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Who composed the score for the film?	<text>Who composed the score for the film?</text><reasoning>Thomas Newman returned as Spectre's composer. Rather than composing the score once the film had moved into post-production, Newman worked during filming. The theatrical trailer released in July 2015 contained a rendition of John Barry's On Her Majesty's Secret Service theme. Mendes revealed that the final film would have more than one hundred minutes of music. The soundtrack album was released on 23 October 2015 in the UK and 6 November 2015 in the USA on the Decca Records label.</reasoning><output>Thomas Newman</output>
Which record label was the soundtrack album released on?	<text>Which record label was the soundtrack album released on?</text><reasoning>Thomas Newman returned as Spectre's composer. Rather than composing the score once the film had moved into post-production, Newman worked during filming. The theatrical trailer released in July 2015 contained a rendition of John Barry's On Her Majesty's Secret Service theme. Mendes revealed that the final film would have more than one hundred minutes of music. The soundtrack album was released on 23 October 2015 in the UK and 6 November 2015 in the USA on the Decca Records label.</reasoning><output>Decca Records</output>
Did Thomas Newman compose the score after filming or during filming?	<text>Did Thomas Newman compose the score after filming or during filming?</text><reasoning>Thomas Newman returned as Spectre's composer. Rather than composing the score once the film had moved into post-production, Newman worked during filming. The theatrical trailer released in July 2015 contained a rendition of John Barry's On Her Majesty's Secret Service theme. Mendes revealed that the final film would have more than one hundred minutes of music. The soundtrack album was released on 23 October 2015 in the UK and 6 November 2015 in the USA on the Decca Records label.</reasoning><output>during filming.</output>
When was the theatrical trailer of the movie released?	<text>When was the theatrical trailer of the movie released?</text><reasoning>Thomas Newman returned as Spectre's composer. Rather than composing the score once the film had moved into post-production, Newman worked during filming. The theatrical trailer released in July 2015 contained a rendition of John Barry's On Her Majesty's Secret Service theme. Mendes revealed that the final film would have more than one hundred minutes of music. The soundtrack album was released on 23 October 2015 in the UK and 6 November 2015 in the USA on the Decca Records label.</reasoning><output>July 2015</output>
What did early users find hard to use about the game?	<text>What did early users find hard to use about the game?</text><reasoning>Nintendo staff members reported that demo users complained about the difficulty of the control scheme. Aonuma realized that his team had implemented Wii controls under the mindset of "forcing" users to adapt, instead of making the system intuitive and easy to use. He began rethinking the controls with Miyamoto to focus on comfort and ease.[q] The camera movement was reworked and item controls were changed to avoid accidental button presses.[r] In addition, the new item system required use of the button that had previously been used for the sword. To solve this, sword controls were transferred back to gestures—something E3 attendees had commented they would like to see. This reintroduced the problem of using a right-handed swing to control a left-handed sword attack. The team did not have enough time before release to rework Link's character model, so they instead flipped the entire game—everything was made a mirror image.[s] Link was now right-handed, and references to "east" and "west" were switched around. The GameCube version, however, was left with the original orientation. The Twilight Princess player's guide focuses on the Wii version, but has a section in the back with mirror-image maps for GameCube users.[t]</reasoning><output>control scheme</output>
Using items in the game took over the controls used for what weapon?	<text>Using items in the game took over the controls used for what weapon?</text><reasoning>Nintendo staff members reported that demo users complained about the difficulty of the control scheme. Aonuma realized that his team had implemented Wii controls under the mindset of "forcing" users to adapt, instead of making the system intuitive and easy to use. He began rethinking the controls with Miyamoto to focus on comfort and ease.[q] The camera movement was reworked and item controls were changed to avoid accidental button presses.[r] In addition, the new item system required use of the button that had previously been used for the sword. To solve this, sword controls were transferred back to gestures—something E3 attendees had commented they would like to see. This reintroduced the problem of using a right-handed swing to control a left-handed sword attack. The team did not have enough time before release to rework Link's character model, so they instead flipped the entire game—everything was made a mirror image.[s] Link was now right-handed, and references to "east" and "west" were switched around. The GameCube version, however, was left with the original orientation. The Twilight Princess player's guide focuses on the Wii version, but has a section in the back with mirror-image maps for GameCube users.[t]</reasoning><output>sword</output>
Who wanted gestures implemented for sword control?	<text>Who wanted gestures implemented for sword control?</text><reasoning>Nintendo staff members reported that demo users complained about the difficulty of the control scheme. Aonuma realized that his team had implemented Wii controls under the mindset of "forcing" users to adapt, instead of making the system intuitive and easy to use. He began rethinking the controls with Miyamoto to focus on comfort and ease.[q] The camera movement was reworked and item controls were changed to avoid accidental button presses.[r] In addition, the new item system required use of the button that had previously been used for the sword. To solve this, sword controls were transferred back to gestures—something E3 attendees had commented they would like to see. This reintroduced the problem of using a right-handed swing to control a left-handed sword attack. The team did not have enough time before release to rework Link's character model, so they instead flipped the entire game—everything was made a mirror image.[s] Link was now right-handed, and references to "east" and "west" were switched around. The GameCube version, however, was left with the original orientation. The Twilight Princess player's guide focuses on the Wii version, but has a section in the back with mirror-image maps for GameCube users.[t]</reasoning><output>E3 attendees</output>
When Twilight Princess was finally released for Wii, in what hand did Link wield his sword?	<text>When Twilight Princess was finally released for Wii, in what hand did Link wield his sword?</text><reasoning>Nintendo staff members reported that demo users complained about the difficulty of the control scheme. Aonuma realized that his team had implemented Wii controls under the mindset of "forcing" users to adapt, instead of making the system intuitive and easy to use. He began rethinking the controls with Miyamoto to focus on comfort and ease.[q] The camera movement was reworked and item controls were changed to avoid accidental button presses.[r] In addition, the new item system required use of the button that had previously been used for the sword. To solve this, sword controls were transferred back to gestures—something E3 attendees had commented they would like to see. This reintroduced the problem of using a right-handed swing to control a left-handed sword attack. The team did not have enough time before release to rework Link's character model, so they instead flipped the entire game—everything was made a mirror image.[s] Link was now right-handed, and references to "east" and "west" were switched around. The GameCube version, however, was left with the original orientation. The Twilight Princess player's guide focuses on the Wii version, but has a section in the back with mirror-image maps for GameCube users.[t]</reasoning><output>right</output>
How much money were possible changes to the Mexico City section of the film rumored to have saved the production?	<text>How much money were possible changes to the Mexico City section of the film rumored to have saved the production?</text><reasoning>Whilst filming in Mexico City, speculation in the media claimed that the script had been altered to accommodate the demands of Mexican authorities—reportedly influencing details of the scene and characters, casting choices, and modifying the script in order to portray the country in a "positive light"—in order to secure tax concessions and financial support worth up to $20 million for the film. This was denied by producer Michael G. Wilson, who stated that the scene had always been intended to be shot in Mexico as production had been attracted to the imagery of the Day of the Dead, and that the script had been developed from there. Production of Skyfall had previously faced similar problems while attempting to secure permits to shoot the film's pre-title sequence in India before moving to Istanbul.</reasoning><output>$20 million</output>
Which Bond producer would not confirm that the film had been changed to accommodate Mexican authorities?	<text>Which Bond producer would not confirm that the film had been changed to accommodate Mexican authorities?</text><reasoning>Whilst filming in Mexico City, speculation in the media claimed that the script had been altered to accommodate the demands of Mexican authorities—reportedly influencing details of the scene and characters, casting choices, and modifying the script in order to portray the country in a "positive light"—in order to secure tax concessions and financial support worth up to $20 million for the film. This was denied by producer Michael G. Wilson, who stated that the scene had always been intended to be shot in Mexico as production had been attracted to the imagery of the Day of the Dead, and that the script had been developed from there. Production of Skyfall had previously faced similar problems while attempting to secure permits to shoot the film's pre-title sequence in India before moving to Istanbul.</reasoning><output>Michael G. Wilson</output>
In what other country, besides Mexico, did the film experience administrative issues with local authorities?	<text>In what other country, besides Mexico, did the film experience administrative issues with local authorities?</text><reasoning>Whilst filming in Mexico City, speculation in the media claimed that the script had been altered to accommodate the demands of Mexican authorities—reportedly influencing details of the scene and characters, casting choices, and modifying the script in order to portray the country in a "positive light"—in order to secure tax concessions and financial support worth up to $20 million for the film. This was denied by producer Michael G. Wilson, who stated that the scene had always been intended to be shot in Mexico as production had been attracted to the imagery of the Day of the Dead, and that the script had been developed from there. Production of Skyfall had previously faced similar problems while attempting to secure permits to shoot the film's pre-title sequence in India before moving to Istanbul.</reasoning><output>India</output>
Which country did Skyfall move its pre-title sequence filming to?	<text>Which country did Skyfall move its pre-title sequence filming to?</text><reasoning>Whilst filming in Mexico City, speculation in the media claimed that the script had been altered to accommodate the demands of Mexican authorities—reportedly influencing details of the scene and characters, casting choices, and modifying the script in order to portray the country in a "positive light"—in order to secure tax concessions and financial support worth up to $20 million for the film. This was denied by producer Michael G. Wilson, who stated that the scene had always been intended to be shot in Mexico as production had been attracted to the imagery of the Day of the Dead, and that the script had been developed from there. Production of Skyfall had previously faced similar problems while attempting to secure permits to shoot the film's pre-title sequence in India before moving to Istanbul.</reasoning><output>Istanbul</output>
Where did the reporters say they saw cracks on walls of some buildings?	<text>Where did the reporters say they saw cracks on walls of some buildings?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>in Chengdu</output>
Where were office towers evacuated?	<text>Where were office towers evacuated?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>Beijing</output>
Where did a cargo train derail as a result?	<text>Where did a cargo train derail as a result?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>Hui County, Gansu</output>
What happened to the cargo train?	<text>What happened to the cargo train?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>caught on fire</output>
What was reported in Chengdu?	<text>What was reported in Chengdu?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>cracks on walls</output>
What was evacuated in Beijing?	<text>What was evacuated in Beijing?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>office towers</output>
What part of the Olympic area was not damaged?	<text>What part of the Olympic area was not damaged?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>venues</output>
Where did a cargo train derail?	<text>Where did a cargo train derail?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>Hui County, Gansu</output>
Why did the train catch fire?	<text>Why did the train catch fire?</text><reasoning>Reporters in Chengdu said they saw cracks on walls of some residential buildings in the downtown areas, but no buildings collapsed. Many Beijing office towers were evacuated, including the building housing the media offices for the organizers of the 2008 Summer Olympics. None of the Olympic venues were damaged. Meanwhile, a cargo train carrying 13 petrol tanks derailed in Hui County, Gansu, and caught on fire after the rail was distorted.</reasoning><output>rail was distorted</output>
Who was the last person to direct two James Bond movies in a row before Mendes?	<text>Who was the last person to direct two James Bond movies in a row before Mendes?</text><reasoning>In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.</reasoning><output>John Glen</output>
Who served as production designer for Spectre?	<text>Who served as production designer for Spectre?</text><reasoning>In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.</reasoning><output>Dennis Gassner</output>
Who did Hoyte van Hoytema replace as cinematographer?	<text>Who did Hoyte van Hoytema replace as cinematographer?</text><reasoning>In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.</reasoning><output>Roger Deakins</output>
Which two consecutive Bond films did Mendes direct?	<text>Which two consecutive Bond films did Mendes direct?</text><reasoning>In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.</reasoning><output>Skyfall and Spectre</output>
Which film had a larger production staff, Spectre or Skyfall?	<text>Which film had a larger production staff, Spectre or Skyfall?</text><reasoning>In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.</reasoning><output>Spectre</output>
Which Bond film is Daniel Craig listed as a co-producer?	<text>Which Bond film is Daniel Craig listed as a co-producer?</text><reasoning>In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.</reasoning><output>Spectre</output>
Who directed The Living Daylights and Licence to Kill?	<text>Who directed The Living Daylights and Licence to Kill?</text><reasoning>In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.</reasoning><output>John Glen</output>
When did Spectre begin production in Austria?	<text>When did Spectre begin production in Austria?</text><reasoning>Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.</reasoning><output>December 2014</output>
When did the Austrian filming of Spectre finish?	<text>When did the Austrian filming of Spectre finish?</text><reasoning>Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.</reasoning><output>February 2015</output>
What location was the focus of the Austrian leg of Spectre's production?	<text>What location was the focus of the Austrian leg of Spectre's production?</text><reasoning>Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.</reasoning><output>Ice Q Restaurant</output>
What part of his body did Craig injure?	<text>What part of his body did Craig injure?</text><reasoning>Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.</reasoning><output>knee</output>
What building was used in the film as the Hoffler Klinik?	<text>What building was used in the film as the Hoffler Klinik?</text><reasoning>Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.</reasoning><output>Ice Q Restaurant</output>
Where was the Hoffler Klinik supposed to be located?	<text>Where was the Hoffler Klinik supposed to be located?</text><reasoning>Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.</reasoning><output>Austrian Alps.</output>
Near what glacier in Austria was filming done?	<text>Near what glacier in Austria was filming done?</text><reasoning>Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.</reasoning><output>Rettenbach glacier</output>
Which publications reported some issues with the graphics of Twilight Princess?	<text>Which publications reported some issues with the graphics of Twilight Princess?</text><reasoning>On release, Twilight Princess was considered to be the greatest Zelda game ever made by many critics including writers for 1UP.com, Computer and Video Games, Electronic Gaming Monthly, Game Informer, GamesRadar, IGN and The Washington Post. Game Informer called it "so creative that it rivals the best that Hollywood has to offer". GamesRadar praised Twilight Princess as "a game that deserves nothing but the absolute highest recommendation". Cubed3 hailed Twilight Princess as "the single greatest videogame experience". Twilight Princess's graphics were praised for the art style and animation, although the game was designed for the GameCube, which is technically lacking compared to the next generation consoles. Both IGN and GameSpy pointed out the existence of blurry textures and low-resolution characters. Despite these complaints, Computer and Video Games felt the game's atmosphere was superior to that of any previous Zelda game, and regarded Twilight Princess's Hyrule as the best version ever created. PALGN praised the game's cinematics, noting that "the cutscenes are the best ever in Zelda games". Regarding the Wii version, GameSpot's Jeff Gerstmann said the Wii controls felt "tacked-on", although 1UP.com said the remote-swinging sword attacks were "the most impressive in the entire series". Gaming Nexus considered Twilight Princess's soundtrack to be the best of this generation, though IGN criticized its MIDI-formatted songs for lacking "the punch and crispness" of their orchestrated counterparts. Hyper's Javier Glickman commended the game for its "very long quests, superb Wii controls and being able to save anytime". However, he criticised it for "no voice acting, no orchestral score and slightly outdated graphics".</reasoning><output>IGN and GameSpy</output>
Which journalist criticized the Wii version for its controls?	<text>Which journalist criticized the Wii version for its controls?</text><reasoning>On release, Twilight Princess was considered to be the greatest Zelda game ever made by many critics including writers for 1UP.com, Computer and Video Games, Electronic Gaming Monthly, Game Informer, GamesRadar, IGN and The Washington Post. Game Informer called it "so creative that it rivals the best that Hollywood has to offer". GamesRadar praised Twilight Princess as "a game that deserves nothing but the absolute highest recommendation". Cubed3 hailed Twilight Princess as "the single greatest videogame experience". Twilight Princess's graphics were praised for the art style and animation, although the game was designed for the GameCube, which is technically lacking compared to the next generation consoles. Both IGN and GameSpy pointed out the existence of blurry textures and low-resolution characters. Despite these complaints, Computer and Video Games felt the game's atmosphere was superior to that of any previous Zelda game, and regarded Twilight Princess's Hyrule as the best version ever created. PALGN praised the game's cinematics, noting that "the cutscenes are the best ever in Zelda games". Regarding the Wii version, GameSpot's Jeff Gerstmann said the Wii controls felt "tacked-on", although 1UP.com said the remote-swinging sword attacks were "the most impressive in the entire series". Gaming Nexus considered Twilight Princess's soundtrack to be the best of this generation, though IGN criticized its MIDI-formatted songs for lacking "the punch and crispness" of their orchestrated counterparts. Hyper's Javier Glickman commended the game for its "very long quests, superb Wii controls and being able to save anytime". However, he criticised it for "no voice acting, no orchestral score and slightly outdated graphics".</reasoning><output>Jeff Gerstmann</output>
Which game publication does Jeff Gerstmann work for?	<text>Which game publication does Jeff Gerstmann work for?</text><reasoning>On release, Twilight Princess was considered to be the greatest Zelda game ever made by many critics including writers for 1UP.com, Computer and Video Games, Electronic Gaming Monthly, Game Informer, GamesRadar, IGN and The Washington Post. Game Informer called it "so creative that it rivals the best that Hollywood has to offer". GamesRadar praised Twilight Princess as "a game that deserves nothing but the absolute highest recommendation". Cubed3 hailed Twilight Princess as "the single greatest videogame experience". Twilight Princess's graphics were praised for the art style and animation, although the game was designed for the GameCube, which is technically lacking compared to the next generation consoles. Both IGN and GameSpy pointed out the existence of blurry textures and low-resolution characters. Despite these complaints, Computer and Video Games felt the game's atmosphere was superior to that of any previous Zelda game, and regarded Twilight Princess's Hyrule as the best version ever created. PALGN praised the game's cinematics, noting that "the cutscenes are the best ever in Zelda games". Regarding the Wii version, GameSpot's Jeff Gerstmann said the Wii controls felt "tacked-on", although 1UP.com said the remote-swinging sword attacks were "the most impressive in the entire series". Gaming Nexus considered Twilight Princess's soundtrack to be the best of this generation, though IGN criticized its MIDI-formatted songs for lacking "the punch and crispness" of their orchestrated counterparts. Hyper's Javier Glickman commended the game for its "very long quests, superb Wii controls and being able to save anytime". However, he criticised it for "no voice acting, no orchestral score and slightly outdated graphics".</reasoning><output>GameSpot</output>
Which game journalist was perturbed by a lack of voiced dialogue?	<text>Which game journalist was perturbed by a lack of voiced dialogue?</text><reasoning>On release, Twilight Princess was considered to be the greatest Zelda game ever made by many critics including writers for 1UP.com, Computer and Video Games, Electronic Gaming Monthly, Game Informer, GamesRadar, IGN and The Washington Post. Game Informer called it "so creative that it rivals the best that Hollywood has to offer". GamesRadar praised Twilight Princess as "a game that deserves nothing but the absolute highest recommendation". Cubed3 hailed Twilight Princess as "the single greatest videogame experience". Twilight Princess's graphics were praised for the art style and animation, although the game was designed for the GameCube, which is technically lacking compared to the next generation consoles. Both IGN and GameSpy pointed out the existence of blurry textures and low-resolution characters. Despite these complaints, Computer and Video Games felt the game's atmosphere was superior to that of any previous Zelda game, and regarded Twilight Princess's Hyrule as the best version ever created. PALGN praised the game's cinematics, noting that "the cutscenes are the best ever in Zelda games". Regarding the Wii version, GameSpot's Jeff Gerstmann said the Wii controls felt "tacked-on", although 1UP.com said the remote-swinging sword attacks were "the most impressive in the entire series". Gaming Nexus considered Twilight Princess's soundtrack to be the best of this generation, though IGN criticized its MIDI-formatted songs for lacking "the punch and crispness" of their orchestrated counterparts. Hyper's Javier Glickman commended the game for its "very long quests, superb Wii controls and being able to save anytime". However, he criticised it for "no voice acting, no orchestral score and slightly outdated graphics".</reasoning><output>Javier Glickman</output>
Which publication does Javier Glickman write for?	<text>Which publication does Javier Glickman write for?</text><reasoning>On release, Twilight Princess was considered to be the greatest Zelda game ever made by many critics including writers for 1UP.com, Computer and Video Games, Electronic Gaming Monthly, Game Informer, GamesRadar, IGN and The Washington Post. Game Informer called it "so creative that it rivals the best that Hollywood has to offer". GamesRadar praised Twilight Princess as "a game that deserves nothing but the absolute highest recommendation". Cubed3 hailed Twilight Princess as "the single greatest videogame experience". Twilight Princess's graphics were praised for the art style and animation, although the game was designed for the GameCube, which is technically lacking compared to the next generation consoles. Both IGN and GameSpy pointed out the existence of blurry textures and low-resolution characters. Despite these complaints, Computer and Video Games felt the game's atmosphere was superior to that of any previous Zelda game, and regarded Twilight Princess's Hyrule as the best version ever created. PALGN praised the game's cinematics, noting that "the cutscenes are the best ever in Zelda games". Regarding the Wii version, GameSpot's Jeff Gerstmann said the Wii controls felt "tacked-on", although 1UP.com said the remote-swinging sword attacks were "the most impressive in the entire series". Gaming Nexus considered Twilight Princess's soundtrack to be the best of this generation, though IGN criticized its MIDI-formatted songs for lacking "the punch and crispness" of their orchestrated counterparts. Hyper's Javier Glickman commended the game for its "very long quests, superb Wii controls and being able to save anytime". However, he criticised it for "no voice acting, no orchestral score and slightly outdated graphics".</reasoning><output>Hyper</output>