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[
"This is the FedEx man who was plugged into the tumult of\nactivity and energy, surrounded by technology and human\nactivity at its most intense, devoted to making seconds\ncount. Now he is utterly alone, and utterly still.",
"A nondescript office park near the airport. No sign.\nChuck's car screeches into the parking lot. He jumps out,\nglances at this watch, and heads for the building at a run.",
"Chuck walks through the extraordinary nexus of speeding\npackages that intersect in intricate paths above and around\nhim. This is the beating center of the FedEx world, the",
"Five thousand people work in a frenzy of interconnected\nactivity inside three vast hangers brightly lit. Hundreds of\nforklifts and cargo-pullers dart about, their headlights\ncrisscrossing like a laser show.",
"We hear a faint persistent hum. Chuck looks around, trying\nto locate the sound. He looks up, focuses on the fluorescent\nlight, that background sound he can no longer tune out, then\npicks up the phone again.",
"CHUCK NOLAND, early thirties, walks along a line of brightly\ncolored jitneys, each bearing the FedEx logo. With him is a",
"He works some keys, waits.\n\n TECHNICIAN\n Hmmm. Durango, Colorado; Asheville,\n North Carolina, then...canceled her\n account.",
"The operations team of FedEx sits around a large table. Each\nhas on a headset. BECCA TWIGG, the business-like senior vice",
"In quick cuts, we see him dump out computer memory boards,\nsome designer dresses, flowers, a pair of roller blades, a\nscript with a red cover -- which he never reads.\n\nEXT. BEACH - LATER",
"The Driver has just delivered the Dented Box to ALEKSEI,\nRussian Businessman, who closes the door of a Czarist-era\nbuilding. Aleksei checks his watch, picks up the phone.",
"But he's out. He might never get back out again.\n\nHe stares at the lagoon and the receding water jugs. Then he\nstares at the island. Goodbye to all that.",
"He relaxes a little. Maybe the package with the wings was a\nsign, he kept it all these years precisely for this. Then\nthere's a sound of a truck in the driveway.",
"Strapped into the jump seat behind the pilots, Chuck sleeps\nwith a mask over his eyes. On his lap are some travel\nbrochures. We see sailboats, we see the Florida keys.",
"BETTINA\n Where did you get that?\n\nChuck displays a FedEx badge.\n\n CHUCK\n Charles Noland. FedEx Special Projects.",
"Ladders. Scaffolds. Huge paintings are everywhere.\nPaintings of wings and angels -- like the package. Chuck\nstares at them. Bettina watches Chuck stare.",
"CHUCK\n Stupid fucking thing!\n\nHe quits, exhausted. He looks at his hands. They are raw\nand blistered. He feels like Job.",
"It's their ritual. Chuck puts headphones from his Walkman\nover his ears, puts a mask over his eyes and leans his head\nback onto the headrest. We hear the Rolling Stones.",
"A jumbled room jammed with computers and dominated by a HUGE\nWALL GRAPHIC that charts hundreds of airplanes. An Operator\nmoves a yellow strip labeled Jumbo 12 across the board.",
"throws it on the ground by the palm tree. He has tried so\nhard to escape, so incredibly hard, done everything humanly\npossible and beyond. He rips off his life preserver, throws",
"He sits back, looks at the mock headstone.\n\n BADCHUCK\n What did it matter if FedEx was five\n minutes late one day? The next day we\n just start over again."
],
[
"He meets her gaze, looks her over with a smile.\n\n CHUCK\n You look...wonderful. I like your hair.\n\nHe notices the ring on her hand.",
"Kelly fishes for a photo, shows it to Chuck. It's a little\ngirl with a dog.\n\n KELLY\n Her name's Hannah.",
"But something on the box catches her eye. She wants it back.\nHe glances at his watch. She draws RINGS around the Wings,\nuniting them. She gives the box to the Driver, then hands",
"Slowly and painfully Chuck enters. He's quite a sight. She\nstands up. There's a long moment where they look at each\nother.",
"And that makes Chuck laugh, really laugh, for the first time.\n\n CHUCK\n Yeah, completely.\n\nShe looks over at him with a grin.",
"ERICA\n I knew I recognized you. My name's\n Erica.\n\nThey smile at each other. Then she smiles a little more.",
"In quick cuts, we see him dump out computer memory boards,\nsome designer dresses, flowers, a pair of roller blades, a\nscript with a red cover -- which he never reads.\n\nEXT. BEACH - LATER",
"Chuck works on an old tractor in the shed. Some small legs\nappear in his vision, then a small face. This is AMANDA, his\nniece.",
"very close. Chuck looks up at her. She looks really good.\nShe smiles at him, then touches the gap where he knocked out\nhis tooth.",
"Ladders. Scaffolds. Huge paintings are everywhere.\nPaintings of wings and angels -- like the package. Chuck\nstares at them. Bettina watches Chuck stare.",
"The CD is playing. Chuck lies in bed, switches on the TV.\nThis is no good. He doesn't care how late it is, he's going\nto find Kelly.",
"her husband, who plays with their daughter. For a moment\nChuck watches through the window, and we watch with him.\nThen the dog begins to bark.",
"Arms around each other, the Man and the Woman say goodbye to\nChuck. In the front yard is a panel truck painted with two\nangel wings. The Man grins at Chuck, an easy, friendly grin.",
"And he misses her so much. A shower of meteors streaks\nacross the sky, as if the very heavens are raining down on\nChuck.\n\nEXT. BEACH - DAY",
"He says this with an absolute straight face, holding back the\nlaughter with great effort. Instantly there's this\nconnection again between him and Stan.\n\n TECHNICIAN\n Ex-boyfriend.",
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"She stares at him for a long moment, then at the puppy.\n\n KELLY\n Give him to me.\n\nHe hands her the dog.",
"It's their ritual. Chuck puts headphones from his Walkman\nover his ears, puts a mask over his eyes and leans his head\nback onto the headrest. We hear the Rolling Stones.",
"He's stumbling over whether to say I love you.\n\n CHUCK\n I miss you.\n\nHe gently hangs up the phone.",
"CHUCK\n No...no...feels good...\n\nShe disengages, looks at him with that old smile."
],
[
"INT. CHUCK'S HOUSE - LATER",
"Chuck is beside it, slumped down on the desk. Asleep.\n\nEXT. FARM HOUSE - DAY\n\nHis mom waves to him as Chuck drives away.",
"Chuck rides away from the small neat frame house, down a\ncountry lane with trailers up on blocks.\n\nEXT. GULF COAST - DAY",
"Chuck sneaks up to a craftsman cottage and stands by a tree\nwith a swing on it. Inside we see Kelly making dinner for",
"Chuck rides on a ferry, the wind blowing his face. The sky\nis gray and drizzly. He smells the salt water. Watches the\nwaves.\n\nEXT. GAS STATION - DAY",
"INT. CHUCK'S HOUSE - MOMENTS LATER",
"Chuck enters as they keep talking. Her house is cozy but\nalso where she works. There's a computer, specimen jars, and\nsome terrariums with frogs inside. A Christmas tree with\npackages under it.",
"Chuck drops his briefcase and his bag. The place is a jumble\nof clothes, papers, books, etc. In the living room is a tank",
"Chuck begins to laugh, a little too loud, a little too\nshrill. He's on a high.\n\nEXT. HAWAII - BEACH RESTAURANT",
"We come around slowly until we see Chuck's face. The eyes\nsay it all. They stare out with a survivor's intensity,",
"Chuck sleeps by the coconuts. The tide is coming in. Chuck\nstirs, gets up, staggers over to a palm tree to relieve\nhimself.",
"Chuck works on an old tractor in the shed. Some small legs\nappear in his vision, then a small face. This is AMANDA, his\nniece.",
"Chuck emerges around the rocks. He reaches the stack of\nfamiliar FedEx boxes -- Ahh, home! He's breathing hard, from\nboth fear and exertion.",
"CHUCK\n Okay. Okay now.\n\nEXT. PALM GROVE - LATER",
"CHUCK\n The place is falling apart.\n\n MOM\n I'm doing fine.\n\nShe looks pointedly at Chuck.",
"Behind him is the ocean. Chuck doesn't glance at it.\n\nINT. DENTIST - NEXT DAY",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"Chuck looks down at his doodling. Hesitates. Then signs his\nname.\n\nINT. TYSON'S CHICKEN - ARKANSAS - DAY",
"CHUCK\n You win and lose.\n\nAnd Chuck has. Big time.\n\nEXT. MEMPHIS AIRPORT - NIGHT",
"In his boyhood room, we see Chuck's laptop, which is hooked\nup to the internet FedEx homepage. All around him are models"
],
[
"Chuck and Stan ride on the plane. Chuck is coming down off\nhis survival high. He has the Angel Wing FedEx package with\nhim.",
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"Strapped into the jump seat behind the pilots, Chuck sleeps\nwith a mask over his eyes. On his lap are some travel\nbrochures. We see sailboats, we see the Florida keys.",
"CHUCK\n You win and lose.\n\nAnd Chuck has. Big time.\n\nEXT. MEMPHIS AIRPORT - NIGHT",
"Chuck tries to steady himself against the wall. This is\nnightmarish. Is this really happening?\n\nINT. FEDEX PLANE - CHUCK'S POV - COCKPIT",
"Chuck can't believe it.\n\n CHUCK\n You what?\n\n STAN\n It was fifteen minutes late.\n\nThe plane begins to taxi.",
"The plane is SHAKING badly. HEAR frantic, garbled radio\ntalk. Chuck stirs, struggles to his feet, drowsy and\ndrugged.",
"The pilots wrestle with the controls. They have their life\njackets on. John glances back at Chuck, his face floating in\na cloud of fear.\n\nINT. FEDEX PLANE - MOMENTS LATER",
"The plane cuts its engine. The stairs are rolled out.\nForklifts and gangways move forward. Cargo doors open.\nChuck appears in the door. He holds the FedEx Package and a\nsmall travel bag.",
"Chuck struggles to put on his life jacket. The plane is\nVIBRATING VIOLENTLY. He can't get the straps straight. He\nis KNOCKED against one wall, then another, then to the floor.",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck begins to laugh, a little too loud, a little too\nshrill. He's on a high.\n\nEXT. HAWAII - BEACH RESTAURANT",
"INT. FEDEX PLANE - CHUCK'S POV",
"INT. FEDEX PLANE - NIGHT\n\nChuck enters the cockpit, where two different pilots are\ngoing through their checklists. Chuck repeats his familiar\npatter.",
"Huge palettes shift and groan, one BREAKS FREE, banging\nviolently against the side of the plane, spilling out its\nboxes. Then it swings and KNOCKS Chuck on the head! He goes\ndown!",
"Chuck is semi-conscious and bleeding from the head. John\npulls the inflators on Chuck's life jacket, which fills with",
"Chuck hesitates for a moment, then looks at his watch.\n\n CHUCK\n I'll catch the sweep tonight.\n\nINT. FEDEX PLANE - NIGHT",
"Chuck plunges into the water after the fish with his bare\nhands. The fish reverses direction. Chuck leaps after it\nand goes under. He comes up spluttering, on his hands and\nknees in the shallows.",
"Visibly moved, Chuck puts down the letter.\n\n CHUCK\n He never got it.\n\nEXT. ISLAND - DAY",
"CHUCK\n Maybe the GPS malfunctioned. That Korean\n airliner did."
],
[
"Chuck stares, then realizes the danger and throws himself\ndown on the raft. Suddenly a wall of rain sweeps over him\nand the ocean begins to roll. The thunder is deafening.\nLightning flashes bursts through the rain.",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck plunges into the water after the fish with his bare\nhands. The fish reverses direction. Chuck leaps after it\nand goes under. He comes up spluttering, on his hands and\nknees in the shallows.",
"CHUCK\n Wait! Wait!\n\nChoking and weak, he turns back and drags himself up on the\nbeach. In the b.g., the sail dwindles into the distance.",
"We see the line of rain recede away from Chuck, spattering\nthe ocean. But all around him the ocean is calm again.\n\nAnd out comes the sun.\n\nEXT. OCEAN - DAY",
"The waves come at him high as houses. The raft rides up one\nside, then plunges down the next.\n\nAll Chuck can do is hold on.\n\nEXT. OCEAN - DAY",
"Chuck sits up, can't believe it. Struggles to cover himself.\n\nEXT. OCEAN - DAY - LATER",
"Chuck is semi-conscious and bleeding from the head. John\npulls the inflators on Chuck's life jacket, which fills with",
"A life raft is tossed on dark, storm-driven seas. Inside it,\nsemi-conscious, Chuck hangs on.\n\nEXT. PACIFIC - NIGHT",
"CHUCK\n No way on. No way off.\n\nChuck stares out to sea in every direction. Nothing.",
"Over and over, we see Chuck capsize at the reef. The first\ntime he has a bandage on his leg. He tries everything --\ndifferent rafts, different approaches, but each time the\nocean spits him back.",
"He waves his hands. He yells.\n\n CHUCK\n Here! Here!\n\nHis voice cracks, we can barely hear it over the ocean.",
"The lights move on.\n\n CHUCK\n No...no...no...\n\nHis raft is rocked by the wake, rocked hard. Chuck is thrown\ninto the water!",
"Flapping and struggling, it lands on the deck. Chuck pounces\non it.\n\nEXT. RAFT - NIGHT - MOMENTS LATER",
"CHUCK\n Shit. Shit. Shit.\n\nEXT. BEACH - DAY",
"And then the sharks are gone.\n\nChuck comes to his knees slowly, then a big wave hits.\nWilson is swept into the ocean!",
"The raft goes up and down huge waves. Every few seconds\nlightning flashes, illuminating the raft and Chuck holding\ndesperately to it, his eyes wild with fear.\n\nEXT. RAFT - MORNING",
"Chuck stands on the summit, staring out to sea. Nothing, not\neven a contrail, not even a whale spout.\n\nEXT. CLIFF - MOMENTS LATER",
"Chuck wades in the water with his spear. Suddenly he stabs\nit down. A crab is on the end.\n\nEXT. BEACH - HALF HOUR LATER",
"Chuck takes off his life jacket, sits down in the shade,\nmakes himself comfortable, and waits.\n\nEXT. BEACH - SUNSET"
],
[
"It's a body. Chuck turns it over. It's Al, one of the\npilots, his face gray and waterlogged and very dead.\n\n CHUCK\n Oh Jesus.",
"EXT. BEACH - MOMENTS LATER\n\nChuck drags the body up on the beach and then collapses,\nexhausted. He sits by it, staring at it.",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"Chuck digs a small hole in the back yard with a large kitchen\nspoon.\n\nDrops the dead fish in.\n\nFills the hole.",
"He drags the body into the pit. Stares down at it. That\ncould be me.\n\n CHUCK\n Got to cover Al up.",
"Chuck is semi-conscious and bleeding from the head. John\npulls the inflators on Chuck's life jacket, which fills with",
"Chuck and Stan ride on the plane. Chuck is coming down off\nhis survival high. He has the Angel Wing FedEx package with\nhim.",
"CHUCK\n Let's see, I waited two days.\n (makes marks)\n Then I buried Al.",
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"The pilots wrestle with the controls. They have their life\njackets on. John glances back at Chuck, his face floating in\na cloud of fear.\n\nINT. FEDEX PLANE - MOMENTS LATER",
"Chuck has almost finished a grave in the sand back of the\npalm trees. He's been digging with a piece of driftwood\nsharpened with his stone knife.",
"The plane cuts its engine. The stairs are rolled out.\nForklifts and gangways move forward. Cargo doors open.\nChuck appears in the door. He holds the FedEx Package and a\nsmall travel bag.",
"Chuck plunges into the water after the fish with his bare\nhands. The fish reverses direction. Chuck leaps after it\nand goes under. He comes up spluttering, on his hands and\nknees in the shallows.",
"Chuck holds his surgeon's saw over the stump. He walks to\nanother tree and begins to saw his way into the trunk.\n\nEXT. BEACH - SERIES OF SHOTS",
"Strapped into the jump seat behind the pilots, Chuck sleeps\nwith a mask over his eyes. On his lap are some travel\nbrochures. We see sailboats, we see the Florida keys.",
"INT. FEDEX PLANE - NIGHT\n\nChuck enters the cockpit, where two different pilots are\ngoing through their checklists. Chuck repeats his familiar\npatter.",
"We come around slowly until we see Chuck's face. The eyes\nsay it all. They stare out with a survivor's intensity,",
"Chuck tries to steady himself against the wall. This is\nnightmarish. Is this really happening?\n\nINT. FEDEX PLANE - CHUCK'S POV - COCKPIT",
"Chuck picks up some wet sand and rubs it on his body.\n\n CHUCK\n Dust thou art -- that's for damned sure\n -- and unto dust shalt thou return.",
"Chuck takes white paint and covers his hand. Then he presses\nit into his chest and makes a handprint. He draws a yellow"
],
[
"She holds the box and studies him for a long moment.\nSomething -- the look on his face, the extraordinary\nreappearance of this long-lost package -- makes her curious.",
"He relaxes a little. Maybe the package with the wings was a\nsign, he kept it all these years precisely for this. Then\nthere's a sound of a truck in the driveway.",
"She's opened the package. She pulls out the bottles of salsa\nand the letter.\n\n CHUCK\n Our apologies that it never made it to\n the recipient.",
"CHUCK\n There was an unavoidable delay.\n\nBettina stares at the package, her own memories coming back.",
"But something on the box catches her eye. She wants it back.\nHe glances at his watch. She draws RINGS around the Wings,\nuniting them. She gives the box to the Driver, then hands",
"Ladders. Scaffolds. Huge paintings are everywhere.\nPaintings of wings and angels -- like the package. Chuck\nstares at them. Bettina watches Chuck stare.",
"The plane lands. The container is unloaded down a belt. We\nsee our Angel Box. Directly in front of it is a DENTED BOX.",
"Chuck has made a neat stack of FedEx boxes under some palm\ntrees at the rim of the beach. He examines the Angel Wing\ndrawing with passing curiosity, then puts it on the stack.",
"KELLY\n You break four million packages last\n night?\n\nIn the b.g. one of the packages by the Christmas tree is\nstarting to shake on its own.",
"Chuck takes white paint and covers his hand. Then he presses\nit into his chest and makes a handprint. He draws a yellow",
"CHUCK\n One of those packages just moved.\n\nThe package turns over, something darts out. It's a puppy,\nwith a bow around its neck.",
"Bettina pours some coffee. The package sits in the counter.\nSome magazines are spread around, including a People Magazine\nwith Chuck's photograph on the cover.",
"at the stack of FedEx boxes. What could be inside? He\nreaches out and touches one.",
"Casually he reaches over and cuts it open with a stone knife.\nInside he finds two bottles of green salsa. And a letter.\n\nHe reads over it.",
"He hefts the package, as if trying to guess what's inside.",
"MAN\n Come back anytime. Coffee's always on.\n Don't even have to bring us a package.\n\n CHUCK\n That was my last one.",
"Two boxes remain. One is the box with Angel Wings. Chuck\nsets it aside. He opens the other box. Out tumbles a",
"Night. The manic activity has come to a dead stop. Our two\nBoxes sit on a table in a corner not far from a small\nChristmas tree.",
"With his stone knife and spear to help him. Chuck begins to\nopen the FedEx boxes. Chuck rips open the end of one box and",
"He is on his way down, suddenly he sees something and stops.\nIt's the HANDPRINT, the bloody handprint, his own handprint."
],
[
"Chuck looks to each point on the compass. He is on an\nISLAND, small, inhospitable, without sign of habitation or",
"CHUCK\n The plane went down. My friends died. I\n washed up on an island. Then I found\n these barrels, built the raft, and here I\n am.",
"only by helicopter! For four years Chuck\n Noland survived here alone, eating fish,\n coconuts and clams, his only companion a\n soccer ball.",
"Chuck is in the stage of malnutrition, vitamin deprivation,\nsalt insufficiency, and exposure where the personality splits\nand becomes external. Like all castaways, he has\nconversations with the two sides of himself.",
"Chuck stands on the summit, looking in all directions. Then,\nsomething on the island brings Chuck's eyes back from their\ndistant focus on the horizon. From down on the beach,",
"Chuck sleeps by the coconuts. The tide is coming in. Chuck\nstirs, gets up, staggers over to a palm tree to relieve\nhimself.",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Visibly moved, Chuck puts down the letter.\n\n CHUCK\n He never got it.\n\nEXT. ISLAND - DAY",
"CHUCK'S POV - SAIL\n\nA SAIL is moving steadily away from the island.\n\nCHUCK\n\nThrows down the spear and waves his arms.",
"Chuck takes a cooked fish off the fire and mixes it with some\nbreadfruit. He eats the soft mixture, chewing carefully, but",
"CHUCK\n Wait! Wait!\n\nChoking and weak, he turns back and drags himself up on the\nbeach. In the b.g., the sail dwindles into the distance.",
"He lies on the raft, panting.\n\nThen with all his strength he pulls himself to his feet,\nholds on to the mast, scans the ocean for Wilson.\n\n CHUCK\n Wilson!",
"CHUCK\n No way on. No way off.\n\nChuck stares out to sea in every direction. Nothing.",
"Chuck is gaunt, his clothes rotted.\n\nHe lies looking over the side of the raft, spear in one hand,\nstaring intently at the water.",
"Chuck curls up in his bed of palm fronds. The fire burns.\nAround it is a large stack of crab shells. He stares into\nthe fire.",
"Chuck has almost finished a grave in the sand back of the\npalm trees. He's been digging with a piece of driftwood\nsharpened with his stone knife.",
"is only a few feet away. It looks upon Chuck out of an\nintelligence deep and alien.",
"Chuck makes a mark on a palm tree. He has completely covered\nthree other trees with marks. It sinks in how long he has\nbeen here.\n\nEXT. JUNGLE - LATER",
"Chuck stirs and squints his eyes. He takes a drink of water.\nHe is feeling better. He puts another log on the fire and\nslowly begins to chew on some breadfruit and dried fish.",
"We come around slowly until we see Chuck's face. The eyes\nsay it all. They stare out with a survivor's intensity,"
],
[
"CHUCK\n The plane went down. My friends died. I\n washed up on an island. Then I found\n these barrels, built the raft, and here I\n am.",
"Chuck looks to each point on the compass. He is on an\nISLAND, small, inhospitable, without sign of habitation or",
"Chuck stands on the summit, looking in all directions. Then,\nsomething on the island brings Chuck's eyes back from their\ndistant focus on the horizon. From down on the beach,",
"CHUCK'S POV - SAIL\n\nA SAIL is moving steadily away from the island.\n\nCHUCK\n\nThrows down the spear and waves his arms.",
"Visibly moved, Chuck puts down the letter.\n\n CHUCK\n He never got it.\n\nEXT. ISLAND - DAY",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck is in the stage of malnutrition, vitamin deprivation,\nsalt insufficiency, and exposure where the personality splits\nand becomes external. Like all castaways, he has\nconversations with the two sides of himself.",
"Chuck sleeps by the coconuts. The tide is coming in. Chuck\nstirs, gets up, staggers over to a palm tree to relieve\nhimself.",
"Chuck makes a mark on a palm tree. He has completely covered\nthree other trees with marks. It sinks in how long he has\nbeen here.\n\nEXT. JUNGLE - LATER",
"CHUCK\n Wait! Wait!\n\nChoking and weak, he turns back and drags himself up on the\nbeach. In the b.g., the sail dwindles into the distance.",
"CHUCK\n Miss that island? Mom, come on.\n\nShe looks at him. She knows her boy.",
"CHUCK\n No way on. No way off.\n\nChuck stares out to sea in every direction. Nothing.",
"only by helicopter! For four years Chuck\n Noland survived here alone, eating fish,\n coconuts and clams, his only companion a\n soccer ball.",
"Chuck stirs and squints his eyes. He takes a drink of water.\nHe is feeling better. He puts another log on the fire and\nslowly begins to chew on some breadfruit and dried fish.",
"Chuck holds his surgeon's saw over the stump. He walks to\nanother tree and begins to saw his way into the trunk.\n\nEXT. BEACH - SERIES OF SHOTS",
"Chuck takes a cooked fish off the fire and mixes it with some\nbreadfruit. He eats the soft mixture, chewing carefully, but",
"The raft drifts. Chuck has taken down the sail and rigged it\nas a canopy. Drenched with sweat, Chuck lies on the raft,",
"EXT. OTHER SIDE OF ISLAND - DAY\n\nChuck picks some berries and gingerly tries them. They're\nnot bad. He eats more. Then more. What a relief.",
"CHUCK\n Give me a minute. I've spent four years\n looking out at an empty ocean.\n\nHe laughs, a short brittle laugh, composes himself.",
"EXT. CAVE - NIGHT\n\nChuck enters the cave. No signal fires burn. The island is\ndark.\n\nEXT. SUMMIT - DAY"
],
[
"KELLY\n I got married.\n\n CHUCK\n I thought you might have.\n\n KELLY\n I would never --",
"KELLY\n There isn't any us.\n\n CHUCK\n Yes there is.\n\nKelly can't stay mad.",
"CHUCK\n Look, we'll do our trip as soon as I get\n back.\n\n KELLY\n Don't even start.\n\nAnd then it hits her.",
"KELLY\n This isn't working out.\n\n CHUCK\n We're a little emotional here. It's\n Christmas, maybe we're over-reacting.",
"CHUCK\n Look, I love the puppy. I love you. But\n I have to go.\n\n KELLY\n You can't go now.",
"KELLY\n I had to come. To be sure you were okay.\n\nThey hold each other. For a long time.\n\n KELLY\n I love you, Chuck.",
"CHUCK\n I have to go. I'm on call for overflow\n down at the Hub.\n\n KELLY\n A ring. I wanted a ring.",
"CHUCK\n You too.\n\n KELLY\n I'm so glad you're alive.\n\nChuck grins.",
"KELLY\n You okay?\n\n CHUCK\n Great. Really.\n\nShe stares at his face, reaches out, touches it again, this\ntime with great tenderness.",
"CHUCK\n That's what I told the fish I caught.\n But I ate them anyway.\n\nAnd the laughter comes again. Kelly grins, embarrassed, a\nlittle worried.",
"KELLY\n So simple to say, so hard to do.\n\n CHUCK\n Not when you have no choice.",
"KELLY\n Chuck, you're breaking my heart.\n\n CHUCK\n A week, max. Okay? Okay?",
"CHUCK\n I know.\n\n KELLY\n If I'd known you were alive --\n\n CHUCK\n I would have done the same thing.",
"CHUCK\n And I can't fix this damn machine.\n\nShe looks at him.\n\n KELLY\n Come on.",
"KELLY\n Don't overwhelm me with details, you know\n how I hate that. Did you get it fixed?\n\n CHUCK\n I thought I did.",
"KELLY\n Chuck! You're back!\n\nShe leaps into his arms.\n\n KELLY\n Your eyes are puffy. Did you take Valium\n again?",
"KELLY\n I buried you, Chuck. They had to pry my\n fingers off your coffin.\n\nThis interests Chuck to no end.",
"Chuck's beeper goes off.\n\n KELLY\n You should have got me a ring.\n\nHe checks the number.",
"STAN\n Uh, there's somebody out here who wants\n to see you.\n\nChuck stares sharply at him. Kelly? Stan nods, but there's\nsomething he wants to say.",
"EXT. KELLY'S HOUSE - DAY - MINUTES LATER\n\nKelly opens the door. Chuck is there with the puppy."
],
[
"CHUCK\n The plane went down. My friends died. I\n washed up on an island. Then I found\n these barrels, built the raft, and here I\n am.",
"Chuck looks to each point on the compass. He is on an\nISLAND, small, inhospitable, without sign of habitation or",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck stands on the summit, looking in all directions. Then,\nsomething on the island brings Chuck's eyes back from their\ndistant focus on the horizon. From down on the beach,",
"CHUCK\n Wait! Wait!\n\nChoking and weak, he turns back and drags himself up on the\nbeach. In the b.g., the sail dwindles into the distance.",
"Visibly moved, Chuck puts down the letter.\n\n CHUCK\n He never got it.\n\nEXT. ISLAND - DAY",
"CHUCK'S POV - SAIL\n\nA SAIL is moving steadily away from the island.\n\nCHUCK\n\nThrows down the spear and waves his arms.",
"Chuck holds his surgeon's saw over the stump. He walks to\nanother tree and begins to saw his way into the trunk.\n\nEXT. BEACH - SERIES OF SHOTS",
"CHUCK\n No way on. No way off.\n\nChuck stares out to sea in every direction. Nothing.",
"Chuck sleeps by the coconuts. The tide is coming in. Chuck\nstirs, gets up, staggers over to a palm tree to relieve\nhimself.",
"Chuck is in the stage of malnutrition, vitamin deprivation,\nsalt insufficiency, and exposure where the personality splits\nand becomes external. Like all castaways, he has\nconversations with the two sides of himself.",
"Chuck stares, then realizes the danger and throws himself\ndown on the raft. Suddenly a wall of rain sweeps over him\nand the ocean begins to roll. The thunder is deafening.\nLightning flashes bursts through the rain.",
"Chuck begins to laugh, a little too loud, a little too\nshrill. He's on a high.\n\nEXT. HAWAII - BEACH RESTAURANT",
"He squints, stares again. The clouds part. It looks like --\nhis island.\n\nChuck doesn't know whether to feel joy or despair.",
"EXT. OTHER SIDE OF ISLAND - DAY\n\nChuck picks some berries and gingerly tries them. They're\nnot bad. He eats more. Then more. What a relief.",
"The raft drifts. Chuck has taken down the sail and rigged it\nas a canopy. Drenched with sweat, Chuck lies on the raft,",
"And then the sharks are gone.\n\nChuck comes to his knees slowly, then a big wave hits.\nWilson is swept into the ocean!",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"Chuck makes a mark on a palm tree. He has completely covered\nthree other trees with marks. It sinks in how long he has\nbeen here.\n\nEXT. JUNGLE - LATER",
"The lights move on.\n\n CHUCK\n No...no...no...\n\nHis raft is rocked by the wake, rocked hard. Chuck is thrown\ninto the water!"
],
[
"Chuck is in the stage of malnutrition, vitamin deprivation,\nsalt insufficiency, and exposure where the personality splits\nand becomes external. Like all castaways, he has\nconversations with the two sides of himself.",
"CHUCK\n Give me a minute. I've spent four years\n looking out at an empty ocean.\n\nHe laughs, a short brittle laugh, composes himself.",
"We come around slowly until we see Chuck's face. The eyes\nsay it all. They stare out with a survivor's intensity,",
"Chuck blinks against the lights and the glare. Stan is right\nby him. Everyone bursts into APPLAUSE AND CHEERING.\n\nAfter four years of total solitude this is completely\noverwhelming.",
"CHUCK\n The plane went down. My friends died. I\n washed up on an island. Then I found\n these barrels, built the raft, and here I\n am.",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck stands on the summit, looking in all directions. Then,\nsomething on the island brings Chuck's eyes back from their\ndistant focus on the horizon. From down on the beach,",
"Chuck looks to each point on the compass. He is on an\nISLAND, small, inhospitable, without sign of habitation or",
"Chuck holds his surgeon's saw over the stump. He walks to\nanother tree and begins to saw his way into the trunk.\n\nEXT. BEACH - SERIES OF SHOTS",
"Chuck makes a mark on a palm tree. He has completely covered\nthree other trees with marks. It sinks in how long he has\nbeen here.\n\nEXT. JUNGLE - LATER",
"Visibly moved, Chuck puts down the letter.\n\n CHUCK\n He never got it.\n\nEXT. ISLAND - DAY",
"CHUCK'S POV - SAIL\n\nA SAIL is moving steadily away from the island.\n\nCHUCK\n\nThrows down the spear and waves his arms.",
"Chuck stirs and squints his eyes. He takes a drink of water.\nHe is feeling better. He puts another log on the fire and\nslowly begins to chew on some breadfruit and dried fish.",
"EXT. CAVE - NIGHT\n\nChuck enters the cave. No signal fires burn. The island is\ndark.\n\nEXT. SUMMIT - DAY",
"Chuck is gaunt, his clothes rotted.\n\nHe lies looking over the side of the raft, spear in one hand,\nstaring intently at the water.",
"Chuck emerges from the cave. The rain has stopped. This is\nthe absolute lowest. His face reflects his pain and despair.\nHe's trapped. It's hopeless. Everything he tried to build\nis gone.",
"Chuck opens his mouth even further. The technician talks on\nin the self-absorbed way dental technicians sometimes do,\nthat constant babble of human contact which Chuck has not\nheard for four years.",
"Chuck takes a cooked fish off the fire and mixes it with some\nbreadfruit. He eats the soft mixture, chewing carefully, but",
"CHUCK\n If I never return, know that here lived\n Chuck Noland for four years. I drew",
"Over and over, we see Chuck capsize at the reef. The first\ntime he has a bandage on his leg. He tries everything --\ndifferent rafts, different approaches, but each time the\nocean spits him back."
],
[
"Two boxes remain. One is the box with Angel Wings. Chuck\nsets it aside. He opens the other box. Out tumbles a",
"Chuck and Stan ride on the plane. Chuck is coming down off\nhis survival high. He has the Angel Wing FedEx package with\nhim.",
"CHUCK\n One of those packages just moved.\n\nThe package turns over, something darts out. It's a puppy,\nwith a bow around its neck.",
"The plane cuts its engine. The stairs are rolled out.\nForklifts and gangways move forward. Cargo doors open.\nChuck appears in the door. He holds the FedEx Package and a\nsmall travel bag.",
"KELLY\n So do good things come in large packages?\n\nKelly opens Chuck's present -- a very large box.\n\nIt's a piece of luggage.",
"Chuck has made a neat stack of FedEx boxes under some palm\ntrees at the rim of the beach. He examines the Angel Wing\ndrawing with passing curiosity, then puts it on the stack.",
"Chuck stares at him. Are you kidding?\n\n STAN\n What, then?\n\n CHUCK\n Deliver this package. Then, I dunno.",
"CHUCK\n Let's go.\n\nHe heads toward the truck and begins pulling off packages.\nAll the other executives follow him.",
"In his boyhood room, we see Chuck's laptop, which is hooked\nup to the internet FedEx homepage. All around him are models",
"CHUCK\n We're on time, right?\n\n JACK\n On time, Chuck.\n\nChuck hands Jack and Gwen small packages.",
"EXT. WOODS - MINUTES LATER\n\nChuck bursts out of the woods into the lava field. Smoke\npours out of the FedEx box. The coals are about to burn\nthrough!",
"Chuck emerges around the rocks. He reaches the stack of\nfamiliar FedEx boxes -- Ahh, home! He's breathing hard, from\nboth fear and exertion.",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"With his stone knife and spear to help him. Chuck begins to\nopen the FedEx boxes. Chuck rips open the end of one box and",
"Chuck tears another box open. Out slide some legal papers\ncovered with Post-its.",
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"EXT. KELLY'S HOUSE - DAY - LATE THAT AFTERNOON\n\nChuck lugs a big package up to the door, knocks on it. Kelly\nopens the door.",
"Chuck hesitates for a moment, then looks at his watch.\n\n CHUCK\n I'll catch the sweep tonight.\n\nINT. FEDEX PLANE - NIGHT",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"CHUCK\n Kelly?\n\nA fire still smolders. The packages have burned. The tree\nis a blackened mess.\n\nChuck stares at it."
],
[
"He holds Wilson close to his chest.\n\n BADCHUCK\n I float. You sink. End of story.",
"But Wilson doesn't have an opinion.\n\n CHUCK\n You don't share much, do you?\n\nIdly Chuck takes down the Angel Box.",
"CHUCK\n Wilson, we're out of here.\n\nHe turns and begins raising the sail.\n\nEXT. OCEAN - WIDE - MINUTES LATER",
"Wilson floats away from him. He swims, but he's so weak.\nFinally he gets to Wilson. He reaches out, but only pushes\nthe ball farther away.",
"BADCHUCK\n Listen to this, Wilson.\n (deep voice: God)\n Because you piss me off.\n\nEXT. OCEAN - DAY",
"Chuck picks up Wilson, thinks.\n\n CHUCK\n You old airhead, you need a makeover.",
"CHUCK\n Wilson, you bad!\n\nHe sits back and regards his companion. He gestures around\nthe cave at the new paintings.\n\n CHUCK\n What do you think?",
"BADCHUCK\n It's a fucking soccer ball, you idiot.\n\n GOODCHUCK\n Shut up.\n\nHe lies on the raft and holds Wilson close.",
"He lies on the raft, panting.\n\nThen with all his strength he pulls himself to his feet,\nholds on to the mast, scans the ocean for Wilson.\n\n CHUCK\n Wilson!",
"Chuck slowly wakes up. Sets Wilson aside.",
"And then the sharks are gone.\n\nChuck comes to his knees slowly, then a big wave hits.\nWilson is swept into the ocean!",
"Then comes the FedEx box with the angel wings. Then Wilson.\n\n CHUCK\n Wilson, my main man. Time to go.",
"GOODCHUCK\n Damn it! Don't be so negative!\n\nChuck picks up Wilson.\n\n GOODCHUCK\n Wilson, what's your story?",
"EXT. ROCKY LEDGE - NIGHT - LATER\n\nTorch in one hand, Wilson in the other, Chuck walks across\nthe rocky ledge. He passes the flume without even noticing.",
"For a moment Chuck is uncomprehending. He watches as Wilson\nslowly floats away.\n\n CHUCK\n Please, no sharks.",
"The signal fire burns. A spectacular cloudy sunset lights up\nthe sky. Chuck sits with Wilson on the summit, a bowl of\nmashed breadfruit in one hand, a bowl of roasted eel skin in\nanother.",
"Chuck constructs a water collection device with some FedEx\nboxes, some plastic weighted with a stone. Explains it to\nWilson.",
"CHUCK\n Help me, Wilson...\n\nHe collapses again.\n\nINT. CAVE - NIGHT",
"dips them into the breadfruit paste, and offers one to\nWilson. His voice is flat, monotonal.",
"CHUCK\n To Wilson.\n\nNow's when Stan gets to the question he's been wanting to\nask, that Kelly wanted to know, that we all want to know."
],
[
"But he's out. He might never get back out again.\n\nHe stares at the lagoon and the receding water jugs. Then he\nstares at the island. Goodbye to all that.",
"He turns again in the water. There, dimly, he can see the\nglow from the fish he killed. The glow saves his life.\n\nHe swims toward it.",
"As he watches them, a light comes back into his eyes. He\ngrins. There's a big gap where his teeth had been. He turns\nand strides down the hill.",
"throws it on the ground by the palm tree. He has tried so\nhard to escape, so incredibly hard, done everything humanly\npossible and beyond. He rips off his life preserver, throws",
"He is on his way down, suddenly he sees something and stops.\nIt's the HANDPRINT, the bloody handprint, his own handprint.",
"Chuck stirs and squints his eyes. He takes a drink of water.\nHe is feeling better. He puts another log on the fire and\nslowly begins to chew on some breadfruit and dried fish.",
"Defeated and utterly exhausted, Chuck swims back from his\nlatest failure. He wades back ashore with the FedEx box and",
"Chuck emerges around the rocks. He reaches the stack of\nfamiliar FedEx boxes -- Ahh, home! He's breathing hard, from\nboth fear and exertion.",
"He relaxes a little. Maybe the package with the wings was a\nsign, he kept it all these years precisely for this. Then\nthere's a sound of a truck in the driveway.",
"CHUCK\n Wait! Wait!\n\nChoking and weak, he turns back and drags himself up on the\nbeach. In the b.g., the sail dwindles into the distance.",
"He rolls over, sits down. Dazed. Still confused. Where am\nI? What happened?",
"And then the sea is calm again.\n\nSlowly Chuck sinks to his knees. His hand lets loose his\npants.",
"By now he has taken all the boxes in the P. Only H E L\nremains. He pauses to let the irony of that sink in, then\ncollects more boxes. He is even more exhausted.",
"Suddenly, without an once of wasted motion, he shoots the\nspear forward at a low angle. It quivers, stuck on the\nbottom. He pulls it out with a practiced twist. On the end\nis a struggling fish.",
"He resumes his efforts at fishing. A shape scuttles raggedly\nbeneath him.\n\n CHUCK\n A crab, it's a crab.",
"He falls back in the water and floats there, looking up at\nthe sky.\n\nINT. CAVE - LATER",
"The tide gently rocks him, laps at his face. He chokes.\nSlowly he gets to his knees. Vomits seawater, big heaves.",
"Chuck lies on his belly and drinks from the well, which has\nfilled with water. Then he washes his face and splashes\nwater over his neck. The surface of the well stills,",
"He concentrates on his work, then sits back on his heels in\namazement. There's another fish inside. He holds that fish\nup, stares at it, then cuts it open.",
"Chuck realizes he is naked. Struggles to pull on the remains\nof his pants finally holds them like a diaper with one hand\nas he continues to wave."
],
[
"Two boxes remain. One is the box with Angel Wings. Chuck\nsets it aside. He opens the other box. Out tumbles a",
"He relaxes a little. Maybe the package with the wings was a\nsign, he kept it all these years precisely for this. Then\nthere's a sound of a truck in the driveway.",
"Then comes the FedEx box with the angel wings. Then Wilson.\n\n CHUCK\n Wilson, my main man. Time to go.",
"Chuck and Stan ride on the plane. Chuck is coming down off\nhis survival high. He has the Angel Wing FedEx package with\nhim.",
"Arms around each other, the Man and the Woman say goodbye to\nChuck. In the front yard is a panel truck painted with two\nangel wings. The Man grins at Chuck, an easy, friendly grin.",
"Chuck has made a neat stack of FedEx boxes under some palm\ntrees at the rim of the beach. He examines the Angel Wing\ndrawing with passing curiosity, then puts it on the stack.",
"Ladders. Scaffolds. Huge paintings are everywhere.\nPaintings of wings and angels -- like the package. Chuck\nstares at them. Bettina watches Chuck stare.",
"EXT. CHUCK'S MOTEL - THAT NIGHT\n\nChuck leaves the motel, the Angel Box under his arm. He ties\nit into a pannier on the side of a bicycle.",
"With the Angel Wing Box as a model, Chuck dips one of his\nfeather brushes in paint, and make a tentative line on the\nwall of the cave. He works hesitantly, rubs off a line,\ntries again.",
"But Wilson doesn't have an opinion.\n\n CHUCK\n You don't share much, do you?\n\nIdly Chuck takes down the Angel Box.",
"The plane lands. The container is unloaded down a belt. We\nsee our Angel Box. Directly in front of it is a DENTED BOX.",
"CHUCK\n One of those packages just moved.\n\nThe package turns over, something darts out. It's a puppy,\nwith a bow around its neck.",
"A classic beach house. Sand dunes, stilts. Carrying the\nAngel Wing Box under his arm, Chuck checks the address in his",
"The plane cuts its engine. The stairs are rolled out.\nForklifts and gangways move forward. Cargo doors open.\nChuck appears in the door. He holds the FedEx Package and a\nsmall travel bag.",
"Stan and Chuck are in the office of a TECHNICIAN who is\nworking away at his computer. The Technician pulls the bar\ncode from the Angel Wing FedEx box up on his computer screen.",
"EXT. BEACH - WIDE\n\nChuck walks down the beach, picking up FedEx packages,\nleaving a trail of footprints in the sand. Ahead of him we\nnotice a package decorated with ANGEL WINGS.",
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"CHUCK\n FedEx for Bettina Peterson.\n\nThe woman stares in disbelief at the package she hasn't seen\nin years and never expected to see again.",
"But something on the box catches her eye. She wants it back.\nHe glances at his watch. She draws RINGS around the Wings,\nuniting them. She gives the box to the Driver, then hands",
"CHUCK\n I'm an angel.\n\nSuddenly he sees other lights. A ship. A ship is out there.\nAnd he hears it, a humming in deep register."
],
[
"His hands are cut and bruised. He tries to get up, can't.\nChuck sits back and examines his foot. His fingers come back",
"Chuck sticks the scalpel onto some coals to sterilize it. He\nholds it over his foot, takes a breath, then jabs in into the\nwound. The pain is intense. Chuck passes out.",
"Chuck takes white paint and covers his hand. Then he presses\nit into his chest and makes a handprint. He draws a yellow",
"Chuck plunges into the water after the fish with his bare\nhands. The fish reverses direction. Chuck leaps after it\nand goes under. He comes up spluttering, on his hands and\nknees in the shallows.",
"CHUCK\n Stupid fucking thing!\n\nHe quits, exhausted. He looks at his hands. They are raw\nand blistered. He feels like Job.",
"We come around slowly until we see Chuck's face. The eyes\nsay it all. They stare out with a survivor's intensity,",
"Chuck is semi-conscious and bleeding from the head. John\npulls the inflators on Chuck's life jacket, which fills with",
"Chuck's face is sweaty. He looks down at his foot. It is\nred, swollen, infected. He stands up, tries to put some\nweight on it. The pain is intense.",
"Chuck holds his surgeon's saw over the stump. He walks to\nanother tree and begins to saw his way into the trunk.\n\nEXT. BEACH - SERIES OF SHOTS",
"Chuck does. Stan bursts into the room.\n\n STAN\n Chuck! God damn!\n\nChuck struggles out of the chair.",
"Chuck realizes he is naked. Struggles to pull on the remains\nof his pants finally holds them like a diaper with one hand\nas he continues to wave.",
"Chuck holds a stone chisel and his hammer stone. He\npositions the chisel against his inflamed tooth. But the\nthought of what he is about to do is too frightening. He\nlowers the chisel.",
"CHUCK\n Sonofabitch.\n\nThe blood stains the rock a bright red. Chuck sucks on his\nfinger, then he gets an idea -- the same idea primitive man\nfirst got when he discovered stone tools.",
"Using a safety pin and some suturing thread, Chuck fishes\ncarefully. Suddenly he jerks his hand back. On the end is a\nflopping fish.\n\nEXT. PALM GROVE - DAY",
"Chuck covers his hand with paint and makes a handprint on the\nwall of the cave. He stands back and looks at it.\n\nINT. CAVE - DAY",
"Chuck's eyes snap awake. He looks down at his feet. There's\na pool of muddy water there. He dips his hand in it, touches\na finger to his lips to be sure he's not dreaming.",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"Chuck works to braid a new rope. He is focused,\nconcentrating as hard as he can, but everything is slow and\nhard and he's weak and clumsy. He tests the rope, but it\ndoesn't hold.",
"Chuck is drenched in sweat. He is at the bottom of a hole\nsix feet deep. He takes one last dig with the flat stick,\nthen licks the moist clay that sticks to it.",
"Chuck splashes after it, stabbing as he goes, falling,\ngetting up, stabbing again."
],
[
"KELLY\n Chuck! You're back!\n\nShe leaps into his arms.\n\n KELLY\n Your eyes are puffy. Did you take Valium\n again?",
"KELLY\n I had to come. To be sure you were okay.\n\nThey hold each other. For a long time.\n\n KELLY\n I love you, Chuck.",
"Idly, Chuck takes out his wallet. The money is soaked. He\nlays it out to dry. He finds a PHOTOGRAPH OF KELLY, soaked\nand mushy.",
"KELLY\n You okay?\n\n CHUCK\n Great. Really.\n\nShe stares at his face, reaches out, touches it again, this\ntime with great tenderness.",
"EXT. KELLY'S HOUSE - DAY - MINUTES LATER\n\nKelly opens the door. Chuck is there with the puppy.",
"KELLY\n I buried you, Chuck. They had to pry my\n fingers off your coffin.\n\nThis interests Chuck to no end.",
"CHUCK\n Hey, be nice to it, it'll be nice to you.\n\nSurprised, Kelly turns to greet Chuck.",
"CHUCK\n You too.\n\n KELLY\n I'm so glad you're alive.\n\nChuck grins.",
"EXT. KELLY'S HOUSE - DAY - LATE THAT AFTERNOON\n\nChuck lugs a big package up to the door, knocks on it. Kelly\nopens the door.",
"KELLY\n So do good things come in large packages?\n\nKelly opens Chuck's present -- a very large box.\n\nIt's a piece of luggage.",
"EXT. KELLY'S HOUSE - HOUSE LATER\n\nIt's dark now. Chuck returns. The stars are putting on an\namazing show, but he doesn't notice as he heads for the door.",
"KELLY\n A puppy's got a little more personality\n than a fish.\n\n CHUCK\n And for you --\n\nChuck hands over his present.",
"CHUCK\n That's what I told the fish I caught.\n But I ate them anyway.\n\nAnd the laughter comes again. Kelly grins, embarrassed, a\nlittle worried.",
"KELLY\n I've got to get back to Memphis.\n Hannah's babysitter has finals.\n\n CHUCK\n It means a lot...that you came.",
"Chuck's raft sits up on a dock. Kelly stands staring at it.\nHow small and fragile it looks.\n\n STAN\n This stinks really bad.",
"Chuck plunges into the water after the fish with his bare\nhands. The fish reverses direction. Chuck leaps after it\nand goes under. He comes up spluttering, on his hands and\nknees in the shallows.",
"CHUCK\n Kelly?\n\nA fire still smolders. The packages have burned. The tree\nis a blackened mess.\n\nChuck stares at it.",
"CHUCK\n I know.\n\n KELLY\n If I'd known you were alive --\n\n CHUCK\n I would have done the same thing.",
"CHUCK\n Look, we'll do our trip as soon as I get\n back.\n\n KELLY\n Don't even start.\n\nAnd then it hits her.",
"KELLY\n So simple to say, so hard to do.\n\n CHUCK\n Not when you have no choice."
],
[
"The raft drifts. Chuck has taken down the sail and rigged it\nas a canopy. Drenched with sweat, Chuck lies on the raft,",
"CHUCK\n The plane went down. My friends died. I\n washed up on an island. Then I found\n these barrels, built the raft, and here I\n am.",
"Chuck stares, then realizes the danger and throws himself\ndown on the raft. Suddenly a wall of rain sweeps over him\nand the ocean begins to roll. The thunder is deafening.\nLightning flashes bursts through the rain.",
"Chuck is making a list of what he needs. He works intently.\n\n CHUCK\n Canteens. Sea anchor. Got to weave\n rope. Spears. A sail.",
"The rising tide floods water into the trench. Chuck rocks\nthe raft back and forth. It floats! As the wave recedes, it\ntakes the raft with it. Chuck has to run beside it.",
"It bobs on the waves. Chuck treads water, exhausted.\n\nWhere is the raft?\n\n CHUCK\n Jesus. Jesus. Jesus.",
"Chuck loads the raft, which rocks gently in the cove. He has\na sail made of designer dresses sewn together with fiber",
"Chuck is gaunt, his clothes rotted.\n\nHe lies looking over the side of the raft, spear in one hand,\nstaring intently at the water.",
"The waves come at him high as houses. The raft rides up one\nside, then plunges down the next.\n\nAll Chuck can do is hold on.\n\nEXT. OCEAN - DAY",
"He lies on the raft, panting.\n\nThen with all his strength he pulls himself to his feet,\nholds on to the mast, scans the ocean for Wilson.\n\n CHUCK\n Wilson!",
"The raft floats on quiet seas. The sky is blue, with few\nhigh cirrus clouds so motionless they seem pasted on.\n\nChuck lies on the raft, sick and weak.",
"CHUCK\n Wait! Wait!\n\nChoking and weak, he turns back and drags himself up on the\nbeach. In the b.g., the sail dwindles into the distance.",
"EXT. BEACH - DAY\n\nChuck digs a channel toward the raft.\n\nINT. CAVE - DAY",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"On the beach, Chuck desperately gathers more firewood in the\ndriving monsoon. He can barely see. Driven by the storm,\nthe waves are licking at the palm grove.",
"Nothing but waves.\n\nThis is too much. Chuck starts to cry.\n\nEXT. RAFT - DAY - LATER",
"EXT. BEACH - LATER\n\nUsing a palm tree as a fulcrum, Chuck hauls hard on a rope\nmade of vines, pulling the barrel up off the beach.",
"Chuck sleeps by the coconuts. The tide is coming in. Chuck\nstirs, gets up, staggers over to a palm tree to relieve\nhimself.",
"Over and over, we see Chuck capsize at the reef. The first\ntime he has a bandage on his leg. He tries everything --\ndifferent rafts, different approaches, but each time the\nocean spits him back.",
"Chuck stirs and squints his eyes. He takes a drink of water.\nHe is feeling better. He puts another log on the fire and\nslowly begins to chew on some breadfruit and dried fish."
],
[
"Chuck sneaks up to a craftsman cottage and stands by a tree\nwith a swing on it. Inside we see Kelly making dinner for",
"EXT. KELLY'S HOUSE - DAY - MINUTES LATER\n\nKelly opens the door. Chuck is there with the puppy.",
"EXT. KELLY'S HOUSE - DAY - LATE THAT AFTERNOON\n\nChuck lugs a big package up to the door, knocks on it. Kelly\nopens the door.",
"Chuck enters as they keep talking. Her house is cozy but\nalso where she works. There's a computer, specimen jars, and\nsome terrariums with frogs inside. A Christmas tree with\npackages under it.",
"CHUCK\n You too.\n\n KELLY\n I'm so glad you're alive.\n\nChuck grins.",
"A small windowless room with only a desk and a phone, lit by\na fluorescent lamp. Chuck is listening to the phone ring.\n\nKelly answers.",
"INT. CHUCK'S HOUSE - LATER",
"Chuck is beside it, slumped down on the desk. Asleep.\n\nEXT. FARM HOUSE - DAY\n\nHis mom waves to him as Chuck drives away.",
"KELLY\n There isn't any us.\n\n CHUCK\n Yes there is.\n\nKelly can't stay mad.",
"EXT. KELLY'S HOUSE - HOUSE LATER\n\nIt's dark now. Chuck returns. The stars are putting on an\namazing show, but he doesn't notice as he heads for the door.",
"KELLY\n Merry Christmas eve.\n\n CHUCK\n Not if you work for FedEx.\n\nINT. KELLY'S HOUSE - DAY",
"KELLY\n Chuck! You're back!\n\nShe leaps into his arms.\n\n KELLY\n Your eyes are puffy. Did you take Valium\n again?",
"CHUCK\n Hey, be nice to it, it'll be nice to you.\n\nSurprised, Kelly turns to greet Chuck.",
"KELLY\n You okay?\n\n CHUCK\n Great. Really.\n\nShe stares at his face, reaches out, touches it again, this\ntime with great tenderness.",
"CHUCK\n The place is falling apart.\n\n MOM\n I'm doing fine.\n\nShe looks pointedly at Chuck.",
"CHUCK\n You seen Kelly Frears?\n\nOne of them gestures toward a door.\n\n GUY\n Xerox machine.",
"Chuck's raft sits up on a dock. Kelly stands staring at it.\nHow small and fragile it looks.\n\n STAN\n This stinks really bad.",
"CHUCK\n Kelly, damn, look, this is Chuck. I'm\n going to be a little late. Well, more",
"CHUCK\n That's what I told the fish I caught.\n But I ate them anyway.\n\nAnd the laughter comes again. Kelly grins, embarrassed, a\nlittle worried.",
"CHUCK\n You have any children?\n\nKelly nods.\n\n CHUCK\n Got a picture?"
],
[
"Chuck's car drives up to a typical Arkansas farm house. His\nMOM is setting some Christmas tree lights around the door.\nChuck gets out of the car. There's a large wet spot on the\nfront of his pants.",
"Chuck enters as they keep talking. Her house is cozy but\nalso where she works. There's a computer, specimen jars, and\nsome terrariums with frogs inside. A Christmas tree with\npackages under it.",
"CHUCK\n Kelly?\n\nA fire still smolders. The packages have burned. The tree\nis a blackened mess.\n\nChuck stares at it.",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"Chuck hesitates for a moment, then looks at his watch.\n\n CHUCK\n I'll catch the sweep tonight.\n\nINT. FEDEX PLANE - NIGHT",
"Christmas in Russia. Snow everywhere. Brightly colored\nlights. Chucks gets out of a Volga with Aleksei. He has a\nbag over his shoulder, the dented package under one arm.",
"The plane cuts its engine. The stairs are rolled out.\nForklifts and gangways move forward. Cargo doors open.\nChuck appears in the door. He holds the FedEx Package and a\nsmall travel bag.",
"INT. KELLY'S HOUSE - MINUTES LATER\n\nChuck enters. The tree and the presents under it are gone.\n\n CHUCK\n Kelly? Kelly?",
"CHUCK\n Where's Mom?\n\n ROGER\n Waiting for you. At the farm. This was\n too much --\n\nHe looks around at the crowds.",
"KELLY\n Merry Christmas eve.\n\n CHUCK\n Not if you work for FedEx.\n\nINT. KELLY'S HOUSE - DAY",
"INT. CHUCK'S HOUSE - LATER",
"Chuck begins to laugh, a little too loud, a little too\nshrill. He's on a high.\n\nEXT. HAWAII - BEACH RESTAURANT",
"CHUCK (V.O.)\n So do I.\n\nThe truck goes down the beach and then turns inland, away\nfrom the ocean. Away from all that.",
"Chuck sneaks up to a craftsman cottage and stands by a tree\nwith a swing on it. Inside we see Kelly making dinner for",
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"CHUCK\n Let's go.\n\nHe heads toward the truck and begins pulling off packages.\nAll the other executives follow him.",
"Chuck rides away from the small neat frame house, down a\ncountry lane with trailers up on blocks.\n\nEXT. GULF COAST - DAY",
"Chuck is beside it, slumped down on the desk. Asleep.\n\nEXT. FARM HOUSE - DAY\n\nHis mom waves to him as Chuck drives away.",
"Chuck carries firewood up to the summit. He mechanically\nadds wood to the fire. As he does so, something out to sea\ncatches his eye. He stops and stands up.",
"As he talks, we stay on Chuck, who is taking in this amazing\nscene, not really listening."
],
[
"Chuck walks through the extraordinary nexus of speeding\npackages that intersect in intricate paths above and around\nhim. This is the beating center of the FedEx world, the",
"A nondescript office park near the airport. No sign.\nChuck's car screeches into the parking lot. He jumps out,\nglances at this watch, and heads for the building at a run.",
"In his boyhood room, we see Chuck's laptop, which is hooked\nup to the internet FedEx homepage. All around him are models",
"INT. FEDEX OFFICE - LATER THAT DAY\n\nChuck enters his office, on the go. His assistant LESLIE is\nwaiting for him.",
"The last truck enters and loading dock. A few loaders move\ntoward it. The executives all stand and watch. But not\nChuck. He's hands on.",
"The plane cuts its engine. The stairs are rolled out.\nForklifts and gangways move forward. Cargo doors open.\nChuck appears in the door. He holds the FedEx Package and a\nsmall travel bag.",
"CHUCK\n You win and lose.\n\nAnd Chuck has. Big time.\n\nEXT. MEMPHIS AIRPORT - NIGHT",
"INT. PHONE CUBICLE - MOMENTS LATER\n\nChuck's on the phone again.",
"Chuck rides on a ferry, the wind blowing his face. The sky\nis gray and drizzly. He smells the salt water. Watches the\nwaves.\n\nEXT. GAS STATION - DAY",
"CHUCK\n The Paris container. Africa too. Japan\n goes to Memphis.\n\nChuck is everywhere, setting the example. The whole office\nis energized, working together.",
"CHUCK\n Let's go.\n\nHe heads toward the truck and begins pulling off packages.\nAll the other executives follow him.",
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"Chuck pulls some clothes out of his saddle bags.\n\nEXT. GAS STATION - MOMENTS LATER\n\nChuck emerges from the restroom wearing a FedEx shirt and\nshorts.",
"A FedEx truck pulls out of the FedEx office. Chuck is\ninside. He notices the graffiti on the walls.\n\nINT. TRUCK - MOMENTS LATER",
"Chuck looks down at his doodling. Hesitates. Then signs his\nname.\n\nINT. TYSON'S CHICKEN - ARKANSAS - DAY",
"And then we hear a dial tone, harsh, mechanical, final.\n\nEXT. PHONE CUBICLE - MINUTES LATER\n\nWe can see Chuck inside, staring at the phone.",
"Chuck enters as they keep talking. Her house is cozy but\nalso where she works. There's a computer, specimen jars, and\nsome terrariums with frogs inside. A Christmas tree with\npackages under it.",
"INT. HOTEL ROOM - NIGHT - LATER\n\nChuck is watching CNN on the television, working his\nPowerBook, and holding the phone.",
"Chuck does. Stan bursts into the room.\n\n STAN\n Chuck! God damn!\n\nChuck struggles out of the chair.",
"Chuck."
],
[
"Chuck sleeps by the coconuts. The tide is coming in. Chuck\nstirs, gets up, staggers over to a palm tree to relieve\nhimself.",
"Chuck walks aimlessly down the beach, feeling the burden of\nstarting over. The beach is littered with seaweed and\nflotsam, bits of rope, plastic bottles. He picks up a\nplastic bottle. That will come in handy.",
"Chuck is making a list of what he needs. He works intently.\n\n CHUCK\n Canteens. Sea anchor. Got to weave\n rope. Spears. A sail.",
"Chuck has the beginnings of an artist's studio. Several\nlarge clam shells hold paint. A few egg shells are lined up.\nBrushes have been made from roots and feathers.",
"Chuck has almost finished a grave in the sand back of the\npalm trees. He's been digging with a piece of driftwood\nsharpened with his stone knife.",
"On the beach, Chuck desperately gathers more firewood in the\ndriving monsoon. He can barely see. Driven by the storm,\nthe waves are licking at the palm grove.",
"Chuck carefully shaves some tinder. Puts it under a piece of\nbamboo split lengthwise with a notch cut across it.\n\nEXT. BEACH - LATER",
"Chuck is finishing his first figure, a crude portrait of a\nman -- himself? Hard to tell. He examines his work. He\ntakes some shells and sticks them on as eyes.",
"Chuck curls up in his bed of palm fronds. The fire burns.\nAround it is a large stack of crab shells. He stares into\nthe fire.",
"The fire burns on the beach. Chuck rushes about, piling on\ndriftwood.\n\nEXT. BEACH - CLOSER",
"CHUCK\n Wait! Wait!\n\nChoking and weak, he turns back and drags himself up on the\nbeach. In the b.g., the sail dwindles into the distance.",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck looks to each point on the compass. He is on an\nISLAND, small, inhospitable, without sign of habitation or",
"Chuck is gaunt, his clothes rotted.\n\nHe lies looking over the side of the raft, spear in one hand,\nstaring intently at the water.",
"Chuck wades in the water with his spear. Suddenly he stabs\nit down. A crab is on the end.\n\nEXT. BEACH - HALF HOUR LATER",
"Chuck stands on the summit, looking in all directions. Then,\nsomething on the island brings Chuck's eyes back from their\ndistant focus on the horizon. From down on the beach,",
"With a rock Chuck hammers a crude driftwood marker into the\nsand.\n\nEXT. BEACH - LATER THAT DAY",
"EXT. BEACH - SUNSET\n\nChuck sits in the shade of a palm tree surrounded by a pile\nof smashed coconut husks and a stack of limpet shells. He\nchecks his watch for a moment.",
"EXT. BEACH - LATER\n\nUsing a palm tree as a fulcrum, Chuck hauls hard on a rope\nmade of vines, pulling the barrel up off the beach.",
"Chuck carries firewood up to the summit. He mechanically\nadds wood to the fire. As he does so, something out to sea\ncatches his eye. He stops and stands up."
],
[
"Chuck takes white paint and covers his hand. Then he presses\nit into his chest and makes a handprint. He draws a yellow",
"Chuck covers his hand with paint and makes a handprint on the\nwall of the cave. He stands back and looks at it.\n\nINT. CAVE - DAY",
"He is on his way down, suddenly he sees something and stops.\nIt's the HANDPRINT, the bloody handprint, his own handprint.",
"Chuck drops his briefcase and his bag. The place is a jumble\nof clothes, papers, books, etc. In the living room is a tank",
"Chuck walks through the cemetery late at night. He comes to\nhis gravestone, stares for a long moment at the inscription,\nthen takes out a spray can of paint and puts a HANDPRINT on\nit.",
"His hands are cut and bruised. He tries to get up, can't.\nChuck sits back and examines his foot. His fingers come back",
"Chuck looks down at his doodling. Hesitates. Then signs his\nname.\n\nINT. TYSON'S CHICKEN - ARKANSAS - DAY",
"CHUCK\n Sonofabitch.\n\nThe blood stains the rock a bright red. Chuck sucks on his\nfinger, then he gets an idea -- the same idea primitive man\nfirst got when he discovered stone tools.",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"INT. CAVE - MOMENTS LATER\n\nChuck enters the cave, picks up the ball and heads out.\n\nEXT. SUMMIT - EVENING",
"covered with blood. He reaches out to steady himself, and\nleaves a HANDPRINT OF BLOOD on the rock.",
"CHUCK\n Stupid fucking thing!\n\nHe quits, exhausted. He looks at his hands. They are raw\nand blistered. He feels like Job.",
"Chuck makes a mark on a palm tree. He has completely covered\nthree other trees with marks. It sinks in how long he has\nbeen here.\n\nEXT. JUNGLE - LATER",
"Chuck plunges into the water after the fish with his bare\nhands. The fish reverses direction. Chuck leaps after it\nand goes under. He comes up spluttering, on his hands and\nknees in the shallows.",
"Two boxes remain. One is the box with Angel Wings. Chuck\nsets it aside. He opens the other box. Out tumbles a",
"INT. CHUCK'S HOUSE - LATER",
"Chuck does. Stan bursts into the room.\n\n STAN\n Chuck! God damn!\n\nChuck struggles out of the chair.",
"And on that bed we see Chuck, in a blue hospital gown. An IV\ndrips into his arm. He plays idly with the remote control of",
"He hands the plaque to Chuck. Chuck acknowledges the cheers\nof the crowd.\n\n CHUCK\n Thank you. Thank you very much...\n\nEveryone applauds.",
"A FedEx truck pulls out of the FedEx office. Chuck is\ninside. He notices the graffiti on the walls.\n\nINT. TRUCK - MOMENTS LATER"
],
[
"Chuck is in the stage of malnutrition, vitamin deprivation,\nsalt insufficiency, and exposure where the personality splits\nand becomes external. Like all castaways, he has\nconversations with the two sides of himself.",
"Chuck looks to each point on the compass. He is on an\nISLAND, small, inhospitable, without sign of habitation or",
"CHUCK\n The plane went down. My friends died. I\n washed up on an island. Then I found\n these barrels, built the raft, and here I\n am.",
"Visibly moved, Chuck puts down the letter.\n\n CHUCK\n He never got it.\n\nEXT. ISLAND - DAY",
"Chuck stands on the summit, looking in all directions. Then,\nsomething on the island brings Chuck's eyes back from their\ndistant focus on the horizon. From down on the beach,",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck sleeps by the coconuts. The tide is coming in. Chuck\nstirs, gets up, staggers over to a palm tree to relieve\nhimself.",
"CHUCK\n Miss that island? Mom, come on.\n\nShe looks at him. She knows her boy.",
"We come around slowly until we see Chuck's face. The eyes\nsay it all. They stare out with a survivor's intensity,",
"Chuck makes a mark on a palm tree. He has completely covered\nthree other trees with marks. It sinks in how long he has\nbeen here.\n\nEXT. JUNGLE - LATER",
"CHUCK'S POV - SAIL\n\nA SAIL is moving steadily away from the island.\n\nCHUCK\n\nThrows down the spear and waves his arms.",
"EXT. OTHER SIDE OF ISLAND - DAY\n\nChuck picks some berries and gingerly tries them. They're\nnot bad. He eats more. Then more. What a relief.",
"Chuck has almost finished a grave in the sand back of the\npalm trees. He's been digging with a piece of driftwood\nsharpened with his stone knife.",
"CHUCK\n No way on. No way off.\n\nChuck stares out to sea in every direction. Nothing.",
"He lies on the raft, panting.\n\nThen with all his strength he pulls himself to his feet,\nholds on to the mast, scans the ocean for Wilson.\n\n CHUCK\n Wilson!",
"Chuck takes a cooked fish off the fire and mixes it with some\nbreadfruit. He eats the soft mixture, chewing carefully, but",
"Chuck is gaunt, his clothes rotted.\n\nHe lies looking over the side of the raft, spear in one hand,\nstaring intently at the water.",
"Chuck squints at the ocean. His sunburn is bad -- his lips\nare cracked. A stack of broken coconut shells is beside him.\nNo one's there -- again.",
"EXT. CAVE - NIGHT\n\nChuck enters the cave. No signal fires burn. The island is\ndark.\n\nEXT. SUMMIT - DAY",
"Chuck holds his surgeon's saw over the stump. He walks to\nanother tree and begins to saw his way into the trunk.\n\nEXT. BEACH - SERIES OF SHOTS"
],
[
"KELLY\n I had to come. To be sure you were okay.\n\nThey hold each other. For a long time.\n\n KELLY\n I love you, Chuck.",
"KELLY\n There isn't any us.\n\n CHUCK\n Yes there is.\n\nKelly can't stay mad.",
"KELLY\n Chuck! You're back!\n\nShe leaps into his arms.\n\n KELLY\n Your eyes are puffy. Did you take Valium\n again?",
"CHUCK\n Look, we'll do our trip as soon as I get\n back.\n\n KELLY\n Don't even start.\n\nAnd then it hits her.",
"KELLY\n You okay?\n\n CHUCK\n Great. Really.\n\nShe stares at his face, reaches out, touches it again, this\ntime with great tenderness.",
"KELLY\n Chuck, you're breaking my heart.\n\n CHUCK\n A week, max. Okay? Okay?",
"CHUCK\n You too.\n\n KELLY\n I'm so glad you're alive.\n\nChuck grins.",
"CHUCK\n Look, I love the puppy. I love you. But\n I have to go.\n\n KELLY\n You can't go now.",
"EXT. KELLY'S HOUSE - HOUSE LATER\n\nIt's dark now. Chuck returns. The stars are putting on an\namazing show, but he doesn't notice as he heads for the door.",
"KELLY\n So simple to say, so hard to do.\n\n CHUCK\n Not when you have no choice.",
"EXT. KELLY'S HOUSE - DAY - MINUTES LATER\n\nKelly opens the door. Chuck is there with the puppy.",
"CHUCK\n I know.\n\n KELLY\n If I'd known you were alive --\n\n CHUCK\n I would have done the same thing.",
"EXT. KELLY'S HOUSE - DAY - LATE THAT AFTERNOON\n\nChuck lugs a big package up to the door, knocks on it. Kelly\nopens the door.",
"STAN\n Uh, there's somebody out here who wants\n to see you.\n\nChuck stares sharply at him. Kelly? Stan nods, but there's\nsomething he wants to say.",
"KELLY (V.O.)\n Hello.\n\nChuck is overcome for a moment, can't say a word.",
"KELLY\n I buried you, Chuck. They had to pry my\n fingers off your coffin.\n\nThis interests Chuck to no end.",
"KELLY\n This isn't working out.\n\n CHUCK\n We're a little emotional here. It's\n Christmas, maybe we're over-reacting.",
"KELLY\n I've got to get back to Memphis.\n Hannah's babysitter has finals.\n\n CHUCK\n It means a lot...that you came.",
"KELLY\n Get back? From where?\n\n CHUCK\n Malaysia. They're holding the sweep.",
"CHUCK\n That's what I told the fish I caught.\n But I ate them anyway.\n\nAnd the laughter comes again. Kelly grins, embarrassed, a\nlittle worried."
],
[
"CHUCK\n You too.\n\nThen she heads for the waiting car. Chuck stands by his\nraft, watching her go.\n\nINT. FEDEX PLANE - NIGHT",
"The plane cuts its engine. The stairs are rolled out.\nForklifts and gangways move forward. Cargo doors open.\nChuck appears in the door. He holds the FedEx Package and a\nsmall travel bag.",
"Chuck and Stan ride on the plane. Chuck is coming down off\nhis survival high. He has the Angel Wing FedEx package with\nhim.",
"Chuck emerges from the jungle and walks to the edge of the\nocean. He dips his blistered hands into the sea water, then\nlooks over at the FedEx boxes that spell out H E L P.",
"Chuck emerges around the rocks. He reaches the stack of\nfamiliar FedEx boxes -- Ahh, home! He's breathing hard, from\nboth fear and exertion.",
"EXT. WOODS - MINUTES LATER\n\nChuck bursts out of the woods into the lava field. Smoke\npours out of the FedEx box. The coals are about to burn\nthrough!",
"Chuck hesitates for a moment, then looks at his watch.\n\n CHUCK\n I'll catch the sweep tonight.\n\nINT. FEDEX PLANE - NIGHT",
"Chuck stares at him. Are you kidding?\n\n STAN\n What, then?\n\n CHUCK\n Deliver this package. Then, I dunno.",
"Chuck walks through the extraordinary nexus of speeding\npackages that intersect in intricate paths above and around\nhim. This is the beating center of the FedEx world, the",
"INT. FEDEX OFFICES - ST. PETERSBURG - MINUTES LATER\n\nThey load the last container on the waiting truck. Chuck\npounds the truck on the side. Go.",
"Chuck sits staring at the oil drums. It's almost as if he is\nhesitating to take advantage of them. That he may not want,\nreally, to leave now.\n\nThen his inner struggle ends.",
"Chuck rides his bicycle away, along the shore.\n\nEXT. BEACH - MINUTES LATER\n\nChuck rides along the beach. Up ahead we see a FedEx truck.",
"CHUCK\n Let's go.\n\nHe heads toward the truck and begins pulling off packages.\nAll the other executives follow him.",
"Chuck tries to steady himself against the wall. This is\nnightmarish. Is this really happening?\n\nINT. FEDEX PLANE - CHUCK'S POV - COCKPIT",
"Chuck pulls some clothes out of his saddle bags.\n\nEXT. GAS STATION - MOMENTS LATER\n\nChuck emerges from the restroom wearing a FedEx shirt and\nshorts.",
"Defeated and utterly exhausted, Chuck swims back from his\nlatest failure. He wades back ashore with the FedEx box and",
"Chuck has made a neat stack of FedEx boxes under some palm\ntrees at the rim of the beach. He examines the Angel Wing\ndrawing with passing curiosity, then puts it on the stack.",
"EXT. KELLY'S HOUSE - DAY - LATE THAT AFTERNOON\n\nChuck lugs a big package up to the door, knocks on it. Kelly\nopens the door.",
"INT. FEDEX OFFICES - ST. PETERSBURG - MINUTES LATER\n\nLed by Chuck, who works like a man possessed, they sort the\npackages.",
"Visibly moved, Chuck puts down the letter.\n\n CHUCK\n He never got it.\n\nEXT. ISLAND - DAY"
],
[
"He relaxes a little. Maybe the package with the wings was a\nsign, he kept it all these years precisely for this. Then\nthere's a sound of a truck in the driveway.",
"But something on the box catches her eye. She wants it back.\nHe glances at his watch. She draws RINGS around the Wings,\nuniting them. She gives the box to the Driver, then hands",
"Arms around each other, the Man and the Woman say goodbye to\nChuck. In the front yard is a panel truck painted with two\nangel wings. The Man grins at Chuck, an easy, friendly grin.",
"Ladders. Scaffolds. Huge paintings are everywhere.\nPaintings of wings and angels -- like the package. Chuck\nstares at them. Bettina watches Chuck stare.",
"The Driver jams the distinctive Angel Wing Box on top of a\ndolly and loads it into a CONTAINER with clear plastic sides.\nA female Loader slaps a large bar code label on the",
"A FedEx truck pulls out of the FedEx office. Chuck is\ninside. He notices the graffiti on the walls.\n\nINT. TRUCK - MOMENTS LATER",
"A FedEx truck pulls out of the warehouse. The walls of the\nwarehouse are covered with graffiti. The streets are slushy,\nthe buildings blanketed in snow.",
"The FedEx truck makes its way down the beach, Chuck in his\nuniform, the Driver in hers. Two FedEx people in a truck.\nThe Driver looks over at Chuck.",
"Bettina pours some coffee. The package sits in the counter.\nSome magazines are spread around, including a People Magazine\nwith Chuck's photograph on the cover.",
"The Driver sits in the truck drinking tea. He takes a last\nsip, sighs, gets out with the Angel Box. Walks slowly toward\nan APARTMENT HOUSE.",
"Chuck takes white paint and covers his hand. Then he presses\nit into his chest and makes a handprint. He draws a yellow",
"She's opened the package. She pulls out the bottles of salsa\nand the letter.\n\n CHUCK\n Our apologies that it never made it to\n the recipient.",
"A plume of dust comes into frame. The dust is from a TRUCK,\norange and white and violet, with \"FedEx\" blazoned across the\nside.",
"INT. FEDEX OFFICES - ST. PETERSBURG - MINUTES LATER\n\nThey load the last container on the waiting truck. Chuck\npounds the truck on the side. Go.",
"Chuck has made a neat stack of FedEx boxes under some palm\ntrees at the rim of the beach. He examines the Angel Wing\ndrawing with passing curiosity, then puts it on the stack.",
"The Driver scans the package with his hand-held computer,\nprints out a label and sticks it on the Box, ready to go.",
"She holds the box and studies him for a long moment.\nSomething -- the look on his face, the extraordinary\nreappearance of this long-lost package -- makes her curious.",
"The plane lands. The container is unloaded down a belt. We\nsee our Angel Box. Directly in front of it is a DENTED BOX.",
"CHUCK\n There was an unavoidable delay.\n\nBettina stares at the package, her own memories coming back.",
"BOX which is decorated with a drawing of two ANGEL WINGS.\nThe Driver has a hand-held computer; a portable printer\ndangles from his belt."
]
] |
[
"What company doe the main character work for?",
"Who is the main character's girlfriend?",
"Where does Chuck live?",
"Where was chuck flying to when his plane crashed?",
"What ocean did Chuck crash into?",
"What does Chuck do with the body of the pilot?",
"What was drawn on the unopened package?",
"What was Chuck's only companion on the island?",
"How long was Chuck on the island?",
"Why doesn't Chuck and Kelly get married?",
"How does Chuck end up on an island?",
"What are some changes Chuck goes through after four years on the island?",
"Which package does Chuck leave unopened?",
"What is Wilson?",
"What does he find out after getting rescued and returning home?",
"Who does Chuch return the angel wing package to?",
"How does Chuck wound his hand?",
"What does Kelly give Chuck when he returns to civilization?",
"What washes up on the island that helps Chuck complete the construction of his raft?",
"Where do Chuck and Kelly live?",
"Where is Chuck called away to during Christmas?",
"What is the company that Chuck works for?",
"What does Chuck collect along the shore of the island he has landed on?",
"What sports item does Chuck leave a bloody hand print on?",
"Who is the only friend Chuck talks to on the island?",
"Why can Kelly and Chuck not be together when he returns?",
"Where does Chuck go to deliver the last package he saved from the crash?",
"What is the symbol on the package and on the back of the woman's truck?"
] |
[
[
"FedEx",
"Fed-Ex"
],
[
"Kelley Frears",
"Kelly Frears "
],
[
"Memphis, Tennesse",
"Memphis, Tennessee"
],
[
"Malaysia",
"Malaysia"
],
[
"The Pacific Ocean",
"The Pacific Ocean "
],
[
"He buries it.",
"he buries him"
],
[
"Angle wings",
"Angel wings . "
],
[
"A Wilson volleyball",
"Wilson, a ball with a face drawn on it"
],
[
"Four years",
"Four Years "
],
[
"Chuck is too busy.",
"Chuck's busy schedule interferes with their relationship . "
],
[
"His plane crashes and his life raft washes up on an island.",
"The plane he was on crashes and he washes up on the island ."
],
[
"He becomes thinner, dresses in a loincloth, and is better at making a fire.",
"He is really thin , has a beard with long hair and wears a loincloth ."
],
[
"A package with a pair of angel wings stenciled on it.",
"The one with angel wings on it "
],
[
"A volleyball with a bloody handprint on it.",
"A volleybll "
],
[
"His family thought he was dead and Kelly has married.",
"Everyone thinks he was dead."
],
[
"Bettina Peterson",
"Bettina Peterson"
],
[
"He tries to make fire.",
"trying to start a fire"
],
[
"Keys.",
"the keys to a car"
],
[
"A section of a portable toilet seat.",
"Part of a portable toilet."
],
[
"Memphis",
"Memphis, Tennessee "
],
[
"Malaysia",
"Malaysia"
],
[
"FedEx",
"FedEX"
],
[
"Packages",
"Fed-Ex packages "
],
[
"A volleyball",
"A volleyball "
],
[
"Wilson",
"Wilson"
],
[
"She has a new family.",
"They can't get married because of her new family and he wasn't there for her before . "
],
[
"Texas",
"Canadian, Texas"
],
[
"Angel wings",
"Angel Wings."
]
] |
0207a55a2d507f3b4feb99b227751b76f88ddd53
|
train
|
[
[
"FINN\n The Falcon's this way.\n Finn and Rey, overcome with emotion, race through the snowy",
"FINN (CONT'D)\n No, no, no, no... REY!!\n In crazed frustration, Finn stops running, watches the\n receding First Order ships, Rey their captive.",
"Rey is thrown HARD to the ground -- she is rattled, truly\n afraid. Then she turns: FINN lies nearby, unconscious.",
"Rey, STAFF strapped to her back, leads the way as she, Finn\n and BB-8 race into the spaceport. Finn glances back: TWO\n TIE FIGHTERS BANK their return. They YELL:",
"Finn can feel trouble coming -- and Rey begins CHARGING AT\n HIM, quarterstaff in hand.\n Realizing he's the target, Finn begins to RUN -- away from",
"Finn and Rey are in real trouble.",
"The Falcon has landed among the remaining Resistance ships.\n Poe is there, watching as Chewie scuttles down the ramp\n carrying an unconscious Finn. Medical Personnel and Officers,\n meet them, usher them inside.",
"FINN\n Come on, BB-8!\n\n REY\n Let go of me!\n\n FINN\n No, we gotta move!",
"INT. MILLENNIUM FALCON - DAY\n\n Finn, Rey and BB-8 enter the ship -- she hits a control and\n the door DESCENDS CLOSED as she races to the cockpit:",
"TIE fighters BANK AROUND AGAIN. Finn, Rey and BB-8 run up\n the ramp of the semi-tarped Falcon.",
"REY\n C'mon BB-8.\n They help BB-8 down, too: they both struggle like crazy, he\n weighs a TON.\n\n FINN\n I got it.",
"Finn pulls Rey from the tent -- BB-8 FOLLOWS --\n As they race from the tent a TIE FIGHTER SCREAMS INTO VIEW",
"including BB-8, who is PULLED INTO Poe's black X-wing.\n Finn approaches Poe wearing the jacket.\n Poe slaps Finn's shoulder as he heads off. Finn watches",
"FINN (CONT'D)\n This way!\n\n REY\n Are you sure?\n They scream and run off -- but Finn is GRABBED, PULLED AWAY",
"Rey, Finn and BB-8 move through RUSTY WARES and take cover.\n Quiet, urgent:\n\n REY\n They're shooting at both of us!",
"Rey climbs up to the corridor, vigilant. She hears a SOUND,\n SWOOPS her rifle at -- Finn, Han and Chewie! She cannot\n believe it! All Finn wants to do is hug her -- and she him.",
"FINN\n Stay low! It confuses their tracking!\n For a crazy instant Rey LETS GO OF THE YOKE, stretches to\n the co-pilot controls -- THE FALCON CANTS!",
"REY\n That was lucky!\n ANOTHER CORRIDOR - Finn and Rey run towards the Falcon.\n\n INT. CARGO SHIP CORRIDOR D - DAY",
"FINN\n Damn it!\n Rey maneuvers the ship deeper into the graveyard.\n\n INT. MILLENNIUM FALCON - GUNNER POSITION - DAY",
"From a distance the oscillator is ablaze and fractured from\n the explosives. Then Rey and Finn appear, coming over a\n rising, running into a bare-tree snowy forest."
],
[
"KYLO REN\n She's just beginning to test her\n powers. The longer it takes to find\n her, the more dangerous she becomes.\n Kylo exits.",
"Rey wakes, disoriented. She is in an angled, upright\n restraining rig. Looks over, startled to see Kylo Ren, mask\n in place, standing there.",
"REY\n I'm not giving you anything.\n\n KYLO REN\n We'll see.\n He peers into her eyes intensely. She meets his gaze --",
"KYLO REN (CONT'D)\n You know I can take whatever I want.\n Trepidation flashes across Rey's eyes. Kylo Ren moves closer,",
"And then it's gone. Adversaries again. Rey can't move,\n quietly strains in agony, trying to resist Ren's probing.",
"(CONTINUED)\n\n CONTINUED:\n Rey studies him. She's fearful... but curious.",
"SLOW PUSH IN ON REY, shackled, mind still racing over what's\n happened between her and Kylo Ren. She is flooded with",
"REY\n The Force.\n Rey closes her eyes for a long beat. When Rey opens them,",
"Rey is heartsick, but she turns as she hears the sound of a\n young girl in anguish, crying. She follows the sound into\n the castle, turning so she can't see that Finn has looked",
"his hand rising toward her. She recoils, but has nowhere to\n go. Kylo Ren nearly TOUCHES HER FACE...",
"Rey's heart skips a beat: she's even more scared now.\n Kylo Ren appears from behind a tree -- Rey FIRES again and",
"KYLO REN\n She's strong with the Force, untrained\n but, stronger than she knows.\n And while Ren's mind no doubt goes to Luke:",
"Rey stares, knowing exactly who it is. But she just stares\n for what seems like forever. Until he finally TURNS, SLOWLY,\n to her. Pulls back his hood.",
"the opposite side. Han watches his son walk off -- the CLANK-\n CLANK of Kylo Ren's boots receding.\n This is Han's opportunity to escape but Leia's words echo",
"Rey stares intently at the trooper. Calms herself. And\n tries again.\n\n REY\n You will remove these restraints.\n And leave this cell, with the door\n open.",
"stream. Kylo Ren, taking more from her mind...\n She stares at him, TERRIFIED, straining in agony --",
"CONTINUED:\n Kylo Ren hesitates to reveal the truth. Then:",
"is released, she breathes deeply, her powerful eyes still on\n Kylo Ren, who starts to leave.\n And we PRELAP:",
"FELL AWAY. Rey falls to her knees near him, turns him over,\n sees his cauterized but possibly fatal wound.",
"DEFLECT EVERY BLAST.\n She FIRES ferociously, but Kylo Ren keeps coming! His hand\n rises -- Rey suddenly STOPS -- GASPS -- UNABLE TO MOVE."
],
[
"HAN (CONT'D)\n ... I saw him. Leia, I saw our son.\n He was here.\n Leia hears this.\n Maz watches through the smoke.",
"Han Solo.\n Kylo Ren reacts with subtle, but real, surprise.",
"ON HAN'S FACE, knowing exactly what's about to happen.\n Finally, the transport door opens.\n And standing there is LEIA.",
"HAN\n We lost our son, forever.\n\n LEIA\n No.\n\n (LONG BEAT)\n It was Snoke.\n Han takes this in.",
"the opposite side. Han watches his son walk off -- the CLANK-\n CLANK of Kylo Ren's boots receding.\n This is Han's opportunity to escape but Leia's words echo",
"HAN (CONT'D)\n Where are the others? Where's the\n pilot?\n\n REY\n ...I'm the pilot...",
"HAN\n Leia doesn't want to see me.\n\n FINN\n Please, we came here for your help.\n\n REY\n What fight?",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"HAN\n Take off that mask. You don't need\n it.\n\n KYLO REN\n What do you think you'll see if I\n do?\n Han moves toward Kylo Ren.",
"HAN (CONT'D)\n No, you rest.\n (To Rey and Finn)\n You want my help? You're getting",
"She sees Han and is stunned. A silent beat, husband and\n wife reunited for the first time in years. In the smoke and\n embers, no one says a word.",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold",
"HAN\n We both had to deal with it in our\n own way. I went back to the only\n thing I was ever good at.\n\n LEIA\n We both did.",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"HAN\n No it's not. Leave here with me.\n Come home. We miss you.\n For the first time, Kylo Ren seems truly conflicted. Tears\n flood his stoic eyes...",
"HAN\n It wasn't all bad, was it? Huh?\n Some of it was...good.\n\n LEIA\n ... Pretty good.",
"Rey is so sad for Leia, so sorry.\n The two women move for each other. And Leia takes Rey's\n face in her hands. Despite her heartbreak, she is grateful.",
"Han walks away, takes in the ship: it's his again. Doesn't\n see that Rey is awed. His back to all of them, he smiles.",
"LEIA\n (takes Finn's hand)\n And I need to talk to him. That was\n incredibly brave, what you did.\n Renouncing the First Order, saving\n this man's life --",
"HAN (CONT'D)\n Where'd you get this ship?\n\n REY\n Niima Outpost.\n\n HAN\n Jakku?! That junkyard?"
],
[
"Finn can feel trouble coming -- and Rey begins CHARGING AT\n HIM, quarterstaff in hand.\n Realizing he's the target, Finn begins to RUN -- away from",
"FELL AWAY. Rey falls to her knees near him, turns him over,\n sees his cauterized but possibly fatal wound.",
"Rey is thrown HARD to the ground -- she is rattled, truly\n afraid. Then she turns: FINN lies nearby, unconscious.",
"Finn is stunned -- unprepared for this fierceness.\n Rey sees this -- Kylo Ren unleashes a MERCILESS SERIES OF",
"Kylo Ren is obviously hampered by his wound, yet he attacks\n with a primal SAVAGERY -- Finn BLOCKS, turning DEFENSIVE",
"CONTINUED:\n That's when KYLO REN STRIKES: HE LANDS A BLOW TO FINN'S TORSO --",
"FINN (CONT'D)\n You are the Han Solo that fought\n with the Rebellion. You knew him.\n The mention of Luke has really hit Han. He turns to Finn.",
"Finn turns to her, afraid and concerned. But the SOUND OF\n KYLO REN'S LIGHTSABER moving makes Finn TURN BACK TO KYLO",
"REY\n Finn! Finn...\n Tears come to her eyes as she lifts him, holds his lifeless",
"FINN\n Take care of yourself. Please.\n Rey looks at him, crushed. With quiet resignation, Rey",
"FINN\n Come get it.\n Despite his fear, Finn raises his blade in welcome. Kylo",
"REY\n Yeah.\n\n HAN\n Good.\n\n FINN\n What happened -- did he hurt you?",
"Finn turns -- AND SEES REY, CLIMBING OUT FROM INSIDE THE\n WALL, carefully climbing back up to the main level! He can't",
"(TO FINN)\n You take care of Chewie!\n Han and Rey race up the ramp as Finn heads up with Chewie,\n who SCREAMS WILDLY IN PAIN!",
"Rey is heartsick, but she turns as she hears the sound of a\n young girl in anguish, crying. She follows the sound into\n the castle, turning so she can't see that Finn has looked",
"TIGHT ON FINN as he's being yanked down the hall, SCREAMING\n as he struggles to get loose!\n Rey turns the corner -- Finn is gone -- nowhere to be seen.\n\n REY",
"FINN takes out 2 TROOPERS with the blaster, then, out of\n breath, turns to see: Kylo Ren in the forest, CARRYING REY",
"From a distance the oscillator is ablaze and fractured from\n the explosives. Then Rey and Finn appear, coming over a\n rising, running into a bare-tree snowy forest.",
"the men are CLOSE, LIT BY the powerful, CRASHING sabers:\n And Kylo Ren PUSHES FINN BACK, attacks with pure ferocity --",
"wounded, but more enraged than weakened. Kylo Ren CHARGES\n AGAIN -- their WEAPONS POUND, SPARKS FLY, their blades LOCK,"
],
[
"C-3PO\n General, I regret to inform you, but\n this map recovered from BB-8 is only\n partially complete. And even worse,",
"San Tekka had given him from a base computer. He inserts it\n back inside BB-8, who then PROJECTS HIS MAP -- which he",
"HAN\n This map's not complete. It's just\n a piece. Ever since Luke disappeared,\n people have been looking for him.\n\n REY\n Why'd he leave?",
"LARGE NAVIGATIONAL MAP WITH A SPECIFIC MISSING CHUNK!\n BB-8 BEEPS -- Poe turns to him --",
"This makes her stop. She turns and looks at him. Not liking\n him. But a gesture of her head says, reluctantly, \"Come\n on.\" BB-8 quickly moves to her. They head off together.",
"HAN\n So, fugitives, huh?\n\n REY\n The First Order wants the map.\n\n (MORE)",
"FINN\n It belonged to Poe Dameron. That\n was his name, right?\n Rey and BB-8 react, surprised and wanting more.",
"Han turns to Finn, who sits at the HOLOCHESS set, BB-8 beside\n him. This is awkward for Han, but damn, he means it:",
"FINN\n Apparently he's carrying a map that\n leads to Luke Skywalker, and\n everyone's after it.\n She turns to him, concerned, curious. And asks:",
"alone. He contemplates telling her the truth. This is his\n moment. But instead he knees to BB-8, says quietly, urgently:",
"KYLO REN\n It's in a droid. A BB unit.\n\n GENERAL HUX\n Well then. If it's on Jakku, we'll\n soon have it.",
"MAZ\n Rey and BB-8, they need you. Now\n go.\n\n FINN\n I need a weapon.\n Maz grabs his wrist -- holds up his hand -- THE SABER.",
"BB-8's head swivels to him, then back to Rey, like watching\n a tennis match.\n Rey angrily moves to them, pulling a knife from her pouch.",
"C-3PO takes the DATA DEVICE from BB-8 and inserts it into a\n BASE COMPUTER. THE PROJECTED MAP APPEARS in HOLOGRAM. Leia",
"INT. NIIMA TRADING STRUCTURE - DAY\n\n Rey stands with BB-8 in front of Unkar Plutt, at his window.\n He reviews her goods. He glances quickly at BB-8.",
"REY\n (To BB-8) Who? Him?\n Finn is confused. Rey stands, staring at Finn, defiant.",
"CONTINUED:\n\n FINN\n He's carrying a map to Luke Skywalker.\n Yup: Han stops in his tracks.",
"REY\n BB-8 says he's on a secret mission,\n he has to get back to your base.",
"REY\n Help me with this! Quick!\n They hurry to the grating, PULL IT UP together. BB-8 rolls\n over, watches.",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold"
],
[
"The Falcon has landed among the remaining Resistance ships.\n Poe is there, watching as Chewie scuttles down the ramp\n carrying an unconscious Finn. Medical Personnel and Officers,\n meet them, usher them inside.",
"REY\n Pilex driver, hurry!\n Finn moves for the tool.\n\n REY (CONT'D)\n So where's your base?",
"EXT. RESISTANCE BASE - DAY\n\n Chewie and Finn follow Han's orders as they prepare the Falcon\n for one more daring run, maybe its last:",
"Chewie carries Finn inside, followed by Rey.\n\n EXT. SPACE - NIGHT",
"(WHISPERS)\n I'm with the Resistance.\n Rey lowers her staff, Finn stands. Rey studies him:",
"FINN\n Come with me.\n\n REY\n What about BB-8? We're not done\n yet. We have to get him back to\n your base.",
"Finn and Chewie take cover behind a base structure. Chewie\n carries a BLACK DUFFEL of EXPLOSIVES.",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"From a distance the oscillator is ablaze and fractured from\n the explosives. Then Rey and Finn appear, coming over a\n rising, running into a bare-tree snowy forest.",
"Chewie exits the ship.\n MOMENTS LATER Chewie CARRIES FINN up the ramp. Rey hurries\n with them back into the ship --\n\n INT. FALCON - NIGHT",
"(CONTINUED)\n\n CONTINUED:\n\n REY (CONT'D)\n (re: Finn and BB-8)\n Finn is with the Resistance...",
"PULL BACK TO REVEAL Han, Finn, Rey and Chewie, who run out\n here, into the snow, stopping, eyes on the sky, watching the\n lop-sided battle.",
"Rey, STAFF strapped to her back, leads the way as she, Finn\n and BB-8 race into the spaceport. Finn glances back: TWO\n TIE FIGHTERS BANK their return. They YELL:",
"(CONTINUED)\n\n CONTINUED:\n\n HAN\n Come on, Chewie!\n Maz turns to Finn:",
"POE (CONT'D)\n This is Starkiller Base.\n This is news to many here, and they're stunned.\n\n HAN\n So it's big.",
"Chewbacca sits quietly, as do many in the base, mourning\n their losses.\n As BB-8 approaches R2-D2, the long dormant droid suddenly\n stirs. The droids beep at each other.",
"FINN (CONT'D)\n The First Order, they've done it.\n Where's Rey?\n\n EXT. FOREST - DAY",
"FINN\n We came back for you.\n She is speechless -- this is all she's ever wanted anyone to\n do. Chewie TALKS -- and Rey's eyes nearly tear up.",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold",
"EXT. STARKILLER BASE - OSCILLATOR - NIGHT\n\n The remaining X-Wings -- including Poe's -- BLAST the place --\n and the structure begins to CRATER, deep underground"
],
[
"CONTINUED:\n\n FINN\n He's carrying a map to Luke Skywalker.\n Yup: Han stops in his tracks.",
"FINN\n Apparently he's carrying a map that\n leads to Luke Skywalker, and\n everyone's after it.\n She turns to him, concerned, curious. And asks:",
"Finn, now a member of the inner circle of the Resistance, is\n huddled with the group around the MAP TABLE, which displays",
"MAP, FILLING THE ROOM. PLANETS, STARS, SYSTEMS.\n They all react. Chewie sits to look up. Han moves through\n stars, becomes reflective.",
"HAN\n This map's not complete. It's just\n a piece. Ever since Luke disappeared,\n people have been looking for him.\n\n REY\n Why'd he leave?",
"POE\n One's coming towards you. My right,\n your left. Do you see it?\n\n FINN\n Hold on! I see it!",
"The Scavenger carries the satchel and another large, found\n piece, over enormous pipes in the vast space, heads through\n the dust toward a distant SLIT OF SUNLIGHT.",
"HAN\n So, fugitives, huh?\n\n REY\n The First Order wants the map.\n\n (MORE)",
"And then she stops. Feels something. She turns.\n Standing forty feet away from her, his back to us, is a MAN,\n in a CLOAK AND ROBE.",
"REY (CONT'D)\n Keep away from the Sinking Fields in\n the north, you'll drown in the sand.\n (stands, heads off)",
"But she stops. Realizing she stands on a greater edge than\n even the cliff -- the edge of the dark side. The earth\n SHAKES. The earth splits. A gully forms.",
"Rey moves into the dark, small, vaulted storage room. Old\n treasures line the floors and walls, but there is something",
"LARGE NAVIGATIONAL MAP WITH A SPECIFIC MISSING CHUNK!\n BB-8 BEEPS -- Poe turns to him --",
"Han, within a foot of Han's chest. Han almost can't believe\n it. The moment seems to last forever. And just then, the",
"C-3PO\n Oh! The map! It is complete!",
"KYLO REN\n I know you've seen the map. It's in\n there... and now you'll give it to",
"you started.\n As his emotion builds, he stands and heads off -- we FOLLOW\n HIM, PIVOTING TO REVEAL who he was talking to: THE BURNT,",
"Built within the rock and foliage of this idyllic island are\n seemingly endless ANCIENT STONE STEPS. Rey continues to\n climb them, determined, despite her fatigue.",
"UNKAR PLUTT\n Quiet, girl!\n The ship flies towards the desert sun, which is strangely",
"been returned to the hands of the\n enemy. They may have the map already.\n Snoke is visibly furious."
],
[
"TIGHT ON REY'S FACE as she peers nervously around a corner.\n Rey runs down a long, glossy hall, taking cover in an alcove,\n the Trooper Guard's rifle HELD TIGHT.",
"over the edge just as the Troopers approach and continue.\n WIDE SHOT as Rey holds on carefully as the guards walk off,\n not seeing her over the edge, a death drop below her.",
"REY\n You will remove these restraints.\n And leave this cell, with the door\n open.\n The Stormtrooper Guard looks at her. A beat.",
"her, through the tent marketplace. Rey goes after him -- he\n turns a corner -- then another -- then BAM! She's got",
"REY (CONT'D)\n Thank you.\n\n FINN\n How did you get away?",
"Rey is heartsick, but she turns as she hears the sound of a\n young girl in anguish, crying. She follows the sound into\n the castle, turning so she can't see that Finn has looked",
"Rey stares intently at the trooper. Calms herself. And\n tries again.\n\n REY\n You will remove these restraints.\n And leave this cell, with the door\n open.",
"TIGHT ON REY'S FACE as she peers nervously around a corner.\n Rey runs down a long, glossy hall, taking cover in an alcove,",
"(CONTINUED)\n\n CONTINUED:\n Rey studies him. She's fearful... but curious.",
"TROOPER GUARD #2\n What did you say?\n Rey's eyes stay trained on him. She shifts in her seat, her\n confidence wavering, but she repeats, with authority:",
"Rey wakes, disoriented. She is in an angled, upright\n restraining rig. Looks over, startled to see Kylo Ren, mask\n in place, standing there.",
"who watch her from the bottom of the ramp. A deep breath\n and Rey continues her journey.",
"REY\n Yeah.\n (extends her hand)\n Follow me.",
"REY (CONT'D)\n What is it?\n Rey moves to him, peeks around a tent corner. Now Finn moves",
"Rey's mind races -- another peek out and she RUNS FAST, across\n the walkway, and CLIMBS DOWN -- her fingertips disappearing",
"Rey bucks herself up. Doesn't believe her quick words:\n\n \n\n (CONTINUED)\n\n CONTINUED:",
"Rey is thrown HARD to the ground -- she is rattled, truly\n afraid. Then she turns: FINN lies nearby, unconscious.",
"REY (CONT'D)",
"REY\n The Force.\n Rey closes her eyes for a long beat. When Rey opens them,",
"FELL AWAY. Rey falls to her knees near him, turns him over,\n sees his cauterized but possibly fatal wound."
],
[
"Skywalker, the last Jedi, has been destroyed.\n With the support of the REPUBLIC, General\n Leia Organa leads a brave RESISTANCE. She is",
"A long time ago in a galaxy far, far away...",
"(CONTINUED)\n\n CONTINUED:\n\n LEIA\n When did that ever help? And don't\n say the Death Star.",
"HAN\n He was training a new generation of\n Jedi. One boy, an apprentice turned\n against him, destroyed it all. Luke\n felt responsible... He walked away\n from everything.",
"Base, we witness the REBIRTH OF A SUN. Light restored to a\n corner of the galaxy.\n The Millennium Falcon and the X-wings RIP THROUGH SPACE,",
"Luke Skywalker has vanished. In his absence,\n the sinister FIRST ORDER has risen from the\n ashes of the Empire and will not rest until",
"The Empire. Today, it is the First\n Order. Their shadow is spreading\n across the galaxy. We must face\n them. Fight them. All of us.",
"THE FIRST TIME. This is FN-2187. He is 23, likable. But\n in this moment, terrified, desperate.",
"The Millennium Falcon RISES.\n Leia, with Poe, BB-8, and C-3PO (with his proper arm\n replaced), watches the next generation of Jedi begin her\n journey.",
"(CONTINUED)\n\n CONTINUED:\n A heavy cannon emplacement launches a missile that shreds an\n X-wing fighter.",
"Unkar Plutt's meaty hand holds her thin arm. She is on Jakku,\n watching a starship fly into the sky, abandoning her.",
"Leia has sent her most daring pilot on a secret\n mission to Jakku, where an old ally has\n discovered a clue to Luke's whereabouts....",
"A pair of TIE fighters roar towards a magnificent PLANET,\n frozen WHITE. This is the STARKILLER BASE, a natural planet",
"(SMILES)\n True. You still drive me crazy.\n Han places his hands on her shoulders. It could be thirty\n years ago.",
"The First Order Star Destroyer above Jakku.\n\n INT. STAR DESTROYER BRIDGE - DAY",
"EXT. STAR DESTROYER - DAY\n\n Three TIE fighters head to the massive ship high above Jakku.",
"HAN\n We both had to deal with it in our\n own way. I went back to the only\n thing I was ever good at.\n\n LEIA\n We both did.",
"POE (CONT'D)\n This is Starkiller Base.\n This is news to many here, and they're stunned.\n\n HAN\n So it's big.",
"(CONTINUED)\n\n CONTINUED:\n But no one has anything. Leia watches the silence,\n frustrated. Finally, rallying them:",
"POE\n Finn's familiar with the weapon that\n destroyed the Hosnian system. He\n worked on the base.\n\n LEIA\n We're desperate for anything you can\n tell us."
],
[
"INT. MILLENNIUM FALCON - DAY\n\n Finn, Rey and BB-8 enter the ship -- she hits a control and\n the door DESCENDS CLOSED as she races to the cockpit:",
"FINN\n Damn it!\n Rey maneuvers the ship deeper into the graveyard.\n\n INT. MILLENNIUM FALCON - GUNNER POSITION - DAY",
"HAN (CONT'D)\n Where'd you get this ship?\n\n REY\n Niima Outpost.\n\n HAN\n Jakku?! That junkyard?",
"REY (CONT'D)\n The garbage'll do!\n She turns and runs back -- Finn and BB-8 follow as they all",
"REY\n C'mon BB-8.\n They help BB-8 down, too: they both struggle like crazy, he\n weighs a TON.\n\n FINN\n I got it.",
"TIE fighters BANK AROUND AGAIN. Finn, Rey and BB-8 run up\n the ramp of the semi-tarped Falcon.",
"FINN\n Can you unfix it?\n Rey stares at him -- and gets his plan! They head off --\n\n INT. MILLENNIUM FALCON - LOUNGE AREA - DAY",
"MAZ\n Rey and BB-8, they need you. Now\n go.\n\n FINN\n I need a weapon.\n Maz grabs his wrist -- holds up his hand -- THE SABER.",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"REY\n (To BB-8) Who? Him?\n Finn is confused. Rey stands, staring at Finn, defiant.",
"REY\n That was lucky!\n ANOTHER CORRIDOR - Finn and Rey run towards the Falcon.\n\n INT. CARGO SHIP CORRIDOR D - DAY",
"FINN\n We need a pilot!\n\n REY\n We've got one!",
"INT. MILLENNIUM FALCON - LOUNGE AREA - DAY\n\n From BLACKNESS: a storage unit opens. Han rummages,\n retrieving old BLASTERS. Finn arrives behind him, concerned.",
"Rey, STAFF strapped to her back, leads the way as she, Finn\n and BB-8 race into the spaceport. Finn glances back: TWO\n TIE FIGHTERS BANK their return. They YELL:",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"Rey tosses her staff aside, jumps into the pilot's seat,\n frantically flips switches. BB-8 rolls in behind her as the\n ENGINES WHINE to life:",
"FINN\n Come on, BB-8!\n\n REY\n Let go of me!\n\n FINN\n No, we gotta move!",
"FINN\n We can't outrun them!\n Rey POINTS to a parked, four-engine SHIP ahead:\n\n REY\n We might in that quad-jumper!",
"FINN\n I was told you could get me to the\n Outer Rim.\n Rey barges into the conversation, interrupting.",
"REY (CONT'D)\n Get off. Get off! See anything?\n\n FINN\n ... Oh no.\n\n EXT. SPACE - DAY"
],
[
"LIEUTENANT MITAKA\n Not exactly, sir. It had help.\n Ren says nothing. Which says everything. Mitaka sweats.",
"DESPITE THE PAIN SHE IS STRONG.\n On Ren's face as HIS CONFIDENCE BEGINS TO MELT AWAY. He has",
"Lieutenant Mitaka moves to Ren, who looks out across the\n star field. Mitaka swallows, uneasy with his task.",
"watch Ren's progress. Kylo Ren turns onto a FLAT BRIDGE\n THAT BISECTS the open space.\n Unaware of his father, Kylo Ren walks purposefully across to",
"LIEUTENANT MITAKA\n The two were accompanied by a girl.\n Ren reaches out -- Mitaka is suddenly, violently PULLED TOWARD\n REN, into his black glove:",
"Ren gets up again but she HITS HIS SABER'S HILT -- HIS BLADE\n GOES FLYING OFF, TUMBLING INTO THE SNOW -- and she SLASHES",
"BEHIND HIM! HOLD ON Mitaka, who reacts, looks away -- winces.\n The horrible SOUNDS of Ren's rage continues. Finally Mitaka",
"REN, lit by the glowing YELLOW AND RED BLADE.",
"looks up. The metallic wall behind Ren is RIPPED with glowing\n scars.",
"2187.\n Hux is unnerved that Ren knows -- he chalks it up to Ren's\n Force ability. Kylo Ren heads off.",
"CONTINUED:\n Kylo Ren hesitates to reveal the truth. Then:",
"Han takes one step toward his son, but stops himself.",
"Han Solo.\n Kylo Ren reacts with subtle, but real, surprise.",
"GENERAL HUX (O.S.)\n Ren believed it was no longer valuable\n to us.\n Ren turns back -- Hux enters the large space, moves to the\n platform beside Ren.",
"Older now, white hair, bearded. He looks at Rey. A kindness\n in his eyes, but there's something tortured, too. He doesn't",
"She sees Han and is stunned. A silent beat, husband and\n wife reunited for the first time in years. In the smoke and\n embers, no one says a word.",
"Rey wakes, disoriented. She is in an angled, upright\n restraining rig. Looks over, startled to see Kylo Ren, mask\n in place, standing there.",
"GENERAL HUX\n Yes, and he had help.\n\n (VEXED)\n From one of our own.\n PUSH IN ON REN as Hux says:",
"Kylo Ren stops before the outraged Lor San Tekka, dwarfing\n him. Only now does it become apparent that Kylo Ren wears a",
"Rey stares, knowing exactly who it is. But she just stares\n for what seems like forever. Until he finally TURNS, SLOWLY,\n to her. Pulls back his hood."
],
[
"LEIA\n And I will do everything I can to\n help, but first you must tell us all\n you know.\n\n INT. RESISTANCE BASE - DAY",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"(CONTINUED)\n\n CONTINUED:\n But no one has anything. Leia watches the silence,\n frustrated. Finally, rallying them:",
"INT. RESISTANCE BASE - DAY\n\n Leia hears the change in Han's voice and softens. She turns.",
"arrive at Leia, who stands with a group of Resistance\n Officers, including ADMIRALS ACKBAR and STATURA:",
"Leia has sent her most daring pilot on a secret\n mission to Jakku, where an old ally has\n discovered a clue to Luke's whereabouts....",
"Skywalker, the last Jedi, has been destroyed.\n With the support of the REPUBLIC, General\n Leia Organa leads a brave RESISTANCE. She is",
"LEIA\n Rey.\n Rey turns around.",
"ON HAN'S FACE, knowing exactly what's about to happen.\n Finally, the transport door opens.\n And standing there is LEIA.",
"THE STRUCTURE!\n\n INT. RESISTANCE BASE - DAY\n\n Leia, feeling it instantly -- knowing -- drops into a seat,",
"HAN (CONT'D)\n ... I saw him. Leia, I saw our son.\n He was here.\n Leia hears this.\n Maz watches through the smoke.",
"INT. RESISTANCE BASE - DAY\n\n A Resistance Technician turns to Leia:\n\n KAYDEL KO CONNIX\n General, are you seeing this?",
"HAN\n Leia doesn't want to see me.\n\n FINN\n Please, we came here for your help.\n\n REY\n What fight?",
"Leia stands alone and in silence, heartbroken.\n\n C-3PO (O.S.)\n General? Excuse me, General?\n Leia turns to see droids.",
"(WHISPERS)\n I'm with the Resistance.\n Rey lowers her staff, Finn stands. Rey studies him:",
"desperate to find her brother Luke and gain\n his help in restoring peace and justice to\n the galaxy.",
"LEIA\n You think I want to forget him? I\n want him back!\n Han looks at her with sympathy.",
"Rey is so sad for Leia, so sorry.\n The two women move for each other. And Leia takes Rey's\n face in her hands. Despite her heartbreak, she is grateful.",
"LEIA\n Anything.\n Flummoxed, Han follows looking at C-3PO.\n\n C-3PO\n Princesses.\n Han follows Leia across the base floor:"
],
[
"Ren gets up again but she HITS HIS SABER'S HILT -- HIS BLADE\n GOES FLYING OFF, TUMBLING INTO THE SNOW -- and she SLASHES",
"Poe, RUNNING, SEES THIS AND YELLS, AIMS HIS BLASTER AND FIRES\n AT KYLO REN! Instantly:",
"Rey's heart skips a beat: she's even more scared now.\n Kylo Ren appears from behind a tree -- Rey FIRES again and",
"LIEUTENANT MITAKA\n Not exactly, sir. It had help.\n Ren says nothing. Which says everything. Mitaka sweats.",
"BEHIND HIM! HOLD ON Mitaka, who reacts, looks away -- winces.\n The horrible SOUNDS of Ren's rage continues. Finally Mitaka",
"wounded, but more enraged than weakened. Kylo Ren CHARGES\n AGAIN -- their WEAPONS POUND, SPARKS FLY, their blades LOCK,",
"Han, within a foot of Han's chest. Han almost can't believe\n it. The moment seems to last forever. And just then, the",
"Kylo Ren then heads off -- passes the FROZEN BLAST, which,\n after a beat, GOES FREE AND SLAMS INTO A NEARBY STRUCTURE,",
"Finn is stunned -- unprepared for this fierceness.\n Rey sees this -- Kylo Ren unleashes a MERCILESS SERIES OF",
"LIEUTENANT MITAKA\n The two were accompanied by a girl.\n Ren reaches out -- Mitaka is suddenly, violently PULLED TOWARD\n REN, into his black glove:",
"FELL AWAY. Rey falls to her knees near him, turns him over,\n sees his cauterized but possibly fatal wound.",
"AGAIN AND AGAIN AND HITS KYLO REN SQUARE IN THE HEAD AND",
"Kylo Ren stops before the outraged Lor San Tekka, dwarfing\n him. Only now does it become apparent that Kylo Ren wears a",
"she is centered, fortified, and she POUNDS BACK, SINGLE HANDED\n SWIPES, hitting Ren's gnarly, spitting saber with incredible",
"CONTINUED:\n That's when KYLO REN STRIKES: HE LANDS A BLOW TO FINN'S TORSO --",
"She sees Han and is stunned. A silent beat, husband and\n wife reunited for the first time in years. In the smoke and\n embers, no one says a word.",
"watch Ren's progress. Kylo Ren turns onto a FLAT BRIDGE\n THAT BISECTS the open space.\n Unaware of his father, Kylo Ren walks purposefully across to",
"Three GANG MEMBERS race out here and FIRE AT THE FALCON --\n hitting FUEL LINES, BLASTING THE SHIP HARD!\n The ship is hit.",
"HAN (CONT'D)\n You know how to use one of these?\n\n REY\n Yeah, you pull the trigger.",
"FINN takes out 2 TROOPERS with the blaster, then, out of\n breath, turns to see: Kylo Ren in the forest, CARRYING REY"
],
[
"Rey is so sad for Leia, so sorry.\n The two women move for each other. And Leia takes Rey's\n face in her hands. Despite her heartbreak, she is grateful.",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"HAN\n We lost our son, forever.\n\n LEIA\n No.\n\n (LONG BEAT)\n It was Snoke.\n Han takes this in.",
"REY\n Finn! Finn...\n Tears come to her eyes as she lifts him, holds his lifeless",
"HAN (CONT'D)\n ... I saw him. Leia, I saw our son.\n He was here.\n Leia hears this.\n Maz watches through the smoke.",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold",
"(CONTINUED)\n\n CONTINUED:\n\n HAN\n Come on, Chewie!\n Maz turns to Finn:",
"Rey climbs up to the corridor, vigilant. She hears a SOUND,\n SWOOPS her rifle at -- Finn, Han and Chewie! She cannot\n believe it! All Finn wants to do is hug her -- and she him.",
"HAN (CONT'D)\n It's too bad. Chewie kind of likes\n you.\n Han heads off. HOLD on Rey.\n\n EXT. MAZ'S CASTLE - DAY",
"(CONTINUED)\n\n CONTINUED:\n\n HAN\n You?\n Chewie MOAN-TALKS. Rey responds to him --",
"(TO FINN)\n You take care of Chewie!\n Han and Rey race up the ramp as Finn heads up with Chewie,\n who SCREAMS WILDLY IN PAIN!",
"FELL AWAY. Rey falls to her knees near him, turns him over,\n sees his cauterized but possibly fatal wound.",
"She embraces Rey. A mother's embrace.\n Rey cries, too, in this emotional first meeting.",
"REY\n Yeah.\n\n HAN\n Good.\n\n FINN\n What happened -- did he hurt you?",
"HAN (CONT'D)\n No, you rest.\n (To Rey and Finn)\n You want my help? You're getting",
"FINN\n We came back for you.\n She is speechless -- this is all she's ever wanted anyone to\n do. Chewie TALKS -- and Rey's eyes nearly tear up.",
"PULL BACK TO REVEAL Han, Finn, Rey and Chewie, who run out\n here, into the snow, stopping, eyes on the sky, watching the\n lop-sided battle.",
"Chewie carries Finn inside, followed by Rey.\n\n EXT. SPACE - NIGHT",
"HAN\n That's what Snoke wants you to believe\n but it's not true. My son is alive.\n SEVERAL LEVELS BELOW them, CHEWIE comes to the rail to watch."
],
[
"THE SANDY PLANET WHERE POE LEFT BB-8.\n\n INT. TIE FIGHTER - DAY",
"A pair of TIE fighters roar towards a magnificent PLANET,\n frozen WHITE. This is the STARKILLER BASE, a natural planet",
"it matches no charted system on\n record. We simply do not have enough\n information to locate Master Luke.",
"Unkar Plutt's meaty hand holds her thin arm. She is on Jakku,\n watching a starship fly into the sky, abandoning her.",
"EXT. TAKODANA PLANET - DAY",
"Leia has sent her most daring pilot on a secret\n mission to Jakku, where an old ally has\n discovered a clue to Luke's whereabouts....",
"EXT. REPUBLIC SYSTEM - NIGHT\n\n At a massive distance we see PLANETS THE REPUBLIC CAPITAL",
"hangar. We HOLD ON THEM NOW, as they fly off toward a distant\n planet. Jakku. MUSIC BUILDS AND WE...",
"A long time ago in a galaxy far, far away...",
"HAN\n He was training a new generation of\n Jedi. One boy, an apprentice turned\n against him, destroyed it all. Luke\n felt responsible... He walked away\n from everything.",
"desperate to find her brother Luke and gain\n his help in restoring peace and justice to\n the galaxy.",
"REY\n Luke.",
"HAN\n Yeah, I knew him. I knew Luke.\n Suddenly: a distant, METALLIC KA-CHUNK!",
"In response, Rey pulls something from the pack.\n\n LUKE'S LIGHTSABER.\n And she holds it out to him. An offer. A plea. The galaxy's\n only hope.",
"HAN\n This map's not complete. It's just\n a piece. Ever since Luke disappeared,\n people have been looking for him.\n\n REY\n Why'd he leave?",
"CONTINUED:\n\n FINN\n He's carrying a map to Luke Skywalker.\n Yup: Han stops in his tracks.",
"Base, we witness the REBIRTH OF A SUN. Light restored to a\n corner of the galaxy.\n The Millennium Falcon and the X-wings RIP THROUGH SPACE,",
"HAN\n Jakku?\n Rey looks off, in thought. Yeah, Jakku.\n\n REY\n\n (BEAT)\n I've already been away too long.",
"BASE IS DRAWN INTO A LARGER IMAGE, REVEALING THE ENTIRE BASE\n PLANET. The Death Star is a minuscule SATELLITE in\n comparison.",
"MAP, FILLING THE ROOM. PLANETS, STARS, SYSTEMS.\n They all react. Chewie sits to look up. Han moves through\n stars, becomes reflective."
],
[
"US. The Resistance X-wings, led by Poe, follow the Falcon.",
"(WHISPERS)\n I'm with the Resistance.\n Rey lowers her staff, Finn stands. Rey studies him:",
"Skywalker, the last Jedi, has been destroyed.\n With the support of the REPUBLIC, General\n Leia Organa leads a brave RESISTANCE. She is",
"Resistance. Which puts a real target\n on my back. Are there any\n conspirators here? First Order\n sympathizers?",
"INT. RESISTANCE BASE - DAY",
"INT. RESISTANCE BASE - DAY",
"INT. RESISTANCE BASE - DAY",
"INT. RESISTANCE BASE - DAY",
"REY\n I've never met a Resistance fighter\n before.\n\n FINN\n Well, this is what we look like.\n Some of us. Others look different.",
"Finn, now a member of the inner circle of the Resistance, is\n huddled with the group around the MAP TABLE, which displays",
"CONTINUED:\n Finn's mind races again. He makes an easy decision: to lie.\n\n FINN\n Obviously. Yes. I am. I'm with\n the Resistance, yeah.",
"REY (CONT'D)\n You're ok. He's with the Resistance.\n He's going to get you home. We both\n will.",
"REY\n So you're with the Resistance?\n\n \n\n (CONTINUED)",
"INT. RESISTANCE BASE - DAY\n\n A Resistance Technician turns to Leia:\n\n KAYDEL KO CONNIX\n General, are you seeing this?",
"The Falcon has landed among the remaining Resistance ships.\n Poe is there, watching as Chewie scuttles down the ramp\n carrying an unconscious Finn. Medical Personnel and Officers,\n meet them, usher them inside.",
"HAN\n\n (SIGHS)\n\n INT. RESISTANCE BASE - DAY",
"THE STRUCTURE!\n\n INT. RESISTANCE BASE - DAY\n\n Leia, feeling it instantly -- knowing -- drops into a seat,",
"Han smiles uncomfortably at the Kanjiklub members. Its\n LEADER, TASU LEECH, out front. Han tries to play it off:",
"INT. RESISTANCE BASE - DAY\n\n A Resistance Technician turns to Leia:\n\n ADMIRAL ACKBAR\n The Oscillator's still standing.",
"arrive at Leia, who stands with a group of Resistance\n Officers, including ADMIRALS ACKBAR and STATURA:"
],
[
"REY\n The Force.\n Rey closes her eyes for a long beat. When Rey opens them,",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"Rey OPENS THE BOX and sees inside Luke Skywalker's original\n lightsaber. With hesitation, she reaches towards it, but\n she cannot resist. As her hand makes contact with it, there",
"KYLO REN\n She's strong with the Force, untrained\n but, stronger than she knows.\n And while Ren's mind no doubt goes to Luke:",
"KYLO REN\n She's just beginning to test her\n powers. The longer it takes to find\n her, the more dangerous she becomes.\n Kylo exits.",
"MAZ (CONT'D)\n The light. It's always been there.\n It will guide you. The saber. Take\n it.\n Rey suddenly stands.",
"She embraces Rey. A mother's embrace.\n Rey cries, too, in this emotional first meeting.",
"In response, Rey pulls something from the pack.\n\n LUKE'S LIGHTSABER.\n And she holds it out to him. An offer. A plea. The galaxy's\n only hope.",
"SUNLIGHT illuminates her -- she turns to look -- we PIVOT --\n and see...\n A little girl. Rey as a child. She is sobbing, hysterical.",
"Rey is heartsick, but she turns as she hears the sound of a\n young girl in anguish, crying. She follows the sound into\n the castle, turning so she can't see that Finn has looked",
"HAN (CONT'D)\n ... I saw him. Leia, I saw our son.\n He was here.\n Leia hears this.\n Maz watches through the smoke.",
"MAZ\n That lightsaber was Luke's. And his\n father's before him and now, it calls\n to you!\n Rey stands, fast. Still overwhelmed, emotional, speechless.",
"It's REY who charges now -- Kylo Ren immediately on the\n defensive. They BATTLE POWERFULLY -- He is clearly rocked\n by her raw, innate skill.",
"Rey climbs up to the corridor, vigilant. She hears a SOUND,\n SWOOPS her rifle at -- Finn, Han and Chewie! She cannot\n believe it! All Finn wants to do is hug her -- and she him.",
"Unkar Plutt's meaty hand holds her thin arm. She is on Jakku,\n watching a starship fly into the sky, abandoning her.",
"FINN (CONT'D)\n Solo, what is she doing?\n\n HAN\n I don't know, but it ain't good.",
"her, through the tent marketplace. Rey goes after him -- he\n turns a corner -- then another -- then BAM! She's got",
"Rey is so sad for Leia, so sorry.\n The two women move for each other. And Leia takes Rey's\n face in her hands. Despite her heartbreak, she is grateful.",
"is the piercing sound of a lightsaber igniting. She moves\n her hand away, as REY HEARS A MECHANICAL BREATHING sound.",
"(CONTINUED)\n\n CONTINUED:\n But no one has anything. Leia watches the silence,\n frustrated. Finally, rallying them:"
],
[
"MAZ\n That lightsaber was Luke's. And his\n father's before him and now, it calls\n to you!\n Rey stands, fast. Still overwhelmed, emotional, speechless.",
"In response, Rey pulls something from the pack.\n\n LUKE'S LIGHTSABER.\n And she holds it out to him. An offer. A plea. The galaxy's\n only hope.",
"Rey OPENS THE BOX and sees inside Luke Skywalker's original\n lightsaber. With hesitation, she reaches towards it, but\n she cannot resist. As her hand makes contact with it, there",
"MAZ (CONT'D)\n The light. It's always been there.\n It will guide you. The saber. Take\n it.\n Rey suddenly stands.",
"HAN\n He was training a new generation of\n Jedi. One boy, an apprentice turned\n against him, destroyed it all. Luke\n felt responsible... He walked away\n from everything.",
"LUKE'S LIGHTSABER FLIES FROM FINN'S HAND, THROWN TWENTY FEET!",
"MAZ\n You have one!\n He looks at her questioningly -- he's supposed to use the\n lightsaber?! He TURNS IT ON.",
"KYLO REN (CONT'D)\n That lightsaber. It belongs to me!",
"REY\n Luke.",
"I?\n\n LEIA\n Luke is a Jedi... you're his father.\n There's still light in him. I know\n it.",
"MAZ\n Rey and BB-8, they need you. Now\n go.\n\n FINN\n I need a weapon.\n Maz grabs his wrist -- holds up his hand -- THE SABER.",
"HAN\n Yes. Anything.\n Kylo Ren unholsters his lightsaber and SLOWLY EXTENDS IT to",
"HAN\n This map's not complete. It's just\n a piece. Ever since Luke disappeared,\n people have been looking for him.\n\n REY\n Why'd he leave?",
"LOR SAN TEKKA\n You may try, but you cannot deny the\n truth that is your family.\n Suddenly Kylo Ren raises his LIGHTSABER -- IGNITES IT --",
"HAN\n Yeah, I knew him. I knew Luke.\n Suddenly: a distant, METALLIC KA-CHUNK!",
"MAZ'S CASTLE - TREASURE ROOM - DAY\n Maz opens the box -- holds out the lightsaber to Finn:\n\n MAZ\n Kept it locked away.",
"CONTINUED:\n\n FINN\n He's carrying a map to Luke Skywalker.\n Yup: Han stops in his tracks.",
"HAN (CONT'D)\n ... I saw him. Leia, I saw our son.\n He was here.\n Leia hears this.\n Maz watches through the smoke.",
"FINN (CONT'D)\n You are the Han Solo that fought\n with the Rebellion. You knew him.\n The mention of Luke has really hit Han. He turns to Finn.",
"POE\n So who talks first? You talk first?\n\n KYLO REN\n The old man gave it to you.\n\n POE"
],
[
"Skywalker, the last Jedi, has been destroyed.\n With the support of the REPUBLIC, General\n Leia Organa leads a brave RESISTANCE. She is",
"REY\n The Jedi were real?",
"The Millennium Falcon RISES.\n Leia, with Poe, BB-8, and C-3PO (with his proper arm\n replaced), watches the next generation of Jedi begin her\n journey.",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"FELL AWAY. Rey falls to her knees near him, turns him over,\n sees his cauterized but possibly fatal wound.",
"HAN\n He was training a new generation of\n Jedi. One boy, an apprentice turned\n against him, destroyed it all. Luke\n felt responsible... He walked away\n from everything.",
"In response, Rey pulls something from the pack.\n\n LUKE'S LIGHTSABER.\n And she holds it out to him. An offer. A plea. The galaxy's\n only hope.",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"HAN\n There're a lot of rumors. Stories.\n The people who knew him the best\n think he went looking for the first\n Jedi temple.",
"REY\n The Force.\n Rey closes her eyes for a long beat. When Rey opens them,",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold",
"HAN (CONT'D)\n ... I saw him. Leia, I saw our son.\n He was here.\n Leia hears this.\n Maz watches through the smoke.",
"SNOKE\n ... Leading them to the last Jedi.\n If Skywalker returns, the new Jedi\n will rise.",
"Rey sits, eats like a starving child. Every last drop.\n Licks the metal plate. Looks out at the horizon. A single",
"MAZ (CONT'D)\n The light. It's always been there.\n It will guide you. The saber. Take\n it.\n Rey suddenly stands.",
"I?\n\n LEIA\n Luke is a Jedi... you're his father.\n There's still light in him. I know\n it.",
"REY (CONT'D)",
"REY (CONT'D)\n Get off. Get off! See anything?\n\n FINN\n ... Oh no.\n\n EXT. SPACE - DAY",
"It's REY who charges now -- Kylo Ren immediately on the\n defensive. They BATTLE POWERFULLY -- He is clearly rocked\n by her raw, innate skill.",
"Rey stares, knowing exactly who it is. But she just stares\n for what seems like forever. Until he finally TURNS, SLOWLY,\n to her. Pulls back his hood."
],
[
"(CONTINUED)\n\n CONTINUED:\n\n POE\n We're going back to Jakku. That's\n where.",
"FINN\n No no no! We can't go back to Jakku!\n We need to get outta this system!\n NEAR-MISS LASER BLASTS as Poe pilots aggressively.",
"Leia has sent her most daring pilot on a secret\n mission to Jakku, where an old ally has\n discovered a clue to Luke's whereabouts....",
"Unkar Plutt's meaty hand holds her thin arm. She is on Jakku,\n watching a starship fly into the sky, abandoning her.",
"EXT. JAKKU VILLAGE - NIGHT\n\n TRACK FAST with Poe as he and BB-8 hurry through the village,\n various ARMED VILLAGERS taking position, prepared to defend.",
"EXT. EDGE OF JAKKU VILLAGE - NIGHT\n\n A Stormtrooper climbs down from the cockpit of Poe's X-wing,",
"THE SANDY PLANET WHERE POE LEFT BB-8.\n\n INT. TIE FIGHTER - DAY",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold",
"INT. POE'S X-WING - DAY\n\n It's Poe Dameron at the stick of his X-wing.",
"FINN\n Poe! Poe!\n Finn scrambles over the massive dune to the TIE FIGHTER,",
"FINN\n We need to get as far away from the\n First Order as we can! We go back\n to Jakku, we die!",
"POE (CONT'D)\n This is Starkiller Base.\n This is news to many here, and they're stunned.\n\n HAN\n So it's big.",
"POE\n Come on, BB-8! Hurry!\n Poe sends BB-8 into the droid socket / co-pilot seat -- he",
"FN-2187\n I need a pilot.\n And Poe, seeing this is for real, smiles a hero's smile.\n\n POE\n We're gonna do this.",
"POE\n I can fly anything. Why, why are\n you helping me?\n\n FN-2187\n Because it's the right thing to do.",
"EXT. RISE ADJACENT TO VILLAGE - NIGHT\n\n Poe runs to an X-WING fighter, parked at a distance from the\n village, hidden behind a ROCK OUTCROPPING.",
"HAN (CONT'D)\n Where'd you get this ship?\n\n REY\n Niima Outpost.\n\n HAN\n Jakku?! That junkyard?",
"HAN\n Jakku?\n Rey looks off, in thought. Yeah, Jakku.\n\n REY\n\n (BEAT)\n I've already been away too long.",
"CAPTAIN PHASMA (CONT'D)\n Fire!\n Poe is roughly PULLED into a transport ship, the ramp LIFTS.",
"LOR SAN TEKKA\n You have to leave. Go!\n Poe turns to him. Conflicted. Finally nods, hurries off.\n BB-8 follows."
],
[
"FINN\n Damn it!\n Rey maneuvers the ship deeper into the graveyard.\n\n INT. MILLENNIUM FALCON - GUNNER POSITION - DAY",
"INT. MILLENNIUM FALCON - DAY\n\n Finn, Rey and BB-8 enter the ship -- she hits a control and\n the door DESCENDS CLOSED as she races to the cockpit:",
"HAN\n Who stole it from me! Well, you\n tell him Han Solo just stole back\n the Millennium Falcon for good.",
"REY\n I stole it from Unkar Plutt. He\n stole it from the Irving Boys, who\n stole it from Ducain.",
"HAN (CONT'D)\n Where'd you get this ship?\n\n REY\n Niima Outpost.\n\n HAN\n Jakku?! That junkyard?",
"INT. MILLENNIUM FALCON - COCKPIT - DAY\n\n Han and Rey in the seats:",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"REY\n That was lucky!\n ANOTHER CORRIDOR - Finn and Rey run towards the Falcon.\n\n INT. CARGO SHIP CORRIDOR D - DAY",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"Running inside from a parked snowspeeder, Rey opens a service\n hatch. Finn behind her, as she reaches into the mechanics",
"The Snowspeeder comes to a stop outside the structure. Finn\n and Rey stop for a moment, look to the sky: THE SUN IS NEARLY\n\n GONE.",
"FINN\n We can't outrun them!\n Rey POINTS to a parked, four-engine SHIP ahead:\n\n REY\n We might in that quad-jumper!",
"FINN\n This was a mistake!\n\n REY\n Huge!\n\n INT. CARGO SHIP CORRIDOR A - DAY",
"REY (CONT'D)\n What is it?\n Rey moves to him, peeks around a tent corner. Now Finn moves",
"FINN\n Can you unfix it?\n Rey stares at him -- and gets his plan! They head off --\n\n INT. MILLENNIUM FALCON - LOUNGE AREA - DAY",
"FINN\n The Falcon's this way.\n Finn and Rey, overcome with emotion, race through the snowy",
"REY (CONT'D)\n Get off. Get off! See anything?\n\n FINN\n ... Oh no.\n\n EXT. SPACE - DAY",
"From a distance the oscillator is ablaze and fractured from\n the explosives. Then Rey and Finn appear, coming over a\n rising, running into a bare-tree snowy forest.",
"TIGHT on Rey's face as her plan is clear. But the problem:\n between her and the ship she wants to steal, is a GROUP OF",
"CONTINUED:\n Finn and Rey, gas masks on, quickly climb into the open\n grating area."
],
[
"KYLO REN (CONT'D)\n And Han Solo. You feel like he's\n the father you never had. He would've\n disappointed you.",
"Han Solo.\n Kylo Ren reacts with subtle, but real, surprise.",
"HAN\n Ben!\n The name ECHOES as Kylo Ren STOPS, far across the vast\n catwalk. He turns.",
"HAN\n No it's not. Leave here with me.\n Come home. We miss you.\n For the first time, Kylo Ren seems truly conflicted. Tears\n flood his stoic eyes...",
"watch Ren's progress. Kylo Ren turns onto a FLAT BRIDGE\n THAT BISECTS the open space.\n Unaware of his father, Kylo Ren walks purposefully across to",
"KYLO REN\n Your son is gone. He was weak and\n foolish, like his father. So I\n destroyed him.",
"HAN\n Take off that mask. You don't need\n it.\n\n KYLO REN\n What do you think you'll see if I\n do?\n Han moves toward Kylo Ren.",
"KYLO REN\n I know what I have to do, but I don't\n know if I have the strength to do\n it. Will you help me?\n Han hears his son's voice again, pained and vulnerable.",
"CONTINUED:\n Kylo Ren hesitates to reveal the truth. Then:",
"KYLO REN (CONT'D)\n You know I can take whatever I want.\n Trepidation flashes across Rey's eyes. Kylo Ren moves closer,",
"HAN\n The face of my son.\n Kylo TAKES OFF HIS MASK. Han is JOLTED -- seeing the face\n of his son for the first time as a man.",
"HAN\n Snoke is using you for your power.\n When he gets what he wants, he'll\n crush you -- you know it's true.\n Kylo hesitates. Somehow, he does know it.",
"KYLO REN\n She's just beginning to test her\n powers. The longer it takes to find\n her, the more dangerous she becomes.\n Kylo exits.",
"KYLO REN (O.S.)\n General Hux. Is it the Resistance\n pilot?\n Hux turns: Kylo Ren enters fast, looms large, angry.",
"down into the filter.\n Han looks at his son with a tortured storm of feelings.\n WE'RE WITH KYLO REN as he resumes his hunt. He heads directly",
"KYLO REN\n She's strong with the Force, untrained\n but, stronger than she knows.\n And while Ren's mind no doubt goes to Luke:",
"KYLO REN\n Put every hangar on lock-down. She's\n going to try to steal a ship to--\n Suddenly, Kylo senses something. Something familiar.",
"Kylo Ren stops before the outraged Lor San Tekka, dwarfing\n him. Only now does it become apparent that Kylo Ren wears a",
"Kylo Ren is somehow WEAKENED by this wicked act. Himself\n horrified. His SHOCK is broken only when --",
"the opposite side. Han watches his son walk off -- the CLANK-\n CLANK of Kylo Ren's boots receding.\n This is Han's opportunity to escape but Leia's words echo"
],
[
"Rey moves into the dark, small, vaulted storage room. Old\n treasures line the floors and walls, but there is something",
"DOOR OPENS.\n Hesitant, Rey enters.\n\n INT. MAZ'S CASTLE - CRYPT ROOM - DAY",
"Though disappointed, Rey barely shows it. She nods thanks.\n Unkar pushes through his transfer drawer a SEALED PACKET:",
"REY (CONT'D)",
"Rey OPENS THE BOX and sees inside Luke Skywalker's original\n lightsaber. With hesitation, she reaches towards it, but\n she cannot resist. As her hand makes contact with it, there",
"Finn turns -- AND SEES REY, CLIMBING OUT FROM INSIDE THE\n WALL, carefully climbing back up to the main level! He can't",
"TIGHT ON REY'S FACE as she peers nervously around a corner.\n Rey runs down a long, glossy hall, taking cover in an alcove,",
"REY (CONT'D)\n What is it?\n Rey moves to him, peeks around a tent corner. Now Finn moves",
"Running inside from a parked snowspeeder, Rey opens a service\n hatch. Finn behind her, as she reaches into the mechanics",
"Rey moves to the COVERED BB-8 -- PULLS THE SACK OFF OF HIM.\n Finn cannot believe his eyes. IT'S POE'S DROID!",
"(CONTINUED)\n\n CONTINUED:\n Rey studies him. She's fearful... but curious.",
"TIGHT ON REY'S FACE as she peers nervously around a corner.\n Rey runs down a long, glossy hall, taking cover in an alcove,\n the Trooper Guard's rifle HELD TIGHT.",
"CONTINUED:\n Finn and Rey, gas masks on, quickly climb into the open\n grating area.",
"Rey is heartsick, but she turns as she hears the sound of a\n young girl in anguish, crying. She follows the sound into\n the castle, turning so she can't see that Finn has looked",
"specific Rey is drawn to: on a table, an old wooden BOX.\n She moves to it, unsure, afraid, as if an energy from inside",
"A REMARKABLE IMAGE, inside the inner workings of the base.\n Tiny by comparison, Rey climbs amid the incredible",
"her, through the tent marketplace. Rey goes after him -- he\n turns a corner -- then another -- then BAM! She's got",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"Rey arrives at a clearing. Small, modest, primitive stone\n structures. But no one around. Rey walks past them, sees,\n senses no one.",
"Rey stares, knowing exactly who it is. But she just stares\n for what seems like forever. Until he finally TURNS, SLOWLY,\n to her. Pulls back his hood."
],
[
"KYLO REN (CONT'D)\n You know I can take whatever I want.\n Trepidation flashes across Rey's eyes. Kylo Ren moves closer,",
"He is grabbed by Stormtroopers who drag him past the\n VIBRATING, FROZEN BLAST, to Kylo Ren.",
"Rey wakes, disoriented. She is in an angled, upright\n restraining rig. Looks over, startled to see Kylo Ren, mask\n in place, standing there.",
"KYLO REN\n She's just beginning to test her\n powers. The longer it takes to find\n her, the more dangerous she becomes.\n Kylo exits.",
"KYLO REN\n Where... is it?\n Poe can't take it -- he BEGINS TO SCREAM and we CUT TO:",
"his hand rising toward her. She recoils, but has nowhere to\n go. Kylo Ren nearly TOUCHES HER FACE...",
"SLOW PUSH IN ON REY, shackled, mind still racing over what's\n happened between her and Kylo Ren. She is flooded with",
"KYLO REN\n Put every hangar on lock-down. She's\n going to try to steal a ship to--\n Suddenly, Kylo senses something. Something familiar.",
"KYLO REN\n Pull the division out. Forget the\n droid. We have what we need.\n A GESTURE from Kylo Ren and REY LOSES CONSCIOUSNESS, FALLS",
"REY\n I'm not giving you anything.\n\n KYLO REN\n We'll see.\n He peers into her eyes intensely. She meets his gaze --",
"stream. Kylo Ren, taking more from her mind...\n She stares at him, TERRIFIED, straining in agony --",
"Kylo Ren stops before the outraged Lor San Tekka, dwarfing\n him. Only now does it become apparent that Kylo Ren wears a",
"KYLO REN\n The map. You've seen it.\n Rey is horrified. He TOUCHES HER FACE again: the pain, tears",
"After a beat, Rey moves forward with the blaster -- AIMS IT!\n Kylo Ren RAISES A HAND -- Rey struggles under his FORCE POWER --",
"Kylo Ren stops, considers her... then reaches up, unlatches\n and REMOVES HIS MASK. Rey reacts, stunned. It takes a moment",
"Rey is heartsick, but she turns as she hears the sound of a\n young girl in anguish, crying. She follows the sound into\n the castle, turning so she can't see that Finn has looked",
"Kylo Ren enters the cell -- we PUSH IN ON HIM as he takes in\n the empty cell -- AND IMMEDIATELY UNDERSTANDS WHAT HAS\n\n HAPPENED.",
"KYLO REN (O.S.)\n General Hux. Is it the Resistance\n pilot?\n Hux turns: Kylo Ren enters fast, looms large, angry.",
"Finn is stunned -- unprepared for this fierceness.\n Rey sees this -- Kylo Ren unleashes a MERCILESS SERIES OF",
"A massive Star Destroyer hovers over the hacked ice planet.\n\n INT. STAR DESTROYER - KYLO REN'S CHAMBERS - DAY"
],
[
"Ren gets up again but she HITS HIS SABER'S HILT -- HIS BLADE\n GOES FLYING OFF, TUMBLING INTO THE SNOW -- and she SLASHES",
"wounded, but more enraged than weakened. Kylo Ren CHARGES\n AGAIN -- their WEAPONS POUND, SPARKS FLY, their blades LOCK,",
"FELL AWAY. Rey falls to her knees near him, turns him over,\n sees his cauterized but possibly fatal wound.",
"HAN\n Yes. Anything.\n Kylo Ren unholsters his lightsaber and SLOWLY EXTENDS IT to",
"Kylo Ren is obviously hampered by his wound, yet he attacks\n with a primal SAVAGERY -- Finn BLOCKS, turning DEFENSIVE",
"It's REY who charges now -- Kylo Ren immediately on the\n defensive. They BATTLE POWERFULLY -- He is clearly rocked\n by her raw, innate skill.",
"again -- Kylo Ren moves toward her, USING HIS LIGHTSABER TO",
"KNEES BUCKLE. The blade tilts down with him... until KYLO\n REN EXTINGUISHES IT AND HAN HOLDS onto the catwalk -- his\n life slipping away.",
"Rey's heart skips a beat: she's even more scared now.\n Kylo Ren appears from behind a tree -- Rey FIRES again and",
"HIS SABER UP TO HER EYES, ILLUMINATING HER FACE.\n\n KYLO REN (CONT'D)\n Where is it?",
"And then it's gone. Adversaries again. Rey can't move,\n quietly strains in agony, trying to resist Ren's probing.",
"Finn turns to her, afraid and concerned. But the SOUND OF\n KYLO REN'S LIGHTSABER moving makes Finn TURN BACK TO KYLO",
"After a beat, Rey moves forward with the blaster -- AIMS IT!\n Kylo Ren RAISES A HAND -- Rey struggles under his FORCE POWER --",
"Finn is stunned -- unprepared for this fierceness.\n Rey sees this -- Kylo Ren unleashes a MERCILESS SERIES OF",
"FIERY LIGHTSABER! He screams and falls to the ground -- we\n FOLLOW HIM, revealing Rey again, now in a nighttime",
"VANISHES.\n Han actually smiles -- and reaches out for the dark weapon --\n but with the light now gone, KYLO REN'S EYES FILL WITH",
"SCAR SLASHED ACROSS HIS FACE! He still reaches for his saber.\n And she could kill him -- right now, with ONE VICIOUS STRIKE!",
"Finn can feel trouble coming -- and Rey begins CHARGING AT\n HIM, quarterstaff in hand.\n Realizing he's the target, Finn begins to RUN -- away from",
"Poe, RUNNING, SEES THIS AND YELLS, AIMS HIS BLASTER AND FIRES\n AT KYLO REN! Instantly:",
"CONTINUED:\n That's when KYLO REN STRIKES: HE LANDS A BLOW TO FINN'S TORSO --"
],
[
"HAN\n We lost our son, forever.\n\n LEIA\n No.\n\n (LONG BEAT)\n It was Snoke.\n Han takes this in.",
"Han Solo.\n Kylo Ren reacts with subtle, but real, surprise.",
"Han, within a foot of Han's chest. Han almost can't believe\n it. The moment seems to last forever. And just then, the",
"BALA-TIK\n Han Solo. You are a dead man.\n Han smiles innocently, friendly. BB-8 nervously looks back\n and forth at the gang, and Han.",
"HAN (CONT'D)\n Always.\n Han walks off. Finn watches him go, wracked with guilt.\n\n EXT. MAZ'S CASTLE - DAY",
"HAN (CONT'D)\n Oh great. It's the Guavian Death\n Gang -- they must've tracked us from\n Nantoon.\n Han heads off as:",
"FINN (CONT'D)\n You are the Han Solo that fought\n with the Rebellion. You knew him.\n The mention of Luke has really hit Han. He turns to Finn.",
"HAN (CONT'D)\n ... I saw him. Leia, I saw our son.\n He was here.\n Leia hears this.\n Maz watches through the smoke.",
"HAN (CONT'D)\n You know how to use one of these?\n\n REY\n Yeah, you pull the trigger.",
"FINN (CONT'D)\n Solo, what is she doing?\n\n HAN\n I don't know, but it ain't good.",
"HAN\n Take off that mask. You don't need\n it.\n\n KYLO REN\n What do you think you'll see if I\n do?\n Han moves toward Kylo Ren.",
"HAN\n Yes. Anything.\n Kylo Ren unholsters his lightsaber and SLOWLY EXTENDS IT to",
"(CONTINUED)\n\n CONTINUED:\n\n HAN\n Come on, Chewie!\n Maz turns to Finn:",
"KYLO REN (CONT'D)\n Han Solo...\n\n EXT. STARKILLER BASE - DAY",
"HAN (CONT'D)\n No, you rest.\n (To Rey and Finn)\n You want my help? You're getting",
"HAN\n That's what Snoke wants you to believe\n but it's not true. My son is alive.\n SEVERAL LEVELS BELOW them, CHEWIE comes to the rail to watch.",
"Chewie takes out the middle one with his Bowcaster. Han and\n the other two Stormtroopers OPEN FIRE, but Han's aim is true.",
"HAN\n Hey, can I try that?\n Han borrows Chewbacca's bowcaster, fires on Stormtroopers\n and sends them flying.\n\n HAN (CONT'D)",
"ON HAN'S FACE, knowing exactly what's about to happen.\n Finally, the transport door opens.\n And standing there is LEIA.",
"UP.\n\n HAN\n Quick!\n Chewie picks up his Bowcaster, Han takes the blaster. Shoots\n a Trooper."
],
[
"In response, Rey pulls something from the pack.\n\n LUKE'S LIGHTSABER.\n And she holds it out to him. An offer. A plea. The galaxy's\n only hope.",
"Rey OPENS THE BOX and sees inside Luke Skywalker's original\n lightsaber. With hesitation, she reaches towards it, but\n she cannot resist. As her hand makes contact with it, there",
"Rey arrives at a clearing. Small, modest, primitive stone\n structures. But no one around. Rey walks past them, sees,\n senses no one.",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"REY\n The Force.\n Rey closes her eyes for a long beat. When Rey opens them,",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold",
"From a distance the oscillator is ablaze and fractured from\n the explosives. Then Rey and Finn appear, coming over a\n rising, running into a bare-tree snowy forest.",
"REY (CONT'D)\n What is it?\n Rey moves to him, peeks around a tent corner. Now Finn moves",
"FINN (CONT'D)\n The First Order, they've done it.\n Where's Rey?\n\n EXT. FOREST - DAY",
"MAZ (CONT'D)\n The light. It's always been there.\n It will guide you. The saber. Take\n it.\n Rey suddenly stands.",
"her, through the tent marketplace. Rey goes after him -- he\n turns a corner -- then another -- then BAM! She's got",
"DOOR OPENS.\n Hesitant, Rey enters.\n\n INT. MAZ'S CASTLE - CRYPT ROOM - DAY",
"Built within the rock and foliage of this idyllic island are\n seemingly endless ANCIENT STONE STEPS. Rey continues to\n climb them, determined, despite her fatigue.",
"Rey races through the forest and finally comes to a stop,\n overwhelmed and exhausted. At an emotional breaking point,",
"Leia has sent her most daring pilot on a secret\n mission to Jakku, where an old ally has\n discovered a clue to Luke's whereabouts....",
"HAN\n This map's not complete. It's just\n a piece. Ever since Luke disappeared,\n people have been looking for him.\n\n REY\n Why'd he leave?",
"MAZ\n That lightsaber was Luke's. And his\n father's before him and now, it calls\n to you!\n Rey stands, fast. Still overwhelmed, emotional, speechless.",
"LEIA\n Rey.\n Rey turns around.",
"Rey is heartsick, but she turns as she hears the sound of a\n young girl in anguish, crying. She follows the sound into\n the castle, turning so she can't see that Finn has looked",
"Rey moves into the dark, small, vaulted storage room. Old\n treasures line the floors and walls, but there is something"
],
[
"In response, Rey pulls something from the pack.\n\n LUKE'S LIGHTSABER.\n And she holds it out to him. An offer. A plea. The galaxy's\n only hope.",
"Rey OPENS THE BOX and sees inside Luke Skywalker's original\n lightsaber. With hesitation, she reaches towards it, but\n she cannot resist. As her hand makes contact with it, there",
"HAN\n I know you do. That's why I'm giving\n it to you. Take it.\n Rey picks it up. Grips it.",
"MAZ\n That lightsaber was Luke's. And his\n father's before him and now, it calls\n to you!\n Rey stands, fast. Still overwhelmed, emotional, speechless.",
"MAZ (CONT'D)\n The light. It's always been there.\n It will guide you. The saber. Take\n it.\n Rey suddenly stands.",
"LEIA (CONT'D)\n May the Force be with you.\n This fills Rey up. She smiles gratefully. Rey crosses to\n the Falcon.",
"REY\n I have to get back to Jakku.\n\n MAZ\n Han told me.\n (reaches out, hold",
"MAZ\n Rey and BB-8, they need you. Now\n go.\n\n FINN\n I need a weapon.\n Maz grabs his wrist -- holds up his hand -- THE SABER.",
"Han hands Rey a blaster pistol as she stands at looks at the\n castle.\n\n HAN\n You might need this.\n\n REY\n I think I can handle myself.",
"REY\n The Force.\n Rey closes her eyes for a long beat. When Rey opens them,",
"REY\n I'm not giving you anything.\n\n KYLO REN\n We'll see.\n He peers into her eyes intensely. She meets his gaze --",
"REY\n Luke.",
"Rey is so sad for Leia, so sorry.\n The two women move for each other. And Leia takes Rey's\n face in her hands. Despite her heartbreak, she is grateful.",
"Chewie does last minute checks of the Falcon. Rey stands\n with Leia a beat and then turns to head to the Falcon. As\n Rey walks off, she hears Leia call out:",
"REY (CONT'D)",
"LEIA\n Rey.\n Rey turns around.",
"She embraces Rey. A mother's embrace.\n Rey cries, too, in this emotional first meeting.",
"HAN (CONT'D)\n No, you rest.\n (To Rey and Finn)\n You want my help? You're getting",
"REY (CONT'D)\n What is it?\n Rey moves to him, peeks around a tent corner. Now Finn moves",
"Though disappointed, Rey barely shows it. She nods thanks.\n Unkar pushes through his transfer drawer a SEALED PACKET:"
]
] |
[
"Which two characters capture the Falcon while it is in the possession of Finn, Rey, and BB-8?",
"What does Rey discover about herself that allows her to escape from Ren while he was interrogating her?",
"What is Ren's relationship to Leia Organa and Han Solo?",
"Who severely injures Finn in a lightsaber battle?",
"Which character has the missing piece of the map stored in BB-8?",
"Where is the Resistance Base that Rey, Chewbacca, and Finn return to after they destroy the Starkiller Base?",
"What is the importance of the map in this story?",
"What kind of trick does Rey use on a guard that allows her to escape?",
"How many years after the destruction of the second Death Star does this story take place? ",
"How did Finn, Rey and BB-8 get the Millennium Falcon?",
"Who is Ren's father?",
"Who is Leia Organa looking for to help her with the resistance?",
"Who fires and hits Ren after Ren kills his own father?",
"Whose death do Rey, Chewbacca and Leia mourn at the end of the story?",
"What type of planet is Luke found on?",
"Who is the leader of the Resistance?",
"Who discovers that she can use the force in the story?",
"Who did Luke's lightsaber belong to before him?",
"Who is the last remaining Jedi?",
"Why does Poe Cameron go to Jakku?",
"From where do Fin and Rey steal the Millennium Falcon?",
"Who is Kylo Ren's father?",
"What does Rey find in the vault?",
"Where does Kylo Ren take Rey when he captures her?",
"Who wounds Ren during the lightsaber duel?",
"Who kills Han Solo?",
"Where does Rey find Luke Skywalker?",
"What does Rey give Luke Skywalker?"
] |
[
[
"Han Solo and Chewbacca",
"Han Solo and Chewbacca"
],
[
"Rey learns that she is able to use the force.",
"that she can use the force"
],
[
"He is their son.",
"Their son."
],
[
"Ren",
"Kylo Ren"
],
[
"R2-D2",
"Rey."
],
[
"D'Qar",
"D'Qar"
],
[
"The map shows the location of Luke Skywalker.",
"It holds the location of Luke"
],
[
"A Jedi Mind Trick",
"Jedi mind trick"
],
[
"30 years",
"30"
],
[
"Stole it from a junkyard",
"the found it in a junk yard"
],
[
"Han Solo",
"Han Solo"
],
[
"Luke",
"her twin brother luke"
],
[
"Chewbacca",
"Chewbacca"
],
[
"Han Solo",
"Han Solo"
],
[
"An aquatic planet",
"Ahch-To"
],
[
"Leia Organa",
"Leia Organa"
],
[
"Rey",
"Rey"
],
[
"His father, Anakin Skywalker",
"His father Aniken"
],
[
"Luke Skywalker.",
"Luke Skywalker"
],
[
"To obtain a map.",
"To obtain a map to Luke's location."
],
[
"A junkyard.",
"A junkyard"
],
[
"Han Solo.",
"Han Solo"
],
[
"Luke's light saber.",
"Luke Skywalker's Ligthsaber"
],
[
"Starkiller base.",
"Starkiller Base"
],
[
"Rey.",
"Rey"
],
[
"Kylo Ren.",
"Kylo Ren"
],
[
"The planet Ahch-To",
"The planet Ahch-To"
],
[
"His lightsaber.",
"The lightsaber."
]
] |
0772d79247ec3faf8f25765d731b0310a30517ff
|
train
|
[["THE BOX. There's a shallow tray on top. In this tray: a beat-\n up passport in the (...TRUNCATED)
| ["What did the skipper of the boat find in Jason Bournes hip? ","What is the name of the CIA black o(...TRUNCATED)
| [["a tiny laser projector","A laser"],["Operation Treadstone","Treadstone. "],["Nykwana Wombosi","Wo(...TRUNCATED)
|
0d95465d9d08a01d744d71e51384f301b5fd1b0f
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train
|
[["at Saddle Meadows, and came to be bartered away by the servants of\nSaddle Meadows. Enough, that (...TRUNCATED)
| ["Where is Saddle Meadows located?","Who is Isabel's brother?","What is in the vial that Isabel carr(...TRUNCATED)
| [["Upstate New York","New York"],["Pierre","Pierre"],["poison","Secret poison"],["Isabel and Pierre"(...TRUNCATED)
|
1225b1acc92c2554e91c09639f86c1d75f8e9161
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train
|
[["We found \"Jennifer Eight.\" At least,\n we've found a headless and handle(...TRUNCATED)
| ["What find led to the reopening of the case of the murdered girl named Jennifer?","What leads the d(...TRUNCATED)
| [["Finding a severed hand at the dump","a severed hand found in a garbage bag at the dump."],["Wear (...TRUNCATED)
|
18264a6652a30bf237730ce768fb270ddf575ac9
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train
|
[["OUISA\n But we had promised Paul that we would\n bring him to the police. We to(...TRUNCATED)
| ["Who shows up at Ouisa and Flan's home?","What type of socialite is Ouisa considered?","Where do Ou(...TRUNCATED)
| [["Paul.","Paul."],["Fifth avenue socialite.","Fifth Avenue"],["Harvard and Groton.","Harvard and Gr(...TRUNCATED)
|
1c2beb941aa7e22acbbf8ce285e0a999d27a493b
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train
|
[["Amy looks at Marla. She looks deader then ever. She chants\n with the others. Winter holds the(...TRUNCATED)
| ["What do the cult Amy investigates call themselves?","Who is the leader of the cult?","What type of(...TRUNCATED)
| [["The Deaders","the Deaders"],["Winter LeMarchand","Winter LeMarchand"],["Necromancy","Necromancy."(...TRUNCATED)
|
23a2429513ec7b1bc1e372d190ac897180a1bb60
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train
|
[["Juliana, she had seen and handled the papers and (even though she was\nstupid) some esoteric know(...TRUNCATED)
| ["Does Julianna come forward with the papers the narrator is looking for?","How does the main charac(...TRUNCATED)
| [["She denies that they exist. ","No."],["Miss Tita, the woman he agreed to woo while trying to gain(...TRUNCATED)
|
295d5533ffd87d5ff68f51902e13559bac902085
|
train
|
[["which I might hang a reason for beating it to Europe. There's\nsomething doing there. Nearly ever(...TRUNCATED)
| ["What war is Europe on the verge of as the story begins?","With which nation does Barney forge a di(...TRUNCATED)
| [["World War I","World War 1"],["Serbia","Serbia"],["He is thought to be a spy","being mistaken for (...TRUNCATED)
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3008d5b4f1072a80665533c5bfe7416e18693846
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train
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[["CRISTINA (CONT'D)","CRISTINA (CONT'D)","Standing in a nicely decorated middle class restaurant,\n(...TRUNCATED)
| ["What nationality is Cristina's mother?","What position does Flor Moreno apply to for the Clasky fa(...TRUNCATED)
| [["Mexican.","Mexican"],["Nanny.","The nanny."],["Alcoholism.","Alcoholism"],["John.","John"],["$640(...TRUNCATED)
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361364f57460139410c4130a1e7a58caf152c2bd
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train
|
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