\n6A INT. NIGHT PHARMACY -- MOSCOW 6A",
"LANDY\n And the reporter ended up dead?\n\n VOSEN\n Bourne saw us coming.\n\nLandy looks at him, suspicious.",
"ABBOTT (V.O.)\n There's no place it won't catch\n up to you. It's how every story\n ends. It's what you are, Jason.\n A killer! You always will be.",
"Landy looks around. Finds an open office. She pushes open\n the door and runs to the fax machine. She starts faxing\n the Blackbriar documents Bourne took from Vosen's safe.",
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door."
],
[
"The girl he was on he run with --\n Marie Kreutz -- she turned up\n dead halfway around the world,\n from a sniper's bullet...",
"ABBOTT (V.O.)\n You killed Marie the minute you\n climbed into her car. The\n minute you entered her life she\n was dead!",
"LANDY\n His girlfriend, Marie. She was\n killed in India three weeks ago.\n\nKramer looks down at another image. Abbott dead after his\nsuicide.",
"KRAMER\n Who's \"she?\"\n\nCRONIN puts a picture of MARIE in front of KRAMER.",
"69\n\n\n BOURNE\n I was starting to remember who\n they were...in India...with\n Marie.\n\n A beat.",
"Kramer glances at a photo of Marie in the file.",
"Marie smiles at him. Marie shot. Marie fades into the\n depths, dead. Bourne burns Marie's stuff\n\n\n26D INT. DAY. EUROSTAR 26D",
"BOURNE reads The Guardian. He sees an article written by\n Simon Ross. Title: \"RENEGADE ASSASSIN LOSE IN EUROPE\".\n It mentions BOURNE. There is a photo of Marie--",
"Bourne takes her words in. But who he is is eating him\n alive from the inside...",
"And finally. BANG -- Marie hit in the head. The car off\n the bridge. She sinks away dead...\n\n\n6A INT. NIGHT PHARMACY -- MOSCOW 6A",
"127B INT. SEWELL AND MARBURY -- NIGHT 127B\n\n The flashback overwhelms Bourne.",
"BOURNE\n I didn't believe that.\n\n MARTIN\n Why did she die?\n\n BOURNE\n She was shot. A man came for me.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"It's NICKY.\n\n A beat -- long unbroken.\n\n BOURNE\n What are you doing here?",
"127B INT. SEWELL AND MARBURY -- NIGHT 127B\n\n Bourne is driven to his knees.",
"BOURNE answers her in perfect Spanish with a perfect Madrid\n accent, but worked up, like a civilian would be...",
"BOURNE\n Then stop it. Everything you\n need is in there.\n\n Bourne hands her the black bag and enters the hospital.",
"127B INT. SEWELL AND MARBURY -- NIGHT 127B\n\n BOURNE checks the office. Soon he finds a photo of\n Daniels with Albert Hirsch.",
"A noise on the stairs above. Quickly arranging a mirror - *\ngetting line of sight - Bourne dipping into a corner. *\n\nIt's NICKY. *"
],
[
"As he rides his VESPA, DESH receives additional target\n information..Pictures of BOURNE and NICKY.\n\n DESH glances in his rearview mirror -- spots BOURNE.",
"Suddenly stopping - seeing DESH - knows instantly that he *\nis coming for her. *",
"DESH gets on his motorbike and heads off to kill NICKY.\n\n\nEXT. PETIT SOCCO -- CONTINUOUS *",
"DESH speeding up. BOURNE sees NICKY down below amongst the *\ncrowds. In Desh's sights. *\n\nBOURNE knows he has to gain more ground. *",
"Keeping DESH in sight as he returns to his Vespa and pulls\n out in to traffic.\n\n\n TIGHT ON COMPUTER SCREEN: DESH'S ICON IS MOVING AGAIN",
"DESH arriving at the steps. Looks up to where Nicky is *\ngoing. Takes the entrance to the next building. *\nAnticipates her next move. Aiming to cut her off. *",
"64\n\n\nDesh goes up to the rooftops now. Bourne has him in sight - *\nDESH is prepping his gun with a silencer. *",
"Where Desh is... *\n\n\nEXT. ANOTHER ROOFTOP -- CONTINUOUS *",
"In the struggle, BOURNE strangles Desh.\n\n194 BOURNE and NICKY hide DESH's body. 194",
"BOURNE locks eyes with DESH. Before BOURNE can react --\n DESH detonates.\n\n BOOM! DANIELS is DEAD.\n\n 61",
"DESH opens a lock-up and goes in. He comes out with a\n scooter and drives off.\n\n\n149C INT. HOTEL 149C",
"DESH BOUKSANI's profile.\n\n BOURNE\n Tell him you're going to meet him\n and that you have a new phone for\n him.",
"And DESH has disappeared out of sight. *\n\nNo time for this. *",
"Then - suddenly NICKY spinning round as two silenced *\nbullets speed past her - And DESH bursting out of a landing *\ntoilet. *\n\nOn to Bourne. *",
"DESH still on top - just. *\n\nA brutal exchange. Matching each other's moves like *\nshadows. *",
"BOURNE has the upper hand now. DESH'S reaction's slowing. *\n No longer the match he was. *",
"57\n\n\n NICKY\n If you stop Desh they'll just get\n someone else.",
"BOURNE drags him to the ground. He's finished. Bourne's *\n won. *\n\n DESH- shivering -- convulsing. *",
"101\n\n\n Bourne looks down, a gun in his hand. He gets to his feet\n swiftly and fires the pistol several times into a hooded\n figure. The man slumps over.",
"She gives him a look -- DESH is in here somewhere. *\n\n 66"
],
[
"As he rides his VESPA, DESH receives additional target\n information..Pictures of BOURNE and NICKY.\n\n DESH glances in his rearview mirror -- spots BOURNE.",
"Keeping DESH in sight as he returns to his Vespa and pulls\n out in to traffic.\n\n\n TIGHT ON COMPUTER SCREEN: DESH'S ICON IS MOVING AGAIN",
"DESH opens a lock-up and goes in. He comes out with a\n scooter and drives off.\n\n\n149C INT. HOTEL 149C",
"She gives him a look -- DESH is in here somewhere. *\n\n 66",
"Where Desh is... *\n\n\nEXT. ANOTHER ROOFTOP -- CONTINUOUS *",
"DESH speeding up. BOURNE sees NICKY down below amongst the *\ncrowds. In Desh's sights. *\n\nBOURNE knows he has to gain more ground. *",
"The bomb is finished on the Work table.\n\n\n154 EXT. LOCK-UP GARAGE. DAY 154\n\n Desh takes the scooter out.",
"Suddenly stopping - seeing DESH - knows instantly that he *\nis coming for her. *",
"DESH arriving at the steps. Looks up to where Nicky is *\ngoing. Takes the entrance to the next building. *\nAnticipates her next move. Aiming to cut her off. *",
"And DESH has disappeared out of sight. *\n\nNo time for this. *",
"DESH gets on his motorbike and heads off to kill NICKY.\n\n\nEXT. PETIT SOCCO -- CONTINUOUS *",
"Bourne and Nicky walk.\n\n Desh rides his scooter.\n\n\n TIGHT ON COMPUTER SCREEN: DESH'S ICON TURNS OFF COURSE.",
"DESH arrives, grabs a TAXI...\n\n\n148B INT. DAY. PENSIONE -- TANGIER 148B",
"DESH still on top - just. *\n\nA brutal exchange. Matching each other's moves like *\nshadows. *",
"64\n\n\nDesh goes up to the rooftops now. Bourne has him in sight - *\nDESH is prepping his gun with a silencer. *",
"The two men tiring now. DESH grabbing for the bag. The *\n pills. BOURNE kicking them away. *",
"Landy sits at her desk reviewing files on Treadstone. Open\n on her desk we see the file she will be looking at in the\n Supremacy phone call.",
"DANIELS' car coming down the street. BOURNE stops and sees\n the car -- realizes the danger.\n\n BOURNE turns back to see DESH with the detonator in his\n hand.",
"DESH BOUKSANI's profile.\n\n BOURNE\n Tell him you're going to meet him\n and that you have a new phone for\n him.",
"BOURNE has the upper hand now. DESH'S reaction's slowing. *\n No longer the match he was. *"
],
[
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"Landy looks around. Finds an open office. She pushes open\n the door and runs to the fax machine. She starts faxing\n the Blackbriar documents Bourne took from Vosen's safe.",
"LANDY\n And the reporter ended up dead?\n\n VOSEN\n Bourne saw us coming.\n\nLandy looks at him, suspicious.",
"Vosen stares at Landy. A beat, then she walks out.\n\n VOSEN\n Issue a standing kill order on\n Jason Bourne, effective\n immediately.",
"LANDY\n So what happened at Waterloo?\n\n VOSEN\n We have a leak. Bourne showed up\n in our surveillance. We had very\n little time to react.",
"He dials.\n\n BOURNE (O.C.)\n Three o'clock. Female. Blonde\n black top.",
"VOSEN\n (to a group of six\n agents)\n I'll find Landy. You get to the\n training wing and get Bourne!\n\n A security guard comes over.",
"On his police radio, Bourne singles out an NYPD officer\n (call sign Alpha-2503) racing toward the intersection just\n ahead.\n\n Bourne slows, then speeds up quickly to time it right:",
"LANDY\n Nicky, this is Pam Landy. We\n have reason to believe there is a\n connection between Neal Daniels\n and Jason Bourne.",
"LANDY\n Why don't you come in, and we'll\n talk about it?\n (beat)\n Bourne?",
"The increasing volume of squealing tires alerts Bourne to a\nnew threat, he pulls the officer into some cover and grabs\nthe officer's radio.",
"VOSEN\n Hold on Nicky.\n\nVosen hits the mute button.\n\n VOSEN\n What are you doing? You know\n Bourne's probably listening.",
"LANDY\n Meaning?\n\n VOSEN\n Jason Bourne.\n\n LANDY\n Bourne's finished.",
"WILLS (TEL. V.O.)\n Get in here! Bourne called\n Landy!\n\n Vosen jumps up, sprints toward the hub--",
"VOSEN\n Copy that, I see her.\n\n Landy stands on a corner waiting for Bourne.\n\n 78",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"LANDY\n Let's do names later.\n (she's got the floor)\n What's Bourne's last fixed\n position?\n (impatient)\n Anybody.",
"LANDY puts down her pencil. CRONIN watches.\n\n 72\n\n\n LANDY\n Bourne?",
"Wills grabs the phone and hits a speed-dial:\n\n WILLS\n Bourne got into your safe!",
"Bourne\n You want to talk to me. Come\n alone.\n\n BOURNE hangs up."
],
[
"BOURNE (V.O.)\n This is Jason Bourne.\n\n VOSEN reels for a beat. Then quickly scans the streets,\n trying to see if he can spot BOURNE.",
"Vosen stares at Landy. A beat, then she walks out.\n\n VOSEN\n Issue a standing kill order on\n Jason Bourne, effective\n immediately.",
"Bourne's car but they're too late! Bourne's already out.\n He disappears from sight under the covered parking\n structure.",
"BOURNE\n Do you even know why you're\n trying to kill me? Look at what\n they make you give.\n\n Bourne turns and runs off the roof.",
"The agents in this sedan are distracted by the still\nechoing crash and are caught off-guard as Bourne steps out\nand points his gun at the driver.",
"The driver ducks and floors his gas pedal in a desperate\neffort to save his own life. As the sedan suddenly\naccelerates, Bourne deliberately shifts his aim to the\nsedan's front tire and fires.",
"Bourne cuts off a guy cruising for a parking space and\n pulls him from his car and races away as the agent from the\n roof lands hard behind him.",
"VOSEN\n Jason Bourne is alive and at\n large in New York City. We\n believe in one thousand yards of",
"Bourne takes on the persona of an alarmed witness as the on\nedge cop climbs out of his car but Bourne's performance is\ncut short as the agent running from his drop from the roof,\narrives and opens fire.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"Up stairs. On to a walkway. To his right he sees a figure\n disappearing...\n\n PAZ.\n\n BOURNE hammers down the walk - way in pursuit.",
"BOURNE\n Someone started all this...and\n I'm going to find them.\n\nBourne looks at him for a beat and leaves.\n\n\nEXT. SUBWAY -- DAY",
"confronted by Jason Bourne. You\n couldn't make this stuff up.\n (holds up the photo of\n Abbot dead)\n You watched this happen?",
"BOURNE (V.O.)\n This is Jason Bourne.\n\n\n35Z INT. DAY -- EUROSTAR TRAVELING 35Z",
"The door comes open slightly, but from this angle Paz\n doesn't have a clean shot at his target (who he thinks is\n Bourne).",
"Bourne climbs the stairs.\n\nBourne rounds a corner and stops, sees a bodyguard at a\ndoor up the street hail a car then go back inside.\n\n 8",
"BOURNE\n I'm done running. That's why\n I'm here. To end you, to shut\n this down. I'm no longer Jason\n Bourne.",
"The increasing volume of squealing tires alerts Bourne to a\nnew threat, he pulls the officer into some cover and grabs\nthe officer's radio.",
"BOURNE in pursuit. Chasing on instinct.\n\n There...A glimpse of PAZ at the bottom of an escalator.\n\n BOURNE fights past people.",
"A CRI car gets to the roof. Two agents come from the\n elevator lobby. The three car alarms distract them. They\n search for Bourne, but can't find him at first..."
],
[
"confronted by Jason Bourne. You\n couldn't make this stuff up.\n (holds up the photo of\n Abbot dead)\n You watched this happen?",
"ABBOTT (V.O.)\n You killed Marie the minute you\n climbed into her car. The\n minute you entered her life she\n was dead!",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"lot about you. He has a source\n inside the program. Someone\n there from the beginning. What\n should I tell them if they",
"He makes a gun with his hand, i.e. Bourne putting his gun\nto Abbott's head.\n\n ABBOTT (V.O.)\n Go ahead! Go on! Do it!",
"Two other senior CIA officials sit in on the meeting.\nKramer looks at a file on Bourne and Abbott.",
"BOURNE hangs up. Puts a portable dictaphone up to VOSEN'S\n SAFE and his play:\n\n VOSEN (TAPE V.O.)\n Noah Vosen.",
"BOURNE (V.O.)\n She wouldn't want me to. That's\n the only reason your alive.\n\nThe tape clicks off.",
"Pulls the feed. Takes the earbud. Then back up and falls\n into step behind ROSS.\n\n Listening in to the chaos he has caused -- an ocean away.",
"Bourne uses his monocular to zoom in on a file Vosen is\n looking at -- he sees the word \"Blackbriar.\" Vosen puts\n the file back in the safe.",
"He goes through his briefcase and finds a nearly destroyed\n piece of paper with \"Noah Vosen - Director of Operations -\n CRI\" written on it. Bourne slips the morgue attendant a\n bribe.",
"LANDY (CONT'D)\n I want everything you've got on\n Ross on screen one.\n\n LANDY watches as the screen lights up with ROSS\n information...",
"ABBOTT (V.O.)\n There's no place it won't catch\n up to you. It's how every story\n ends. It's what you are, Jason.\n A killer! You always will be.",
"HAMMOND and KILEY enter.\n\n HAMMOND\n We're in.\n\n BOURNE listens from his hiding spot.",
"Vosen enters the room. The last pages have been faxed...\n\n LANDY\n You better get a good lawyer.\n\n She exits...",
"Several radios blare.\n\n CRI AGENT (RADIO V.O.)\n He's heading for Port Authority!\n Subject up the ramp, eastbound\n into Port Authority.",
"LANDY\n This is about Daniels, not Nicky!\n\n VOSEN\n She has betrayed us!\n\n LANDY\n You don't know the circumstances!",
"Kramer looks at Abbott's official photo.\n\n BOURNE (V.O.)\n I told you people to leave me\n alone! I fell off the grid. I\n was half way around the world.",
"DANIELS watches news of ROSS murder on TV. DANIELS panics,\n opens his safe, packs up papers, takes Blackbriar FILE.\n Sets alarm. Leaves.",
"203 INT. LANDY'S OFFICE 203\n\n LANDY\n Wait. Wait.\n\n She opens a file on her desk."
],
[
"ELLATRACHE\n (in French)\n There's a journalist in London.\n Simon Ross. He seems to know a",
"Ross (CONT'D)\n Simon Ross.\n\n\n35H INT. DAY. CRI HUB -- NEW YORK CITY 35H",
"VOSEN\n Our target is a British national,\n Simon Ross, a reporter. I want\n all his phones, his blackberry,",
"WILLS\n We tracked the phone. Registered\n to a London reporter named Simon\n Ross. He works at the Guardian\n newspaper.\n\n 10",
"EDITOR\n Scared of what?\n\n ROSS\n Blackbriar.\n\n A REPORTER sticks her head in.",
"ROSS crosses the busy newsroom...\n\n REPORTER\n He's on my line...\n\n ROSS picks up the phone.",
"64H INT. NEW YORK HUB -- SIMULTANEOUS -- DAY 64H\n\n An image of Ross as he enters the store complex appears on\n the screen.",
"R34 INT. DAY. GUARDIAN EDITOR OFFICE -- LONDON R34\n\n ROSS reports to his EDITOR.",
"ROSS leaves to pick up the call.\n\n\n35Y INT. CONTINUOUS. GUARDIAN -- NEWSROOM 35Y",
"LANDY (CONT'D)\n I want everything you've got on\n Ross on screen one.\n\n LANDY watches as the screen lights up with ROSS\n information...",
"LANDY\n Ross's call to his editor, where\n he said he just met the source on\n Blackbriar, took place just after\n his flight landed. His met his\n source in Turin.",
"Ross crosses a busy London street -- heads to Guardian\n office building. A CRI TEAM watches from a parked car.\n\n\n35H INT. DAY -- CRI HUB 35H",
"BOURNE reads The Guardian. He sees an article written by\n Simon Ross. Title: \"RENEGADE ASSASSIN LOSE IN EUROPE\".\n It mentions BOURNE. There is a photo of Marie--",
"Screens come alive with a POV of ROSS. VOSEN studies the\n monitors. ROSS arrives at Waterloo, pays TAXI.",
"ROSS on the move. Sweating. Paranoid.\n\n Seeing a BIN MAN coming toward him -- reaching into his\n trolley.\n\n 24",
"Pulls the feed. Takes the earbud. Then back up and falls\n into step behind ROSS.\n\n Listening in to the chaos he has caused -- an ocean away.",
"ROSS\n Are we clear?\n\n BOURNE\n Clear. News kiosk. Straight\n ahead.",
"Vosen and Wills stare at the screen. At the image of Ross,\n dead on the concourse. The room -- normally full of\n chatter has gone dead silent...",
"REPORTER\n Sorry, a call for you.\n\n ROSS\n Who is it?\n\n REPORTER\n Won't give hie name.",
"79 EXT. DAY. YORK ROAD -- CONTINUOUS 79\n\n ROSS rearing this -- Moving away --"
],
[
"BOURNE\n (spotting approaching\n operatives)\n We have to move.\n\n Bourne moves Ross toward the concourse.",
"Behind him, inside the tube station portico, BOURNE\n arrives.\n\n Sees ROSS. Sees the two survey teams. MOBILE ONE up the\n stair well and MOBILE TWO at street level.",
"ROSS\n Are we clear?\n\n BOURNE\n Clear. News kiosk. Straight\n ahead.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"ROSS\n Has she seen me?\n\n BOURNE\n Not yet. Dip left past the photo\n kiosk.",
"LANDY\n So, what, Bourne met Ross for\n breakfast and then, at noon the\n same day Bourne calls Ross to\n demand a meet at Waterloo?",
"ROSS shifting nervously from one foot to another.\n\n BOURNE (o.s.) (CONT'D)\n Go to the bus stop, sit next to\n him. Head down...",
"ROSS (PHONE V.O.) (CONT'D)\n I can see the entrance from here\n I can make it out--\n\n BOURNE\n No, stay behind that door.",
"ROSS through narrow store corridors. Sheer panic now.\n Two of the AGENTS move in after him.\n\n BOURNE behind them.\n\n BANG - takes the first out silently.",
"Bourne in Paris)\n French intel picked up Bourne\n meeting Pierre Elattrache on\n Tuesday. He threatened to burn",
"BOURNE\n No, listen to me: Exactly what I\n say this time. Understand?\n\n Ross snaps to focus. Looks Bourne in the eye.",
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door.",
"Commuters coming up the escalators. BOURNE joins them -\n moving towards Ross.\n\n Closer.",
"Bourne spots the agents pulling back per Wills' orders.\n\n ROSS (INTO PHONE)\n If I run now I can make it--",
"Bourne walks up to the door, the bodyguard comes out again.\n Bourne knocks him aside. Grabs the man behind him,\n ELLATRACHE.",
"On final approach to JFK. Bourne looks out the window to\n see the Verizano Narrows bridge. And beyond it,\n Manhattan. Bourne is coming home.",
"111 INT. WATERLOO -- DAY 111\n\n Bourne feels Ross' body for something.",
"ROSS\n I can't tell you that.... Who's\n following me?\n\n BOURNE\n Whoever they are it's trouble.",
"ROSS travelling through. The second AGENT right behind as-\n\n BOURNE steps out from behind the store room door. The dull\n snap of bones as second AGENT falls to the floor.",
"78 EXT. DAY. FOOTBRIDGE AREA 78\n\n BOURNE watching his plan unfold...Only a few seconds to get\n ROSS out of there..."
],
[
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door.",
"Vosen and Wills stare at the screen. At the image of Ross,\n dead on the concourse. The room -- normally full of\n chatter has gone dead silent...",
"ROSS\n Yes.\n\n BOURNE\n Stay here while I look for an\n escape.\n\n Ross nods.",
"ROSS moving fast. Fighting through the crowds of faces.\n Each one a killer in ROSS' tormented mind.",
"ROSS\n Straight toward me. Bin man?\n\n BOURNE\n Negative.\n\n ROSS\n He's got a gun.",
"ROSS through narrow store corridors. Sheer panic now.\n Two of the AGENTS move in after him.\n\n BOURNE behind them.\n\n BANG - takes the first out silently.",
"ROSS travelling through. The second AGENT right behind as-\n\n BOURNE steps out from behind the store room door. The dull\n snap of bones as second AGENT falls to the floor.",
"ROSS shifting nervously from one foot to another.\n\n BOURNE (o.s.) (CONT'D)\n Go to the bus stop, sit next to\n him. Head down...",
"DANIELS watches news of ROSS murder on TV. DANIELS panics,\n opens his safe, packs up papers, takes Blackbriar FILE.\n Sets alarm. Leaves.",
"LANDY (CONT'D)\n I want everything you've got on\n Ross on screen one.\n\n LANDY watches as the screen lights up with ROSS\n information...",
"79 EXT. DAY. YORK ROAD -- CONTINUOUS 79\n\n ROSS rearing this -- Moving away --",
"Vosen puts his head in his hands. This is a monumental\n screw up and everyone here knows it. He just had the\n wrong man killed....\n\n VOSEN\n Oh...shit...",
"BOURNE\n No, No not now.\n\n Ross suddenly sprints out from behind the door--\n\n\n110A SCOPE POV 110A",
"BOURNE\n Why do you know so much about me?\n\n ROSS\n What?",
"ROSS (PHONE V.O.) (CONT'D)\n I can see the entrance from here\n I can make it out--\n\n BOURNE\n No, stay behind that door.",
"ROSS\n ...This is big -- a skein of lies\n -- you pull at it and it just",
"101\n\n\n Bourne looks down, a gun in his hand. He gets to his feet\n swiftly and fires the pistol several times into a hooded\n figure. The man slumps over.",
"Pulls the feed. Takes the earbud. Then back up and falls\n into step behind ROSS.\n\n Listening in to the chaos he has caused -- an ocean away.",
"ABBOTT (V.O.)\n You killed Marie the minute you\n climbed into her car. The\n minute you entered her life she\n was dead!",
"Daniels pulls the hood off the figure to show that he is\n dead.\n\n Just then Kramer walks through the door."
],
[
"Landy looks around. Finds an open office. She pushes open\n the door and runs to the fax machine. She starts faxing\n the Blackbriar documents Bourne took from Vosen's safe.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"He goes through his briefcase and finds a nearly destroyed\n piece of paper with \"Noah Vosen - Director of Operations -\n CRI\" written on it. Bourne slips the morgue attendant a\n bribe.",
"The agents in this sedan are distracted by the still\nechoing crash and are caught off-guard as Bourne steps out\nand points his gun at the driver.",
"The door comes open slightly, but from this angle Paz\n doesn't have a clean shot at his target (who he thinks is\n Bourne).",
"REVEAL that BOURNE is inside VOSEN'S office.\n\n BOURNE\n We'd be having this conversation\n face-to-face.",
"Bourne rushes down with his back pack.\n\n 80\n\n\n237C INT. VOSEN'S OFFICE 237C",
"Bourne's car but they're too late! Bourne's already out.\n He disappears from sight under the covered parking\n structure.",
"BOURNE answers her in perfect Spanish with a perfect Madrid\n accent, but worked up, like a civilian would be...",
"The agents fire at the door handle to get it open.\n\n\n322 INT. ROOM WHERE BOURNE FIRST MET HIRSCH 322",
"A CRI car gets to the roof. Two agents come from the\n elevator lobby. The three car alarms distract them. They\n search for Bourne, but can't find him at first...",
"BOURNE (V.O.)\n This is Jason Bourne.\n\n VOSEN reels for a beat. Then quickly scans the streets,\n trying to see if he can spot BOURNE.",
"Bourne cuts off a guy cruising for a parking space and\n pulls him from his car and races away as the agent from the\n roof lands hard behind him.",
"Up stairs. On to a walkway. To his right he sees a figure\n disappearing...\n\n PAZ.\n\n BOURNE hammers down the walk - way in pursuit.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"Bourne uses the card reader he took from Vosen's safe to\n enter a \"restricted access elevator.\" A guard comes.\n Bourne aims his pistol at him as the elevator door closes.",
"On his cell phone Paz receives a text indicating Bourne's\n location. Paz finds the silver door and aims his rifle at\n it.\n\n SCOPE POV",
"As he does, he turns and sees Paz, who is holding a gun on\n him.\n\n PAZ\n Why didn't you take the shot?\n\n Bourne looks at him.",
"322 BACK TO SCENE 322\n\n Bourne moves down the corridor.",
"Bourne was standing at this door....\n\n\n331 INT. OFFICE -- LATE AFTERNOON 331"
],
[
"Bourne just manages to punch his car into the right rear of\n the CRI Sedan and race down the Avenue with Paz and the\n slightly damaged sedan in pursuit.",
"The driver ducks and floors his gas pedal in a desperate\neffort to save his own life. As the sedan suddenly\naccelerates, Bourne deliberately shifts his aim to the\nsedan's front tire and fires.",
"Bourne cuts off a guy cruising for a parking space and\n pulls him from his car and races away as the agent from the\n roof lands hard behind him.",
"The agents in this sedan are distracted by the still\nechoing crash and are caught off-guard as Bourne steps out\nand points his gun at the driver.",
"Bourne takes on the persona of an alarmed witness as the on\nedge cop climbs out of his car but Bourne's performance is\ncut short as the agent running from his drop from the roof,\narrives and opens fire.",
"Bourne's car is knocked spinning, Paz keeps charging\n forward and slams into the back of Bourne's car. With his",
"Bourne is pounded as his car jounces onto the wall, a\n second later the front end seesaws over the top, the sudden\n angle change exposes for an instant the bottom of Bourne's\n car, to the shooters.",
"Just ahead of Bourne, two government SUVs slide into the\n intersection completely blocking his path.\n\n Bourne instantly spins his car 180 degrees and continues\n on, barreling into the roadblock backwards.",
"Bourne tacks right quickly and barely avoids a stopped car.\n The CRI sedan flanking Bourne's slams into the rear of that",
"Bourne's car but they're too late! Bourne's already out.\n He disappears from sight under the covered parking\n structure.",
"A New Jersey-bound bus exits the complex and heads around\n the corner of the ramp -- it skids to a stop when it sees\n Bourne and the CRI car giving chase heading right at the\n bus.",
"Bourne struggles out of the car, knowing he has only a\n moment before the armed agents will fire down into his over-\n turned car.\n\n CRI AGENT\n Ho-ly shit!",
"BOURNE\n Do you even know why you're\n trying to kill me? Look at what\n they make you give.\n\n Bourne turns and runs off the roof.",
"REVEAL Paz, his SUV racing along the curb lane. As\n Bourne's car crosses in front of a small car stopped at the",
"He smashes into the car across the aisle from him. With a\n sharp metallic snap the wheel in Bourne's car is suddenly\n free, he jams the car into drive pulls out into lane and\n stops.",
"BOURNE\n I've spent three years running.\n Three years trying to find out\n who I was.\n\n Hirsch moves toward Bourne, completely unfazed by the gun.",
"The driver pilots his car up the ramp behind Bourne. He\n jams the accelerator down. He'll be on top of Bourne --\n running him over -- in seconds--",
"Several cars swerve left and right as Paz pushes Bourne\n sideways onto the ramped end of a K-Rail dividing the\n street ahead.",
"Swerving wildly Paz avoids the pileup and slams his heavy\n SUV into the back of Bourne's car, pushing him into the\n oncoming traffic.",
"The just stolen vehicle takes heavy fire as Bourne reacts\n instantaneously; thumbing on the cruise control,\n shouldering his door open, and slamming the gas pedal to\n the floor as he dives out of the car."
],
[
"Bourne uses his monocular to zoom in on a file Vosen is\n looking at -- he sees the word \"Blackbriar.\" Vosen puts\n the file back in the safe.",
"Landy looks around. Finds an open office. She pushes open\n the door and runs to the fax machine. She starts faxing\n the Blackbriar documents Bourne took from Vosen's safe.",
"BOURNE\n Then stop it. Everything you\n need is in there.\n\n Bourne hands her the black bag and enters the hospital.",
"From the safe, BOURNE scoops out the \"TREADSTONE:\n Blackbriar\" folder Bourne saw Vosen putting into his safe.\"",
"He goes through his briefcase and finds a nearly destroyed\n piece of paper with \"Noah Vosen - Director of Operations -\n CRI\" written on it. Bourne slips the morgue attendant a\n bribe.",
"Vosen holds up the file we saw him pull out of his safe.\n It is labeled \"Blackbriar: Lethal Action Protocol.\"",
"BOURNE\n Do you even know why you're\n trying to kill me? Look at what\n they make you give.\n\n Bourne turns and runs off the roof.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"BOURNE smashes the radio and takes the gun.\n\n BOURNE exits...\n\n\n BLACK SCREEN\n\n A TITLE fades in --",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"BOURNE\n Someone started all this...and\n I'm going to find them.\n\nBourne looks at him for a beat and leaves.\n\n\nEXT. SUBWAY -- DAY",
"BOURNE\n I'm done running. That's why\n I'm here. To end you, to shut\n this down. I'm no longer Jason\n Bourne.",
"Bourne and Hirsch enter...\n\n HIRSCH\n You volunteered right here....\n You didn't even blink, Jason.\n You just handed me these...",
"As he does, he turns and sees Paz, who is holding a gun on\n him.\n\n PAZ\n Why didn't you take the shot?\n\n Bourne looks at him.",
"confronted by Jason Bourne. You\n couldn't make this stuff up.\n (holds up the photo of\n Abbot dead)\n You watched this happen?",
"Bourne lowers the gun.\n\n BOURNE\n I remember. I remember\n everything.",
"The two assassins look at each other...then Bourne lowers\n his gun...and disappears...\n\n ON PAZ -- as the wheels start to turn...",
"Then suddenly Vosen snaps back to focus:\n\n VOSEN (CONT'D)\n Get the asset out of there ...\n\n WILLS\n What about Bourne?",
"Bourne\n You want to talk to me. Come\n alone.\n\n BOURNE hangs up.",
"Bourne scrubbing the blood from his hands. Nicky comes in,\n touches his shoulder. There's a tenderness to it, a re-\n assurance. For a moment it looks like Bourne might\n react...but the moment passes...."
],
[
"LANDY\n They don't know.\n\n CRONIN\n No, if they knew Vosen wouldn't\n be in his office right now.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"LANDY\n No, some people are convinced\n he's still a threat. I disagree\n but to find out I need to talk to\n him.\n\nVOSEN seething because LANDY has interrupted him...",
"LANDY\n 4/15/71 isn't much of a code. My\n guess is Vosen's already on his\n way.",
"VOSEN\n (to a group of six\n agents)\n I'll find Landy. You get to the\n training wing and get Bourne!\n\n A security guard comes over.",
"LANDY\n And the reporter ended up dead?\n\n VOSEN\n Bourne saw us coming.\n\nLandy looks at him, suspicious.",
"The hub scrambles to answer that... Landy paces in the\n background. Suspicious of Vosen...\n\n 45",
"VOSEN\n It ends when we've won.\n\n LANDY turns and storms out...",
"VOSEN (OVERLAPPING)\n Are we triangulating?!\n\n LANDY (V.O.)\n No. Off the record. You know\n how it is.",
"WILLS\n Landy just left the building.\n\n Vosen looks at Wills.... A beat, Vosen's suspicion\n building, though he can't quite put his finger on what he\n suspects...",
"Landy receives a text message.\n\n\n207 INT. HUB -- DAY 207\n\n Vosen leans in to the Hub's back monitoring room.",
"LANDY\n Now. I want to know what's going\n on.\n\n VOSEN\n Not now.",
"LANDY\n So what happened at Waterloo?\n\n VOSEN\n We have a leak. Bourne showed up\n in our surveillance. We had very\n little time to react.",
"VOSEN\n (frustrated)\n How do you know a text came if\n you can't read it--\n (to Wills)\n Are we on Landy?",
"CRI AGENT\n Landy gave Bourne a false\n birthday. Wills thinks it's a\n code.\n\n It sinks in for Vosen...oh...shit...",
"47\n\n\n Landy doesn't answer. Vosen to Wills:\n\n VOSEN\n How long till back up arrives.",
"VOSEN\n (rushing out)\n He's got line of sight on us!\n\n\n203 INT. LANDY'S OFFICE 203",
"Vosen stares at Landy. A beat, then she walks out.\n\n VOSEN\n Issue a standing kill order on\n Jason Bourne, effective\n immediately.",
"VOSEN\n Really?\n\n LANDY\n It was finished the moment I\n realized I was chasing him for\n something he didn't do. The\n case is closed.",
"VOSEN\n She's in league with Jason Bourne\n for Chrissake!\n\n LANDY\n You don't have the authority to\n kill her or Bourne!"
],
[
"Finally Bourne can't hold his breath for an instant longer.\n His mouth opens. Water rushes in. He convulses, begins to\n drown...",
"And Bourne swims away...\n\n 104\n\n\n\n\n THE END",
"Bourne is dragged into a room with a large water tank. His\n hands have been bound behind his back, the sack's\n drawstring pulled tight, and he has been weighted down.\n Bourne is shoved into the water.",
"Bourne falls into the water. SPLASH. He starts to sink.\n The wet sack allows us to see the outlines of his face.\n Also POVs as Bourne sinks.",
"352 UNDERWATER 352\n\n Bourne's body sinking toward the bottom...when all of a\n sudden it comes to life -- arms together, legs kick\n powerfully--",
"Bourne\" jumped from the\n fourteenth floor of the CIA\n facility where he was trained in\n New York into the East River",
"On final approach to JFK. Bourne looks out the window to\n see the Verizano Narrows bridge. And beyond it,\n Manhattan. Bourne is coming home.",
"352 UNDERWATER 352\n\n Bourne in a dead man's float...as his clothes soak through\n he begins to sink....",
"BOURNE\n (shakes head)\n This is where it started for me,\n this is where it ends.\n\n She watches the doors close behind him.... Landy lets him\n go.",
"Bourne takes her words in. But who he is is eating him\n alive from the inside...",
"Bourne stares at what he's done.",
"BOURNE\n I'm done running. That's why\n I'm here. To end you, to shut\n this down. I'm no longer Jason\n Bourne.",
"Paz fires into the air...\n\n FOLLOW Bourne as he drops fourteen stories into the\n freezing river--\n\n MULTIPLE ANGLES -- Bourne goes into the river...",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"Bourne's alive.",
"BOURNE\n I've spent three years running.\n Three years trying to find out\n who I was.\n\n Hirsch moves toward Bourne, completely unfazed by the gun.",
"Bourne lowers the gun.\n\n BOURNE\n I remember. I remember\n everything.",
"BOURNE\n Do you even know why you're\n trying to kill me? Look at what\n they make you give.\n\n Bourne turns and runs off the roof.",
"Bourne ducks behind the gathering crowd, out of Paz's line\n of sight, and goes to the body.\n\n 31",
"Bourne runs out onto the roof. Rushes across it to look\n over the edge. It's a straight drop to the FDR -- 12\n stories down."
],
[
"BOURNE\n The article. You talked to\n someone from Treadstone. Someone\n there at the beginning. What's\n his name?",
"From the safe, BOURNE scoops out the \"TREADSTONE:\n Blackbriar\" folder Bourne saw Vosen putting into his safe.\"",
"BOURNE\n I think he started Treadstone. I\n remember meeting him. I\n remember the first day...\n (beat)\n Daniels brought me to him.",
"ANCHOR 2 (V.O.)\n Assassination program code-named\n \"Blackbriar\" was exposed by a\n former assassin named David Webb--\n -",
"Landy finds a denotation in Bourne's file that he was\n \"recruited to Treadstone by Neal Daniels.\" Further down",
"Landy sits at her desk reviewing files on Treadstone. Open\n on her desk we see the file she will be looking at in the\n Supremacy phone call.",
"(beat)\n What connects the dots? Is it\n Treadstone?",
"ago. It's an early Treadstone\n identity registered to Jason\n Bourne but he never used it and\n it never went to the grid.",
"Bourne uses his monocular to zoom in on a file Vosen is\n looking at -- he sees the word \"Blackbriar.\" Vosen puts\n the file back in the safe.",
"HIRSCH (CONT'D)\n You're no longer David Webb.\n From now on you'll be known as\n Jason Bourne. Welcome to the\n program.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"BOURNE\n (in French)\n Who started Treadstone?\n\n The bodyguard comes back, gun out--",
"He goes through his briefcase and finds a nearly destroyed\n piece of paper with \"Noah Vosen - Director of Operations -\n CRI\" written on it. Bourne slips the morgue attendant a\n bribe.",
"Bourne\" jumped from the\n fourteenth floor of the CIA\n facility where he was trained in\n New York into the East River",
"Something's not right. Treadstone instinct.\n\n BOURNE\n Service doorway -- Now!\n\n 27",
"our house down if you didn't tell\n him who started Treadstone.\n That's a big problem, wouldn't\n you agree?",
"Bourne walks with a now dark-haired Nicky. They exchange\n looks for a long beat. She turns towards the bus.\n\n BOURNE\n It gets easier.",
"the page it says \"Bourne was inducted into Treadstone at\n the Special Research Department facility at 415 E 71st,",
"Vosen holds up the file we saw him pull out of his safe.\n It is labeled \"Blackbriar: Lethal Action Protocol.\"",
"LANDY\n The guy you're after is a CIA\n operative with clearance above\n Top Secret. He was committing"
],
[
"BOURNE\n (spotting approaching\n operatives)\n We have to move.\n\n Bourne moves Ross toward the concourse.",
"Behind him, inside the tube station portico, BOURNE\n arrives.\n\n Sees ROSS. Sees the two survey teams. MOBILE ONE up the\n stair well and MOBILE TWO at street level.",
"ROSS shifting nervously from one foot to another.\n\n BOURNE (o.s.) (CONT'D)\n Go to the bus stop, sit next to\n him. Head down...",
"Bourne spots the agents pulling back per Wills' orders.\n\n ROSS (INTO PHONE)\n If I run now I can make it--",
"ROSS (PHONE V.O.) (CONT'D)\n I can see the entrance from here\n I can make it out--\n\n BOURNE\n No, stay behind that door.",
"LANDY\n So, what, Bourne met Ross for\n breakfast and then, at noon the\n same day Bourne calls Ross to\n demand a meet at Waterloo?",
"BOURNE\n No, listen to me: Exactly what I\n say this time. Understand?\n\n Ross snaps to focus. Looks Bourne in the eye.",
"ROSS\n Are we clear?\n\n BOURNE\n Clear. News kiosk. Straight\n ahead.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"ROSS\n Has she seen me?\n\n BOURNE\n Not yet. Dip left past the photo\n kiosk.",
"ROSS\n Yes.\n\n BOURNE\n Stay here while I look for an\n escape.\n\n Ross nods.",
"ROSS through narrow store corridors. Sheer panic now.\n Two of the AGENTS move in after him.\n\n BOURNE behind them.\n\n BANG - takes the first out silently.",
"78 EXT. DAY. FOOTBRIDGE AREA 78\n\n BOURNE watching his plan unfold...Only a few seconds to get\n ROSS out of there...",
"Commuters coming up the escalators. BOURNE joins them -\n moving towards Ross.\n\n Closer.",
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door.",
"BOURNE\n Why do you know so much about me?\n\n ROSS\n What?",
"111 INT. WATERLOO -- DAY 111\n\n Bourne feels Ross' body for something.",
"BOURNE\n What? What are you talking\n about?\n\n ROSS\n Look, just help me get away from\n these people...and we can talk\n more...we can--",
"Bourne in Paris)\n French intel picked up Bourne\n meeting Pierre Elattrache on\n Tuesday. He threatened to burn",
"Bourne\n You want to talk to me. Come\n alone.\n\n BOURNE hangs up."
],
[
"Landy looks around. Finds an open office. She pushes open\n the door and runs to the fax machine. She starts faxing\n the Blackbriar documents Bourne took from Vosen's safe.",
"LANDY\n Ross's call to his editor, where\n he said he just met the source on\n Blackbriar, took place just after\n his flight landed. His met his\n source in Turin.",
"Vosen holds up the file we saw him pull out of his safe.\n It is labeled \"Blackbriar: Lethal Action Protocol.\"",
"VOSEN slams a document on the desk. INSERT SHOT:\n\"Blackbriar: Lethal Action Protocol.\"",
"--She unzips the backpack and looks in at the the\n Blackbriar Operations File.",
"They're calling it `Blackbriar'.",
"BLACKBRIAR\n\n A TECHNICIAN sends the data to NSA back in the\n States...Where another COMPUTER gathers up the rest of the\n phone call...As we listen...",
"Vosen enters the room. The last pages have been faxed...\n\n LANDY\n You better get a good lawyer.\n\n She exits...",
"VOSEN\n Since he cleaned out a Blackbriar\n safe and fled to Morocco!\n\n LANDY\n So grab him--",
"LANDY\n This isn't us, David. What they\n turned you into, what they're\n doing with Blackbriar... This\n has to stop.",
"Landy sits at her desk reviewing files on Treadstone. Open\n on her desk we see the file she will be looking at in the\n Supremacy phone call.",
"Landy opens up the file. Sees the words \"instantaneous\n lethal action is authorized when...\"\n\n LANDY\n You just decide? No oversight.\n No checks and balances.",
"LANDY\n If he just wanted to hurt us he\n could have sent this tape to CNN.",
"DID THIS ALL START?\" -- and Blackbriar. He Googles\n \"Sewell and Marbury\"-- finds Paris, Berlin, Madrid. BOURNE",
"DANIELS watches news of ROSS murder on TV. DANIELS panics,\n opens his safe, packs up papers, takes Blackbriar FILE.\n Sets alarm. Leaves.",
"ANCHOR 4 (V.O.)\n CIA Director Ezra Kramer produced\n explosive documents for the\n Senate Committee indicating\n \"Blackbriar\" was authorized at\n the highest levels of government.",
"Landy walks down the street. She looks up to spot two\n black sedans speeding east on 71st, turns south -- two SUVs\n coming up York. Shit--",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"203 INT. LANDY'S OFFICE 203\n\n LANDY\n Wait. Wait.\n\n She opens a file on her desk.",
"Landy receives the news.... The wheels turning in her\n head.... She hangs up. A pensive moment, then she gets\n up and heads for--"
],
[
"BOURNE\n (shoving Hirsch hard\n against the wall)\n \"David.\" I'm David Webb.\n\n CLOSE ON Bourne's face--",
"HIRSCH (CONT'D)\n You're no longer David Webb.\n From now on you'll be known as\n Jason Bourne. Welcome to the\n program.",
"Bourne takes the dog tags. Stares at them.\n\n INSERT of the dog tags:\n\n Webb, David\n\n 946610190",
"Bourne's alive.",
"Wills pacing... Bourne's profile is up on Screen 2. It\n says \"David Webb (AKA Jason Bourne)\" on the profile. A\n tech comes to Wills.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"And now, in real time, Bourne comes out of the flashback.\n He stares back at Hirsch....\n\n HIRSCH\n Do you remember now?",
"BOURNE (V.O.)\n This is Jason Bourne.\n\n VOSEN reels for a beat. Then quickly scans the streets,\n trying to see if he can spot BOURNE.",
"Bourne takes her words in. But who he is is eating him\n alive from the inside...",
"BOURNE\n I'm done running. That's why\n I'm here. To end you, to shut\n this down. I'm no longer Jason\n Bourne.",
"Landy looks at Bourne's kills. The faces Bourne remembers.\n But there names are here, and who they were, why they were\n killed.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves.",
"LANDY\n Meaning?\n\n VOSEN\n Jason Bourne.\n\n LANDY\n Bourne's finished.",
"Bourne lowers the gun.\n\n BOURNE\n I remember. I remember\n everything.",
"NICKY (CONT'D)\n You really don't remember\n anything?\n\n BOURNE\n No.\n\n NICKY'S face.",
"BOURNE\n Do you even know why you're\n trying to kill me? Look at what\n they make you give.\n\n Bourne turns and runs off the roof.",
"BOURNE\n I've spent three years running.\n Three years trying to find out\n who I was.\n\n Hirsch moves toward Bourne, completely unfazed by the gun.",
"On final approach to JFK. Bourne looks out the window to\n see the Verizano Narrows bridge. And beyond it,\n Manhattan. Bourne is coming home.",
"BOURNE\n I didn't believe that.\n\n MARTIN\n Why did she die?\n\n BOURNE\n She was shot. A man came for me.",
"Bourne walks up to the door, the bodyguard comes out again.\n Bourne knocks him aside. Grabs the man behind him,\n ELLATRACHE."
],
[
"LANDY\n And the reporter ended up dead?\n\n VOSEN\n Bourne saw us coming.\n\nLandy looks at him, suspicious.",
"Then suddenly Vosen snaps back to focus:\n\n VOSEN (CONT'D)\n Get the asset out of there ...\n\n WILLS\n What about Bourne?",
"Bourne uses the card reader he took from Vosen's safe to\n enter a \"restricted access elevator.\" A guard comes.\n Bourne aims his pistol at him as the elevator door closes.",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"Vosen stares at Landy. A beat, then she walks out.\n\n VOSEN\n Issue a standing kill order on\n Jason Bourne, effective\n immediately.",
"VOSEN\n Hold on Nicky.\n\nVosen hits the mute button.\n\n VOSEN\n What are you doing? You know\n Bourne's probably listening.",
"He goes through his briefcase and finds a nearly destroyed\n piece of paper with \"Noah Vosen - Director of Operations -\n CRI\" written on it. Bourne slips the morgue attendant a\n bribe.",
"Bourne uses his monocular to zoom in on a file Vosen is\n looking at -- he sees the word \"Blackbriar.\" Vosen puts\n the file back in the safe.",
"CRONIN\n Bourne got into Vosen's safe.\n\n LANDY\n What?!\n\n Cronin pulls out.",
"BOURNE (V.O.)\n This is Jason Bourne.\n\n VOSEN reels for a beat. Then quickly scans the streets,\n trying to see if he can spot BOURNE.",
"VOSEN\n (to a group of six\n agents)\n I'll find Landy. You get to the\n training wing and get Bourne!\n\n A security guard comes over.",
"Landy looks around. Finds an open office. She pushes open\n the door and runs to the fax machine. She starts faxing\n the Blackbriar documents Bourne took from Vosen's safe.",
"Bourne's car but they're too late! Bourne's already out.\n He disappears from sight under the covered parking\n structure.",
"Bourne just manages to punch his car into the right rear of\n the CRI Sedan and race down the Avenue with Paz and the\n slightly damaged sedan in pursuit.",
"Bourne climbs stairs. Walks down a dank hallway.\n\n\n229 INT. VOSEN'S SUV 229",
"VOSEN\n Copy that, I see her.\n\n Landy stands on a corner waiting for Bourne.\n\n 78",
"REVEAL that BOURNE is inside VOSEN'S office.\n\n BOURNE\n We'd be having this conversation\n face-to-face.",
"LANDY\n So what happened at Waterloo?\n\n VOSEN\n We have a leak. Bourne showed up\n in our surveillance. We had very\n little time to react.",
"BOURNE\n Do you even know why you're\n trying to kill me? Look at what\n they make you give.\n\n Bourne turns and runs off the roof.",
"Bourne rushes down with his back pack.\n\n 80\n\n\n237C INT. VOSEN'S OFFICE 237C"
],
[
"BOURNE\n (spotting approaching\n operatives)\n We have to move.\n\n Bourne moves Ross toward the concourse.",
"BOURNE\n What? What are you talking\n about?\n\n ROSS\n Look, just help me get away from\n these people...and we can talk\n more...we can--",
"ROSS\n Yes.\n\n BOURNE\n Stay here while I look for an\n escape.\n\n Ross nods.",
"Bourne spots the agents pulling back per Wills' orders.\n\n ROSS (INTO PHONE)\n If I run now I can make it--",
"Behind him, inside the tube station portico, BOURNE\n arrives.\n\n Sees ROSS. Sees the two survey teams. MOBILE ONE up the\n stair well and MOBILE TWO at street level.",
"ROSS through narrow store corridors. Sheer panic now.\n Two of the AGENTS move in after him.\n\n BOURNE behind them.\n\n BANG - takes the first out silently.",
"BOURNE\n Do you even know why you're\n trying to kill me? Look at what\n they make you give.\n\n Bourne turns and runs off the roof.",
"ROSS\n I can't tell you that.... Who's\n following me?\n\n BOURNE\n Whoever they are it's trouble.",
"Bourne is distracted by the last of the agents\n disappearing. Something is definitely wrong--\n\n ROSS\n I'm going to go for it.",
"ROSS (PHONE V.O.) (CONT'D)\n I can see the entrance from here\n I can make it out--\n\n BOURNE\n No, stay behind that door.",
"Bourne takes on the persona of an alarmed witness as the on\nedge cop climbs out of his car but Bourne's performance is\ncut short as the agent running from his drop from the roof,\narrives and opens fire.",
"BOURNE\n No, listen to me: Exactly what I\n say this time. Understand?\n\n Ross snaps to focus. Looks Bourne in the eye.",
"78 EXT. DAY. FOOTBRIDGE AREA 78\n\n BOURNE watching his plan unfold...Only a few seconds to get\n ROSS out of there...",
"BOURNE (CONT'D)\n Stay out of sight until one of\n your own arrive.\n\nBourne disappears.",
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door.",
"A CRI car gets to the roof. Two agents come from the\n elevator lobby. The three car alarms distract them. They\n search for Bourne, but can't find him at first...",
"BOURNE comes out of the flashback. He is still carrying\n the pain of her loss\n\n Bourne finds Ross's name on the masthead, then goes to the\n name just below it in the news department.",
"BOURNE realizes ROSS has been seen. Sees the AGENTS\n starting to form the box...\n\n BOURNE\n Get into cover. Now!",
"Bourne's car but they're too late! Bourne's already out.\n He disappears from sight under the covered parking\n structure.",
"He goes to the front door finds \"Sewell and Marbury\" and\n rings the bell. No answer. Two cops come around a corner.\n\n Bourne sees them, notes the side of the building and\n leaves."
],
[
"Daniels pulls the hood off the figure to show that he is\n dead.\n\n Just then Kramer walks through the door.",
"disappeared...Turned up in Naples\n -- Berlin -- Moscow --\n disappeared again...\n (Daniels says nothing)",
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door.",
"DANIELS watches news of ROSS murder on TV. DANIELS panics,\n opens his safe, packs up papers, takes Blackbriar FILE.\n Sets alarm. Leaves.",
"VOSEN\n Is there any sign of Daniels?\n\n NICKY (V.O.)\n No.",
"BOURNE locks eyes with DESH. Before BOURNE can react --\n DESH detonates.\n\n BOOM! DANIELS is DEAD.\n\n 61",
"Finally Bourne can't hold his breath for an instant longer.\n His mouth opens. Water rushes in. He convulses, begins to\n drown...",
"101\n\n\n Bourne looks down, a gun in his hand. He gets to his feet\n swiftly and fires the pistol several times into a hooded\n figure. The man slumps over.",
"198C INT. TANGIER MORGUE 198C\n\n Bourne looks at the tattered remains of Daniels' body and\n belongings.",
"98 Through a subterranean maze of corridors. Up steps. 98\n Through doors.\n\n On his way to the kill zone.",
"LANDY\n This is about Daniels, not Nicky!\n\n VOSEN\n She has betrayed us!\n\n LANDY\n You don't know the circumstances!",
"Vosen and Wills stare at the screen. At the image of Ross,\n dead on the concourse. The room -- normally full of\n chatter has gone dead silent...",
"KRAMER\n Daniels knows way too much.\n Daniels knows everything. We\n can't let them meet.\n\n VOSEN\n I'll take care of it.",
"There's a wistfulness in the way he says it. But also the\n sense that this was absolutely inevitable. And he's calm\n about it, doesn't show any fear, doesn't reach for a gun.",
"BOURNE\n I didn't believe that.\n\n MARTIN\n Why did she die?\n\n BOURNE\n She was shot. A man came for me.",
"The girl he was on he run with --\n Marie Kreutz -- she turned up\n dead halfway around the world,\n from a sniper's bullet...",
"DANIELS' car coming down the street. BOURNE stops and sees\n the car -- realizes the danger.\n\n BOURNE turns back to see DESH with the detonator in his\n hand.",
"MARTIN\n And then you killed him.\n\nBourne nods.\n\n MARTIN\n Now what?",
"LANDY\n His girlfriend, Marie. She was\n killed in India three weeks ago.\n\nKramer looks down at another image. Abbott dead after his\nsuicide.",
"Bourne stares down the corridor from his dreams, the\n corridor Daniels lead him down in his flashback.\n\n We see Bourne go into--"
],
[
"LANDY\n Ross's call to his editor, where\n he said he just met the source on\n Blackbriar, took place just after\n his flight landed. His met his\n source in Turin.",
"ROSS\n I don't know. I heard the name\n this morning for the first time.\n Whatever it is, my source said it\n started with you.\n\n 22",
"ROSS\n ...This is big -- a skein of lies\n -- you pull at it and it just",
"LANDY (CONT'D)\n I want everything you've got on\n Ross on screen one.\n\n LANDY watches as the screen lights up with ROSS\n information...",
"BOURNE\n Why do you know so much about me?\n\n ROSS\n What?",
"BOURNE sits at a computer, the ROSS notebook open in front\n of him. He pages through it, finding names, places, \"HOW",
"79 EXT. DAY. YORK ROAD -- CONTINUOUS 79\n\n ROSS rearing this -- Moving away --",
"In a set of handwritten notes by ROSS it says \"per\nN.D.\"next to several scrawls.",
"VOSEN\n Right. Ross is easy. I want the\n source.\n\n They enter the HUB.",
"Pulls the feed. Takes the earbud. Then back up and falls\n into step behind ROSS.\n\n Listening in to the chaos he has caused -- an ocean away.",
"ROSS on the move. Sweating. Paranoid.\n\n Seeing a BIN MAN coming toward him -- reaching into his\n trolley.\n\n 24",
"on any known anomalies, but we've\n come up with nothing. But, I\n think if we follow Ross, we are\n going to be able...",
"But it's Ross, not Bourne. Ross is hit by Paz's shot. He\n falls, inches from the silver door, dead. Blood has\n splattered on the door.",
"EDITOR\n So how do we know he's not\n spinning for someone?\n\n ROSS\n There's more. He was scared.\n\n 13",
"ELLATRACHE\n (in French)\n There's a journalist in London.\n Simon Ross. He seems to know a",
"ROSS\n Yes.\n\n BOURNE\n Stay here while I look for an\n escape.\n\n Ross nods.",
"ROSS spinning round. Dipping left. BLACK TOP passing in\n the background missing him.\n\n BOURNE crossing close behind - marshalling the pieces at\n breakneck speed.",
"Voice\n He's in the store -- still moving\n east.\n\n ROSS out into the open again. In front of him another STORE\n COMPLEX.",
"BOURNE comes out of the flashback. He is still carrying\n the pain of her loss\n\n Bourne finds Ross's name on the masthead, then goes to the\n name just below it in the news department.",
"ROSS shifting nervously from one foot to another.\n\n BOURNE (o.s.) (CONT'D)\n Go to the bus stop, sit next to\n him. Head down..."
],
[
"BOURNE\n I think he started Treadstone. I\n remember meeting him. I\n remember the first day...\n (beat)\n Daniels brought me to him.",
"BOURNE\n The article. You talked to\n someone from Treadstone. Someone\n there at the beginning. What's\n his name?",
"lot about you. He has a source\n inside the program. Someone\n there from the beginning. What\n should I tell them if they",
"Landy finds a denotation in Bourne's file that he was\n \"recruited to Treadstone by Neal Daniels.\" Further down",
"Landy sits at her desk reviewing files on Treadstone. Open\n on her desk we see the file she will be looking at in the\n Supremacy phone call.",
"(beat)\n What connects the dots? Is it\n Treadstone?",
"98 Through a subterranean maze of corridors. Up steps. 98\n Through doors.\n\n On his way to the kill zone.",
"HIRSCH\n Stop running from the truth,\n Jason. You chose to come here!\n You chose to stay! And no matter",
"TECH #1 watches the data arrive.\n\n TECH#1\n Copy that. Mr. Vosen, subject is\n entering his office.\n\n VOSEN watches the feed.",
"BOURNE\n (in French)\n Who started Treadstone?\n\n The bodyguard comes back, gun out--",
"Both Vosen and Landy strongly suspect Bourne is there and\n listening...\n\n Vosen reads her \"Duress Challenge\" identity check off the\n screen. It reads:",
"Bourne struggles wildly at first. Tries to get out of his\n restraints. But to no avail. SRD men watch him from the\n edge of the tank. Perhaps also on monitors.\n Expressionless.",
"our house down if you didn't tell\n him who started Treadstone.\n That's a big problem, wouldn't\n you agree?",
"Vosen holds up the file we saw him pull out of his safe.\n It is labeled \"Blackbriar: Lethal Action Protocol.\"",
"From the safe, BOURNE scoops out the \"TREADSTONE:\n Blackbriar\" folder Bourne saw Vosen putting into his safe.\"",
"HIRSCH\n It doesn't matter.\n (beat)\n You came to us. You volunteered.",
"HIRSCH\n You volunteered.\n\n Hirsch uses his free hand to hit the keypad on the wall.\n The \"room in use\" sign lights up.",
"NICKY\n Jason...that wasn't some one-off\n initiation. Daniels said they\n did that to you over and over\n again. That's how they...",
"the hospital. He is the longtime head of SRD and a\n powerful behind-the-scenes official at CIA.",
"Bourne is dragged into a room with a large water tank. His\n hands have been bound behind his back, the sack's\n drawstring pulled tight, and he has been weighted down.\n Bourne is shoved into the water."
]
] |
[
"What newspaper does Simon Ross work for?",
"What program succeeded Treadstone?",
"What system detecs Ross saying Blackbriar to his editor?",
"Where was Marie assassinated?",
"Who does Jason inform about Marie's death?",
"What is Marie's brother's name?",
"Who is Desh tasked with killing?",
"What operation is Desh an asset of?",
"Who intercepts Bourne's call to Landy?",
"Who does Jason Bourne evade at the start of the story?",
"Which character divulges the information of the audio taped confession of Ward Abbot?",
"What outlet is Simon Ross a journalist for?",
"Where is the meeting place location that Bourne arranges with Ross?",
"Who kills Ross?",
"Whose office does Bourne find empty in Madrid?",
"Whose life does Bourne spare after a car chase?",
"Who does Bourne give the Blackbriar file to?",
"Who does Vosen warn after figuring out Landy's code?",
"Which body of water is Bourne swimming in at the end of the story?",
"What program succeeded Treadstone?",
"Where does Bourne arrange to meet Ross?",
"How does Landy send the Blackbriar Documents?",
"What is Bourne's real name?",
"How does Bourne escape Vosen?",
"Who does Bourne help Ross evade?",
"How does Daniel's die?",
"Who was Ross's source?",
"Who ran Treadston's Behavior Modification Program?"
] |
[
[
"The Guardian",
"The Guardian"
],
[
"Blackbriar",
"Operation Blackbriar"
],
[
"ECHELON",
"echelon system"
],
[
"India",
"India"
],
[
"her brother",
"Martin Kreutz"
],
[
"Martin Kreutz",
"Martin Kreutz"
],
[
"Daniels",
"Daniels"
],
[
"Blackbriar",
"Blackbriar"
],
[
"Vosen",
"Vosen"
],
[
"The Moscow Police",
"Moscow police"
],
[
"Pamela Landy",
"Landy"
],
[
"The Gaurdian",
"The Guardian"
],
[
"London Waterloo station",
"London Waterloo Station"
],
[
"Paz",
"Paz"
],
[
"Daniels'",
"Daniel's"
],
[
"Paz",
"Paz"
],
[
"Landy",
"landy"
],
[
"Dr. Albert Hirsch",
"Dr. Albert Hirsch "
],
[
"The East River",
"East River"
],
[
"Operation Blackbriar",
"blackbriar"
],
[
"Waterloo Station",
"London Waterloo Station "
],
[
"Fax",
"she faxes them"
],
[
"David Webb",
"David Webb"
],
[
"He jumps into the East River.",
"He jumps into the East River."
],
[
"The CIA",
"The CIA"
],
[
"A planted bomb",
"by a bomb"
],
[
"Neal Daniels",
"Neil Daniels"
],
[
"Sr. Albert Hirsch",
"Dr. Albert Hirsch"
]
] |
076acafe2eb72ccf6e894bbb4b8b318f4cf3c58d
|
train
|
[["In a remote part of the county of Pembroke, is an old building, formerly\nof great strength, and (...TRUNCATED)
| ["What is the name of the family home?","What is the name of Lord Montreville's son who fall in love(...TRUNCATED)
| [["Mowbray Castle.","Mowbray Castle."],["Lord Delamere.","Melevere"],["To Scotland.","Scotland"],["L(...TRUNCATED)
|
0d6f958d03124c4176549fce64ed4e7849e351f9
|
train
|
[["It appeared as if this signal had been waited for; the barking\nimmediately came nearer, and soon(...TRUNCATED)
| ["What is the name of the dog?","What did they name the island they crash landed on?","The message i(...TRUNCATED)
| [["Top","Top"],["Lincoln Island","Lincoln Island"],["Tom Ayrton","Tom Ayrton"],["Harbert","Harbert B(...TRUNCATED)
|
120f3a2285b2a742f63b95f7e1fee5e498d08cb0
|
train
|
[["Principino between them, the complications of life kept down, the bores\nsifted out, the large ea(...TRUNCATED)
| ["What nationality is Prince Amerigo?","How many children does Adam Verver have?","Where did Prince (...TRUNCATED)
| [["Italian.","Italian."],["One.","One"],["Rome.","They had met in Rome."],["Since childhood.","Since(...TRUNCATED)
|
1773a177343713782c2437b460f5399aae80e18c
|
train
|
[["Waldron sat down again, and his great frame trembled. He covered his\nface with his hands, and te(...TRUNCATED)
| ["What is Waldrom suffering from?","How did Waldron's family react to his suddon death?","Who was Dr(...TRUNCATED)
| [["A terminal disease","A terminal disease."],["They were in shock","With great shock."],["Inez","Wa(...TRUNCATED)
|
1bf46ea21ef903f8d75bd213ea9cc39ae8f4be18
|
train
|
[["\"You know that vice-principal has had it in for Marcus for years,\" Mom said. \"The last time we(...TRUNCATED)
| ["What was Marcus accused of in his high school?","Why did Marcus and Darryl escape school?","Who wa(...TRUNCATED)
| [["Hacking into the school.","Hacking into the school"],["To play in the massive augmented reality r(...TRUNCATED)
|
22d80f4823a64ed818417fcf2d172222f0f18bbf
|
train
|
[["It's the President, for Christ's sake!\n \n PRESIDENT\n (...TRUNCATED)
| ["What does the President plan to do with the \"Sword of Damocles\"?","What is Utopia's relation to (...TRUNCATED)
| [["He plans to destroy America's enemies and take over the world.","To disable America's enemies in (...TRUNCATED)
|
291b589c77540bd33a3d12bfe28fc81f92c45d36
|
train
|
[["Slowly, the world became silent.\n \n 1 and 9 walk over to a picture of the Cat(...TRUNCATED)
| ["What object does the Cat Beast and 9 both have?","Who gives a light bulb to 9?","What does the Cat(...TRUNCATED)
| [["A Talisman.","talisman"],["5.","5"],["The rag dolls' skins and numbers.","Skins"],["To trap the C(...TRUNCATED)
|
2fe5752889751cbb4bbeab3deba4f6e315f90f0a
|
train
|
[["as the figure of Eric Draven stands up from behind his own\n\theadstone.\n\n\tLOW ANGLE (FROM GRA(...TRUNCATED)
| ["What happened right before Eric Draven awakes and walks out of his grave?","What does Eric Drave s(...TRUNCATED)
| [["A crow tapps on Eric's grave.","A crow tapped on his grave."],["He plans to take revenge.","To se(...TRUNCATED)
|
35ae42f3419e73b7c7357c222e494eaa4161026b
|
train
|
End of preview. Expand
in Data Studio
README.md exists but content is empty.
- Downloads last month
- 7