task_path
stringlengths 3
199
⌀ | dataset
stringlengths 1
128
⌀ | model_name
stringlengths 1
223
⌀ | paper_url
stringlengths 21
601
⌀ | metric_name
stringlengths 1
50
⌀ | metric_value
stringlengths 1
9.22k
⌀ |
|---|---|---|---|---|---|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MLD
|
https://arxiv.org/abs/2212.04048v3
|
R Precision Top3
|
0.772
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
FID
|
0.544
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
Diversity
|
9.559
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
Multimodality
|
2.799
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
R Precision Top3
|
0.611
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MotionDiffuse
|
https://arxiv.org/abs/2208.15001v1
|
FID
|
0.630
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MotionDiffuse
|
https://arxiv.org/abs/2208.15001v1
|
Diversity
|
9.410
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MotionDiffuse
|
https://arxiv.org/abs/2208.15001v1
|
Multimodality
|
1.553
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MotionDiffuse
|
https://arxiv.org/abs/2208.15001v1
|
R Precision Top3
|
0.782
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MAA
|
https://arxiv.org/abs/2305.09662v1
|
FID
|
0.774
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MAA
|
https://arxiv.org/abs/2305.09662v1
|
Diversity
|
8.23
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
MAA
|
https://arxiv.org/abs/2305.09662v1
|
R Precision Top3
|
0.676
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
TM2D (t2m)
|
https://arxiv.org/abs/2304.02419v2
|
FID
|
1.021
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
TM2D (t2m)
|
https://arxiv.org/abs/2304.02419v2
|
Diversity
|
9.513
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
TM2D (t2m)
|
https://arxiv.org/abs/2304.02419v2
|
Multimodality
|
4.139
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
FID
|
1.087
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
Diversity
|
9.175
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
Multimodality
|
2.219
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
R Precision Top3
|
0.736
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
TM2T
|
https://arxiv.org/abs/2207.01696v2
|
FID
|
1.501
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
TM2T
|
https://arxiv.org/abs/2207.01696v2
|
Diversity
|
8.589
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
TM2T
|
https://arxiv.org/abs/2207.01696v2
|
Multimodality
|
2.424
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
TM2T
|
https://arxiv.org/abs/2207.01696v2
|
R Precision Top3
|
0.729
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Text2Gesture
|
https://arxiv.org/abs/2207.01696v2
|
FID
|
5.012
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Text2Gesture
|
https://arxiv.org/abs/2207.01696v2
|
Diversity
|
6.409
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Text2Gesture
|
https://arxiv.org/abs/2207.01696v2
|
R Precision Top3
|
0.345
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Diffuion Motion
|
https://arxiv.org/abs/2210.12315v2
|
FID
|
10.21
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Diffuion Motion
|
https://arxiv.org/abs/2210.12315v2
|
Diversity
|
23.692
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Diffuion Motion
|
https://arxiv.org/abs/2210.12315v2
|
R Precision Top3
|
0.735
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Language2Pose
|
https://arxiv.org/abs/2207.01696v2
|
FID
|
11.02
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Language2Pose
|
https://arxiv.org/abs/2207.01696v2
|
Diversity
|
7.676
|
3D Human Pose Tracking > Motion Synthesis
|
HumanML3D
|
Language2Pose
|
https://arxiv.org/abs/2207.01696v2
|
R Precision Top3
|
0.486
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
FID
|
0.399
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
R-Precision Top3
|
0.705
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
MMDist
|
3.705
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
MModality
|
2.261
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterGen
|
https://arxiv.org/abs/2304.05684v3
|
FID
|
5.207
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterGen
|
https://arxiv.org/abs/2304.05684v3
|
R-Precision Top3
|
0.429
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterGen
|
https://arxiv.org/abs/2304.05684v3
|
MMDist
|
9.580
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
InterGen
|
https://arxiv.org/abs/2304.05684v3
|
MModality
|
3.686
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
FID
|
5.481
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
R-Precision Top3
|
0.396
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
MMDist
|
9.576
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
T2M
|
http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html
|
MModality
|
2.761
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
FID
|
23.701
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
R-Precision Top3
|
0.426
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
MMDist
|
9.548
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
MDM
|
https://arxiv.org/abs/2209.14916v2
|
MModality
|
3.490
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
TEMOS
|
https://arxiv.org/abs/2204.14109v2
|
FID
|
29.258
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
TEMOS
|
https://arxiv.org/abs/2204.14109v2
|
R-Precision Top3
|
0.238
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
TEMOS
|
https://arxiv.org/abs/2204.14109v2
|
MMDist
|
6.867
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
TEMOS
|
https://arxiv.org/abs/2204.14109v2
|
MModality
|
0.672
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
ComMDM
|
https://arxiv.org/abs/2303.01418v3
|
FID
|
29.266
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
ComMDM
|
https://arxiv.org/abs/2303.01418v3
|
R-Precision Top3
|
0.236
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
ComMDM
|
https://arxiv.org/abs/2303.01418v3
|
MMDist
|
6.870
|
3D Human Pose Tracking > Motion Synthesis
|
Inter-X
|
ComMDM
|
https://arxiv.org/abs/2303.01418v3
|
MModality
|
0.771
|
3D Human Pose Tracking > Motion Synthesis
|
TMD
|
Motion Anything
|
https://arxiv.org/abs/2503.06955v1
|
FID
|
21.46
|
3D Human Pose Tracking > Motion Synthesis
|
TMD
|
Motion Anything
|
https://arxiv.org/abs/2503.06955v1
|
BAS
|
0.2094
|
3D Human Pose Tracking > Motion Synthesis
|
TMD
|
Motion Anything
|
https://arxiv.org/abs/2503.06955v1
|
MModality
|
2.424
|
3D Human Pose Tracking > Motion Synthesis
|
TMD
|
Motion Anything
|
https://arxiv.org/abs/2503.06955v1
|
MMDist
|
5.34
|
3D Human Pose Tracking > Motion Synthesis
|
Trinity Speech-Gesture Dataset
|
Match-TTSG
|
https://arxiv.org/abs/2310.05181v2
|
Mean Opinion Score
|
3.44
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dance Revolution
|
https://arxiv.org/abs/2006.06119v8
|
Beat alignment score
|
0.264
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dance Revolution
|
https://arxiv.org/abs/2006.06119v8
|
Beat DTW cost
|
11.88
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dance Revolution
|
https://arxiv.org/abs/2006.06119v8
|
Toprock average
|
10.59
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dance Revolution
|
https://arxiv.org/abs/2006.06119v8
|
Footwork average
|
51.6
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dance Revolution
|
https://arxiv.org/abs/2006.06119v8
|
Powermove average
|
37.72
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dance Revolution
|
https://arxiv.org/abs/2006.06119v8
|
Frechet Inception Distance
|
0.5158
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
AIST++
|
https://arxiv.org/abs/2101.08779v3
|
Beat alignment score
|
0.136
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
AIST++
|
https://arxiv.org/abs/2101.08779v3
|
Beat DTW cost
|
12.92
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
AIST++
|
https://arxiv.org/abs/2101.08779v3
|
Toprock average
|
6.39
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
AIST++
|
https://arxiv.org/abs/2101.08779v3
|
Footwork average
|
40.73
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
AIST++
|
https://arxiv.org/abs/2101.08779v3
|
Powermove average
|
52.89
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
AIST++
|
https://arxiv.org/abs/2101.08779v3
|
Frechet Inception Distance
|
0.5743
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dancing 2 Music
|
https://arxiv.org/abs/1911.02001v1
|
Beat alignment score
|
0.129
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dancing 2 Music
|
https://arxiv.org/abs/1911.02001v1
|
Beat DTW cost
|
11.60
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dancing 2 Music
|
https://arxiv.org/abs/1911.02001v1
|
Toprock average
|
16.04
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dancing 2 Music
|
https://arxiv.org/abs/1911.02001v1
|
Footwork average
|
50.09
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dancing 2 Music
|
https://arxiv.org/abs/1911.02001v1
|
Powermove average
|
33.87
|
3D Human Pose Tracking > Motion Synthesis
|
BRACE
|
Dancing 2 Music
|
https://arxiv.org/abs/1911.02001v1
|
Frechet Inception Distance
|
0.5884
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
DanceMosaic
|
https://arxiv.org/abs/2504.04634v1
|
fid_k
|
19.36
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
DanceMosaic
|
https://arxiv.org/abs/2504.04634v1
|
BAS
|
0.2254
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Lodge++
|
https://arxiv.org/abs/2410.20389v1
|
fid_k
|
40.77
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Lodge++
|
https://arxiv.org/abs/2410.20389v1
|
BAS
|
0.2423
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Lodge (DDPM)
|
https://arxiv.org/abs/2403.10518v3
|
fid_k
|
45.56
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Lodge (DDPM)
|
https://arxiv.org/abs/2403.10518v3
|
BAS
|
0.2397
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Lodge (DDIM)
|
https://arxiv.org/abs/2403.10518v3
|
fid_k
|
50.00
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Lodge (DDIM)
|
https://arxiv.org/abs/2403.10518v3
|
BAS
|
0.2269
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Bailando
|
https://arxiv.org/abs/2203.13055v2
|
fid_k
|
82.81
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
Bailando
|
https://arxiv.org/abs/2203.13055v2
|
BAS
|
0.2029
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
EDGE
|
https://arxiv.org/abs/2211.10658v2
|
fid_k
|
94.34
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
EDGE
|
https://arxiv.org/abs/2211.10658v2
|
BAS
|
0.2116
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
MNET
|
http://openaccess.thecvf.com//content/CVPR2022/html/Kim_A_Brand_New_Dance_Partner_Music-Conditioned_Pluralistic_Dancing_Controlled_by_CVPR_2022_paper.html
|
fid_k
|
104.71
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
MNET
|
http://openaccess.thecvf.com//content/CVPR2022/html/Kim_A_Brand_New_Dance_Partner_Music-Conditioned_Pluralistic_Dancing_Controlled_by_CVPR_2022_paper.html
|
BAS
|
0.1864
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
FACT
|
https://arxiv.org/abs/2101.08779v3
|
fid_k
|
113.38
|
3D Human Pose Tracking > Motion Synthesis
|
FineDance
|
FACT
|
https://arxiv.org/abs/2101.08779v3
|
BAS
|
0.1831
|
3D Human Pose Tracking > Motion Synthesis
|
InterHuman
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
FID
|
5.154
|
3D Human Pose Tracking > Motion Synthesis
|
InterHuman
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
R-Precision Top3
|
0.683
|
3D Human Pose Tracking > Motion Synthesis
|
InterHuman
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
MMDist
|
3.790
|
3D Human Pose Tracking > Motion Synthesis
|
InterHuman
|
InterMask
|
https://arxiv.org/abs/2410.10010v2
|
MModality
|
1.737
|
3D Human Pose Tracking > Motion Synthesis
|
InterHuman
|
in2IN
|
https://arxiv.org/abs/2404.09988v1
|
FID
|
5.177
|
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